Leaves of a Life, Being the Reminiscences of Montagu Williams

Total Page:16

File Type:pdf, Size:1020Kb

Leaves of a Life, Being the Reminiscences of Montagu Williams j K. _ . ^H . to Gbe Xibrarp of tbe of Toronto Bertram 1R. Davis from tbe boohs of tbe late Xionel Davis, Ik.C. LEAVES OF A LIFE BEING THE REMINISCENCES OF MONTAGU WILLIAMS, Q.C. LEAVES OF A LIFE BEING THE REMINISCENCES OF MONTAGU WILLIAMS, Q.C. IN TWO VOLUMES VOL. I. BOSTON AND NEW TOEK HOUGHTON, MIFFLIN AND COMPANY Bilu-rsilic ^rcss, Civmbriigc 1890 CHARLES DICKENS AND EVANS, CRYSTAL PALACE MESS. 13 tDi rat to it. TO THE BEST AND GENTLEST OF HER GENTLE SEX ; BUT FOR WHOSE FAITHFUL FRIENDSHIP IN THE SPRING OF 1886 THIS LIFE WOULD NOT, IN ALL PROBABILITY. HAVE BEEN SPARED; THIS BOOK IS MOST GRATEFULLY DEDICATED. 9, Aldford Street, Park Lane. Jan. 1st, 1890. CONTENTS. CHAPTER I. H.EC OLIM MESIINISSE JUVABIT. PAGE My birthplace A legal family My father's one idea We move from Somersetshire to Berkshire Our quaint old house in the Cloisters at Windsor Xeighbours and friends -Visit of Lord George Loftus Why he came amongst us His habits and customs Running up to London How his lordship was "done"- Eton Some popular "Tugs" " " -The last Eton Montem The scene in the grounds " " Levying Salt Her Majesty's contribution Why the institution perished ... .1 CHAPTER II. ILLE TERRARUM JIIHI PR.ETER OMNES AXGULUS RIDET. More about Eton School persecutions Cricket and football matches, and what followed I am elected a King's - - Scholar The masters Concerning Bursar Bethell " " How we rang old Plumptree's bell Sock shops Spankie's love for the aristocracy Heroism of a fag " " " Cellar and Combie "The "long glass "Persons we patronised My tutor The nicknames he gave us His method of punishment Threepence or half a sheep- Impudence of young Seale-Hayne The prtuposter Story of Dr. Keate My only Hogging My tutor's version of tin 1 affair The portrait at the Garrick Club . .11 viii CONTENTS. CHAPTEK III. Qui FIT, MAECENAS, UT NEMO, QUAM SIBI SORTEM SEU RATIO DEDERIT, SEU FORS OBJECERIT, ILLA CONTENTUS YIVAT, LAUDET DIVERSA SEQUENTES 1 PAGE I leave school Donation to the head master How should 1 I earn my living ? I interview Montagu Chambers, Q.C. I become a master at Ipswich The work distasteful I resolve to become a soldier A commission obtained for me -Eccentric Colonel Sibthorp Ordered off to Portsmouth " -Detachment duty off Tipner The Forlorn Hope"- The order from the Horse Guards Indignation of Sibthorp the Arrival of the recruiting sergeants I am to go to seat of war My new regiment I proceed to Dublin A son spree : we shave off the whiskers of an ex-pawnbroker's Unpleasant consequences threatened I eat humble-pie The affair blows over I again change my regiment The fall of Sebastopol ends my hopes The song I composed, and the reputation it brought me A consequence of that reputation ...... -7 CHAPTER IV. ARHA DEFUNCTUMQUE BELLO BARBITOX H1C PARIES HABEB1T. Life at Walnier Unpleasant officers How I offended the Colonel The "Subalterns' Arms" I ask to be ex- changed Our impecuniosity How I humbugged the sheriff's officer I make a bolt for it Jurnbo and I ask leave We proceed to London The newspaper advertise- ment Interviewing the money-lender His terms We " " call upon his friend "- A singular breakfast Merely a " matter of form A disturbance in the street Jumbo and I arrested We are taken before the magistrate and fined " -Visit from Captain Curtis "--The trick played upon us My father and godfather to the rescue I return to Walmer, and leave the service. ..... 39 CHAPTER V. OMNIA VINCIT AMOR. I stay with my parents at Reading Visit from Disney Roebuck Our amateur theatricals We resolve to go on the stage CONTENTS. ix PACK Our early engagements An eventful introduction Miss Keeley hears me ray lines I meet Henry Irving Playing in the Potteries Mrs. Patch Why I went to I )ublin My marriage My wife's parents We take a house in Pelham Street Another provincial tour - - Mrs. "Wyndham Johnny Toole I leave the stage Reminiscences of Keeley Mrs. Iveeley's versatility Adelphi dramas Visitors at Pelham Crescent Mr. and Mrs. Alfred Wigan Mr. and Mrs. Levy The Daily Tele- graph Mr. Edward Lawson I enter at the Inner Temple Frank Bumand He and I write plays together I take a manuscript to Robson The price paid for it . 49 CHAPTEE VI. CEDUNT ARMA TOG^E. Serjeant Parry's advice I enter Mr. Holl's chambers Attend- ing the Sessions The resolution I come to I am called to the Bar My first brief Pleasure gives way to fright I lose the case My despair Hardinge-Giffard, Sleigh, Metcalfe, Ballantine, and others Messrs. Lewis and Lewis Bob Orridge's bet An exception to the general rule . 68 CHAPTER VII. EARO ANTECEDENTS!! SCELESTUM DESERUIT PEDE PCENA CLAUDO. The extent of my practice The case of Catherine Wilson A description of her crimes Our defence What the Judge said Statement by the Lincoln police officer The verdict The accused rearrested A fresh trial Bodies of the victims exhumed Some pointed observations from, the Bench "Guilty"- Mr. Justice Byles His lordship's com- ments in private Anecdote of Mr. F. Mr. Arthur Collins and the point that was overlooked A painful case The subscription, we started My first introduction to Messrs. Lewis and Lewis Reminiscences of Ballantine An em- barrassing position Ribton's verbosity I act as Ballan- tine's junior in a gross case of fraud His advice about f-r fees The little Jewish solicitor . 77 x CONTENTS. CHAPTER VIII. XEMO ME I3IPUXE LACESSIT. PAGE Serjeant Ballantine's weekly custom A case of fraud What Ballantine said to the parson Jews like the Serjeant; but the Serjeant doesn't like Jews A remarkable piece of cross- " examination I am his cussed old father"- Ballantine's conduct towards Clarkson Sparring between the Serjeant and Huddleston Miss Lydia Thompson's action against Miss Marie Wilton The comment of a rising young barrister I desire to join the Oxford Circuit My father's peculiar objections I join the Home Circuit The giants of those days My first Circuit town Serjeant Shee's kindness Mr. Eussell Gurney, Sir Thomas Chambers, and Mr. Com- missioner Iverr instance of An great fairness . .92 CHAPTER IX. SI XON EURTALUS RUTULOS CECIDISSET IN HOSTES HYRTACID.E NISO GLORIA NULLA FORET. The Hatton Garden murder Pelizzioni charged with the crime " " -Evidence of the landlord of the Golden Anchor Statement of the dying man Witnesses for the defence Accusations against Gregorio The question of the knife The prisoner sentenced to death Excitement among the Italians A respite obtained Interposition of Mr. Xegretti Gregorio traced He is tried for the crime Fresh evidence Pelizzioni put into the box Mr. jSTegretti's evidence Gregorio found guilty of manslaughter An unprecedented state of things Pelizzioni tried again on a second indict- ment He is acquitted and pardoned Which one was guilty? .... 107 CHAPTER X. SI JUDICAS COGXOSCE. A case of sheep-stealing The alibi I set up It is pooh-poohed from the Bench A verdict of "Guilty" What took place " twelvemonths later You condemned an innocent man" -The Drovers' Association take the matter up Her CONTENTS. xi PAGE " " Majesty's pardon The prison doors release a maniac Anticipatory mourning : Hawkins' little joke "A fly-blow in the ocean ". .125 CHAPTER XI. QUI DUO CORPORIBUS MEXTIBUS UNUS ERANT. The Cannon Street murder Evidence of the cook An im- portant letter Mrs. Robbins' testimony Statement by George Terry I call Avitness.es for the defence Great con- flict of evidence : the issue hopelessly confused A verdict " " of Not Guilty -The murder remains a mystery^ My friend Douglas Straight My earliest recollection of him : " " how he cuffed the ears of two small boys The Twins An amusing observation that we overheard . .132 CHAPTER XII. O RUS QUANDO EGO TE ASPICIAM. Number 8, Upper Brook Street A new custom of mine- Mr, and Mrs. Lawson's house at Twickenham The people who went there Napier Sturt and the diamond merchant Sir John Holker's natural surprise Attempt to burn " " down The Daily Telegraph offices I am sent Special to Windsor A case of robbery My curious meeting with London detectives The statement one of them made to me regarding my client I am obliged to leave before the verdict is returned The prisoner's consequent indignation " " A verdict of Not Guilty How the released man treated the police to a champagne supper .... 145 CHAPTER XIII. PAUPERTAS ONUS ET MISERUM ET GRAVE. The Middlesex Sessions An underpaid J udgeship Poor prisoners and their defence Where thieves used to live, and where they live now An impudent little pickpocket I defended East End lodging-houses : a disgraceful state of things Suggestions for reform Midnight rambles in the East End How a friend and I tried the effects of opium The "Bridge of Sighs"- A woman lying in the snow with a child in her arms The poor creature's resolve take her to the . desperate We refuge . .158 xii CONTENTS. CHAPTEE XIV. IXGRATO HOMIXE TERRA PEJDS NIL GREAT. PAGE An amusing case at Bristol Strange threat of a butcher Ballantine makes a mistake The long retirement of the jury The butcher found to be tattered and bleeding A cruel murder The ragged wayfarer and the kind-hearted widow She accedes to his prayer for a night's lodging He becomes her manager and collects her rents A descrip- tion of the crime The man is acquitted He afterwards boasts of his guilt ........ 173 CHAPTER XV. PRO PATRIA XOX TIMIDUS MORI. The Clerkenwell explosion How it originated, and why it failed The accused and their counsel A description of the prisoners Evidence of the informers A letter in invisible ink Incidents subsequent to the explosion- Further evidence The warders in the witness-box- Acquittal of Ann Justice A moving scene Mr.
Recommended publications
  • Reminiscences of J. L. Toole
    PRE FA C E. W H AT a different thing talking is compared with writing ! I am on tour when I jot down th is fl h profound re ection . My dear friend J osep Hatton has been on my track since we parted in town , a month or two ago , with this one message , by post and telegram— “ You ought to write the ! ” Preface , every word of it As it is my own I I Preface of course ought , and of course have done so . But wh ile the writing of it has been a labour of love , it has bothered me a good deal u more than a labour of love is s pposed to do . Many times I have adm ired the skill with which my collaborator has written , i n these pages , stories which seemed to me to require , for a complete n narratio , the point one puts i nto an anecdote I when acting it . am occasionally called upon to I make a speech i n public . Well , get along now and then pretty well , thanks to the inspiration that seems to come to me f rom the friendly sym pathy of my aud ience but there is no inspiration P REFACE . in a blank sheet of paper , and there is no applause in pen s and ink . When one makes a speech one seeks kindly faces around one , and it is wonderful what assistance there is in a little applause . You take up the report of a speech in a newspaper ; “ i s you see that it peppered with Laughter , ” s Applause , Loud cheer , and so on that sets you reading it , and carries you on to the end .
    [Show full text]
  • Prints Collection
    Prints Collection: An Inventory of the Collection at the Harry Ransom Humanities Research Center Descriptive Summary Creator: Prints Collection Title: Prints Collection Dates: 1669-1906 (bulk 1775-1825) Extent: 54 document boxes, 7 oversize boxes (33.38 linear feet) Abstract: The collection consists of ca. 8,000 prints, the great majority of which depict British and American theatrical performers in character or in personal portraits. RLIN Record #: TXRC02-A1 Language: English. Access Open for research Administrative Information Provenance The Prints Collection was assembled by Theater Arts staff, primarily from the Messmore Kendall Collection which was acquired in 1958. Other sources were the Robert Downing and Albert Davis collections. Processed by Helen Baer and Antonio Alfau, 2000 Repository: Harry Ransom Humanities Research Center, University of Texas at Austin Prints Collection Scope and Contents The Prints Collection, 1669-1906 (bulk 1775-1825), consists of ca. 8,000 prints, the great majority of which depict British and American theatrical performers in character or in personal portraits. The collection is organized in three series: I. Individuals, 1669-1906 (58.25 boxes), II. Theatrical Prints, 1720-1891 (1.75 boxes), and III. Works of Art and Miscellany, 1827-82 (1 box), each arranged alphabetically by name or subject. The prints found in this collection were made by numerous processes and include lithographs, woodcuts, etchings, mezzotints, process prints, and line blocks; a small number of prints are hand-tinted. A number of the prints were cut out from books and periodicals such as The Illustrated London News, The Universal Magazine, La belle assemblée, Bell's British Theatre, and The Theatrical Inquisitor; others comprised sets of plates of dramatic figures such as those published by John Tallis and George Gebbie, or by the toy theater publishers Orlando Hodgson and William West.
    [Show full text]
  • This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Repertory and rivalry : opera and the Second Covent Garden Theatre, 1830-56. Dideriksen, Gabriella The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 10. Oct. 2021 Repertory and Rivalry: Opera at the Second Covent Garden Theatre, 1830 to 1856 Gabriella Dlderlksen PhD, Historical Musicology King's College London, University of London June 1997 Abstract Victorian London has hitherto frequently been regarded as an operatic backwater without original musical or theatrical talent, and has accordingly been considered only marginally important to the history of 19th-century opera in general.
    [Show full text]
  • Some Experiences of a Barrister's Life
    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com I " • GIFT OF John Garber Palacbe Helen Palacbe Lansdale from the estate of the late judge John Garber Slips for Librarians to paste on Catalogue Cards. N. B.— Take out carefully, leaving about quarter of an inch at the back. To do otherwise would, in some cases, release other leaves. BALLANTINE, WILLIAM. SOME EXPERI ENCES OF A BARRISTER'S LIFE. By Mr. SERJEANT BALLANTINE. New York: Henry Holt & Co., 1882. i2mo, pp. xxiv., 527. SOME EXPERIENCES OF A BARRIS TER'S LIFE. By Mr. SERJEANT BALLANTINE. New York : Henry Holt & Co., 1882. izrno, pp. xxiv., 527. BIOGRAPHY. SOME EXPERIENCES OF A BAR RISTER'S LIFE. By MR. SERJEANT BALLANTINE. New York : Henry Holt & Co., 1882. 12100, pp. xxiv., 527. MEMOIRS. SOME EXPERIENCES OF A BARRIS TER'S LIFE. By MR. SERJEANT BALLANTINE. New York : Henry Holt & Co., 1882. i2mo, pp. xxiv., 527. SOME EXPERIENCES OP A BARRISTER'S LIFE MR SERJEANT BALLANTINE NEW YORK HENRY HOLT AND COMPANY 1882 PREFATORY NOTE. T HAVE felt at a loss to know in what manner I ought to introduce the following pages to the reader, and should have been inclined to launch them without a word of preface, but that it might be thought that I formed an exaggerated estimate of their intrinsic worth, which certainly is not the case. What I have striven to do, and trust I have suc ceeded in doing, has been to adhere strictly to facts in the incidents related ; and the conclusions ex pressed are the honest results of such experience as a long professional life, not unmixed with other asso ciations, has enabled me to form.
    [Show full text]
  • Historic Amusement Parks and Fairground Rides Introductions to Heritage Assets Summary
    Historic Amusement Parks and Fairground Rides Introductions to Heritage Assets Summary Historic England’s Introductions to Heritage Assets (IHAs) are accessible, authoritative, illustrated summaries of what we know about specific types of archaeological site, building, landscape or marine asset. Typically they deal with subjects which lack such a summary. This can either be where the literature is dauntingly voluminous, or alternatively where little has been written. Most often it is the latter, and many IHAs bring understanding of site or building types which are neglected or little understood. Many of these are what might be thought of as ‘new heritage’, that is they date from after the Second World War. With origins that can be traced to annual fairs and 18th-century pleasure grounds, and much influenced by America’s Coney Island amusement park of the 1890s, England has one of the finest amusement park and fairground ride heritages in the world. A surprising amount survives today. The most notable site is Blackpool Pleasure Beach, in Lancashire, which has an unrivalled heritage of pre-1939 fairground rides. Other early survivals in England include scenic railways at Margate and Great Yarmouth, and water splash rides in parks at Kettering, Kingston-upon-Hull and Scarborough that date from the 1920s. This guidance note has been written by Allan Brodie and edited by Paul Stamper. It is one is of several guidance documents that can be accessed HistoricEngland.org.uk/listing/selection-criteria/listing-selection/ihas-buildings/ Published by Historic England June 2015. All images © Historic England unless otherwise stated. HistoricEngland.org.uk/listing/ Front cover A modern aerial photograph of Blackpool Pleasure Beach showing the complex landscape that evolved during the 20th century.
    [Show full text]
  • The Farces of John Maddison Morton
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1971 The aF rces of John Maddison Morton. Billy Dean Parsons Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Parsons, Billy Dean, "The aF rces of John Maddison Morton." (1971). LSU Historical Dissertations and Theses. 1940. https://digitalcommons.lsu.edu/gradschool_disstheses/1940 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. PARSONS, Billy Dean, 1930- THE FARCES OF JOHN MADDISON MORTON. The Louisiana State University and Agricultural and Mechanical College, Ph.D., 1971 Speech-Theater University Microfilms, A XEROX Company, Ann Arbor, Michigan © 1971 BILLY DEAN PARSONS ALL RIGHTS RESERVED THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED THE FAECES OF JOHN MADDISON MORTON A DISSERTATION Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Speech / by Billy Dean Parsons B.A., Georgetown College, 1955 M.A., Louisiana State University, 1958 January, 1971 ACKNOWLEDGMENTS The writer wishes to express his deep appreciation to Dr•Claude L« Shaver for his guidance and encourage­ ment in the writing of this dissertation and through years of graduate study• He would also like to express his gratitude to Dr.
    [Show full text]
  • Prologue 1 Paying a Visit to the Crown
    Notes Prologue 1 Charles Kean, a letter to Mary Anne Skerret, 3 July 1855, Royal Archives Add X/85. Further material from the Royal Archives will be abbreviated ‘RA’. 2 John Cam Hobhouse (Lord Broughton) diary entry, 14 November 1837, quoted in John Cam Hobhouse, Recollections of a Long Life, 5 vols. (London: W. Clowes & Sons, 1865–7), V, p. 101. 3 Royal Archives Queen Victoria’s Journal 6 February 1852. Subsequent references to Queen Victoria’s journal will be abbreviated ‘RA QVJ’. 4 RA QVJ, 18 June 1853. 5 RA QVJ, 30 March 1859. 6 RA QVJ, 28 April 1856. 7 Benita Stoney and Heinrich C. Weltzein, eds., My Mistress the Queen: The Letters of Frieda Arnold, Dresser to Queen Victoria 1854–9, trans. Sheila de Bellaigue (London: Weidenfeld & Nicolson, 1994), pp. 148–9. 8 RA QVJ, 20 February 1855. 9 RA QVJ, 18 February 1856. 10 Victoria’s extensive collection of playbills, programmes and playscripts is carefully preserved in the Royal Archives at Windsor Castle. 11 James I and VI, Basilikon Doron, cited in Stephen Orgel, The Illusion of Power: Political Theater in the English Renaissance (Berkeley and Los Angeles: University of California Press, 1975), p. 42. 12 King Leopold of the Belgians, a letter to Princess Victoria, 7 October 1836; cited in Lynne Vallone, Becoming Victoria (New Haven: Yale University Press, 2001), p. 199. 13 Walter Bagheot, The English Constitution (London, 1867; Ithaca: Cornell University Press, 1963), pp. 64, 97. 14 Edmund Gosse and Mary Ponsonby, ‘The Character of Queen Victoria’, Quarterly Review 193 (January–June 1901) 311.
    [Show full text]
  • The Life and Plays of Richard Brinsley Peake (1792-1847)
    ACKNOWLEDGMENTS I wish to express my appreciation to all of the people whose aid, advice, and encouragement have made this study possible. To the staffs of the Literature Division of the Cleveland Public Library and the Li lly Library of Indiana University, who have aided me in retrieving and examining some very fragile original texts, I offer my sincerest thanks. I am especially indebted to the staff of the Ohio State University Theatre Research Institute, and in particular Barbara Kachur, for assistance with the microfilm resources of the archives so painstakingly developed by Professor John H. McDowell over many years. Of the many students, staff, and faculty members of the Ohio State University Department of Theatre who have shown great interest and support for this project, only a handful can be mentioned in this space. But to each of these co-workers and friends, I extend my thanks. especially thank my advisers Dr. John C. Morrow and Dr. Alan Woods, whose unceasing enthusiasm and guidance have sustained this study for over a year. To Anna Sears, who typed the final draft of this thesis, I offer my most sincere appreciation. Finally, wish to thank my wife, Laura, for long months of patient assistance as I gathered and organized the material needed for the study, and for her invaluable companionship and suggestions during the typing of the first draft. i i Page VI. PEAKE'S COMEDY. 107 Overview .•..... 107 ~ C1 imbing Boy (1832) 110 The Title Deeds (1847). 113 VII. CONCLUSIONS 120 The Importance of Peake . 120 Suggestions For Further Studies.
    [Show full text]
  • Old Drury Lane
    :CNJ ! VMBBJ ICD ' : '- - --" ; . , ",.' 1 \. ffi . I | m 1 1 ! |g ' 1 -' - . '. _ : I ' - - - ' ' : '_ i p I /,'.'/v;^' v | j ' ' - , '-', , nHI pn ; H ^ B 1 ' .'"' ''-'"' : K ' ' a mm i OLD DRURY LANE. A OLD DRURY LANE FIFTY YESES' RECOLLECTIONS OF AUTHOR, ACTOR, AND MANAGER BY EDWARD STIRLING IN TWO VOLUMES VOL. II. lontton CHATTO AND WINDUS, PICCADILLY 1881 [All Rights Reserved] CONTENTS OF VOL. II. BOOK III. PAGE ACTORS AND ACTRESSES WHO HAVE APPEARED AT DRURY LANE THEATRE FROM ITS EARLIEST ANNALS TO THE PRESENT TIME, SKETCHES OF THEIR CAREER, AND ANEC- DOTES CONNECTED WITH THEM ... I BOOK IV. DRAMATIC ANA AND THEATRICAL VARIETIES, WITH AN ACCOUNT OF CURIOUS OLD PLAYS, ETC. 267 OLD DRURY LANE. BOOK III. ACTORS AND ACTRESSES WHO HAVE APPEARED AT DRURY LANE THEATRE FROM ITS EARLIEST ANNALS TO THE PRESENT TIME, SKETCHES OF THEIR CAREER, AND ANECDOTES CONNECTED WITH THEM. ' Players are the abstracts and brief chronicles of the Time : after your death, you were better have a bad epitaph than their ill report.' VOL. II. EDWARD KYNASTON, 16191687. IN the Restoration days (Charles II.), it was a frequent custom of the ladies of quality to carry Kynaston, the actor of Drury Lane and Lincoln's Inn Fields, in his female dress, after the performances, in their coaches to Hyde Park. JOHN LACEY, 16221681. JOHN LACEY, a Yorkshireman and King's servant at Drury Lane, greatly relished by Charles II., who frequently commanded his performances. CLUN (DIED 1664). TRAGIC NEWS, 1664. 'Clun, one of the best tragic actors at the King's House, 242 Old Drury Lane.
    [Show full text]
  • Faire-Valoir Et Seconds Couteaux Sidekicks and Underlings Nathalie Jaëck, Jean-Paul Gabilliet
    Faire-valoir et seconds couteaux Sidekicks and Underlings Nathalie Jaëck, Jean-Paul Gabilliet To cite this version: Nathalie Jaëck, Jean-Paul Gabilliet. Faire-valoir et seconds couteaux Sidekicks and Underlings. Es- sais : revue interdisciplinaire d’Humanités, 2016. hal-02508451 HAL Id: hal-02508451 https://hal.archives-ouvertes.fr/hal-02508451 Submitted on 17 Mar 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Revue interdisciplinaire d’Humanités Faire-valoir et seconds couteaux Sidekicks and Underlings Études réunies par Nathalie Jaëck et Jean-Paul Gabilliet Numéro 10 - 2016 (1 - 2016) ÉCOLE DOCTORALE MONTAIGNE-HUMANITÉS Comité de rédaction Jean-Luc Bergey, Laetitia Biscarrat, Charlotte Blanc, Fanny Blin, Brice Chamouleau, Antonin Congy, Marco Conti, Laurent Coste, Hélène Crombet, Jean-Paul Engélibert, Rime Fetnan, Magali Fourgnaud, Jean-Paul Gabilliet, Stanislas Gauthier, Aubin Gonzalez, Bertrand Guest, Sandro Landi, Sandra Lemeilleur, Mathilde Lerenard, Maria Caterina Manes Gallo, Nina Mansion, Mélanie Mauvoisin, Myriam Metayer, Isabelle
    [Show full text]
  • Downloaded from Manchesterhive.Com at 09/30/2021 10:38:09AM Via Free Access 178 Acculturation/Transculturation
    8 The transnational kangaroo hunt Ken Gelder and Rachael Weaver The kangaroo hunt narrative genre was invented early on by the appropri- ately named John Hunter. Hunter was second captain of the HMS Sirius, arriving at Sydney Cove with the First Fleet in 1788. An astronomer and naturalist, his notebook, Birds & Flowers of New South Wales Drawn on the Spot in 1788, 89 & 90 (1790), contained 100 illustrations of native flora and fauna, including a watercolour of a kangaroo to which Hunter ascribed an Aboriginal name, Pa-ta-garang. His account of the beginnings of settle- ment, An Historical Journal of the Transactions of Port Jackson and Norfolk Island, was published in London in 1793. Here he writes: ‘The animal described in the voyage of the Endeavour, called the kangaroo (but by the natives patagorong) we found in great numbers; one was lately shot which weighed 140 pounds.’1 Kangaroo hunting as a practice had already been described by other First Fleet chroniclers, like John White and Watkin Tench. But Hunter was the first writer in the colonies to turn the kangaroo hunt into a narrative that presented the quarry as a fitting adversary, focusing on its strength and physical characteristics, describing the chase itself and the methods used for hunting, and detailing the struggle to the death between the kangaroo and the hunter’s dogs: The strength this animal has in its hind quarters is very great: in its endeavours to escape from us, when surprised, it springs from its hind legs, which are very long, and leaps at each bound about six or eight yards … they have vast strength also in their tail; it is, no doubt, a principal part of their defence, when attacked; for with it they can strike with prodigious force, I believe with suffi- cient power to break the leg of a man … We for some time considered their tail as their chief defence, but having of late hunted them with greyhounds very successfully, we have had an opportunity of knowing that they use their claws and teeth.
    [Show full text]
  • Queen Victoria's Patronage of Charles Kean, Actor-Manager
    71-7586 VANDER YACHT, Douglas R ., 1935- QUEEN VICTORIA'S PATRONAGE OF CHARLES KEAN, ACTOR-MANAGER. The Ohio State University, Ph.D., 19 70 T heater University Microfilms, A XEROX Company, Ann Arbor, Michigan © Copyright by Douglas R. Vander Yacht 1971 | i THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED QUEEN VICTORIA'S PATRONAGE OF CHARLES KEAN, ACTOR-MANAGER DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State U n iv e rsity Douglas R. Vander Yacht, B. A., H. S. ******* The Ohio State University Approved by * -< Division of Theatre ACKNOWLEDGEMENTS I would like to express ray gratitude to a few of the many people whose aid, encouragement and inspiration were instrumental in writing this dissertation. I am indebted first of all, to Dr. John H. McDowell, whose careful scholarship inspired my genuine interest in theatre history. Dr. Roy Bowen's kind and gracious help has been a constant source of encouragement since my first visit to The Ohio State University in 1964. I am grateful to Dr. Arthur Housman for guidance and encouragement. I am deeply indebted to Dr. John C. Morrow for his valuable guidance and for making it possible for me to study in England, where this study took shape. In England, Mr. George Mash and his assistant, Mr. Tony Latham of the Enthoven Collection, Victoria and Albert Library and Mrs. Margaret Darville, head librarian at the Shakespeare Centre Library in Stratford, England were particularly helpful. Above all, I wish to thank my wife for her loving patience during all the long years of schooling.
    [Show full text]