Prologue 1 Paying a Visit to the Crown
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The Year's Music
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com fti E Y LAKS MV5IC 1896 juu> S-q. SV- THE YEAR'S MUSIC. PIANOS FOR HIRE Cramer FOR HARVARD COLLEGE LIBRARY Pianos BY All THE BEQUEST OF EVERT JANSEN WENDELL (CLASS OF 1882) OF NEW YORK Makers. 1918 THIS^BQQKJS FOR USE 1 WITHIN THE LIBRARY ONLY 207 & 209, REGENT STREET, REST, E.C. A D VERTISEMENTS. A NOVEL PROGRAMME for a BALLAD CONCERT, OR A Complete Oratorio, Opera Recital, Opera and Operetta in Costume, and Ballad Concert Party. MADAME FANNY MOODY AND MR. CHARLES MANNERS, Prima Donna Soprano and Principal Bass of Royal Italian Opera, Covent Garden, London ; also of 5UI the principal ©ratorio, dJrtlustra, artii Sgmphoiu) Cxmctria of ©wat Jfvitain, Jtmmca anb Canaba, With their Full Party, comprising altogether Five Vocalists and Three Instrumentalists, Are now Booking Engagements for the Coming Season. Suggested Programme for Ballad and Opera (in Costume) Concert. Part I. could consist of Ballads, Scenas, Duets, Violin Solos, &c. Lasting for about an hour and a quarter. Part II. Opera or Operetta in Costume. To play an hour or an hour and a half. Suggested Programme for a Choral Society. Part I. A Small Oratorio work with Chorus. Part II. An Operetta in Costume; or the whole party can be engaged for a whole work (Oratorio or Opera), or Opera in Costume, or Recital. REPERTOIRE. Faust (Gounod), Philemon and Baucis {Gounod) (by arrangement with Sir Augustus Harris), Maritana (Wallace), Bohemian Girl (Balfe), and most of the usual Oratorios, &c. -
NUI MAYNOOTH Ûllscôst La Ttéiîéann Mâ Üuad Charles Villiers Stanford’S Preludes for Piano Op.163 and Op.179: a Musicological Retrospective
NUI MAYNOOTH Ûllscôst la ttÉiîéann Mâ Üuad Charles Villiers Stanford’s Preludes for Piano op.163 and op.179: A Musicological Retrospective (3 Volumes) Volume 1 Adèle Commins Thesis Submitted to the National University of Ireland, Maynooth for the degree of Doctor of Philosophy Department of Music National University of Ireland, Maynooth Maynooth Co. Kildare 2012 Head of Department: Professor Fiona M. Palmer Supervisors: Dr Lorraine Byrne Bodley & Dr Patrick F. Devine Acknowledgements I would like to express my appreciation to a number of people who have helped me throughout my doctoral studies. Firstly, I would like to express my gratitude and appreciation to my supervisors and mentors, Dr Lorraine Byrne Bodley and Dr Patrick Devine, for their guidance, insight, advice, criticism and commitment over the course of my doctoral studies. They enabled me to develop my ideas and bring the project to completion. I am grateful to Professor Fiona Palmer and to Professor Gerard Gillen who encouraged and supported my studies during both my undergraduate and postgraduate studies in the Music Department at NUI Maynooth. It was Professor Gillen who introduced me to Stanford and his music, and for this, I am very grateful. I am grateful to the staff in many libraries and archives for assisting me with my many queries and furnishing me with research materials. In particular, the Stanford Collection at the Robinson Library, Newcastle University has been an invaluable resource during this research project and I would like to thank Melanie Wood, Elaine Archbold and Alan Callender and all the staff at the Robinson Library, for all of their help and for granting me access to the vast Stanford collection. -
Leaves of a Life, Being the Reminiscences of Montagu Williams
j K. _ . ^H . to Gbe Xibrarp of tbe of Toronto Bertram 1R. Davis from tbe boohs of tbe late Xionel Davis, Ik.C. LEAVES OF A LIFE BEING THE REMINISCENCES OF MONTAGU WILLIAMS, Q.C. LEAVES OF A LIFE BEING THE REMINISCENCES OF MONTAGU WILLIAMS, Q.C. IN TWO VOLUMES VOL. I. BOSTON AND NEW TOEK HOUGHTON, MIFFLIN AND COMPANY Bilu-rsilic ^rcss, Civmbriigc 1890 CHARLES DICKENS AND EVANS, CRYSTAL PALACE MESS. 13 tDi rat to it. TO THE BEST AND GENTLEST OF HER GENTLE SEX ; BUT FOR WHOSE FAITHFUL FRIENDSHIP IN THE SPRING OF 1886 THIS LIFE WOULD NOT, IN ALL PROBABILITY. HAVE BEEN SPARED; THIS BOOK IS MOST GRATEFULLY DEDICATED. 9, Aldford Street, Park Lane. Jan. 1st, 1890. CONTENTS. CHAPTER I. H.EC OLIM MESIINISSE JUVABIT. PAGE My birthplace A legal family My father's one idea We move from Somersetshire to Berkshire Our quaint old house in the Cloisters at Windsor Xeighbours and friends -Visit of Lord George Loftus Why he came amongst us His habits and customs Running up to London How his lordship was "done"- Eton Some popular "Tugs" " " -The last Eton Montem The scene in the grounds " " Levying Salt Her Majesty's contribution Why the institution perished ... .1 CHAPTER II. ILLE TERRARUM JIIHI PR.ETER OMNES AXGULUS RIDET. More about Eton School persecutions Cricket and football matches, and what followed I am elected a King's - - Scholar The masters Concerning Bursar Bethell " " How we rang old Plumptree's bell Sock shops Spankie's love for the aristocracy Heroism of a fag " " " Cellar and Combie "The "long glass "Persons we patronised My tutor The nicknames he gave us His method of punishment Threepence or half a sheep- Impudence of young Seale-Hayne The prtuposter Story of Dr. -
A Moor Propre: Charles Albert Fechter's Othello
A MOOR PROPRE: CHARLES ALBERT FECHTER'S OTHELLO A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Matthew Scott Phillips, B.A. * * * * * The Ohio State University •· 1992 Thesis Committee: Approved by Alan Woods Joy Reilly Adviser Department of Theatre swift, light-footed, and strange, with his own dark face in a rage,/ Scorning the time-honoured rules Of the actor's conventional schools,/ Tenderly, thoughtfully, earnestly, FECHTER comes on to the stage. (From "The Three Othellos," Fun 9 Nov. 1861: 76.} Copyright by Matthew Scott Phillips ©1992 J • To My Wife Margaret Freehling Phillips ii ACKNOWLEDGEMENTS I express heartfelt appreciation to the members of my thesis committee: to my adviser, Dr. Alan Woods, whose guidance and insight made possible the completion of this thesis, and Dr. Joy Reilly, for whose unflagging encouragement I will be eternally grateful. I would also like to acknowledge the invaluable services of the British Library, the Jerome Lawrence and Robert E. Lee Theatre Research Institute and its curator, Nena Couch. The support and encouragement given me by my family has been outstanding. I thank my father for raising my spirits when I needed it and my mother, whose selflessness has made the fulfillment of so many of my goals possible, for putting up with me. Finally, I would like to thank my wife, Maggie, for her courage, sacrifice and unwavering faith in me. Without her I would not have come this far, and without her I could go no further. -
Linley Sambourne's Diary 1889
LINLEY SAMBOURNE'S DIARY 1889 Notes on preliminary pages: (Red ink: Store ticket for 1889 61061) Candles for reading lamp, Vegetable wax S.S.6's 3/9 per packet. No good, sperm wanted. Miss Gill, 2 King's Road, Brownswood Park, N. George Finlay Esq, General Manager's Office, L & NW Rly, Euston. G.M.Rich Esq, Station Master, Euston. Fred Dougall Esq, The Highland Railway, General Manager's Office, Inverness. Models: Miss Etty Pettigrew, 7 Musgrave Crescent, Walham Green Miss Lily Pettigrew. Grove, 174 Brompton Road, S.W. Mrs Stephenson, 34 Jervis Road, Lillie Road, West Kensington S.W. Meg Dartrey, 109 Eaton Terrace S.W. Miss L Price, 2 Goodson Road, Lillie road, West Brompton S.W. Nellie Hall, 3 Dartmouth Road, Forest Hill, S.W. Tall & slight, good figure. Adah Fletcher, 18 Goldsmith Residences, Goldsmith Road, Peckham S.E. (Crossed out in red ink.) No good (added in red ink.) (Red ink: Abbey's housekeeper, Martha Keevil.) Hamilton Bruce, 4 Eccleston St, Chester Sq. Archibald McGregor, 126 Campden Houses, Pell St, Kensington. P.C. 305. F. Weldon, 108 Victoria Street S.W. Charles A Howell, 91 Southampton Row, Russell Sq, next Bedford Hotel W.C. E.Coleman Esq, Veterinary Surgeon, Tooting. Iodine charges. Caron D'Ache, 59 Rue de la Tour, Passy. Address for boots in Paris: Coquillot, 10 Rue de la Bourse, Paris. Book on South Seas from Curacoa Wiseman: A ride through the disturbed districts of New Zealand, together with some account of the South Sea Islands, being reflections from the journals & letters of Lieut the Hon Herbert Meade R.N. -
The Journal of a London Playgoer from 1851 to 1866
BOOKS AND PAPERS HENRY MORLEY 1851 1866 II THE JOURNAL LONDON PLAYGOER FROM 1851 TO 1866 HENRY MORLEY, LL.D, EMERITUS PROFESSOR OF ENGLISH LITERATURE IN UNIVERSITY COLLEGE. LONDON LONDON GEORGE ROUTLEDGE AND SONS, LIMITED BROADWAY, LUDGATE HILL GLASGOW, MANCHESTER, AND NEW. .YORK < ' ' PN PROLOGUE. THE writer who first taught Englishmen to look for prin- ciples worth study in the common use of speech, expecting censure for choice of a topic without dignity, excused him- self with this tale out of Aristotle. When Heraclitus lived, a famous Greek, there were some persons, led by curiosity to see him, who found him warming himself in his kitchen, and paused at the threshold because of the meanness of the " place. But the philosopher said lo them, Enter boldly, " for here too there are Gods". The Gods" in the play- house are, indeed, those who receive outside its walls least honour among men, and they have a present right to be its Gods, I fear, not only because they are throned aloft, but also because theirs is the mind that regulates the action of the mimic world below. They rule, and why ? Is not the educated man himself to blame when he turns with a shrug from the too often humiliating list of an evening's perform- ances at all the theatres, to say lightly that the stage is ruined, and thereupon make merit of withdrawing all atten- tion from the players ? The better the stage the better the town. If the stage were what it ought to be, and what good it actors heartily desire to make it, would teach the public to appreciate what is most worthy also in the sister arts, while its own influence would be very strong for good. -
SIR ARTHUR SULLIVAN: Life-Story, Letters, and Reminiscences
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com SirArthurSullivan ArthurLawrence,BenjaminWilliamFindon,WilfredBendall \ SIR ARTHUR SULLIVAN: Life-Story, Letters, and Reminiscences. From the Portrait Pruntfd w 1888 hv Sir John Millais. !\i;tn;;;i*(.vnce$. i-\ !i. W. i ind- i a. 1 V/:!f ;d B'-:.!.i;:. SIR ARTHUR SULLIVAN : Life-Story, Letters, and Reminiscences. By Arthur Lawrence. With Critique by B. W. Findon, and Bibliography by Wilfrid Bendall. London James Bowden 10 Henrietta Street, Covent Garden, W.C. 1899 /^HARVARD^ UNIVERSITY LIBRARY NOV 5 1956 PREFACE It is of importance to Sir Arthur Sullivan and myself that I should explain how this book came to be written. Averse as Sir Arthur is to the " interview " in journalism, I could not resist the temptation to ask him to let me do something of the sort when I first had the pleasure of meeting ^ him — not in regard to journalistic matters — some years ago. That permission was most genially , granted, and the little chat which I had with J him then, in regard to the opera which he was writing, appeared in The World. Subsequent conversations which I was privileged to have with Sir Arthur, and the fact that there was nothing procurable in book form concerning our greatest and most popular composer — save an interesting little monograph which formed part of a small volume published some years ago on English viii PREFACE Musicians by Mr. -
Reminiscences of J. L. Toole
PRE FA C E. W H AT a different thing talking is compared with writing ! I am on tour when I jot down th is fl h profound re ection . My dear friend J osep Hatton has been on my track since we parted in town , a month or two ago , with this one message , by post and telegram— “ You ought to write the ! ” Preface , every word of it As it is my own I I Preface of course ought , and of course have done so . But wh ile the writing of it has been a labour of love , it has bothered me a good deal u more than a labour of love is s pposed to do . Many times I have adm ired the skill with which my collaborator has written , i n these pages , stories which seemed to me to require , for a complete n narratio , the point one puts i nto an anecdote I when acting it . am occasionally called upon to I make a speech i n public . Well , get along now and then pretty well , thanks to the inspiration that seems to come to me f rom the friendly sym pathy of my aud ience but there is no inspiration P REFACE . in a blank sheet of paper , and there is no applause in pen s and ink . When one makes a speech one seeks kindly faces around one , and it is wonderful what assistance there is in a little applause . You take up the report of a speech in a newspaper ; “ i s you see that it peppered with Laughter , ” s Applause , Loud cheer , and so on that sets you reading it , and carries you on to the end . -
Living the Law Bridget Daley, L’13, and Other Alumni Serve As Force for Change Message from the Dean
THE SUMMER 2018 The Duquesne University School of Law Magazine for Alumni and Friends LIVING THE LAW BRIDGET DALEY, L’13, AND OTHER ALUMNI SERVE AS FORCE FOR CHANGE MESSAGE FROM THE DEAN Dean’s Message Congratulations to our newest alumni! Duquesne Law read about a new faculty/student mentorship program, which celebrated the 104th commencement on May 25 with the Class was made possible with alumni donations. You will also read of 2018 and their families, friends and colleagues. These J.D. and about alumni who are serving their communities in new ways, LL.M. graduates join approximately 7,800 Duquesne Law alumni often behind the scenes and with little fanfare, taking on pro residing throughout the world. bono cases, volunteering at nonprofit organizations, coordinating We all can be proud of what our graduates have community services and starting projects to help individuals in accomplished and the opportunities they have. Many of these need. You will discover how Duquesne Law is expanding diversity accomplishments and opportunities have been made possible and inclusion initiatives and read about new faculty roles in the because of you, our alumni. Indeed, our alumni go above and community as well as new scholarly works. Finally, you will read beyond to help ensure student success here. Colleagues in the about student achievements and the amazing work of student law often share with me that the commitment of Duquesne Law organizations here. alumni is something special! I invite you to be in touch and to join us for one of our Thank you most sincerely for all that you do! Whether you alumni events. -
CYMBELINE" in the Fllii^Slhi TI CENTURY
"CYMBELINE" IN THE fllii^SLHi TI CENTURY Bennett Jackson Submitted in partial fulfilment for the de ree of uaster of Arts in the University of Birmingham. October 1971. University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. SYNOPSIS This thesis consists of an Introduction, followed by Part I (chapters 1-2) in which nineteenth- century criticism of the play is discussed, particular attention being paid to Helen Faucit's essay on Imogen, and its relationship to her playing of the role. In Part II the stags-history of Oymbcline in London is traced from 1785 to Irving's Lyceum production of 1896. Directions from promptbooks used by G-.P. Cooke, W.C. Macready, Helen Eaucit, and Samuel ±helps are transcribed and discussed, and in the last chapter the influence of Bernard Shaw on Ellen Terry's Imogen is considered in the light of their correspondence and the actress's rehearsal copies of the play. There are three appendices: a list of performances; transcriptions of two newspaper reviews (from 1843 and 1864) and one private diary (Gordon Crosse's notes on the Lyceum Gymbeline); and discussion of one of the promptbooks prepared for Charles Kean's projected production. -
To Center City: the Evolution of the Neighborhood of the Historicalsociety of Pennsylvania
From "Frontier"to Center City: The Evolution of the Neighborhood of the HistoricalSociety of Pennsylvania THE HISToRICAL SOcIETY OF PENNSYLVANIA found its permanent home at 13th and Locust Streets in Philadelphia nearly 120 years ago. Prior to that time it had found temporary asylum in neighborhoods to the east, most in close proximity to the homes of its members, near landmarks such as the Old State House, and often within the bosom of such venerable organizations as the American Philosophical Society and the Athenaeum of Philadelphia. As its collections grew, however, HSP sought ever larger quarters and, inevitably, moved westward.' Its last temporary home was the so-called Picture House on the grounds of the Pennsylvania Hospital in the 800 block of Spruce Street. Constructed in 1816-17 to exhibit Benjamin West's large painting, Christ Healing the Sick, the building was leased to the Society for ten years. The Society needed not only to renovate the building for its own purposes but was required by a city ordinance to modify the existing structure to permit the widening of the street. Research by Jeffrey A. Cohen concludes that the Picture House's Gothic facade was the work of Philadelphia carpenter Samuel Webb. Its pointed windows and crenellations might have seemed appropriate to the Gothic darkness of the West painting, but West himself characterized the building as a "misapplication of Gothic Architecture to a Place where the Refinement of Science is to be inculcated, and which, in my humble opinion ought to have been founded on those dear and self-evident Principles adopted by the Greeks." Though West went so far as to make plans for 'The early history of the Historical Soiety of Pennsylvania is summarized in J.Thomas Scharf and Thompson Westcott, Hisiory ofPhiladelphia; 1609-1884 (2vols., Philadelphia, 1884), 2:1219-22. -
APRIL, 1916. SCHOOL LETTER T Is the General
H E PETERITE. VoL. XXI I. APRIL, 1916. No. 222. SCHOOL LETTER T is the general custom of Editors, when writing the School Letter, to commence with the most important event, and this term pride of place must undoubtedly be accorded to the weather. The condition of the weather can be best judged from the fact that to-day is the first fine day we have had since the middle of January, a fact which caused universal acclamation. The activities of the Hockey team have naturally been greatly hampered by the rain, indeed out of 7 matches arranged 4 have had to be cancelled. Out of the three matches played, however, two have been very creditable victories, and, if only the weather clears up, the team should emerge victorious from all the remaining matches. We have received the confident assurances of the Boating authorities that in their sphere of influence the reputation of th School will be worthily maintained, and the information brought in by our spies leads us to the same conclusion. The boater being like ducks, are the only members of the School who have not been inconvenienced by the weather, and so we hope that in the boat-races, maintaining their " duck " reputation, they will simply " fly " to victory. The Corps is still continuing to do good work, although this term reminiscences of parades have been inseparably associ- ated with snow, rain, and mud, especially the latter. A minor 2 SCHOOL LETTER. field-day was held upon Friday, March 17th (an exclusive account of which, written by our special correspondent at the front, appears upon a later page), and the major and combined field- day, is due to take place upon Friday, March 24th.