September 2013 Get Ready to ROCK
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A Dated Phylogeny of Marsupials Using a Molecular Supermatrix and Multiple Fossil Constraints
Journal of Mammalogy, 89(1):175–189, 2008 A DATED PHYLOGENY OF MARSUPIALS USING A MOLECULAR SUPERMATRIX AND MULTIPLE FOSSIL CONSTRAINTS ROBIN M. D. BECK* School of Biological, Earth and Environmental Sciences, University of New South Wales, Sydney, New South Wales 2052, Australia Downloaded from https://academic.oup.com/jmammal/article/89/1/175/1020874 by guest on 25 September 2021 Phylogenetic relationships within marsupials were investigated based on a 20.1-kilobase molecular supermatrix comprising 7 nuclear and 15 mitochondrial genes analyzed using both maximum likelihood and Bayesian approaches and 3 different partitioning strategies. The study revealed that base composition bias in the 3rd codon positions of mitochondrial genes misled even the partitioned maximum-likelihood analyses, whereas Bayesian analyses were less affected. After correcting for base composition bias, monophyly of the currently recognized marsupial orders, of Australidelphia, and of a clade comprising Dasyuromorphia, Notoryctes,and Peramelemorphia, were supported strongly by both Bayesian posterior probabilities and maximum-likelihood bootstrap values. Monophyly of the Australasian marsupials, of Notoryctes þ Dasyuromorphia, and of Caenolestes þ Australidelphia were less well supported. Within Diprotodontia, Burramyidae þ Phalangeridae received relatively strong support. Divergence dates calculated using a Bayesian relaxed molecular clock and multiple age constraints suggested at least 3 independent dispersals of marsupials from North to South America during the Late Cretaceous or early Paleocene. Within the Australasian clade, the macropodine radiation, the divergence of phascogaline and dasyurine dasyurids, and the divergence of perameline and peroryctine peramelemorphians all coincided with periods of significant environmental change during the Miocene. An analysis of ‘‘unrepresented basal branch lengths’’ suggests that the fossil record is particularly poor for didelphids and most groups within the Australasian radiation. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Willy Deville Live in the Lowlands Mp3, Flac, Wma
Willy DeVille Live In The Lowlands mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Non Music Album: Live In The Lowlands Country: Europe Released: 2008 Style: Blues Rock, Interview MP3 version RAR size: 1896 mb FLAC version RAR size: 1902 mb WMA version RAR size: 1551 mb Rating: 4.6 Votes: 492 Other Formats: APE MP3 AUD AAC RA AU AC3 Tracklist 1 Low Rider 2 Chieva 3 Even While I Sleep 4 Come A Little Bit Closer 5 Downside Of Town 6 Muddy Waters Rose Out Of The Mississippi Mud 7 Steady Driving Man 8 Running Through The Jungle 9 Bacon Fat 10 Crow Jane Alley 11 Slave To Love 12 Savoir Faire 13 Cadillac Walk 14 Demasiado Corazon 15 Just Your Friends 16 Change Of Heart 17 Cry To Me 18 Spanish Stroll 19 Can't Do Without It 20 Hey Joe 21 Let It Be Me Bonus Feature 22 Interviews Companies, etc. Filmed At – Paradiso Amsterdam Copyright (c) – Eagle Rock Entertainment Ltd. Credits Backing Vocals – Dorene Wise, Yadonna Wise Double Bass [Acoustic Contrabass], Guitar, Vocals – David J. Keyes Drums, Percussion, Vocals – Boris Kinberg Executive-Producer – Geoff Kempin, Terry Shand Guitar, Mandolin, Violin – Freddy Koella Harmonica – Hook Herrera Keyboards, Accordion, Vocals – Kenny Margolis Lead Vocals [Lead Singer], Guitar, Harmonica – Willy DeVille Mixed By [5.1 Mix] – Julie Gardner Photography By [Cover Portrait Photo] – Patricia Steur Producer, Other [Directed By] – Perry Joseph Recorded By, Mixed By – Georges Moya, Patrick Plisson Notes Filmed at the Paradiso, Amsterdam. Coverinfo: Running time: 118 mins approx. © 2006 Eagle Rock Entertainment Ltd. An Eagle Eye Production for Eagle Vision. -
Burger to Speak in June
The AIVIof Allegheny • 1) College -1J• Volume 109 , Number 25 Meadville, Pa. Published Since 1876 May 21 , 1986 Casey,Specier,Edgar Burger Win PA Primaries By Vicky Varlotta The contrast between city To Speak Copy Editor controller Tom Flaherty and Pennsylvania primary elect- Mark Singel remained close with ions were held yesterday. The Singel emerging as the winner. In June democratic gubernatorial, Senate Singel held 41% of the vote and lieutenant governor's pri- against Flaherty's 36% with 93% By Beth Kowalski maries dominated the day's of the precincts reported. voting. Elections were also held Singel even led Flaherty in Staff Writer for the republican senate nom- his home county of Allegheny. U.S. Chief Justice Warren ination and several U.S. con- He also emphasized the import- E. Burger will be the 1986 gressional seats. ance of being preferred by commencement speaker at Alle- Former Auditor General gubernatorial candidate Robert gheny College. Robert Casey snapped a string of Casey. On Sunday, June 15, Burger three primary losses and defeat- Singel will face State Senator will sPeak to some 440 graduates ed his hard driving opponent Michael Fisher who ran un- at- commencement according to Edward Rendell, for the Dem- opposed in the Republican pri- Allegheny President Raymond P. ocratic gubernatorial nomina- mary. Shafer. Shafer said that Burger tion. Casey previously lost In the 6th district state will also receive the honorary primaries in 1966,1970 and representative race Gene Rum- doctor of humanities degree 1978. sey captured the republican during the ceremonies. Rendell carried Southeastern nomination over Thomas Swift. -
2017 CATALOGUE for Over Forty Years Omnibus Press Has Been Publishing the Stories That Matter from the Music World
2017 CATALOGUE For over forty years Omnibus Press has been publishing the stories that matter from the music world. Omnibus Press is the World’s/Europe’s largest specialist publisher devoted to music writing, with around thirty new titles a year, with a backlist of over two hundred and seventy titles currently in print and many more as digital downloads. Omnibus Press covers pop, rock, classical, metal, country, psyche, prog, electronic, dance, rap, jazz and many more genres, in a variety of formats. With books that tell stories through graphic art and photography, memoirs and biographies, Omnibus has constantly evolved its list to challenge what a music book can be and this year we are releasing our first talking books. Among Omnibus Press’ earliest acquisitions was Rock Family Trees, by acclaimed music archivist Pete Frame, three editions of which remain in print to this day and have been the basis of two BBC TV series. Over the following decades Omnibus published many best-selling, definitive biographies on some of rock’s greatest superstars. These include Morrissey & Marr: The Severed Alliance by Johnny Rogan, Dear Boy: The Life Of Keith Moon by Tony Fletcher, Uptight: The Velvet Underground Story by Victor Bockris, Catch A Fire: The Life of Bob Marley by Timothy White, Stevie Nicks - Visions, Dreams & Rumours by Zoë Howe, Without Frontiers The Life And Music Of Peter Gabriel by Daryl Easlea and Under The Ivy: The Life & Music of Kate Bush and George Harrison: Behind The Locked Door, both by Graeme Thomson, all of which are regularly cited by magazines and critics as being amongst the finest rock biographies ever published. -
Beets Documentation Release 1.5.1
beets Documentation Release 1.5.1 Adrian Sampson Oct 01, 2021 Contents 1 Contents 3 1.1 Guides..................................................3 1.2 Reference................................................. 14 1.3 Plugins.................................................. 44 1.4 FAQ.................................................... 120 1.5 Contributing............................................... 125 1.6 For Developers.............................................. 130 1.7 Changelog................................................ 145 Index 213 i ii beets Documentation, Release 1.5.1 Welcome to the documentation for beets, the media library management system for obsessive music geeks. If you’re new to beets, begin with the Getting Started guide. That guide walks you through installing beets, setting it up how you like it, and starting to build your music library. Then you can get a more detailed look at beets’ features in the Command-Line Interface and Configuration references. You might also be interested in exploring the plugins. If you still need help, your can drop by the #beets IRC channel on Libera.Chat, drop by the discussion board, send email to the mailing list, or file a bug in the issue tracker. Please let us know where you think this documentation can be improved. Contents 1 beets Documentation, Release 1.5.1 2 Contents CHAPTER 1 Contents 1.1 Guides This section contains a couple of walkthroughs that will help you get familiar with beets. If you’re new to beets, you’ll want to begin with the Getting Started guide. 1.1.1 Getting Started Welcome to beets! This guide will help you begin using it to make your music collection better. Installing You will need Python. Beets works on Python 3.6 or later. • macOS 11 (Big Sur) includes Python 3.8 out of the box. -
Note to Users
NOTE TO USERS This reproduction is the best copy available. UMI' The Spectacle of Gender: Representations of Women in British and American Cinema of the Nineteen-Sixties By Nancy McGuire Roche A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University May 2011 UMI Number: 3464539 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3464539 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Spectacle of Gender: Representations of Women in British and American Cinema of the Nineteen-Sixties Nancy McGuire Roche Approved: Dr. William Brantley, Committees Chair IVZUs^ Dr. Angela Hague, Read Dr. Linda Badley, Reader C>0 pM„«i ffS ^ <!LHaAyy Dr. David Lavery, Reader <*"*%HH*. a*v. Dr. Tom Strawman, Chair, English Department ;jtorihQfcy Dr. Michael D1. Allen, Dean, College of Graduate Studies Nancy McGuire Roche Approved: vW ^, &v\ DEDICATION This work is dedicated to the women of my family: my mother Mary and my aunt Mae Belle, twins who were not only "Rosie the Riveters," but also school teachers for four decades. These strong-willed Kentucky women have nurtured me through all my educational endeavors, and especially for this degree they offered love, money, and fierce support. -
The European Union's Self-Defeating Policy: Patent Harmonization and the Ban on Human Cloning Robin Beck Skarstad*
COMMENTS THE EUROPEAN UNION'S SELF-DEFEATING POLICY: PATENT HARMONIZATION AND THE BAN ON HUMAN CLONING ROBIN BECK SKARSTAD* 1. INTRODUCTION The European Parliament's1 approval of a directive,2 ten years in the making, represents a huge step towards improving the cli- * I appreciate the time and effort comment editor Eric Green devoted to this piece. I would also like to thank my husband Erik, my sister Jodi, and my parents Robert and Elaine for listening, supporting, and believing long before this piece was ever written. ' The European Parliament, located in Strasbourg, is a governmental body of the European Community ("EC") created by the founding Treaty on Euro- pean Union. See TREATY ESTABLISHING THE EUROPEAN COMMUNITY, Feb. 7, 1992, OJ. (C 224) 1 (1992), [1992] 1 C.M.L.R. 573 (1992) [hereinafter Maas- tricht Treaty]. It is composed of representatives of the member nations ("MEP"s) who are elected to five-year terms. Although it has recently taken on a greater legislative role, the European Parliament is primarily a consulta- tive and supervisory body. It has the power to refuse assent to agreements and protocols, which is, in effect, a veto power. The European Commission is ac- countable to the Parliament who can censure and require Commissioners' res- ignations. The Parliament also monitors the activities of other European Un- ion ("EU") institutions through committees of inquiry and is empowered to conduct inquiries into complaints or petitions and bring proceedings before the Court of Justice. The Treaty Establishing the European Community defined the Parliament as a consultative body whose views should be taken into con- sideration regarding issues of common foreign and security policy in addition to activities generally concerning Justice and Home Affairs. -
Editorial Metadata in Electronic Music Distribution Systems: Between Universalism and Isolationism
Journal of New Music Research 2005, Vol. 34, No. 2, pp. 173 – 184 Editorial Metadata in Electronic Music Distribution Systems: Between Universalism and Isolationism Franc¸ ois Pachet, Amaury La Burthe, Jean-Julien Aucouturier and Anthony Beurive´ Sony CSL – Paris Abstract about the artist, the title, and so on. Although you enjoy the new tune, you do not know much about We address the problem of metadata management in the Bjork: you have only been able to classify the artist in context of future Electronic Music Distribution (EMD) your walkman’s local genre taxonomy as ‘‘Electronica / systems, and propose a classification of existing musical Icelandic’’. editorial systems in two categories: the isolationists and As you walk by a cafe´ in Reykjavik, you decide that the universalists. Universalists propose shared informa- you would like to see what information the local tion at the expense of consensuality, while isolationist community has to offer about Bjork (she’s Icelandic, approaches allow individual parameterization at the isn’t she?) You turn on your walkman, which immedi- expense of the lack of reusability. We propose an ately connects to the nearby metadata server at the cafe´ architecture and a system for managing editorial and download locally available information. Unfortu- metadata that lies in the middle of these two extremes: nately, access to the music files is copyrighted and we organize musical editorial information in such a way restricted. However, you have access to the correspond- that users can benefit from shared metadata when they ing metadata. Your walkman automatically browses the wish, while also allowing them to create and manage a local genre taxonomy and is able to trace down Bjork, private version of editorial information. -
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD. -
L'interférence Musicale Au Cinéma, À La Télévision Et Dans Le Jeu Vidéo
Université de Montréal L’interférence musicale au cinéma, à la télévision et dans le jeu vidéo par Andréane Morin-Simard Département d’histoire de l’art et d’études cinématographiques Faculté des arts et des sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade de Maître ès arts (M.A.) en études cinématographiques Août, 2014 © Andréane Morin-Simard, 2014 Résumé L’omniprésence de la musique populaire dans le paysage médiatique contemporain fait en sorte qu’il est fréquent de retrouver la même chanson dans plusieurs trames sonores. En s’appuyant sur des théories de l’intertextualité et de la communication, ce mémoire cherche à définir la relation qui s’établit entre deux ou plusieurs oeuvres narratives et / ou interactives partageant une chanson, ainsi qu’à appréhender les effets de ces recontextualisations multiples sur l’expérience spectatorielle et vidéoludique. Le premier chapitre examine les principales fonctions narratives et ludiques de la musique à l’aide d’une synthèse des principaux travaux sur la musique de film, de télévision et de jeu vidéo. Le deuxième chapitre interroge la notion de référence dans le contexte des usages répétés d’une même chanson populaire. Le concept d’interférence musicale est proposé à partir de différentes déclinaisons du terme « interférence » issues des travaux de Michel Serres, Sébastien Babeux et Philip Tagg. Les assises théoriques sont appliquées à l’analyse des trajectoires médiatiques respectives de deux chansons aux chapitres trois et quatre. La figure du réseau est finalement déployée afin d’illustrer la complexité des relations entre les œuvres intégrant une même chanson à leur mise en scène. -
2015 Golden Ear Award Recipients
A Mirror and Focus for the Jazz Community April 2016 Vol. 32, No. 4 EARSHOT JAZZSeattle, Washington 2015 Golden Ear Award Recipients Photo by Daniel Sheehan Front Row: Gregg Belisle- Chi, Ruby Bishop, D’Vonne Lewis, Josh Rawlings Second Row: Jovino Santos Neto, Randy Halberstadt, Emmanuel Leonard, Michael Brockman Back Row: Eugenie Jones, Raymond Larsen passIngs International Jazz/ Giant / Ernestine/ / Anderson / November 11, 1928 – March 10, 2016 Born in Houston, Texas, interna- World: Portraits of Black Women Who tional jazz great Ernestine Anderson Changed America, alongside Rosa passed away peacefully on March 10, Parks, Coretta Scott King, Sarah surrounded by her family in Seattle Vaughn, Oprah Winfrey, and others. where she had resided since the age of 16. “Ernestine was mother of Seattle’s Anderson’s career began in the early soul music,” said Congressman Jim 1940s, though she had begun to sing McDermott. “Mississippi had BB along with Bessie Smith records at King and Seattle had Ernestine An- age 3. Equally gifted at singing up- derson. Ernestine’s legacy remains beat, spirited blues, big band/swing, unmatched in Seattle’s music scene. and jazzy pop, her early career led She was a dear friend and will be her to sing alongside Russell Jacquet, greatly missed.” PHOTO BY KIP LOTT Eddie Heywood, Shifty Henry, and Anderson created many memora- Hospital and the Rise n’ Shine Foun- Johnny Otis. By the 50s, Anderson ble moments around the world and dation. had become a prominent jazz stylist in Seattle. She performed a tribute Performing with and mentoring performing with Lionel Hampton on to Ella Fitzgerald at Carnegie Hall, young musicians was a true passion the New York Club scene.