Central Florida Future, Vol. 23 No. 68, July 24, 1991

Total Page:16

File Type:pdf, Size:1020Kb

Central Florida Future, Vol. 23 No. 68, July 24, 1991 University of Central Florida STARS Central Florida Future University Archives 7-24-1991 Central Florida Future, Vol. 23 No. 68, July 24, 1991 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 23 No. 68, July 24, 1991" (1991). Central Florida Future. 1075. https://stars.library.ucf.edu/centralfloridafuture/1075 0 ( ") ( () . Future© Volume 23, Number 68 Serving The University of Central Florida Since 1968 Wedne~day July 24, 1991 Students will pay more ,., for delaying registration by Tom Kopacz The new late fees will be set student regent Ross Wolf used ) l CENTRAL FLORIDA FUTURE between $50 and $100 each, de­ a procedural trick to get them pending on the school. Previ­ off a blanket approval list. Students who wait to regis­ ously, a blanket fee of $25 was The board had placed the fee ter until the last minute or assessed. increases on its consent agen­ don't pay their fees on time will The fees at UCF will be $50 da, meaning they would have have to shell out more money for late registration and $50 for been passed with little debate. beginning in the fall. late payment. The new fees are Wolf, a UCF graduate stu­ Wolf worked with the Flori­ Wolf also tried to return the The Board of Regents voted not in the current schedule of dent, placed the increases on da Student Association's Coun­ financial aid fee to $1.40 per June 27 to impose higher, sep­ classes. the action agenda for further cil of Presidents to attempt to hour because the Legislature arate fees on students who reg­ The B 0 R also agreed to discussion. lower .the fees and did get a had increased the state student ister or pay their-fees late. charge a transcript fee to stu­ He said the new late fees are compromise on the transcript financial aid fund earlier this The B.OR also approved a dents who request- more than seen as an incentive to register fee. year: new transcript fee and a high­ five transcripts. early. Originally, students would However, his motion was de­ er financial aid fee. ·Each of the nine state uni­ ''They [the other board mem­ have been charged up to $5 per feated when none of the other The BOR's actions came at versities may set its own fee bers] felt that the $25 fee was transcript requested. regents seconded it. the close of a fiscal year which up to $5. not a large enough deterrent," Wolf said he has heard that DiBona said he plans to saw approximately $4 million The financial aid fee was he said. the University of Florida may meet with UCF Registrar John cut from UCF's budget. also increased 20 cents per Half of the late fees would not charge a transcript fee. _ Bush, Interim UCF President 0 Student body President Jas­ credit hour to $1.60 per hour. go to the Incidental Trust Fund, ''They think it might be too Robert Bryan and Dr. John on DiBona called the increases The BOR discussed the in­ with the rest being retained by much of a hassle administra­ quite unexpected. -creases for over an hour after the university. tively," he said. see FEES page 3 UCF gets high-tech . computer software ) ., The $25,000 computer package Alias will be used to teach 30 animation by Rebecca Falcon don't offer, however, the major CENTRAL FLORIDA FUTURE advantage is that Alias is wide­ •, ly used in the work force and The UCF Institute for Sim­ when our students graduate, ulation and Training now has they will be trained to use it," -, ~ the same software used to cre­ she said. ate the T-1000 in ''Terminator The software was donated 2" and the water creature in by Alias Incorporated, a Tor.on­ ''The Abyss." to based..company. The maker of the software "I've been trying for months gave IST the $250,000 pack- to get the software donation but. age. it wasn't until Image Resourc­ This package, Alias, is a two es, a local computer vendor, fold system that has a three stepped in, that we got the do­ dimensional modeling and ani­ nation," Morie said. mation package and a two di­ Eric Smith, vice-president of mensional high quality print Image Res0urces, said Image used for advertising. The Alias Resources had·a two fold plan system will be used by students for their involvement in the do­ who are majoring· in film ani­ nation. mation. "Uµiversities usually get "Students will be required to equipment that is ten years be­ take a class offered through the hind the times, and with the Film Department before they Alias software system it gives - can use 'Alias," said Jaquelyn students a chance to learn on Laura werderit:t:NTRAL FLORIDA FUTURE Ford Morie, who teaches class- state of the art equipment," - GIMMIE A BREAK . es in film and ·animatiop. Smith said . Tracy Andrachick, an education major, waits in line to register. Advanced registration started July 15 "This class will cover 3D He also said that because the and ends July 24. Andrachick registered July 17. Students can also register over the phone. computer animation tech­ students are being trained on niques and applications, teach Alias Image Resources his com­ students to model and animate pany, as well as other compa­ on a high-end animation sys­ nies, will be able to find trained tem and be required to produce people once these students have UCF.helps mother of murdered boy short, finished co.mputer ani­ graduated. Morie said the new software by Jennifer Burgess stepfather, Robert Votaire. The are all responsible for each oth­ mations," Morie said. Students are required to system will give students a STAFF REPORTER stepfather said he killed his son er in some way," s·aid Lee Ray­ chance to practice with their because he didn't want his wife am, assistant of special pro­ have Intermediate Computer Animation and/or permission of creativity. When Lee Rayam, an em­ to return the boy to his birth grams in undergraduate the instructor. "Our goal is to train students ployee of UCF, ·heard about a father in New York. studies. Morie said the Alias system not so they will oe able to work "The mother, who has two Rayam decided to start a tragedy in the commw:iity, he will round out the film depart­ in Hollywood, but to train them did something about it. younger children, has suffered program to help the distraught ment. to be innovators so they can be David Votaire, a five year old enough. I wanted to do some­ "Alias has some features the next Steven Speilberg," Mo­ thing for this family. I feel we see RAY AM page 4 boy, was recently killed by his that other software packages rie said. •• 2 The Central Florida Future July 24, 1991 •• Jhe Budweiser •• e1iine lctMtil'i Page. • • •• King of Beers Che~kers! This game is played the same as Puzzles and Beer! We've cut up this familiar beverage ... ordinary checkers except that one player uses Bud bottle caps, the other uses caps label into seven pieces. See if you can fit the pieces back together so ., from an ordinary beer. The Bud player has a decided advantage, as his pieces are that they can reveal the name of this popular product. automatically kings. The loser has to buy more Bud. .. •• •• •• •• Hydraulic Flow Quiz! (1) There are 12 ounces of beer in a Bud Longneck. If the beer is chilled to 50 degrees Fahrenhei4 with an ambient temperature of 88 degrees Fahrenhei4 and you hold the bottle at a 45-degree angle, at sea level, with an atmospheric pressure of 15 p.s.i., how long will it take to empty the bottle? (Answer .below.) ' . State Caoital Quiz! (2) Can you name a state where Budweiser isn'tthe best-tasting beer? (Answer below.) • • • • • • • . • • • • • • • • • • • Baseball 'Di.via! (3) If you can answer even one of the following, • you qualify as a Sports genius! A. What was Babe Ruth's hat size? B. Dizzy Dean • once struck .out 17 Cubs in one game. Name those Cubs. C. In 1919 Eddie • Ciccotti pitched for a notorious World Series contender. Who were they and why were tl)ey notorious? D. How many stitches in an American League baseball? How many in a National League baseball? E. Whafs the best b~er to.have while watching a game? (Answers below.) ·a){of ou s1 SJlp pm '.Ias1aMpng: ·a ·iv aas) iunoJ oi A.mm 001 ·a ·sa1Jas PPOM atg.. .. MaJtp A.aq1 ·xos ai11.1M o'aBJJqJ aq1 ':J :rap1aH l.JCll lap1aH JaiuaJ '.Iap1aH · lq~ 'mwaseg p.1£ 'doisuoqs 'mwaseg puz 'uewaseg is1 laqJlBJ '.1aq::>l!d ·a ·aZJS peaq s1q SB ClUIBS "\f (£ 'ClM p1noJ lCllp1ClN (z ·.r-eaA. SJlp'UOpBJBA moA. Cl){Bl Ol m1d noA. .1aAa.1aqM lO ffE?MBH lO BJUlOJ!IBJ UJ All Ol lUClUlpadxa iea~ B 3){11 spunos (I :SJa.MSU\f PLEASE RECYCLE OUR ALUM INUM CANS BUOWEISEF!®•KIHO Of BEERS®-0 1987 ANHEUSER-BUSCH , INC.•ST. LOUIS. MO RYAN FISH WAYNE DENSCH 380-0064 851-7100 The Central Florida Future July 24, 1991 3 • _ Police News ' _ • From.
Recommended publications
  • Songwriter Symposium
    The Texas Songwriters Association Presents 15th Annual SONGWRITER SYMPOSIUM JANUARY 9 – 13, 20 Holiday Inn Midtown Austin, Texas www.austinsongwritersgroup.com ASG SONGWRITER SYMPOSIUM 2019 SCHEDULE WEDNESDAY, JANUARY 9, 2019 5:00 – 6:30 PM Symposium Registration (Magnolia Room) Walk Up Registration & Pre-Registration Check In: 1. Pick Up Schedule and Wrist Bands 2. Sign Up for the One-On-One with Publisher of Your Choice 3. Sign Up for the One-On-Ones with the music industry professionals ( writers, publicists, lawyers, producers, performance coach, etc. ) 4. Sign up for showcases 6:30 PM: Kick Off Party Meet and Greet! 7:00 – 8:00 PM: Open Mic In The Round 8:00 – 9:15 PM PUBLISHERS PANEL Music Publishers Bobby Rymer, Jimmy Metts, Sherrill Dean Blackman, Steve Bloch, and Antoinette Olesen kick off Symposium 2019 by leading this panel discussing current trends in music publishing. 7:00 – 8:00 PM: Open Mic In The Round 10:00 PM - Midnight SONG PICKING CIRCLES After the Music Publishing Panel, grab your instruments and circle for the opening night song picking circles. THURSDAY, JANUARY 10, 2019 9:00 AM Symposium Registration (Magnolia Room) Walk Up Registration & Pre-Registration Check In: 1. Pick Up Schedule and Wrist Bands 2. Sign Up for the One-On-One with Publisher of Your Choice 3. Sign Up for the One-On-Ones with the music industry professionals ( writers, publicists, lawyers, producers, performance coach, etc. ) 4. Sign up for showcases PUBLISHERS PANEL (HILL COUNTRY BALL ROOM) This is an introduction to the publishers. They will tell you a little about themselves, and some of the things they are currently working on.
    [Show full text]
  • Reel-To-Real: Intimate Audio Epistolarity During the Vietnam War Dissertation Presented in Partial Fulfillment of the Requireme
    Reel-to-Real: Intimate Audio Epistolarity During the Vietnam War Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alan Campbell, B.A. Graduate Program in Music The Ohio State University 2019 Dissertation Committee Ryan T. Skinner, Advisor Danielle Fosler-Lussier Barry Shank 1 Copyrighted by Matthew Alan Campbell 2019 2 Abstract For members of the United States Armed Forces, communicating with one’s loved ones has taken many forms, employing every available medium from the telegraph to Twitter. My project examines one particular mode of exchange—“audio letters”—during one of the US military’s most trying and traumatic periods, the Vietnam War. By making possible the transmission of the embodied voice, experiential soundscapes, and personalized popular culture to zones generally restricted to purely written or typed correspondence, these recordings enabled forms of romantic, platonic, and familial intimacy beyond that of the written word. More specifically, I will examine the impact of war and its sustained separations on the creative and improvisational use of prosthetic culture, technologies that allow human beings to extend and manipulate aspects of their person beyond their own bodies. Reel-to-reel was part of a constellation of amateur recording technologies, including Super 8mm film, Polaroid photography, and the Kodak slide carousel, which, for the first time, allowed average Americans the ability to capture, reify, and share their life experiences in multiple modalities, resulting in the construction of a set of media-inflected subjectivities (at home) and intimate intersubjectivities developed across spatiotemporal divides.
    [Show full text]
  • Alive Enterprises
    American Management 19948 Mayall St. All Chatsworth, Ca 91311 Music Manager Phone: 818-993-9943 Fax: 818-993-6459 Email: [email protected] * Contact: Jim Wagner Artistic Control 1350 Spring Street NW Atlanta, GA 30309 Phone: 404-733-5511 Hip Hop R&B Fax: 404-733-5512 Music Manager Contact: Luci Raoof - Credits: Bow Wow, Da Brat, Jermaine Dupri, Chante Moore Artist Consultants Productions, Inc. 5743 Corsa Ave Ste. 108 West Lake Village, CA 91362 Country Phone: 818-889-9110 Music Manager Fax: 818-889-4710 Email: [email protected] No Unsolicited Material Accepted Contact: Lou Robin * Credits: Johnny Cash Aubrey Francis Ready Or Not Productions 800 Huey P. Long Avenue Music Manager Gretna, LA 70053 - Phone: 504 368 1029 Fax: 504 368 1999 Credits: Juvenile Azoff Music Management 1100 Glendon Ave. Ste. 3000 Los Angeles, CA 90024 Urban, Rock, Pop, Country Phone: 310-209-3100 Music Manager Contact: Irene Fukunaga, Irving Azoff, Susan Markheim, Jude Cole, John Baruck, No Unsolicited Material Accepted * Credits: Paula Cole, Baby Face, Velvet Revolver Christina Aguilera, DJ Quick, the Back Street Boys, Jodeci, Baby Avnet Management 4111 West Alemeda Avenue Suite 410 Burbank CA 91505 Music Manager Phone 818 260 9101 - Fax 818 260 9107 [email protected] Credits: Josh Grobin Barbra Baker Management 1346 Masseline Ave. Los Angeles, CA 90019 All Genres Phone: 323-939-9964 * Fax: 323-931-3273 Email: [email protected] Back Stage Ent. 2630 Atlantic Ave. Ste C Long Beach CA 90806 All Genres Phone: 310 325 2800 * Fax: 310 427 7333 Contact:
    [Show full text]
  • The Apprenticeship of Duddy Kravitz Had Been a Popular Movie, with Richard Dreyfuss Playing a Jewish Nerd
    Begin Reading Table of Contents About the Author Photos Copyright Page Thank you for buying this Henry Holt and Company ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on Lenny Kravitz, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. For my mother I can’t breathe. Beneath the ground, the wooden casket I am trapped in is being lowered deeper and deeper into the cold, dark earth. Fear overtakes me as I fall into a paralytic state. I can hear the dirt being shoveled over me. My heart pounds through my chest. I can’t scream, and if I could, who would hear me? Just as the final shovel of soil is being packed tightly over me, I convulse out of my nightmare into the sweat- and urine-soaked bed in the small apartment on the island of Manhattan that my family calls home. Shaken and disoriented, I make my way out of the tiny back bedroom into the pitch-dark living room, where my mother and father sleep on a convertible couch. I stand at the foot of their bed just staring … waiting.
    [Show full text]
  • The Next Boston Band by Michael Fertik
    The Next Boston Band by Michael Fertik “Good Morning, Boston! It’s one minute past the hour, and you are listening to the Sunday Morning Zoo with Elephant-Man and Danny on 95.3-The BOX, Boston’s Critical Hit Rock! Very exciting news, Danny. It is official: Steve Tyler of Aerosmith and Ric Ocasek of The Cars are winging their way into town this afternoon to emcee the kick off of the Battle of the Bands at the Lansdowne Street Music Hall tomorrow night.” “Is that right, Elephant-Man? This news came out of nowhere!” “Yes! Mayor Menino will be joining our show tomorrow afternoon. He has officially made the Battle of the Bands part of his new Boston Revolution Month, which is highlighting all the great things about Boston. Boston is a rock and roll town, but it has been a particular sore point with this mayor—and a large number of our city’s residents, let me tell you—that we have had no big bands, no really big bands, come out of Boston since the 80’s. We have great clubs in this town, and great talent, but no one has broken out like Aerosmith or The Cars. Now things are looking up. The Mayor is out to change all that. Tyler and Ocasek, two hardcore Boston natives, have been talking about doing something to restore Boston’s rock-ominance for years now, so the Mayor invited them back to Boston to judge the Battle of the Bands this year. Well, they’ve gone and turned the dial up a few notches themselves and made this into a huge deal.
    [Show full text]
  • Why Did Marc Anthony Divorce Dayanara Torres
    Why Did Marc Anthony Divorce Dayanara Torres blameablySolid and substantiated and obsesses Pryce his cabriole. always tautologisingMinutely Dickie supposedly sometimes and chaptalize purports anyhis calumets.filioque freckling Filarial viperously.and hooked Hansel always warred Child support modification based on the plugins have not confirm if you know about anthony amidst her needs a vacation budget and anthony dayanara torres marc anthony was much luck and Meghan Markle Expecting Baby No. You are my girl. This value can be changed to use a custom variable name. No thanks, return to homepage. Anthony has been married three times: to Dayanara Torres, then to Jennifer Lopez, and most recently to Shannon De Lima. Daniel Gillies shares first photo with his new girlfriend Julia Misaki. El karma existe y puede ser implacable y en el divorcio de Marc Anthony con la ex Miss Mundo Dayanara Torres, López tuvo mucho que ver. Billboard latin american singer marc anthony dayanara torres is marc deeply and dayanara torres marc anthony are calculated using racial slur on what they have a famous object of. Maybe Nick Cannon and Mariah Carey will stay together. Segment snippet included twice. The I Need to Know singer regained his single status this week after a judge signed off on his third divorce, and according to TMZ. You mean the very pretty and talented Jennifer Gardner? Dayanara Torres, Actress: Hataw na. Benny Medina being back in her life that this is all a coincidence. Noting to see here! Game of the Gens: They complement each other and have the same. Cardi b tries as only tmz can.
    [Show full text]
  • The Socio-Political Influence of Rap Music As Poetry in the Urban Community Albert D
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2002 The socio-political influence of rap music as poetry in the urban community Albert D. Farr Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the African American Studies Commons, American Popular Culture Commons, and the Poetry Commons Recommended Citation Farr, Albert D., "The ocs io-political influence of rap music as poetry in the urban community" (2002). Retrospective Theses and Dissertations. 182. https://lib.dr.iastate.edu/rtd/182 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The socio-political influence of rap music as poetry in the urban community by Albert Devon Farr A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Program of Study Committee Jane Davis, Major Professor Shirley Basfield Dunlap Jose Amaya Iowa State University Ames, Iowa 2002 Copyright © Albert Devon Farr, 2002. All rights reserved. 11 Graduate College Iowa State University This is to certify that the master's thesis of Albert Devon Farr has met the thesis requirements of Iowa State University Signature redacted for privacy Signature redacted for privacy Signature redacted for privacy Signature redacted for privacy Ill My Dedication This Master's thesis is dedicated to my wonderful family members who have supported and influenced me in various ways: To Martha "Mama Shug" Farr, from whom I learned to pray and place my faith in God, I dedicate this to you.
    [Show full text]
  • Attila Szalay
    JOHN SIMMONS, ASC DIRECTOR OF PHOTOGRAPHY I.A.T.SE. LOCAL 600 WCP FEATURES ASUNDER New Millennium Prod: Dick Atkins, Martin C. Jones Dir: Tim Reid 3 STRIKES Absolute/MGM Prod: Julio Caro, Benny Medina Dir: D.J. Pooh THE DINNER Acorn Productions Prod: Paula Rowan, Richard Rowan Dir: Bernie Casey ONCE UPON A TIME… Bet Pictures Prod: Butch Lewis, Tim Reid Dir: Tim Reid WHEN WE WERE COLORED THE SHOW Savoy Pictures Prod: Stan Nathan, Robert Kenneally Dir: Brian Robbins TELEVISION THE EXPANDING UNIVERSE OF Netflix Prod: David Kendall, Seth Kurland, Dir: Various ASHLEY GARCIA (Season 1) Mario Lopez FAMILY REUNION (Season 1) Netflix Prod: Meg DeLoatch, Robert West Dir: Various NO GOOD NICK (Season 1) Netflix Prod: Jim Kukucka, Pixie Wespiser Dir: Various PRINCE OF PEORIA (Season 1) Netflix Prod: Devin Bunje, Jim Kuckucka, Nick Stanton Dir: Various ROSEANNE (Revival Series) ABC Prod: Bruce Helford, Whitney Cummings Dir: John Pasquin NICKY, RICKY, DICKY & DAWN (Seasons 1-4) Nickelodeon Prod: Michael Feldman, Matt Fleckenstein, Dir: Various *2016 Primetime Emmy for Outstanding Cinematography for a Multi-Camera Series Barbara Brace RAVEN’S HOME (Season 1) Disney Channel Prod: Jed Elinoff, Raven Symone, Scott Thomas Dir: Bob Koherr *2017 NAACP Award for Outstanding Children’s Program I DIDN’T DO IT (Season 2) Disney Channel Prod: Bob Lottersein, Judd Pillot, Leo Clarke Dir: Various BUZZY’S (Pilot) Warner Horizon/TBS Prod: David Kohan, Max Mutchnick, Dir: Jaime Widdoes Steve Sandoval DOG WITH A BLOG (Pilot & Seasons 1-3) Disney Channel Prod: Michael
    [Show full text]
  • Production Notes
    PRODUCTION NOTES “This city, this whole country, is a strip club. You’ve got people tossing the money, and people doing the dance.” – Ramona Inspired by true events, HUSTLERS is a comedy-drama that follows a crew of savvy strip club employees who band together to turn the tables on their Wall Street clients. At the start of 2007, Destiny (Constance Wu) is a young woman struggling to make ends meet, to provide for herself and her grandma. But it’s not easy: the managers, DJs, and bartenders expect a cut– one way or another – leaving Destiny with a meager payday after a long night of stripping. Her life is forever changed when she meets Ramona (Jennifer Lopez), the club’s top money earner, who’s always in control, has the clientele figured out, and really knows her way around a pole. The two women bond immediately, and Ramona gives Destiny a crash course in the various poses and pole moves like the carousel, fireman, front hook, ankle-hook, and stag. Another dancer, the irrepressible Diamond (Cardi B) provides a bawdy and revelatory class in the art of the lap dance. But Destiny’s most important lesson is that when you’re part of a broken system, you must hustle or be hustled. To that end, Ramona outlines for her the different tiers of the Wall Street clientele who freQuent the club. The two women find themselves succeeding beyond their wildest dreams, making more money than they can spend – until the September 2008 economic collapse. Wall Street stole from everyone and never suffered any consequences.
    [Show full text]
  • View the Summer 2019 Watermark University Catalog
    20Su1mmer S9emester MAY THROUGH AUGUST Hello and thank you for your interest in Watermark University! The foundation of Watermark University (WU) is to provide meaningful opportunities to learn, teach and grow, and achieve an overall feeling of well-being. Research shows that learning and keeping our mind active and sharp supports healthy aging. At Watermark Retirement Communities® we are committed to encouraging our residents and associates to lead balanced lives, full of meaning and purpose, grounded in self-awareness and infused with curiosity. Our Watermark University courses help achieve this goal. By focusing on the Seven Dimensions of Well-being: Physical, Social, Intellectual, Spiritual, Emotional, Environmental, and Vocational we offer the opportunity to achieve a balanced life and we see the benefits across the country in every class, every day. Sincerely, Benny Medina Community Life Director Watermark University Courses COURSES FACULTY DAY AND TIME LOCATION Theatrical Improvisation Last Sunday of the and Fundamentals of David Z. Multi-Purpose Room Month • 3:30pm Character Development Explore the Elements of improv in our introductory course. You will learn some of the core fundamentals and principles of improv, focusing on various games and exercises that encourage trust, communication, agreement (“yes and”); active listening, character, status, and making your scene partner look good. This class is great for actors and non-actors alike interested in exploring the concepts of improv in a fun and welcoming environment. One Sunday a Month • Opera Film Exposé Gladys W. Multi-Purpose Room 2:00pm Gladys has volunteered her premiere collection of Opera Film Performances for this Watermark University culture course.
    [Show full text]
  • 2017-Symposium-Program
    The Texas Songwriters Association Presents The 13th Annual Songwriter Symposium January 11-15, 2017 Holiday Inn Midtown Austin, Texas www.austinsongwritersgroup.com 2017 Schedule WEDNESDAY, JANUARY 11, 2017 3:00 PM Symposium Registration (Magnolia Room) Drop by Registration to pick up your Access Lanyard, schedules and to sign up for your One-On-One Publisher Pitch, and One-On-One appointments with various music industry professionals. 7:30 PM Kick Off Party & Song Contest 2016 Awards Show (Hill Country Ballroom) Open to public and there is no charge for this event. We will be announcing the winners for the 2016 Song Contest. Please join us in as we meet the writers of the songs and hear some great music. After this event the song circles will begin so bring your instruments (HILL COUNTRY BALLROOM) THURSDAY, JANUARY 12, 2017 9:00 AM Symposium Registration (Magnolia Room) *Pre-Registered Check In & Walk Up Registration for Conference *Pick Up Schedule and Access Lanyard *Sign Up for the One-On-One with Publisher of Your Choice *Sign Up for the One-On-Ones with the music industry professionals *Sign up for showcases Bobby Rymer and Steve Bloch - SONG CRITIQUES THAT MATTER (Hill Country Ballroom) ---What do Publishers look for in a writer? ---Is YOUR song really ready for a publisher or producer to hear? ---What do you need to know to become a better songplugger for your own songs? This conversation will unfold through the process of having your song critiqued by TWO highly successful, high- profile veteran Nashville song pluggers. Together, BOBBY RYMER and STEVE BLOCH have over 50 years of experience, working in the trenches, pitching to the power players of Music Row.
    [Show full text]
  • Foley Rebecca IM 2016 Maste
    “Crazy B****”: Discriminatory Language, Radio Censorship, Regulation, and Enforcement Policies in Canada by Rebecca Irene Marie Foley A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN COMMUNICATION AND CULTURE YORK UNIVERSITY TORONTO, ONTARIO April 2016 Rebecca Irene Marie Foley, 2016 Abstract This thesis focuses on the censorship, or lack thereof, of discriminatory language on Canadian radio stations. In addition to purely discriminatory based language, this project also investigated the ways in which race, gender, sexuality, and ability were employed in popular music. Two data sets were analysed qualitatively and quantitatively to find that private and public radio stations in Canada are more likely to censor discriminatory or explicit content than their community station counterparts. Further, discriminatory language based on gender, is not only more likely to be contained in popular music, but it is also less likely to be censored in comparison to language based on racial or sexual orientation based discrimination. The first data set included 485 songs from the Billboard Hot 100 charts between 1985 and 2015. The second data set included 2818 songs from a six-month period (May-October 2015) of the top twenty charts from 27 different radio stations in Canada, including private, public, and community stations. Keywords: radio; broadcast policy; discrimination; popular music; Canada; ii Acknowledgements I wish to thank everyone who had a hand in helping me shape this thesis. From deep class discussions to small conversations outside of an academic environment, each interaction I had talking about my research helped me to refine, explain, and get my thoughts on paper in a relatively coherent way.
    [Show full text]