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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
WESTFIELD LEADER the Leading and Moat Widely Cireutated Weekly Newspaper in Union County M O •
,"••*,: •;c.V-'-rig|^Hf 0*- TJ1 : i -•".''•.^:'>;V 'V. "•• " • WESTFIELD LEADER The Leading and Moat Widely Cireutated Weekly Newspaper In Union County m o •- Sacond Obuu P»Uo P»liJ l'ubllshod 24 Pafirea—15 Cents f > •£ g] VENTH YEAR — NO- '48 at .Wutfleld, N. J. WESTFIELD, NEW JERSEY, THURSDAY, JUNE 23, 1977 Every Thursday x idyers' Appeal 578 Graduate from WHS Donna Anthony and Leonard Shen were Postponed 'til July recognized as the top students among five who Hearing on a Community for the building of the council which they felt was achieved perfect 4.0 Players, appeal to permit clubhouse extension which discriminatory to their averages at Westfield High the local theater group to contains a theater. operation. School during com- . hold more than four Area residents on a Also postponed, before of mencement exercises productions a year at its number of occasions have a lengthy zoning board Tuesday night. The other clubhouse at 1000 North Ave. expressed concern over agenda, was the appeal by three are Nancy Chapman, was held over to the July parking and traffic, noise Frank J. and Theresa M. Susan Grausam and Jeanne 18 meeting of the Board of and other factors connected Cardillo for permission to Steele. Adjustment at a meeting with the theate's operation, install a below ground pool Diplomas were awarded Monday of the zoning board: and last year the Players at 1101 Wychwood Rd. to 578 seniors by Clark S. The Players were themselves appeared before Scheduled for a fourth Leslie, president of the restricted to the four the Town Council to object hearing next month was Westfield Board . -
Artiest Titel Nummer 10.000 Maniacs Because the Night
ARTIEST TITEL NUMMER 10.000 MANIACS BECAUSE THE NIGHT KAR 09-084 10.000 MANIACS LIKE THE WEATHER KAR 09-083 10.000 MANIACS MORE THAN THIS KAR 09-082 10.000 MANIACS TROUBLE ME KAR 09-081 10 CC DONNA KAR 09-017 10 CC DREADLOCK HOLIDAY KAR 09-016 10 CC I'M MANDY KAR 09-015 10 CC I'M NOT IN LOVE KAR 09-014 10 CC RUBBER BULLETS KAR 09-013 10 CC THE THINGS WE DO FOR LOVE KAR 09-012 10 CC WALL STREET SHUFFLE KAR 09-011 10 YEARS THROUGH THE IRIS TH 06-382 11:30 OLE OLE KK 06-008 112 DANCE WITH ME KAR 09-075 112 IT'S OVER NOW KAR 09-074 112 PEACHES AND CREAM KAR 09-073 1910 FRUITGUM CO SIMON SAYS SF 028-010 2 BE 3 AUCUNE FILLE AU MONDE FR-192 2 BE 3 PARTIR UN JOUR FR-193 2 BE 3 TOUJOURS LA POUR TOI FR-185 2 EVISA OH LA LA LA SF 114-010 2 LIVE CREW DOO WAH DIDDY KAR 09-070 2 LIVE CREW ME SO HORNY KAR 09-069 2 LIVE CREW WE WANT SOME PUSSY KAR 09-068 2 PAC CALIFORNIA LOVE SF 049-004 2 PAC CHANGES KAR 09-066 2 PAC UNTIL THE END OF TIME KAR 09-065 2 UNLIMITED NO LIMITS KAR 09-064 20 FINGERS SHORT DICK MAN KAR 09-063 21ST CENTURY GIRLS 21ST CENTURY GIRLS SF 140-010 3 DOORS DOWN AWAY FROM THE SUN KAR 09-062 3 DOORS DOWN BE LIKE THAT RM-009 3 DOORS DOWN DUCK AND RUN KAR 09-060 3 DOORS DOWN HERE WITHOUT YOU SPC 20-001 3 DOORS DOWN KRYPTONITE KAR 09-059 3 DOORS DOWN LANDING IN LONDON TH 06-253 3 DOORS DOWN WHEN I'M GONE SPC 20-002 ARTIEST TITEL NUMMER 3 OF HEARTS ARIZONA RAIN KAR 09-019 3 OF HEARTS LOVE IS ENOUGH KAR 09-057 3 OH! 3 & KATE PERRY STARSTRUKK SF 286-011 3 SL TAKE IT EASY KAR 09-056 30 SECONDS TO MARS KINGS AND QUEENS SF MW 920- 007 30 SECONDS -
To Read the Entire Review!
14 PAGE VINYL SECTION SEE ~ COMPETITION WIN A YAMAHA RX-V567 AV RECEIVER WORTH £400! ELAC BS 243 Ext;''\Js\V\~t (UK ONLY) loudspeakers VINYL SECTION • • 1510 Tony Bolton casts his gaze at the new Sutherland 20/20 phono stage ... couple of months ago I that concept as literally as having casework, to minimise any risk of mentioned that I like to two completely separate units, each interference with the signal carrying approach a review with having its own separate power lead, circuitry (or as the manual puts it, as little prior knowledge and whose only connections to each "on your car the gas (petrol) cap of the product as pos- other are the lid and front and back is very near the gas tank. It is not sible. Unfortunately in this panels of the casework which houses located at the opposite end of the case that was not possible. To start them. Sutherland refer to this as 'two car"). This is the fourth phono stage with there was a great big stars and mono'. that Sutherland have made, and it is stripes flag, and the logo 'Made in the The casework is reassuringly claimed to build on the knowledge USA' on the box, and I happen to substantial, a lot of the I lib (5kg) gained in making the battery know that designer Ron Sutherland weight being accounted for by the powered PHD, PH3D and Hubble has a long standing presence in the 14 gauge cold rolled steel chassis, units.The idea being to provide an hi-fi industry, being one half of the and the 112 inch thick anodised AC powered unit that behaves like partnership that created the Martin aluminium front panel. -
Renaissance – Delane Lea Studios 1973
Renaissance – DeLane Lea Studios 1973 (51:16, CD, Purple Pyramid Records, 1973 / 2015) Ursprünglich handelte es sich bei den hier auf CD veröffentlichten Aufnahmen von Renaissance um einen Radiomitschnitt, der bereits in der Vergangenheit mehrfach als Bootleg kursierte. Inwieweit das in Los Angeles ansässige Reissue Label Purple Pyramid Records (veröffentliche in der Vergangenheit u.a. Nektar, Greenslade, Amon Düül II) nun der rechtmäßige Besitzer der Aufnahmen ist, bleibt etwas im Dunkeln. Zwar findet sich auf der Renaissance-Webseite bisher kein Hinweis auf diesen Tonträger, andererseits kann man aber über diverse Internetkanäle das Album ganz offiziell erwerben und es ist auch eine weitere Liveaufnahme „Academy Of Music“ von der ’74er Tour angekündigt. Vielleicht wurde auch ganz einfach die Gunst der Stunde genutzt, um im Rahmen der anstehenden Live-Aktivitäten der Band etwas Geld – von wem und für wenn auch immer – in die Kassen zu spülen. Genug der Mutmaßungen, ab zur Musik. Dieser Live-Mitschnitt entstand 1973 in den DeLane Lea Studios in London, einer Lokation, in der die Band bereits im gleichen Jahr das damals aktuelle Album „Ashes Are Burning“ aufnahm, welches aber auch von Künstlern wie The Beatles, Jimi Hendrix, Queen oder Pink Floyd genutzt wurde. Da man sich aus verschiedenen Gründen dagegen entschied auf Tour zu gehen (u.a. wg. der damalige Ölkrise), lud man kurzerhand die nächsten Freude ein und spielte einfach einen knapp 51-minütigen Gig Live im Studio, welcher auch bei der BBC gesendet wurde. Als Gäste traten zudem bei „Ashes Are Burning“ die mit der Band befreundeten Andy Powell (Wishbone Ash) und Singer / Songwriter Al Stewart (u.a. -
To Rock Or Not Torock?
v7n3cov 4/21/02 10:12 AM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV V OLUME 7, NUMBER 3 Exclusive interview with Tom Conti! TOTO ROCK ROCK OROR NOTNOT TOROCK?TOROCK? CanCan youyou smellsmell whatwhat JohnJohn DebneyDebney isis cooking?cooking? JOHNWILLIAMSJOHNWILLIAMS’’ HOOKHOOK ReturnReturn toto NeverlandNeverland DIALECTDIALECT OFOF DESIREDESIRE TheThe eroticerotic voicevoice ofof ItalianItalian cinemacinema THETHE MANWHO CAN-CAN-CANCAN-CAN-CAN MeetMeet thethe maestromaestro ofof MoulinMoulin Rouge!Rouge! PLUSPLUS HowardHoward ShoreShore && RandyRandy NewmanNewman getget theirs!theirs! 03> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n3cov 4 /19/02 4 :29 PM P age c2 composers musicians record labels music publishers equipment manufacturers software manufacturers music editors music supervisors music clear- Score with ance arrangers soundtrack our readers. labels contractors scoring stages orchestrators copyists recording studios dubbing prep dubbing rescoring music prep scoring mixers Film & TV Music Series 2002 If you contribute in any way to the film music process, our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service throughout the year. Film & TV Music Summer Edition: August 20, 2002 Space Deadline: August 1 | Materials Deadline: August 7 Film & TV Music Fall Edition: November 5, 2002 Space Deadline: October 18 | Materials Deadline: October 24 LA Judi Pulver (323) 525-2026, NY John Troyan (646) 654-5624, UK John Kania +(44-208) 694-0104 www.hollywoodreporter.com v7n03 issue 4/19/02 3:09 PM Page 1 CONTENTS MARCH/APRIL 2002 cover story departments 14 To Rock or Not to Rock? 2 Editorial Like it or hate it (okay, hate it), the rock score is Happy 70th, Maestro! here to stay. -
THESIS Gender and Sexuality in Hard Rock
GGeennddeerr aanndd SSeexxuuaalliittyy iinn HHaarrdd RRoocckk aanndd iittss SSuubb GGeennrreess An analysis of image, queerness and the femme fatale idea in glam, sleaze, hair metal and related genres Vanessa Floréal Promoter: Prof. Dr. Gert Buelens Master English 2009-2010 Ghent University The image above represents the much talked-of American hard rock band KISS in the company of their so beloved women. Acknowledgements I would like to show my gratitude to professor Gert Buelens for his interest in my subject matter, his suggestions and the very useful feedback that I have got over the last few months. Without his support this dissertation would not have been possible. I also want to thank Ruben De Baerdemaeker for sharing his thoughts on my ‘pretty glam boys’ and discussing Butler’s Gender Trouble with me. ‘Tack så mycket’ to Lisbeth Hellman for helping me out with Freudian and Lacanian theories. I also want to thank Bob Ruysschaert from the KULeuven and Aurora Van Hamme for their comments and advice . Many thanks also go to librarian Mario Floryn from the department of Art, Music and Theatre Sciences at the UGent. I want to thank my friends Sjar and Staffan for their support, and Jon for transcribing some song lyrics for me. Last but not least I thank Liz from Leaded Fuel and Autostrada Outlaws, G.A. Sinn from Cyanide 4, Lizzy from Lizzy Borden and all the guys from Frenchkiss for talking about their music with me. You guys rock hard! 2 Table of Contents: 0. Introduction 4 1. Gender and Normativity 8 a. -
Joe Satriani 與steve Vai 的神乎其技(陳友信-陳彥皓-林忠村
投稿類別:藝能類 篇名: Joe Satriani 與 Steve Vai 的神乎其技 作者: 陳友信。市立高雄高工。資訊二甲 陳彥皓。市立高雄高工。資訊二甲 林忠村。市立高雄高工。資訊二甲 指導老師: 許靖卿 老師 PDF created with pdfFactory trial version www.pdffactory.com Joe Satriani 與 Steve Vai 的神乎其技 壹●前言 一、研究背景 在時代的進步下,現代人的生活充斥許多壓力,其中與人們生活息息相關的 音樂,總是帶給人許多不同感覺,有些音樂甚至帶給人舒服感,並有助於紓解壓 力。其中,高亢響亮的電吉他聲音吸引了我們,它所彈撥出來的不同的旋律帶領 我們走入不同的音樂世界,高低的音階帶領我們體會不同的風格感受,因此我們 想一探電吉他音樂大師獨創的特色與音樂學問。 二、研究目的 在台灣,電吉他演奏曲的觀眾似乎不多,但在許多地方卻能見到這類型的音 樂是多麼地流行,電吉他演奏曲不只餘音繞樑,更是許多電吉他手訓練自己演奏 能力的好教材。希望藉由本文的引薦,讓這類音樂在台灣展開一股新潮。 三、研究方法 因為此類型的作品甚多,所以我們以世界知名度較高的兩位電吉他手做為主 題,先介紹兩位大師的基本資料與經歷,其次以兩位電吉他大師的音樂做為分析 與討論的重點,再結合世人對此類型音樂的評比,最後提出我們的感受與心得, 並推薦幾首音樂讓大家嘗試聆聽。 除了非常喜愛這類型的音樂,也因為本組組員有接觸樂器的緣故,我們希望 能將自己對電吉他演奏曲的認知與看法融合網路與書籍的資料來分析與討論,讓 人們對這一片不熟悉的領域有初步的認識。 四、研究步驟 我們先在書籍與網路資訊中尋找兩位大師的基本資料與經歷,並蒐集他們有 何不同的創意作風。接著尋找兩位大師的音樂作品,並且分析其音樂主奏、背景 旋律與節奏的不同,記錄歌曲帶給我們的感受;由搜索網路其它歌迷對這首歌曲 的評價加以比較;最後將較受歡迎與悅耳動聽的歌曲記錄並推薦。 貳●正文 一、兩位電吉他大師的基本資料與經歷 1 PDF created with pdfFactory trial version www.pdffactory.com Joe Satriani 與 Steve Vai 的神乎其技 (一)、吉他手中的吉他手─Joe Satriani Joe Satriani,出生於1956年7月15日,美國多 樂器演奏家,以彈奏電吉他聞名,早期為Kirk Hammett和Steve Vai的吉他教師,因獨特的吉他技 巧而聲名大噪! Joe Satriani 受 Beatles 的影響,他開始學鼓, 14 歲因為 Jimi Hendrix 之死而放棄學鼓改學吉 他,並組了 Tarsus 樂團。 1983年發行了自己錄的專輯「Joe Satriani」。 1986年,Relativity唱片公司發行他的第一張 專輯「Not of This Earth」。 圖一、吉他巫師─ Joe Satriani 1987年,Joe Satriani發行了「Surfing with the Alien」之後才名聲遠播,並取得一 張金唱片,這是第一次吉他手僅憑演奏音樂不唱歌而獲得金唱片。 「1988年,被滾石樂隊的米克·賈格爾在第二次個人巡迴時聘為主吉他手。」( 註 一 ) 1990年,利用搖桿與泛音等技巧演奏出Flying in a Blue Dream 。 「1994年,擔任深紫的主吉他手。」(註二) 其風格主要受到藍調搖滾吉他的影響,不 過仍創造了他自己易辨的演奏風格。 1988年,Joe Satriani開始使用他的代言吉他,Ibanez JS系列,該系列在商店銷 售成績不錯。 -
Los Músicos Presentarán Canciones De Su Más
10515465 05/21/2005 10:53 p.m. Page 3 ESPECTÁCULOS | DOMINGO 22 DE MAYO DE 2005 | EL SIGLO DE DURANGO | 3B El quinteto británico ha marcado la diferencia en su género por varias décadas. SUCESO | VOCALISTA ORIGINAL DEL GRUPO BRITÁNICO HA VUELTO Judas Priest viene a México Los músicos Discografía presentarán Judas Priest se ha consolidado como uno de los grupos históricos del canciones de su más metal debido a la gran demanda de sus materiales discográficos. reciente álbum, ■ “Live in London” ■ “Defenders of the faith” “Angel of retribution” ■ “Demolition” ■ “Screaming for vengeance” ■ “The best of Judas Priest - ■ “Point of entry” living after midnight” ■ “British steel” NOTIMEX ■ “Live meltdown” ■ “Unleashed in the east” ■ “Jugulator” ■ “Stained class” MÉXICO, DF.- El legendario gru- ■ “Metal works 73-93” ■ “Hell bent for leather” po británico Judas Priest, con- ■ “Painkiller” ■ “Sin after sin” siderado uno de los más influ- ■ “Ram it down” ■ “Sad wings of destiny” yentes en la historia del metal, ■ “Turbo” ■ “Rocka rolla” actuará en los escenarios mexi- FUENTE: Investigación de El Siglo de Durango. canos el 3 de septiembre próxi- mo acompañado por su vocalis- ta original Rob Haldford. considerado el padre del me- desde el aspecto musical has- La agrupación originaria tal, Judas Priest toma enton- ta el atuendo de los pantalo- de Birmingham, Reino Uni- ces el papel de “padrino del nes de cuero y estoperoles. do, presentará en vivo los metal”, pues fue quien inven- Después de que Rob temas de su disco de estudio tó el ataque sonoro a dos gui- Haldford anunció que se reti- más reciente “Angel of re- tarras, al cual le añadió el ele- raba del grupo vinieron años tribution”, que marcó el re- mento de la velocidad. -
I Love Metal Press Release.Docx
Tony Iommi/Black Sabbath and Judas Priest backs #ILoveMetal – The world’s biggest ever metal-music charity prize draw. Visit - www.ilovemetal.co.uk Donated by international metal-music industry heavyweights such as Black Sabbath, Judas Priest, Nuclear Blast, My Dying Bride, Laney, Epiphone, Earache, Sony/BMG, Razamataz, PRS Guitars, Live Nation/Download, 5BAM, Bravado, and UK Metal Merger resulting in nine incredible bundles, with over 1,000 items of ‘money-can’t-buy’ metal memorabilia, merchandise and rarities - #ILoveMetal is the world’s biggest ever metal-music charity prize draw. In partnership with Julie Weir/Music For Nations – the #ILoveMetal collection was collated by the UK Metal Merger ‘In Solitude’ single supergroup collaboration, again with the motivation of raising funds for the Stagehand Charity. Stagehand is the only UK charity that specifically helps music stage and road crew, and is dedicated to providing severe-hardship funding and mental health support for live events industry workers. The #ILoveMetal campaign is critical to supporting the ‘behind the scenes’ workers in the live music industry that, right now, are in crisis. Without them there won't be a live events industry, even when covid restrictions are lifted. Whilst providing the opportunity to win money-can’t-buy prizes, #ILoveMetal is a way for the metal community to come together to support live music (a cause very dear to our hearts and ears!) giving back to the people who make these life-affirming events happen. This is not an auction! It is a series of prize draws for each available bundle. With an auction, only fans with the deepest pockets get involved, whereas with a prize draw the whole international metal community can participate through £5 entries via the #ILoveMetal Crowdfunder page. -
The Acoustic City
The Acoustic City The Acoustic City MATTHEW GANDY, BJ NILSEN [EDS.] PREFACE Dancing outside the city: factions of bodies in Goa 108 Acoustic terrains: an introduction 7 Arun Saldanha Matthew Gandy Encountering rokesheni masculinities: music and lyrics in informal urban public transport vehicles in Zimbabwe 114 1 URBAN SOUNDSCAPES Rekopantswe Mate Rustications: animals in the urban mix 16 Music as bricolage in post-socialist Dar es Salaam 124 Steven Connor Maria Suriano Soft coercion, the city, and the recorded female voice 23 Singing the praises of power 131 Nina Power Bob White A beautiful noise emerging from the apparatus of an obstacle: trains and the sounds of the Japanese city 27 4 ACOUSTIC ECOLOGIES David Novak Cinemas’ sonic residues 138 Strange accumulations: soundscapes of late modernity Stephen Barber in J. G. Ballard’s “The Sound-Sweep” 33 Matthew Gandy Acoustic ecology: Hans Scharoun and modernist experimentation in West Berlin 145 Sandra Jasper 2 ACOUSTIC FLÂNERIE Stereo city: mobile listening in the 1980s 156 Silent city: listening to birds in urban nature 42 Heike Weber Joeri Bruyninckx Acoustic mapping: notes from the interface 164 Sonic ecology: the undetectable sounds of the city 49 Gascia Ouzounian Kate Jones The space between: a cartographic experiment 174 Recording the city: Berlin, London, Naples 55 Merijn Royaards BJ Nilsen Eavesdropping 60 5 THE POLITIcs OF NOISE Anders Albrechtslund Machines over the garden: flight paths and the suburban pastoral 186 3 SOUND CULTURES Michael Flitner Of longitude, latitude, and -
Black Sabbath the Complete Guide
Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N.