Central Florida Future, Vol. 23 No. 68, July 24, 1991
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Songwriter Symposium
The Texas Songwriters Association Presents 15th Annual SONGWRITER SYMPOSIUM JANUARY 9 – 13, 20 Holiday Inn Midtown Austin, Texas www.austinsongwritersgroup.com ASG SONGWRITER SYMPOSIUM 2019 SCHEDULE WEDNESDAY, JANUARY 9, 2019 5:00 – 6:30 PM Symposium Registration (Magnolia Room) Walk Up Registration & Pre-Registration Check In: 1. Pick Up Schedule and Wrist Bands 2. Sign Up for the One-On-One with Publisher of Your Choice 3. Sign Up for the One-On-Ones with the music industry professionals ( writers, publicists, lawyers, producers, performance coach, etc. ) 4. Sign up for showcases 6:30 PM: Kick Off Party Meet and Greet! 7:00 – 8:00 PM: Open Mic In The Round 8:00 – 9:15 PM PUBLISHERS PANEL Music Publishers Bobby Rymer, Jimmy Metts, Sherrill Dean Blackman, Steve Bloch, and Antoinette Olesen kick off Symposium 2019 by leading this panel discussing current trends in music publishing. 7:00 – 8:00 PM: Open Mic In The Round 10:00 PM - Midnight SONG PICKING CIRCLES After the Music Publishing Panel, grab your instruments and circle for the opening night song picking circles. THURSDAY, JANUARY 10, 2019 9:00 AM Symposium Registration (Magnolia Room) Walk Up Registration & Pre-Registration Check In: 1. Pick Up Schedule and Wrist Bands 2. Sign Up for the One-On-One with Publisher of Your Choice 3. Sign Up for the One-On-Ones with the music industry professionals ( writers, publicists, lawyers, producers, performance coach, etc. ) 4. Sign up for showcases PUBLISHERS PANEL (HILL COUNTRY BALL ROOM) This is an introduction to the publishers. They will tell you a little about themselves, and some of the things they are currently working on. -
Reel-To-Real: Intimate Audio Epistolarity During the Vietnam War Dissertation Presented in Partial Fulfillment of the Requireme
Reel-to-Real: Intimate Audio Epistolarity During the Vietnam War Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alan Campbell, B.A. Graduate Program in Music The Ohio State University 2019 Dissertation Committee Ryan T. Skinner, Advisor Danielle Fosler-Lussier Barry Shank 1 Copyrighted by Matthew Alan Campbell 2019 2 Abstract For members of the United States Armed Forces, communicating with one’s loved ones has taken many forms, employing every available medium from the telegraph to Twitter. My project examines one particular mode of exchange—“audio letters”—during one of the US military’s most trying and traumatic periods, the Vietnam War. By making possible the transmission of the embodied voice, experiential soundscapes, and personalized popular culture to zones generally restricted to purely written or typed correspondence, these recordings enabled forms of romantic, platonic, and familial intimacy beyond that of the written word. More specifically, I will examine the impact of war and its sustained separations on the creative and improvisational use of prosthetic culture, technologies that allow human beings to extend and manipulate aspects of their person beyond their own bodies. Reel-to-reel was part of a constellation of amateur recording technologies, including Super 8mm film, Polaroid photography, and the Kodak slide carousel, which, for the first time, allowed average Americans the ability to capture, reify, and share their life experiences in multiple modalities, resulting in the construction of a set of media-inflected subjectivities (at home) and intimate intersubjectivities developed across spatiotemporal divides. -
Alive Enterprises
American Management 19948 Mayall St. All Chatsworth, Ca 91311 Music Manager Phone: 818-993-9943 Fax: 818-993-6459 Email: [email protected] * Contact: Jim Wagner Artistic Control 1350 Spring Street NW Atlanta, GA 30309 Phone: 404-733-5511 Hip Hop R&B Fax: 404-733-5512 Music Manager Contact: Luci Raoof - Credits: Bow Wow, Da Brat, Jermaine Dupri, Chante Moore Artist Consultants Productions, Inc. 5743 Corsa Ave Ste. 108 West Lake Village, CA 91362 Country Phone: 818-889-9110 Music Manager Fax: 818-889-4710 Email: [email protected] No Unsolicited Material Accepted Contact: Lou Robin * Credits: Johnny Cash Aubrey Francis Ready Or Not Productions 800 Huey P. Long Avenue Music Manager Gretna, LA 70053 - Phone: 504 368 1029 Fax: 504 368 1999 Credits: Juvenile Azoff Music Management 1100 Glendon Ave. Ste. 3000 Los Angeles, CA 90024 Urban, Rock, Pop, Country Phone: 310-209-3100 Music Manager Contact: Irene Fukunaga, Irving Azoff, Susan Markheim, Jude Cole, John Baruck, No Unsolicited Material Accepted * Credits: Paula Cole, Baby Face, Velvet Revolver Christina Aguilera, DJ Quick, the Back Street Boys, Jodeci, Baby Avnet Management 4111 West Alemeda Avenue Suite 410 Burbank CA 91505 Music Manager Phone 818 260 9101 - Fax 818 260 9107 [email protected] Credits: Josh Grobin Barbra Baker Management 1346 Masseline Ave. Los Angeles, CA 90019 All Genres Phone: 323-939-9964 * Fax: 323-931-3273 Email: [email protected] Back Stage Ent. 2630 Atlantic Ave. Ste C Long Beach CA 90806 All Genres Phone: 310 325 2800 * Fax: 310 427 7333 Contact: -
The Apprenticeship of Duddy Kravitz Had Been a Popular Movie, with Richard Dreyfuss Playing a Jewish Nerd
Begin Reading Table of Contents About the Author Photos Copyright Page Thank you for buying this Henry Holt and Company ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on Lenny Kravitz, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. For my mother I can’t breathe. Beneath the ground, the wooden casket I am trapped in is being lowered deeper and deeper into the cold, dark earth. Fear overtakes me as I fall into a paralytic state. I can hear the dirt being shoveled over me. My heart pounds through my chest. I can’t scream, and if I could, who would hear me? Just as the final shovel of soil is being packed tightly over me, I convulse out of my nightmare into the sweat- and urine-soaked bed in the small apartment on the island of Manhattan that my family calls home. Shaken and disoriented, I make my way out of the tiny back bedroom into the pitch-dark living room, where my mother and father sleep on a convertible couch. I stand at the foot of their bed just staring … waiting. -
The Next Boston Band by Michael Fertik
The Next Boston Band by Michael Fertik “Good Morning, Boston! It’s one minute past the hour, and you are listening to the Sunday Morning Zoo with Elephant-Man and Danny on 95.3-The BOX, Boston’s Critical Hit Rock! Very exciting news, Danny. It is official: Steve Tyler of Aerosmith and Ric Ocasek of The Cars are winging their way into town this afternoon to emcee the kick off of the Battle of the Bands at the Lansdowne Street Music Hall tomorrow night.” “Is that right, Elephant-Man? This news came out of nowhere!” “Yes! Mayor Menino will be joining our show tomorrow afternoon. He has officially made the Battle of the Bands part of his new Boston Revolution Month, which is highlighting all the great things about Boston. Boston is a rock and roll town, but it has been a particular sore point with this mayor—and a large number of our city’s residents, let me tell you—that we have had no big bands, no really big bands, come out of Boston since the 80’s. We have great clubs in this town, and great talent, but no one has broken out like Aerosmith or The Cars. Now things are looking up. The Mayor is out to change all that. Tyler and Ocasek, two hardcore Boston natives, have been talking about doing something to restore Boston’s rock-ominance for years now, so the Mayor invited them back to Boston to judge the Battle of the Bands this year. Well, they’ve gone and turned the dial up a few notches themselves and made this into a huge deal. -
Why Did Marc Anthony Divorce Dayanara Torres
Why Did Marc Anthony Divorce Dayanara Torres blameablySolid and substantiated and obsesses Pryce his cabriole. always tautologisingMinutely Dickie supposedly sometimes and chaptalize purports anyhis calumets.filioque freckling Filarial viperously.and hooked Hansel always warred Child support modification based on the plugins have not confirm if you know about anthony amidst her needs a vacation budget and anthony dayanara torres marc anthony was much luck and Meghan Markle Expecting Baby No. You are my girl. This value can be changed to use a custom variable name. No thanks, return to homepage. Anthony has been married three times: to Dayanara Torres, then to Jennifer Lopez, and most recently to Shannon De Lima. Daniel Gillies shares first photo with his new girlfriend Julia Misaki. El karma existe y puede ser implacable y en el divorcio de Marc Anthony con la ex Miss Mundo Dayanara Torres, López tuvo mucho que ver. Billboard latin american singer marc anthony dayanara torres is marc deeply and dayanara torres marc anthony are calculated using racial slur on what they have a famous object of. Maybe Nick Cannon and Mariah Carey will stay together. Segment snippet included twice. The I Need to Know singer regained his single status this week after a judge signed off on his third divorce, and according to TMZ. You mean the very pretty and talented Jennifer Gardner? Dayanara Torres, Actress: Hataw na. Benny Medina being back in her life that this is all a coincidence. Noting to see here! Game of the Gens: They complement each other and have the same. Cardi b tries as only tmz can. -
The Socio-Political Influence of Rap Music As Poetry in the Urban Community Albert D
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2002 The socio-political influence of rap music as poetry in the urban community Albert D. Farr Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the African American Studies Commons, American Popular Culture Commons, and the Poetry Commons Recommended Citation Farr, Albert D., "The ocs io-political influence of rap music as poetry in the urban community" (2002). Retrospective Theses and Dissertations. 182. https://lib.dr.iastate.edu/rtd/182 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The socio-political influence of rap music as poetry in the urban community by Albert Devon Farr A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Program of Study Committee Jane Davis, Major Professor Shirley Basfield Dunlap Jose Amaya Iowa State University Ames, Iowa 2002 Copyright © Albert Devon Farr, 2002. All rights reserved. 11 Graduate College Iowa State University This is to certify that the master's thesis of Albert Devon Farr has met the thesis requirements of Iowa State University Signature redacted for privacy Signature redacted for privacy Signature redacted for privacy Signature redacted for privacy Ill My Dedication This Master's thesis is dedicated to my wonderful family members who have supported and influenced me in various ways: To Martha "Mama Shug" Farr, from whom I learned to pray and place my faith in God, I dedicate this to you. -
Attila Szalay
JOHN SIMMONS, ASC DIRECTOR OF PHOTOGRAPHY I.A.T.SE. LOCAL 600 WCP FEATURES ASUNDER New Millennium Prod: Dick Atkins, Martin C. Jones Dir: Tim Reid 3 STRIKES Absolute/MGM Prod: Julio Caro, Benny Medina Dir: D.J. Pooh THE DINNER Acorn Productions Prod: Paula Rowan, Richard Rowan Dir: Bernie Casey ONCE UPON A TIME… Bet Pictures Prod: Butch Lewis, Tim Reid Dir: Tim Reid WHEN WE WERE COLORED THE SHOW Savoy Pictures Prod: Stan Nathan, Robert Kenneally Dir: Brian Robbins TELEVISION THE EXPANDING UNIVERSE OF Netflix Prod: David Kendall, Seth Kurland, Dir: Various ASHLEY GARCIA (Season 1) Mario Lopez FAMILY REUNION (Season 1) Netflix Prod: Meg DeLoatch, Robert West Dir: Various NO GOOD NICK (Season 1) Netflix Prod: Jim Kukucka, Pixie Wespiser Dir: Various PRINCE OF PEORIA (Season 1) Netflix Prod: Devin Bunje, Jim Kuckucka, Nick Stanton Dir: Various ROSEANNE (Revival Series) ABC Prod: Bruce Helford, Whitney Cummings Dir: John Pasquin NICKY, RICKY, DICKY & DAWN (Seasons 1-4) Nickelodeon Prod: Michael Feldman, Matt Fleckenstein, Dir: Various *2016 Primetime Emmy for Outstanding Cinematography for a Multi-Camera Series Barbara Brace RAVEN’S HOME (Season 1) Disney Channel Prod: Jed Elinoff, Raven Symone, Scott Thomas Dir: Bob Koherr *2017 NAACP Award for Outstanding Children’s Program I DIDN’T DO IT (Season 2) Disney Channel Prod: Bob Lottersein, Judd Pillot, Leo Clarke Dir: Various BUZZY’S (Pilot) Warner Horizon/TBS Prod: David Kohan, Max Mutchnick, Dir: Jaime Widdoes Steve Sandoval DOG WITH A BLOG (Pilot & Seasons 1-3) Disney Channel Prod: Michael -
Production Notes
PRODUCTION NOTES “This city, this whole country, is a strip club. You’ve got people tossing the money, and people doing the dance.” – Ramona Inspired by true events, HUSTLERS is a comedy-drama that follows a crew of savvy strip club employees who band together to turn the tables on their Wall Street clients. At the start of 2007, Destiny (Constance Wu) is a young woman struggling to make ends meet, to provide for herself and her grandma. But it’s not easy: the managers, DJs, and bartenders expect a cut– one way or another – leaving Destiny with a meager payday after a long night of stripping. Her life is forever changed when she meets Ramona (Jennifer Lopez), the club’s top money earner, who’s always in control, has the clientele figured out, and really knows her way around a pole. The two women bond immediately, and Ramona gives Destiny a crash course in the various poses and pole moves like the carousel, fireman, front hook, ankle-hook, and stag. Another dancer, the irrepressible Diamond (Cardi B) provides a bawdy and revelatory class in the art of the lap dance. But Destiny’s most important lesson is that when you’re part of a broken system, you must hustle or be hustled. To that end, Ramona outlines for her the different tiers of the Wall Street clientele who freQuent the club. The two women find themselves succeeding beyond their wildest dreams, making more money than they can spend – until the September 2008 economic collapse. Wall Street stole from everyone and never suffered any consequences. -
View the Summer 2019 Watermark University Catalog
20Su1mmer S9emester MAY THROUGH AUGUST Hello and thank you for your interest in Watermark University! The foundation of Watermark University (WU) is to provide meaningful opportunities to learn, teach and grow, and achieve an overall feeling of well-being. Research shows that learning and keeping our mind active and sharp supports healthy aging. At Watermark Retirement Communities® we are committed to encouraging our residents and associates to lead balanced lives, full of meaning and purpose, grounded in self-awareness and infused with curiosity. Our Watermark University courses help achieve this goal. By focusing on the Seven Dimensions of Well-being: Physical, Social, Intellectual, Spiritual, Emotional, Environmental, and Vocational we offer the opportunity to achieve a balanced life and we see the benefits across the country in every class, every day. Sincerely, Benny Medina Community Life Director Watermark University Courses COURSES FACULTY DAY AND TIME LOCATION Theatrical Improvisation Last Sunday of the and Fundamentals of David Z. Multi-Purpose Room Month • 3:30pm Character Development Explore the Elements of improv in our introductory course. You will learn some of the core fundamentals and principles of improv, focusing on various games and exercises that encourage trust, communication, agreement (“yes and”); active listening, character, status, and making your scene partner look good. This class is great for actors and non-actors alike interested in exploring the concepts of improv in a fun and welcoming environment. One Sunday a Month • Opera Film Exposé Gladys W. Multi-Purpose Room 2:00pm Gladys has volunteered her premiere collection of Opera Film Performances for this Watermark University culture course. -
2017-Symposium-Program
The Texas Songwriters Association Presents The 13th Annual Songwriter Symposium January 11-15, 2017 Holiday Inn Midtown Austin, Texas www.austinsongwritersgroup.com 2017 Schedule WEDNESDAY, JANUARY 11, 2017 3:00 PM Symposium Registration (Magnolia Room) Drop by Registration to pick up your Access Lanyard, schedules and to sign up for your One-On-One Publisher Pitch, and One-On-One appointments with various music industry professionals. 7:30 PM Kick Off Party & Song Contest 2016 Awards Show (Hill Country Ballroom) Open to public and there is no charge for this event. We will be announcing the winners for the 2016 Song Contest. Please join us in as we meet the writers of the songs and hear some great music. After this event the song circles will begin so bring your instruments (HILL COUNTRY BALLROOM) THURSDAY, JANUARY 12, 2017 9:00 AM Symposium Registration (Magnolia Room) *Pre-Registered Check In & Walk Up Registration for Conference *Pick Up Schedule and Access Lanyard *Sign Up for the One-On-One with Publisher of Your Choice *Sign Up for the One-On-Ones with the music industry professionals *Sign up for showcases Bobby Rymer and Steve Bloch - SONG CRITIQUES THAT MATTER (Hill Country Ballroom) ---What do Publishers look for in a writer? ---Is YOUR song really ready for a publisher or producer to hear? ---What do you need to know to become a better songplugger for your own songs? This conversation will unfold through the process of having your song critiqued by TWO highly successful, high- profile veteran Nashville song pluggers. Together, BOBBY RYMER and STEVE BLOCH have over 50 years of experience, working in the trenches, pitching to the power players of Music Row. -
Foley Rebecca IM 2016 Maste
“Crazy B****”: Discriminatory Language, Radio Censorship, Regulation, and Enforcement Policies in Canada by Rebecca Irene Marie Foley A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN COMMUNICATION AND CULTURE YORK UNIVERSITY TORONTO, ONTARIO April 2016 Rebecca Irene Marie Foley, 2016 Abstract This thesis focuses on the censorship, or lack thereof, of discriminatory language on Canadian radio stations. In addition to purely discriminatory based language, this project also investigated the ways in which race, gender, sexuality, and ability were employed in popular music. Two data sets were analysed qualitatively and quantitatively to find that private and public radio stations in Canada are more likely to censor discriminatory or explicit content than their community station counterparts. Further, discriminatory language based on gender, is not only more likely to be contained in popular music, but it is also less likely to be censored in comparison to language based on racial or sexual orientation based discrimination. The first data set included 485 songs from the Billboard Hot 100 charts between 1985 and 2015. The second data set included 2818 songs from a six-month period (May-October 2015) of the top twenty charts from 27 different radio stations in Canada, including private, public, and community stations. Keywords: radio; broadcast policy; discrimination; popular music; Canada; ii Acknowledgements I wish to thank everyone who had a hand in helping me shape this thesis. From deep class discussions to small conversations outside of an academic environment, each interaction I had talking about my research helped me to refine, explain, and get my thoughts on paper in a relatively coherent way.