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Shearer West Phd Thesis Vol 1
THE THEATRICAL PORTRAIT IN EIGHTEENTH CENTURY LONDON (VOL. I) Shearer West A Thesis Submitted for the Degree of PhD at the University of St. Andrews 1986 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/2982 This item is protected by original copyright THE THEATRICAL PORTRAIT IN EIGHTEENTH CENTURY LONDON Ph.D. Thesis St. Andrews University Shearer West VOLUME 1 TEXT In submitting this thesis to the University of St. Andrews I understand that I am giving permission for it to be made available for use in accordance with the regulations of the University Library for the time being in force, subject to any copyright vested in the work not being affected thereby. I also understand that the title and abstract will be published, and that a copy of the I work may be made and supplied to any bona fide library or research worker. ABSTRACT A theatrical portrait is an image of an actor or actors in character. This genre was widespread in eighteenth century London and was practised by a large number of painters and engravers of all levels of ability. The sources of the genre lay in a number of diverse styles of art, including the court portraits of Lely and Kneller and the fetes galantes of Watteau and Mercier. Three types of media for theatrical portraits were particularly prevalent in London, between ca745 and 1800 : painting, print and book illustration. -
THE INDUSTRY's VOICE Slamkatie Seashole Pressly Softball Stadium
January / February 2021 Vol. 12 No.1 THE INDUSTRY’S VOICE Grand Katie Seashole Pressly Slam Softball Stadium University of Florida +More Hospitality & Entertainment Projects Î BUSINESS SENSE Coping With the Labor Shortage Î CONSTRUCTION LAW Updating Your Employee Manuals Î THE HUTCHINSON FILES Resilient Single-Ply Systems for Hot Climates JORNS SCHECHTL SCHLEBACH KRASSER Designing Engineering Manufacturing Assembling Selling Shipping Installing Training Supporting Servicing BOECKELT TOWER MET-IQ SCHROEDER SCHROEDER MET-IQ BOECKELT TOWER 7 manufacturers. 600 people strong. Over 8000 machines installed. MetalForming. The #1 provider of architectural and construction sheet metal machinery in North America. Ad Name Contact us at 770.631.0002 and visit metalforming-usa.com for the complete story. KRASSER SCHLEBACH SCHECHTL JORNS Ad Name Roofing Contractor-Technical-ADESO-A.indd 1 12/15/20 8:37 AM evolving through INNOVATION Ad Name Tomorrow’s Ideas in Your Hands Today Labor saving benefits and long-term warranty protection from the pioneers of self-adhered roof membranes. Polyglass ADESO® Dual-Compound Self-Adhered Technology continues to evolve, providing an immediate watertight assembly that installs safe and fast. Imagine what’s next! Polyglass.us/ADESO polyglass.us Roofing Contractor-Technical-ADESO-A.indd 1 12/15/20 8:37 AM Ad Name JANUARY / FEBRUARY 2021 | VOL. 12 NO. 1 FEATURES 46 | THE HUTCHINSON FILES 70 | STUNNING LAKE VIEWS Designing resilient single-ply systems in hot Bay Harbor Yacht Club’s patio plaza climates. gets a classy upgrade. 54 | MISSION-CRITICAL ROOFS 72 | FLAWLESS EXECUTION The role of cellular glass insulation in high-profile Quality workmanship ensures top applications. -
Review of Helen E.M. Brooks, <Em>Actresses, Gender, and The
ABO: Interactive Journal for Women in the Arts, 1640-1830 Volume 5 Issue 1 Volume 5.1 (Spring 2015) Article 7 2015 Review of Helen E.M. Brooks, Actresses, Gender, and the Eighteenth-Century Stage: Playing Women Leslie Ritchie Queeens University, Canada, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/abo Part of the Dramatic Literature, Criticism and Theory Commons, Educational Methods Commons, Feminist, Gender, and Sexuality Studies Commons, and the Literature in English, British Isles Commons Recommended Citation Ritchie, Leslie (2015) "Review of Helen E.M. Brooks, Actresses, Gender, and the Eighteenth-Century Stage: Playing Women," ABO: Interactive Journal for Women in the Arts, 1640-1830: Vol. 5 : Iss. 1 , Article 7. https://www.doi.org/http://dx.doi.org/10.5038/2157-7129.5.1.6 Available at: https://scholarcommons.usf.edu/abo/vol5/iss1/7 This Reviews is brought to you for free and open access by Scholar Commons. It has been accepted for inclusion in ABO: Interactive Journal for Women in the Arts, 1640-1830 by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Review of Helen E.M. Brooks, Actresses, Gender, and the Eighteenth-Century Stage: Playing Women Keywords actress, maternity, gender, breeches, travesty, Dorothy Jordan, Sarah Siddons, Margaret Woffington Creative Commons License This work is licensed under a Creative Commons Attribution-No Derivative Works 3.0 License. This reviews is available in ABO: Interactive Journal for Women in the Arts, 1640-1830: https://scholarcommons.usf.edu/abo/vol5/iss1/7 Ritchie: Actresses, Gender, and the Eighteenth-Century Stage Helen E.M. -
Leaves of a Life, Being the Reminiscences of Montagu Williams
j K. _ . ^H . to Gbe Xibrarp of tbe of Toronto Bertram 1R. Davis from tbe boohs of tbe late Xionel Davis, Ik.C. LEAVES OF A LIFE BEING THE REMINISCENCES OF MONTAGU WILLIAMS, Q.C. LEAVES OF A LIFE BEING THE REMINISCENCES OF MONTAGU WILLIAMS, Q.C. IN TWO VOLUMES VOL. I. BOSTON AND NEW TOEK HOUGHTON, MIFFLIN AND COMPANY Bilu-rsilic ^rcss, Civmbriigc 1890 CHARLES DICKENS AND EVANS, CRYSTAL PALACE MESS. 13 tDi rat to it. TO THE BEST AND GENTLEST OF HER GENTLE SEX ; BUT FOR WHOSE FAITHFUL FRIENDSHIP IN THE SPRING OF 1886 THIS LIFE WOULD NOT, IN ALL PROBABILITY. HAVE BEEN SPARED; THIS BOOK IS MOST GRATEFULLY DEDICATED. 9, Aldford Street, Park Lane. Jan. 1st, 1890. CONTENTS. CHAPTER I. H.EC OLIM MESIINISSE JUVABIT. PAGE My birthplace A legal family My father's one idea We move from Somersetshire to Berkshire Our quaint old house in the Cloisters at Windsor Xeighbours and friends -Visit of Lord George Loftus Why he came amongst us His habits and customs Running up to London How his lordship was "done"- Eton Some popular "Tugs" " " -The last Eton Montem The scene in the grounds " " Levying Salt Her Majesty's contribution Why the institution perished ... .1 CHAPTER II. ILLE TERRARUM JIIHI PR.ETER OMNES AXGULUS RIDET. More about Eton School persecutions Cricket and football matches, and what followed I am elected a King's - - Scholar The masters Concerning Bursar Bethell " " How we rang old Plumptree's bell Sock shops Spankie's love for the aristocracy Heroism of a fag " " " Cellar and Combie "The "long glass "Persons we patronised My tutor The nicknames he gave us His method of punishment Threepence or half a sheep- Impudence of young Seale-Hayne The prtuposter Story of Dr. -
Getting to Know George Washington
getting to know A view of the completed figure of the 19-year-old Washington. George WashingtonBy Jeffrey H. Schwartz n the spring of 2003, I found myself learning more Iabout our country’s first president and 18th century art, clothing, and dentistry than I ever dreamed likely. But there I was one day in April, sitting with Laura Fisher, executive director of French and Indian War 250, who was asking me if Figure 1. Bust of George Washington. I thought I could reconstruct a life-like replica of Images courtesy of Jeffrey H. Schwartz. George Washington in 1754. 52 WESTERN PENNSYLVANIA HISTORY | SPRING 2010 WESTERN PENNSYLVANIA HISTORY | SPRING 2010 53 A view of the completed figure of the 45-year-old That would be when he was 22 years old, a course I said I would take on the project, not hairline) and produced a terracotta bust— Washington on his horse Blueskin. junior officer in the English militia stationed in only because it meant reconstructing George the face of which, I later figured out, must Western Pennsylvania. I had been working for Washington but also because it would the have been a replica of the life mask. He also some 20 years as the forensic anthropologist first time anyone tried to de-age an individual took body measurements for a marble statue with the Coroner’s (now Medical Examiner’s) without the aid of photographs and image- (Figure 1) that he sculpted upon his return Office of Allegheny County, which is how manipulating computer software. Only after to Paris that is so detailed one can see seams Laura found me. -
Royall Tyler, the Contrast
Royall Tyler, The Contrast Tyler, Royall . The Contrast: A Comedy Electronic Text Center, University of Virginia Library About the electronic version The Contrast: A Comedy Tyler, Royall Creation of machine-readable version: Judy Boss Creation of digital images: Greg Murray, Electronic Text Center Conversion to TEI.2-conformant markup: University of Virginia Library Electronic Text Center. ca. 190 kilobytes This version available from the University of Virginia Library Charlottesville, Virginia Publicly-accessible 1998 Note: This electronic text was created from a 1970 reprint (of an edition published in 1887) published by Burt Franklin, New York. However, the electronic text was checked against the 1887 edition published by The Dunlap Society, New York. Digital images accompanying the etext are from this 1887 Dunlap Society edition. The following errors in the print source have been corrected in this electronic version: p.xi, n.1, item 3: Tragedy”] Tragedy’; p.xxxv: Hugh Sherwood Esq.] Hugh Sherwood, Esq.; p.xxxvii: Hamilton Young, Esq., New York.] Hamilton Young, Esq., New-York.; p.57: I for what?] I; for what?; p.64: a happy people] a happy people.; p.74: most be very stupid] must be very stupid About the print version The Contrast: A Comedy Royall Tyler Introduction by Thomas J. McKee Burt Franklin New York 1970 BURT FRANKLIN: RESEARCH & SOURCE WORKS SERIES 573; Theatre & Drama Series 12 Prepared for the University of Virginia Library Electronic Text Center. Some keywords in the header are a local Electronic Text Center scheme to aid in establishing analytical groupings. Published: 1787 English fiction drama masculine LCSH unknown illustration 24- bit, 400 dpi Revisions to the electronic version April 1998 corrector Greg Murray, Electronic Text CenterAdded TEI header and tags. -
Reminiscences of J. L. Toole
PRE FA C E. W H AT a different thing talking is compared with writing ! I am on tour when I jot down th is fl h profound re ection . My dear friend J osep Hatton has been on my track since we parted in town , a month or two ago , with this one message , by post and telegram— “ You ought to write the ! ” Preface , every word of it As it is my own I I Preface of course ought , and of course have done so . But wh ile the writing of it has been a labour of love , it has bothered me a good deal u more than a labour of love is s pposed to do . Many times I have adm ired the skill with which my collaborator has written , i n these pages , stories which seemed to me to require , for a complete n narratio , the point one puts i nto an anecdote I when acting it . am occasionally called upon to I make a speech i n public . Well , get along now and then pretty well , thanks to the inspiration that seems to come to me f rom the friendly sym pathy of my aud ience but there is no inspiration P REFACE . in a blank sheet of paper , and there is no applause in pen s and ink . When one makes a speech one seeks kindly faces around one , and it is wonderful what assistance there is in a little applause . You take up the report of a speech in a newspaper ; “ i s you see that it peppered with Laughter , ” s Applause , Loud cheer , and so on that sets you reading it , and carries you on to the end . -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Diprose's Theatrical Anecdotes
^ :> Digitized by the Internet Archive in 2007 with funding from IVIicrosoft Corporation http://www.archive.org/details/diprosestheatricOOdipruoft ^DIP ROSE'S theatrical anecdotes' CONTAINING ANECDOTES OF THE SCENES-OLD iIIE STAGE AND THE PLAYERS-BEHIND PLACES OF AMUSEMENT-THEATRICAL JOTTINGS- == MUSIC-AUTHORS-EPITAPHS, &c., &c. London : DIPROSE & BATEMAN, Sheffield Street, Lincoln's Inn Fields. : LONDON DIPROSE, BATEMAN AND CO., PRINTEUS, SHEFFIELD STREET, LINCOLN'S INN, THE STAGE I AND THE PLAYERS BY JOHN DIPROSE. ^ THE ORIGIN OF THE STAGE. -:o:- HE first religious spectacle was, probably, the miracle play of St Catherine^ mentioned by Matthew Paris as having been written by Geoffrey, a Norman, afterwards Abbot of St. Albans, and played at Dunstable Abbey in mo. In the Description of the Most Noble City of London^ by Fitz Stephen, a monk, about 1174, in treating of the ordinary diversions of the inhabitants of the metropolis, says, that, instead of the common interludes belonging to theatres, they have plays of a more holy subject. The ancient religious dramas were distinguished by the names Origin of the Stage. of mysteries, properly so called, wherein were exhibited some of the events of Scripture story, and miracles which were of the nature of tragedy, representing the acts of Martyrdom of a Saint of the Church. One of the oldest religious dramas was written by Gregory, entitled Christ's Passion, the prologue to which states that the Virgin Mary was then for the first time brought upon the stage. In 1264, the Fraternite del Goufal'one Avas established, part of whose occupation was to represent the sufferings of Christ in Passion Week. -
The Road to Bristol Old Vic
250 YEARS OLD Thank you for being part of one of the most significant anniversaries in the history of British theatre. We’ve done our best to curate a programme worthy of your efforts, inspired by the astonishing creativity of the thousands of artists – from Sarah Siddons to Sally Cookson – who have delighted and entertained you and your forebears over the last 250 years. But at heart, ours is a story of passion, survival and reinvention. All the other theatres producing plays in 1766 have fallen down or been demolished because, at some point in their history, their audiences abandoned them. This one has survived because each time it’s faced disaster, Bristolians from all over the world have given it new life. It happened in 1800, when popular demand led to the ceiling being tipped up and the new gallery being built, increasing the capacity to an eye-watering 1,600. It happened in 1933 when Blanche Rogers initiated the campaign that the old place should be saved and become ‘Bristol’s Old Vic’. It happened in 2007 when Dick Penny held the open meeting (which many of you attended), leading to the Arts Council continuing its vital support for the theatre. And it’s happening throughout this wonderful anniversary, as you carry us towards the final stage of the refurbishment that will set us securely on our adventures over the next 250 years. So as you read about the shows we’re staging and the projects we’re curating during our birthday year, don’t forget to give yourself a warm pat on the back for being the people who are, in the end, responsible for all of it. -
The Call's Home Study Circle
THE SAN FRANCISCO CALL, THURSDAY, JANUARY 18, 1900. 9 THE CALL'S NEWS OF THEBAY CITIES ALAMEDAOAKLANDBERKELEY HOME STUDY CIRCLE TWO WOMEN, TWO MEN, MONEY, SUIT. STAGE HISTORY OF CORIOLANUS. MRS. HEARST IS WOULD END HER Copyright, 1900, by Seymour Eaton. POPULAR STUDIES IN SHAKESPEARE. WELCOMED BY Widow Spiars Sued MISERY 'NEATH Contributors to this course: Dr. Edward Dowden, Dr. William J. Rolfe. Dr. Hamilton W. Mable, Dr. Albert S. Cook. Dr. Hiram Corson, Dr. Isaac N. Deramon. Dr. Vlda D. 3cud- for Alienating the der and ethers. X. CORIOLAUTJS. Inhis repertoire inhis last year upon the- SALTY WATERS stage (1SIT). when, however, part of THE STUDENTS the The Play as an Acting Drama. Volumnia iMrs. Siddons having retired Love and Affection from the stage) was taken by Mrs. Fau- The play of "Coriolanus" is never acted clt. the mother of Helen Faueit. Also It Great Demonstration Mrs. Mary Schutter as Shakespeare wrote it. To begin with, was the play he chose for his farewell of Mrs. Lane's Hus- it is much too long for the exigencies of appearance In Edinburgh, where he was the modern At least a great favorite. Finally.It was the play- in Her Honor. Was Despondent. stage. two-fifths Covent must be omitted in any modern repre- he chose forhis last appearance In ? » Garden, in his "ever-memorable farewell band. sentation of the play. Again, for nearly to the stage." June 1817. 150 years theatrical managers not 23. ¦ Oakland Office San Francisco Call, did have Of that last appearance John Howard THE UNIVERSITY'S NEW ERA ? ? 908 Broadway, Jan. -
Herbert Brenon Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ)
Herbert Brenon Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) Quinneys https://bg.listvote.com/lists/film/movies/quinneys-7272298/actors The Clemenceau Case https://bg.listvote.com/lists/film/movies/the-clemenceau-case-3520302/actors Yellow Sands https://bg.listvote.com/lists/film/movies/yellow-sands-8051822/actors The Heart of Maryland https://bg.listvote.com/lists/film/movies/the-heart-of-maryland-3635189/actors The Woman With Four Faces https://bg.listvote.com/lists/film/movies/the-woman-with-four-faces-17478899/actors Empty Pockets https://bg.listvote.com/lists/film/movies/empty-pockets-62333808/actors Honours Easy https://bg.listvote.com/lists/film/movies/honours-easy-12124839/actors Wine, Women and Song https://bg.listvote.com/lists/film/movies/wine%2C-women-and-song-56291174/actors The Custard Cup https://bg.listvote.com/lists/film/movies/the-custard-cup-62595387/actors Moonshine Valley https://bg.listvote.com/lists/film/movies/moonshine-valley-6907976/actors The Eternal Sin https://bg.listvote.com/lists/film/movies/the-eternal-sin-21869328/actors Life's Shop Window https://bg.listvote.com/lists/film/movies/life%27s-shop-window-3832153/actors Laugh, Clown https://bg.listvote.com/lists/film/movies/laugh%2C-clown-1057743/actors Sorrell and Son https://bg.listvote.com/lists/film/movies/sorrell-and-son-1058426/actors God Gave Me Twenty Cents https://bg.listvote.com/lists/film/movies/god-gave-me-twenty-cents-15123200/actors Peter Pan https://bg.listvote.com/lists/film/movies/peter-pan-1537132/actors The Case of Sergeant Grischa https://bg.listvote.com/lists/film/movies/the-case-of-sergeant-grischa-1548848/actors