The Next Boston Band by Michael Fertik
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Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Reel-To-Real: Intimate Audio Epistolarity During the Vietnam War Dissertation Presented in Partial Fulfillment of the Requireme
Reel-to-Real: Intimate Audio Epistolarity During the Vietnam War Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alan Campbell, B.A. Graduate Program in Music The Ohio State University 2019 Dissertation Committee Ryan T. Skinner, Advisor Danielle Fosler-Lussier Barry Shank 1 Copyrighted by Matthew Alan Campbell 2019 2 Abstract For members of the United States Armed Forces, communicating with one’s loved ones has taken many forms, employing every available medium from the telegraph to Twitter. My project examines one particular mode of exchange—“audio letters”—during one of the US military’s most trying and traumatic periods, the Vietnam War. By making possible the transmission of the embodied voice, experiential soundscapes, and personalized popular culture to zones generally restricted to purely written or typed correspondence, these recordings enabled forms of romantic, platonic, and familial intimacy beyond that of the written word. More specifically, I will examine the impact of war and its sustained separations on the creative and improvisational use of prosthetic culture, technologies that allow human beings to extend and manipulate aspects of their person beyond their own bodies. Reel-to-reel was part of a constellation of amateur recording technologies, including Super 8mm film, Polaroid photography, and the Kodak slide carousel, which, for the first time, allowed average Americans the ability to capture, reify, and share their life experiences in multiple modalities, resulting in the construction of a set of media-inflected subjectivities (at home) and intimate intersubjectivities developed across spatiotemporal divides. -
L'interférence Musicale Au Cinéma, À La Télévision Et Dans Le Jeu Vidéo
Université de Montréal L’interférence musicale au cinéma, à la télévision et dans le jeu vidéo par Andréane Morin-Simard Département d’histoire de l’art et d’études cinématographiques Faculté des arts et des sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade de Maître ès arts (M.A.) en études cinématographiques Août, 2014 © Andréane Morin-Simard, 2014 Résumé L’omniprésence de la musique populaire dans le paysage médiatique contemporain fait en sorte qu’il est fréquent de retrouver la même chanson dans plusieurs trames sonores. En s’appuyant sur des théories de l’intertextualité et de la communication, ce mémoire cherche à définir la relation qui s’établit entre deux ou plusieurs oeuvres narratives et / ou interactives partageant une chanson, ainsi qu’à appréhender les effets de ces recontextualisations multiples sur l’expérience spectatorielle et vidéoludique. Le premier chapitre examine les principales fonctions narratives et ludiques de la musique à l’aide d’une synthèse des principaux travaux sur la musique de film, de télévision et de jeu vidéo. Le deuxième chapitre interroge la notion de référence dans le contexte des usages répétés d’une même chanson populaire. Le concept d’interférence musicale est proposé à partir de différentes déclinaisons du terme « interférence » issues des travaux de Michel Serres, Sébastien Babeux et Philip Tagg. Les assises théoriques sont appliquées à l’analyse des trajectoires médiatiques respectives de deux chansons aux chapitres trois et quatre. La figure du réseau est finalement déployée afin d’illustrer la complexité des relations entre les œuvres intégrant une même chanson à leur mise en scène. -
2015 Golden Ear Award Recipients
A Mirror and Focus for the Jazz Community April 2016 Vol. 32, No. 4 EARSHOT JAZZSeattle, Washington 2015 Golden Ear Award Recipients Photo by Daniel Sheehan Front Row: Gregg Belisle- Chi, Ruby Bishop, D’Vonne Lewis, Josh Rawlings Second Row: Jovino Santos Neto, Randy Halberstadt, Emmanuel Leonard, Michael Brockman Back Row: Eugenie Jones, Raymond Larsen passIngs International Jazz/ Giant / Ernestine/ / Anderson / November 11, 1928 – March 10, 2016 Born in Houston, Texas, interna- World: Portraits of Black Women Who tional jazz great Ernestine Anderson Changed America, alongside Rosa passed away peacefully on March 10, Parks, Coretta Scott King, Sarah surrounded by her family in Seattle Vaughn, Oprah Winfrey, and others. where she had resided since the age of 16. “Ernestine was mother of Seattle’s Anderson’s career began in the early soul music,” said Congressman Jim 1940s, though she had begun to sing McDermott. “Mississippi had BB along with Bessie Smith records at King and Seattle had Ernestine An- age 3. Equally gifted at singing up- derson. Ernestine’s legacy remains beat, spirited blues, big band/swing, unmatched in Seattle’s music scene. and jazzy pop, her early career led She was a dear friend and will be her to sing alongside Russell Jacquet, greatly missed.” PHOTO BY KIP LOTT Eddie Heywood, Shifty Henry, and Anderson created many memora- Hospital and the Rise n’ Shine Foun- Johnny Otis. By the 50s, Anderson ble moments around the world and dation. had become a prominent jazz stylist in Seattle. She performed a tribute Performing with and mentoring performing with Lionel Hampton on to Ella Fitzgerald at Carnegie Hall, young musicians was a true passion the New York Club scene. -
UNIVERSITY of CALIFORNIA, SAN DIEGO Asian
UNIVERSITY OF CALIFORNIA, SAN DIEGO Asian American and African American Masculinities: Race, Citizenship, and Culture in Post -Civil Rights A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Phil osophy in Literature by Chong Chon-Smith Committee in charge: Professor Lisa Lowe, Chair Professor Takashi Fujitani Professor Judith Halberstam Professor Nayan Shah Professor Shelley Streeby Professor Lisa Yoneyama This dissertation of Chong Chon-Smith is approved, and it is acceptable in quality and form for publication on microfilm: __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ __________________________________________________ Chair University of California, San Diego 2006 iii DEDICATION I have had the extraordinary privilege and opportunity to learn from brilliant and committed scholars at UCSD. This dissertation would not have been successful if not for their intellectual rigor, wisdom, and generosity. This dissertation was just a dim thought until Judith Halberstam powered it with her unique and indelible iridescence. Nayan Shah and Shelley Streeby have shown me the best kind of work American Studies has to offer. Their formidable ideas have helped shape these pages. Tak Fujitani and Lisa Yoneyama have always offered me their time and office hospitality whenever I needed critical feedback. -
HENRY and LEIGH BIENEN SCHOOL of MUSIC SPRING 2017 Fanfare
HENRY AND LEIGH BIENEN SCHOOL OF MUSIC SPRING 2017 fanfare 124488.indd 1 4/19/17 5:39 PM first chair A MESSAGE FROM THE DEAN One sign of a school’s stature is the recognition received by its students and faculty. By that measure, in recent months the eminence of the Bienen School of Music has been repeatedly reaffirmed. For the first time in the history of the Van Cliburn International Piano Competition, this spring one of the contestants will be a Northwestern student. EunAe Lee, a doctoral student of James Giles, is one of only 30 pianists chosen from among 290 applicants worldwide for the prestigious competition. The 15th Van Cliburn takes place in May in Ft. Worth, Texas. Also in May, two cello students of Hans Jørgen Jensen will compete in the inaugural Queen Elisabeth Cello Competition in Brussels. Senior Brannon Cho and master’s student Sihao He are among the 70 elite cellists chosen to participate. Xuesha Hu, a master’s piano student of Alan Chow, won first prize in the eighth Bösendorfer and Yamaha USASU Inter national Piano Competition. In addition to receiving a $15,000 cash prize, Hu will perform with the Phoenix Symphony and will be presented in recital in New York City’s Merkin Concert Hall. Jason Rosenholtz-Witt, a doctoral candidate in musicology, was awarded a 2017 Northwestern Presidential Fellowship. Administered by the Graduate School, it is the University’s most prestigious fellowship for graduate students. Daniel Dehaan, a music composition doctoral student, has been named a 2016–17 Field Fellow by the University of Chicago. -
September 2013 Get Ready to ROCK
Playlists July 2013 – September 2013 Get Ready to ROCK! Playlist 307 Date: SUNDAY JULY 7 2013 TIME: 22:00-00:00 120:00 ARTIST TITLE ALBUM/YEAR TIME 1. TRUCKER DIABLO When It’s Gonna Rain Songs Of Iron (2013) 4:34 2. ANVIL Call Of Duty Hope In Hell (2013) 4:00 3. KILLSWITCH ENGAGE Always Single (2013) 4:33 4. OLI BROWN Stone Cold Songs From The Road 5:01 (2013) 5. THE RIDES Can’t Get Enough Of Losing Can’t Get Enough (2013) 6:12 You 6. JONNY LANG Blew Up Fight For My Soul (2013) 4:40 7. ANDY FRASER Beautiful Single (2013) 4:07 8. JULIA FORDHAM If Only I Swept Deluxe Edition 3:44 (2013) 9. JUDY DYBLE Beautiful Child (Freya’s Song) Flow And Change (2013) 3:12 10.. BLACKMORE’S NIGHT The Last Leaf Dancer And The Moon 4:14 (2013) 11. LAWLESS Black Widow Ladies Rock Savage (2013) 5:05 12. ATTICA RAGE Long Ride Home Single (2013) 5:25 13. AIRBOURNE No One Fits Me (Better Than Black Dog Barking (2013) 3:06 You) 14. RED HOT CHILLI PIPERS Sweet Dreams Breathe (2013) 2:39 15. STEVE HILLAGE Hurdy Gurdy Man Live In England 1979 (2013) 7:25 16. SWEET Love Is Like Oxygen Live At The Marquee (2013) 8:54 17. REUBEN ARCHER’S Ace Cafe Personal Sin (2013) 5:31 PERSONAL SIN 18. NIGHTBLADE Closer To The Threshold Closer To The Threshold 5:46 (2013) 19. BENESSER Signs Of Time The Start Of Something 3:17 New (2013) 20. -
Willy Deville Crow Jane Alley - Pistola Mp3, Flac, Wma
Willy Deville Crow Jane Alley - Pistola mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Crow Jane Alley - Pistola Country: Germany Released: 2013 MP3 version RAR size: 1551 mb FLAC version RAR size: 1667 mb WMA version RAR size: 1166 mb Rating: 4.7 Votes: 650 Other Formats: MPC DXD AHX MP4 DTS MIDI DMF Tracklist 1 Chieva 2 Right There, Right Then 3 Downside Of Town 4 My Forever Came Today 5 Crow Jane Alley (For Jack) 6 Muddy Waters Rose Out Of The Mississippi Mud 7 Come A Little Bit Closer 8 Slave To Love 9 Don't Have A Change Of Heart 10 Trouble Comin' Everyday In A World Gone Wrong 2-1 So So Real 2-2 Been There Done That 2-3 When I Get Home 2-4 Louise 2-5 The Band Played On 2-6 You Got The World In Your Hands 2-7 I Remember The First Time 2-8 Stars That Speak 2-9 I'm Gonna Do Something The Devil Never Did 2-10 The Mountains Of Manhattan Notes An Eagle Records Release Other versions Category Artist Title (Format) Label Category Country Year Crow Jane Alley - Pistola ER203392 Willy Deville Eagle Records ER203392 US 2013 (2xCD, Comp) Related Music albums to Crow Jane Alley - Pistola by Willy Deville Noel Crow's Jazzmen - Something To Crow About Bad Town Blues - Down In The Alley Wooden Wand & The Vanishing Voice - Michel's Portal And Crow Jane Variations Willy DeVille - Angel Eyes Alley High - World Wide / Voo Doo Crow - Mosaic by Crow Willy DeVille - The Berlin Concerts 2002 The Bug Alley Band, Diane Tell - The Bug Alley Band / Diane Tell King's Alley Band - King's Alley / Grasshopper Skittle Alley - Skittle Alley. -
MINIMUM BOD = € 5.00 / US$ 5.75 = MINIMUM BID a CD's
Full CD’s, if not noted otherwise (number of tracks 0229 Allstar Records Best of, 1953-64 - Red Mansel, Hank Mizell, Link Davis, Larry mentioned) - Volledige CD’s, tenzij anders Butler, Eddie Noack, Earl Aycock, Johnny Bush Chief 7700 CD-R 25tr Zz 0230 Almanac Singers Their Complete General Recordings - Woody Guthrie, aangegeven (aantal tracks wordt vermeld). CD's Pete Seeger, Lee Hays, Millard Lampell & Pete Hawes MCA 11499 96 14tr Zz US releases, if not noted otherwise - pr = promo 0231 ~ Songs of Protest + Bess Hawes, Arthur Stern Prism Leisure 704\UK 01 29tr Zz 0232 Dick van Altena Novemberwind - Nederlandse liedjes Inlok 115\NL 14 14tr Ss MINIMUM BOD = € 5.00 / US$ 5.75 = MINIMUM BID 0233 Dave Alvin Museum of Heart HighTone 8049 93 13tr Zz’ I do not sell illegal copies, only record company or artist releases. Some small labels 0234 ~ Ashgrove (d) YepRoc 2075 04 10tr Zz’ and many artists produce & copy their limited editions as CD-Rs. I will identify 0235 ~ King of California HighTone 8054 94 13tr Zz such CD’s as CD-Rs (with sealed CD’s I do not always know). 0236 ~ Blue Blvd HighTone 8029 91 11tr Zz Ik verkoop geen illegale kopieën, alleen uitgaven van platenmaatschappijen of artiesten. 0237 ~ West of the West (d) YepRoc 2118 06 13tr Zz’ Sommige kleine labels en veel artiesten produceren hun kleine oplagen als CD-Rs. 0238 ~ Every Night About This Time Line 9.00334\D 87 11tr Zz Achter zulke CD’s staat CD-R (bij verzegelde CD’s is het niet altijd duidelijk). -
Special Issue on Blues Power
DEDICATED TO THE NEEDS OF THE MUSIC/RECORD INDUSTRY ONE DOLLAR 917006 4111/3000MA 1101.1 0A1E113SNnS d s3/7s 0(714 cnino;orb:; izt38 FEBRUARY 13, 1971 WHO IN THE WORLD -11 Z-Z At Right, Ron Alexenburg, VP, Columbia Custom Labels, And Steve Tyrell, President Of New Discery New Design Records Being Distributed By Columbia. Story Inside. PICKS OF THE WEEK co cn us 5th DIMENSION, "LOVE'SLINES, ANGELS AND ANN PEEBLES, "I PITY THE FOOL" (Lion,BMI). 2BARBRA STREISAND, "STONEY END."Barbra _1 RHYMES" (April,ASCAP). Now that The gal who did so well in all mar- Streisand,undertheguidanceofproducer 0 CL "One Less Bell" has been resound- kets with "Part Time Love" sounds c0Richard 1/1 Perry,hasjoinedherconsiderable ingly answered, the group is start- likeshe has another winner. She zEJvocalforce with thoseof some tastyrock ing astring of hits with thisin- shines on her version of this Bobby musicians and expert young songwriters (like Cl)w tense new one. Songisrightin BlueBlandstandard witha few Nilsson, Newman and Nyro) for an absolutely their established groove. Bell 965. funky touches of her own. Hi 2186 gorgeous album of pop -rock singing.Breath- (London). taking. Columbia KC 30378. B. J. THOMAS, "NO LOVE AT ALL" (Rose Bridge/ 0.V. WRIGHT, "WHEN YOU TOOK YOUR LOVE BILL COSBY, "WHEN I WAS A KID." Bill Cosby, Press, BMI). B.J. continues to stay FROM ME" (Don, BMI). Wright proved like many another comedian before him, has on top with his mixture of country - himself capable of coming through been called "the funniest man alive." Well,if teepterflavored soul and drive. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
String Beings Being Reel Mp3, Flac, Wma
String Beings Being Reel mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Being Reel Country: US Released: 2001 Style: Bluegrass MP3 version RAR size: 1170 mb FLAC version RAR size: 1129 mb WMA version RAR size: 1867 mb Rating: 4.2 Votes: 558 Other Formats: MPC AA MP3 APE VQF WAV ASF Tracklist 1 Bei Mir Bis Du Schoen 2:47 2 Bull At The Wagon 3:07 3 Flying Home To Shelley 3:04 4 Napoleon Crossing The Rhine/Blue Eagle/Lady Of The Lake 4:48 5 Athole Highlander Breakdown 3:49 6 Sara Armstrong/Booth Shot Lincoln/Carpathian Tune 5:25 7 Jacksonville Beach 4:08 8 Darkness On The Delta 5:15 9 Big Guitar Riff/Drowsy Maggie 3:46 10 Liza Jane 4:13 11 Seneca Square Dance/Kentucky Mandolin 3:48 12 Road To Boston/Waiting For Nancy/Crook Brothers/Crow Creek 6:19 13 Viva El Westside/Rhon Des Voyageurs 3:53 14 John Brown's Dream 2:47 15 Hohreela Soszna Palala 1:43 16 Are You Trippin' Maggie 3:36 Companies, etc. Phonographic Copyright (p) – Time Being Productions – none Copyright (c) – Time Being Productions – none Recorded At – Whitewater Recordings Credits Engineer – Adam Greenberg Notes The String Beings are: Laurie Fisher, Tom Troszak, Art Shuster, Cailen Campbell Barcode and Other Identifiers Barcode: 7 03034 00052 6 Related Music albums to Being Reel by String Beings Willy Deville - Crow Jane Alley - Pistola Drowsy Maggie - One For The Pot Maggie Ryder - Maggie Ryder Double Eagle String Band - Who's Goin' Down To Town? Indian Creek Delta Boys - Indian Creek Delta Boys The Fireside String Band - Square Dance Tunes For A Yankee Caller Westside - Love Really Hurts Without You Erskine Hawkins And His Orchestra - Riff Time Kenny Roberts - I Never See Maggie Alone Raymond Fairchild And The Maggie Valley Boys - Raymond Fairchild And The Maggie Valley Boys.