Some Experiences of a Barrister's Life
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Leaves of a Life, Being the Reminiscences of Montagu Williams
j K. _ . ^H . to Gbe Xibrarp of tbe of Toronto Bertram 1R. Davis from tbe boohs of tbe late Xionel Davis, Ik.C. LEAVES OF A LIFE BEING THE REMINISCENCES OF MONTAGU WILLIAMS, Q.C. LEAVES OF A LIFE BEING THE REMINISCENCES OF MONTAGU WILLIAMS, Q.C. IN TWO VOLUMES VOL. I. BOSTON AND NEW TOEK HOUGHTON, MIFFLIN AND COMPANY Bilu-rsilic ^rcss, Civmbriigc 1890 CHARLES DICKENS AND EVANS, CRYSTAL PALACE MESS. 13 tDi rat to it. TO THE BEST AND GENTLEST OF HER GENTLE SEX ; BUT FOR WHOSE FAITHFUL FRIENDSHIP IN THE SPRING OF 1886 THIS LIFE WOULD NOT, IN ALL PROBABILITY. HAVE BEEN SPARED; THIS BOOK IS MOST GRATEFULLY DEDICATED. 9, Aldford Street, Park Lane. Jan. 1st, 1890. CONTENTS. CHAPTER I. H.EC OLIM MESIINISSE JUVABIT. PAGE My birthplace A legal family My father's one idea We move from Somersetshire to Berkshire Our quaint old house in the Cloisters at Windsor Xeighbours and friends -Visit of Lord George Loftus Why he came amongst us His habits and customs Running up to London How his lordship was "done"- Eton Some popular "Tugs" " " -The last Eton Montem The scene in the grounds " " Levying Salt Her Majesty's contribution Why the institution perished ... .1 CHAPTER II. ILLE TERRARUM JIIHI PR.ETER OMNES AXGULUS RIDET. More about Eton School persecutions Cricket and football matches, and what followed I am elected a King's - - Scholar The masters Concerning Bursar Bethell " " How we rang old Plumptree's bell Sock shops Spankie's love for the aristocracy Heroism of a fag " " " Cellar and Combie "The "long glass "Persons we patronised My tutor The nicknames he gave us His method of punishment Threepence or half a sheep- Impudence of young Seale-Hayne The prtuposter Story of Dr. -
A Moor Propre: Charles Albert Fechter's Othello
A MOOR PROPRE: CHARLES ALBERT FECHTER'S OTHELLO A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Matthew Scott Phillips, B.A. * * * * * The Ohio State University •· 1992 Thesis Committee: Approved by Alan Woods Joy Reilly Adviser Department of Theatre swift, light-footed, and strange, with his own dark face in a rage,/ Scorning the time-honoured rules Of the actor's conventional schools,/ Tenderly, thoughtfully, earnestly, FECHTER comes on to the stage. (From "The Three Othellos," Fun 9 Nov. 1861: 76.} Copyright by Matthew Scott Phillips ©1992 J • To My Wife Margaret Freehling Phillips ii ACKNOWLEDGEMENTS I express heartfelt appreciation to the members of my thesis committee: to my adviser, Dr. Alan Woods, whose guidance and insight made possible the completion of this thesis, and Dr. Joy Reilly, for whose unflagging encouragement I will be eternally grateful. I would also like to acknowledge the invaluable services of the British Library, the Jerome Lawrence and Robert E. Lee Theatre Research Institute and its curator, Nena Couch. The support and encouragement given me by my family has been outstanding. I thank my father for raising my spirits when I needed it and my mother, whose selflessness has made the fulfillment of so many of my goals possible, for putting up with me. Finally, I would like to thank my wife, Maggie, for her courage, sacrifice and unwavering faith in me. Without her I would not have come this far, and without her I could go no further. -
The Journal of a London Playgoer from 1851 to 1866
BOOKS AND PAPERS HENRY MORLEY 1851 1866 II THE JOURNAL LONDON PLAYGOER FROM 1851 TO 1866 HENRY MORLEY, LL.D, EMERITUS PROFESSOR OF ENGLISH LITERATURE IN UNIVERSITY COLLEGE. LONDON LONDON GEORGE ROUTLEDGE AND SONS, LIMITED BROADWAY, LUDGATE HILL GLASGOW, MANCHESTER, AND NEW. .YORK < ' ' PN PROLOGUE. THE writer who first taught Englishmen to look for prin- ciples worth study in the common use of speech, expecting censure for choice of a topic without dignity, excused him- self with this tale out of Aristotle. When Heraclitus lived, a famous Greek, there were some persons, led by curiosity to see him, who found him warming himself in his kitchen, and paused at the threshold because of the meanness of the " place. But the philosopher said lo them, Enter boldly, " for here too there are Gods". The Gods" in the play- house are, indeed, those who receive outside its walls least honour among men, and they have a present right to be its Gods, I fear, not only because they are throned aloft, but also because theirs is the mind that regulates the action of the mimic world below. They rule, and why ? Is not the educated man himself to blame when he turns with a shrug from the too often humiliating list of an evening's perform- ances at all the theatres, to say lightly that the stage is ruined, and thereupon make merit of withdrawing all atten- tion from the players ? The better the stage the better the town. If the stage were what it ought to be, and what good it actors heartily desire to make it, would teach the public to appreciate what is most worthy also in the sister arts, while its own influence would be very strong for good. -
Reminiscences of J. L. Toole
PRE FA C E. W H AT a different thing talking is compared with writing ! I am on tour when I jot down th is fl h profound re ection . My dear friend J osep Hatton has been on my track since we parted in town , a month or two ago , with this one message , by post and telegram— “ You ought to write the ! ” Preface , every word of it As it is my own I I Preface of course ought , and of course have done so . But wh ile the writing of it has been a labour of love , it has bothered me a good deal u more than a labour of love is s pposed to do . Many times I have adm ired the skill with which my collaborator has written , i n these pages , stories which seemed to me to require , for a complete n narratio , the point one puts i nto an anecdote I when acting it . am occasionally called upon to I make a speech i n public . Well , get along now and then pretty well , thanks to the inspiration that seems to come to me f rom the friendly sym pathy of my aud ience but there is no inspiration P REFACE . in a blank sheet of paper , and there is no applause in pen s and ink . When one makes a speech one seeks kindly faces around one , and it is wonderful what assistance there is in a little applause . You take up the report of a speech in a newspaper ; “ i s you see that it peppered with Laughter , ” s Applause , Loud cheer , and so on that sets you reading it , and carries you on to the end . -
CYMBELINE" in the Fllii^Slhi TI CENTURY
"CYMBELINE" IN THE fllii^SLHi TI CENTURY Bennett Jackson Submitted in partial fulfilment for the de ree of uaster of Arts in the University of Birmingham. October 1971. University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. SYNOPSIS This thesis consists of an Introduction, followed by Part I (chapters 1-2) in which nineteenth- century criticism of the play is discussed, particular attention being paid to Helen Faucit's essay on Imogen, and its relationship to her playing of the role. In Part II the stags-history of Oymbcline in London is traced from 1785 to Irving's Lyceum production of 1896. Directions from promptbooks used by G-.P. Cooke, W.C. Macready, Helen Eaucit, and Samuel ±helps are transcribed and discussed, and in the last chapter the influence of Bernard Shaw on Ellen Terry's Imogen is considered in the light of their correspondence and the actress's rehearsal copies of the play. There are three appendices: a list of performances; transcriptions of two newspaper reviews (from 1843 and 1864) and one private diary (Gordon Crosse's notes on the Lyceum Gymbeline); and discussion of one of the promptbooks prepared for Charles Kean's projected production. -
Stern Book4print Rev.Pdf
HOME ECONOMICS Stern_final_rev.indb 1 3/28/2008 3:50:37 PM Stern_final_rev.indb 2 3/28/2008 3:50:37 PM HOME ECONOMICS Domestic Fraud in Victorian England R EBECCA S TE R N The Ohio State University Press / C o l u m b u s Stern_final_rev.indb 3 3/28/2008 3:50:40 PM Copyright ©2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Stern, Rebecca. Home economics : domestic fraud in Victorian England / Rebecca Stern. p. cm. Includes bibliographical references and index. ISBN 978-0-8142-1090-1 (cloth : alk. paper) 1. Fraud in literature. 2. English literature—19th century—History and criticism. 3. Popular literature—Great Britain—History and criticism. 4. Home economics in literature 5. Swindlers and swindling in literature. 6. Capitalism in literature. 7. Fraud in popular cul- ture. 8. Fraud—Great Britain—History—19th century. I. Title. PR468.F72S74 2008 820.9'355—dc22 2007035891 This book is available in the following editions: Cloth (ISBN 978-0-8142-1090-1) CD (ISBN 978-0-8142-9170-2) Cover by Janna Thompson Chordas Text design and typesetting by Jennifer Shoffey Forsythe Type set in Adobe Garamond Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 Stern_final_rev.indb 4 3/28/2008 3:50:40 PM For my parents, Annette and Mel, who make all the world a home Stern_final_rev.indb 5 3/28/2008 3:50:40 -
812 SERJEANT BALLANTINE an Advocate May Have Little Black Letter
812 SERJEANT BALLANTINE An advocate may have little black letter learning, and yet he may scale the heights of his profession, if he can lay bare the human heart and read its secrets. Serjeant Ballantine-the genial cynic of the law-is a case in point. Ballantine made no bones of his lack o£ legal scholarship. He boasted that he knew a little of everything but law. Nor was his boast an idle one. He was innocent of many of the elementary principles of law, yet few advocates were better verdict-getters than he. His success lay in his ability to read a witness's mind, and determine the motives of his conduct, almost at a glance. His knowledge of human nature, of men and women, their mode of life and their way of thought, was phenomenal. If an advocate goes off on the wrong tack, the truth will out. No other professional man runs the same risk of having his ignorance exposed, his errors brought to light. The doctor can cover up his mistakes, the clergyman holds an ex parte brief, the teacher is an autocrat whose word there is none to dispute; but the barrister works in the open, subject to opposition at every turn. He does not have the floor to himself, but shares it with a brother barrister who gives the other side of the picture. If he does not know his case, that fact soon becomes obvious. If he is incompetent, the truth soon proclaims itself. Serjeant Ballantine often found himself in a tight corner in court, but no one was better than he at covering up his own deficiencies . -
Forgers and Fiction: How Forgery Developed the Novel, 1846-79
Forgers and Fiction: How Forgery Developed the Novel, 1846-79 Paul Ellis University College London Doctor of Philosophy UMI Number: U602586 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U602586 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 2 Abstract This thesis argues that real-life forgery cases significantly shaped the form of Victorian fiction. Forgeries of bills of exchange, wills, parish registers or other documents were depicted in at least one hundred novels between 1846 and 1879. Many of these portrayals were inspired by celebrated real-life forgery cases. Forgeries are fictions, and Victorian fiction’s representations of forgery were often self- reflexive. Chapter one establishes the historical, legal and literary contexts for forgery in the Victorian period. Chapter two demonstrates how real-life forgers prompted Victorian fiction to explore its ambivalences about various conceptions of realist representation. Chapter three shows how real-life forgers enabled Victorian fiction to develop the genre of sensationalism. Chapter four investigates how real-life forgers influenced fiction’s questioning of its epistemological status in Victorian culture. -
Prints Collection
Prints Collection: An Inventory of the Collection at the Harry Ransom Humanities Research Center Descriptive Summary Creator: Prints Collection Title: Prints Collection Dates: 1669-1906 (bulk 1775-1825) Extent: 54 document boxes, 7 oversize boxes (33.38 linear feet) Abstract: The collection consists of ca. 8,000 prints, the great majority of which depict British and American theatrical performers in character or in personal portraits. RLIN Record #: TXRC02-A1 Language: English. Access Open for research Administrative Information Provenance The Prints Collection was assembled by Theater Arts staff, primarily from the Messmore Kendall Collection which was acquired in 1958. Other sources were the Robert Downing and Albert Davis collections. Processed by Helen Baer and Antonio Alfau, 2000 Repository: Harry Ransom Humanities Research Center, University of Texas at Austin Prints Collection Scope and Contents The Prints Collection, 1669-1906 (bulk 1775-1825), consists of ca. 8,000 prints, the great majority of which depict British and American theatrical performers in character or in personal portraits. The collection is organized in three series: I. Individuals, 1669-1906 (58.25 boxes), II. Theatrical Prints, 1720-1891 (1.75 boxes), and III. Works of Art and Miscellany, 1827-82 (1 box), each arranged alphabetically by name or subject. The prints found in this collection were made by numerous processes and include lithographs, woodcuts, etchings, mezzotints, process prints, and line blocks; a small number of prints are hand-tinted. A number of the prints were cut out from books and periodicals such as The Illustrated London News, The Universal Magazine, La belle assemblée, Bell's British Theatre, and The Theatrical Inquisitor; others comprised sets of plates of dramatic figures such as those published by John Tallis and George Gebbie, or by the toy theater publishers Orlando Hodgson and William West. -
The Libel Case of John Henry Newman and Dr. Achilli
The Catholic Lawyer Volume 36 Number 4 Volume 36, Number 4 Article 4 Roman Catholicism on Trial in Victorian England: The Libel Case of John Henry Newman and Dr. Achilli Matthew C. Mirow Follow this and additional works at: https://scholarship.law.stjohns.edu/tcl Part of the Catholic Studies Commons This Article is brought to you for free and open access by the Journals at St. John's Law Scholarship Repository. It has been accepted for inclusion in The Catholic Lawyer by an authorized editor of St. John's Law Scholarship Repository. For more information, please contact [email protected]. ROMAN CATHOLICISM ON TRIAL IN VICTORIAN ENGLAND: THE LIBEL CASE OF JOHN HENRY NEWMAN AND DR. ACHILLI MATTHEW C. MIROW* JUROR: I beg your Lordship to understand that we did not considerthis case as regards Protestantismand Catholicism. We only looked at it as a matter of fact.1 John Henry Newman (1801-1890) is one of the best known converts to Roman Catholicism in modern times.2 Born in Lon- don and educated in Oxford, he became a leader of the Oxford Movement during the 1830s. Asserting the catholicity of the Anglican Church, the Movement sought to reform Anglicanism . Instructor, Saint Louis University School of Law, St. Louis, Missouri; Visiting Professor, Universidad de los Andes, Facultad de Derecho, Bogota, Colombia. B.A. 1983, Boston University; J.D. 1986, Cornell University; Ph.D. in law, 1993, Cam- bridge University. I thank Professors Richard Amelung, Kenneth Parker, Thomas Pepper, and Bernard Rudden for their suggestions during the preparation of this article. -
Red Cactus: the Life of Anna Kingsford
RED CACTUS: THE LIFE OF ANNA KINGSFORD Alan Pert Books & Writers Copyright © Alan Pert. All rights reserved. This book is copyright. Except as permitted under the Copyright Act 1968, (for example a fair dealing for the purposes of study, research, criticism or review) no part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without prior written permission. National Library of Australia CIP: Pert, Alan. Red cactus : the life of Anna Kingsford. Bibliography. Includes index. ISBN 9781740184052. 1. Kingsford, Anna Bonus, 1846-1888. 2. Theosophists - Great Britain - Biography. 3. Women physicians - Great Britain - Biography. I. Title. 299.934092 First published in Australia in 2006 Reprinted 2007 Books & Writers Network Pty Ltd P.O. Box W76, Watsons Bay NSW 2030 www.wildandwoolley.com.au Book design: Pat Woolley Set in Fournier In loving memory of my parents Ruby Adele Pert (1917-2004) Ronald Ernest Pert (1916-1994) Contents Chronology of the Life of Anna Kingsford - - - - - - - - - - - - - - - - - -vii Introduction - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -1 1 Early Years - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -5 2 A Young Woman - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -17 3 Marriage - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -23 4 Anna’s Own Paper - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -35 5 Anna at Home - - - - - - - - - - - - - - - - - - - - - - -
Fine Books, Atlases & Manuscripts
FINE BOOKS, ATLASES & MANUSCRIPTS Wednesday 16 March 2016 Knightsbridge, London FINE BOOKS, ATLASES & MANUSCRIPTS FINE BOOKS, ATLASES | Knightsbridge, London | Wednesday 16 March 2016 16 March | Knightsbridge, London Wednesday 23459 226 92 37 FINE BOOKS, ATLASES AND MANUSCRIPTS Wednesday 16 March 2016 at 1pm Knightsbridge, London BONHAMS ENQUIRIES Please see page 2 for bidder Montpelier Street Matthew Haley information including after-sale Knightsbridge Simon Roberts collection and shipment. London SW7 1HH Luke Batterham www.bonhams.com Sarah Lindberg Please see back of catalogue Jennifer Ebrey for important notice to bidders VIEWING +44 (0) 20 7393 3828 Sunday 13 March +44 (0) 20 7393 3831 ILLUSTRATIONS 11am – 3pm Front cover: Lot Monday 14 March Shipping and Collections Back cover: Lot 9am – 4.30pm Leor Cohen Inside front cover: Lot Tuesday 15 March +44 (0) 20 7393 3841 Inside back cover: Lot 9am – 4.30pm [email protected] BIDS PRESS ENQUIRIES +44 (0) 20 7447 7447 [email protected] +44 (0) 20 7447 7401 fax To bid via the internet CUSTOMER SERVICES please visit www.bonhams.com Monday to Friday 8.30am – 6pm New bidders must also provide +44 (0) 20 7447 7447 proof of identity when submitting bids. Failure to do this may result in your bids not being processed. Please note that bids should be submitted no later than 4pm on LIVE ONLINE BIDDING IS the day prior to the auction. AVAILABLE FOR THIS SALE Please email [email protected] Bidding by telephone will only with “Live bidding” in the subject be accepted on a lot with a line up to 48 hours before the lower estimate of or in excess auction to register for this service.