The Road to Bristol Old Vic
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Bristol Leisure Focus
Hotels Restaurants Pubs Leisure Leisure Property Specialists Investments Bristol Leisure Focus 2015 Bristol, currently European Green Capital, the first UK city to be awarded the accolade, is regularly voted as one of the best places to live in Britain, due to its eclectic and unmistakeable identity. This has led to the city being recognised as the fastest growing hi-tech sector outside of London. Large scale redevelopment of the city centre and surrounding areas and the much needed improvement of the historic waterways is presenting new opportunities and welcoming a host of new arrivals to the city. 1 The eighth largest city in the UK with a population approaching 440,000, Bristol is a vibrant and passionate city that has its own unmistakable identity. Introduction Bristol is the economic capital of the South offices and 250 residential apartments, it Once viewed as a much wasted and West, being home to more than 17,500 offers broad appeal and attracts 17 million neglected asset, Bristol’s waterfront areas businesses, with a third of UK-owned FTSE visitors each year. are benefitting from a series of large scale 100 companies having a significant presence developments bringing life to the waters’ in the city. Bristol was recently attributed as Growth continues with significant edge with schemes such as Finzels Reach the fastest growing hi-tech sector outside of developments underway to improve the and Wapping Wharf offering mixed use London (McKinsey and Co, 2014). city’s transport links. Bristol Airport is developments and waterfront leisure currently in the process of undergoing a opportunities. -
1999 + Credits
1 CARL TOMS OBE FRSA 1927 - 1999 Lorraine’ Parish Church Hall. Mansfield Nottingham Journal review 16th Dec + CREDITS: All work what & where indicated. 1950 August/ Sept - Exhibited 48 designs for + C&C – Cast & Crew details on web site of stage settings and costumes at Mansfield Art Theatricaila where there are currently 104 Gallery. Nottm Eve Post 12/08/50 and also in Nottm references to be found. Journal 12/08/50 https://theatricalia.com/person/43x/carl- toms/past 1952 + Red related notes. 52 - 59 Engaged as assistant to Oliver Messel + Film credits; http://www.filmreference.com/film/2/Carl- 1953 Toms.html#ixzz4wppJE9U2 Designer for the penthouse suite at the Dorchester Hotel. London + Television credits and other work where indicated. 1957: + Denotes local references, other work and May - Apollo de Bellac - awards. Royal Court Theatre, London, ----------------------------------------------------- 57/58 - Beth - The Apollo,Shaftesbuy Ave London C&C 1927: May 29th Born - Kirkby in Ashfield 22 Kingsway. 1958 Local Schools / Colleges: March 3 rd for one week ‘A Breath of Spring. Diamond Avenue Boys School Kirkby. Theatre Royal Nottingham. Designed by High Oakham. Mansfield. Oliver Messel. Assisted by Carl Toms. Mansfield Collage of Art. (14 years old). Programme. Review - The Stage March 6th Lived in the 1940’s with his Uncle and Aunt 58/59 - No Bed for Bacon Bristol Old Vic. who ran a grocery business on Station St C&C Kirkby. *In 1950 his home was reported as being 66 Nottingham Rd Mansfield 1959 *(Nottm Journal Aug 1950) June - The Complaisant Lover Globe Conscripted into Service joining the Royal Theatre, London. -
Review of Helen E.M. Brooks, <Em>Actresses, Gender, and The
ABO: Interactive Journal for Women in the Arts, 1640-1830 Volume 5 Issue 1 Volume 5.1 (Spring 2015) Article 7 2015 Review of Helen E.M. Brooks, Actresses, Gender, and the Eighteenth-Century Stage: Playing Women Leslie Ritchie Queeens University, Canada, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/abo Part of the Dramatic Literature, Criticism and Theory Commons, Educational Methods Commons, Feminist, Gender, and Sexuality Studies Commons, and the Literature in English, British Isles Commons Recommended Citation Ritchie, Leslie (2015) "Review of Helen E.M. Brooks, Actresses, Gender, and the Eighteenth-Century Stage: Playing Women," ABO: Interactive Journal for Women in the Arts, 1640-1830: Vol. 5 : Iss. 1 , Article 7. https://www.doi.org/http://dx.doi.org/10.5038/2157-7129.5.1.6 Available at: https://scholarcommons.usf.edu/abo/vol5/iss1/7 This Reviews is brought to you for free and open access by Scholar Commons. It has been accepted for inclusion in ABO: Interactive Journal for Women in the Arts, 1640-1830 by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Review of Helen E.M. Brooks, Actresses, Gender, and the Eighteenth-Century Stage: Playing Women Keywords actress, maternity, gender, breeches, travesty, Dorothy Jordan, Sarah Siddons, Margaret Woffington Creative Commons License This work is licensed under a Creative Commons Attribution-No Derivative Works 3.0 License. This reviews is available in ABO: Interactive Journal for Women in the Arts, 1640-1830: https://scholarcommons.usf.edu/abo/vol5/iss1/7 Ritchie: Actresses, Gender, and the Eighteenth-Century Stage Helen E.M. -
Download Bristol Walking
W H II T RR EE E D L H LL A A A N M D D II PP E TT G O S R N O V R RR EE O O W AA OO A D H RR U D BB G RR II B A LL S CC R E M ONO R E H N LL H A E H T H CC H R Y A CHERCH R TT EE RR A S O O O Y EE 4 M AD H LL E N C D II SS TT 1 RTSEY PP E L CC D R K N L 0 T TT A EE S EE O R HA S O G E CC NN 8 K A N C E N N AA E P M IIN A TT Y RD LEY RO B F H D W L II R F S P R PP M R R L RD W Y CC Y II K D A E O EE N R A A D A U R DD O O E U LLLL A AA D RD RR WAVE A H M EN A B P S P RR N O TT D M LL KK V TT A ININ T C D H H H R BB BB DD LA E O N T AD E R NN K S A A A EE A SS S N C A G RO B E AA D T VI M A L S OO A T RR D TT A OA ST RONA U M L B TT NER A OO O O C NN DD R E RR TT AAN TT M R E O B RR JJ CK T H Y EE NN OOH RONA O II N II R G R L O PP T R EE N OO H N O L AA RR A A RR II RR D T LL CH A A A A NSN C A O T RR O OO V T A R D N C SS V KK DD S D E C VV W D O R NSN H EE R R F EE L R O UU A L S IIE L N AD R A L L II N TT R IAL D K R H U OADO A O O ER A D R EE P VE OD RO O TT N AD O A T T IMPERIIM W D CC NE E D S N II A E OA N E L A D V E R F PP A S R E FR N R EY KK V D O O O TL A E UG T R R T HA RR R E ADA G R S W M N S IIN Y D G A A O P LL E AL PP R R S L L D N V Y WE H YN T II IIN DE WE S R L A LLE C A Y N O E T G N K R O F M N RORO II HA D TO R E D P A T E Y II L R L E P L Y E A A M L R E DD D U E E A R D U F MPTOM H N M R AA M AD A V A W R R R W T W L OA OA M OA S O M OO A IIL T HA R A C L O D L E L RR D A D P K D D II E E N O E AM Y D T HAM VA R R R O T T AD CO D N VE OR N O O M Y BBI D ST F COTHAMC R THA I ST A A FORD AA C T R ITIT G D T M O -
Abigail Mckern
Abigail McKern Agents Charlotte Davies Assistant [email protected] Cat Palethorpe +44 (0)20 3214 0800 [email protected] +44 (0) 20 3214 0800 Roles Stage Production Character Director Company MERCHANT OF VENICE Nerissa Peter Hall West End THE CHERRY ORCHARD Dunyarsha Sam Mendes Aldwych Theatre DEATH OF A SALESMAN The Woman Robert Falls Lyric Theatre THE MAGISTRATE Agatha Poskitt Nick Broadhurst Savoy Theatre SHE STOOPS TO CONQUER Richard Cottrell Sydney Theatre Company 5 CHARACTERS IN SEARCH TBA Mike Alfreds Shared Experience OF A GOOD NIGHT'S SLEEP, NORTH BY NORTHWEST Mrs Thornhill Simon Philips Adelaide Festival NORTH BY NORTHWEST Mrs Thornhill Simon Philips Bath Theatre Royal and Toronto Royal Alexander A ROOM WITH A VIEW Mrs Honeychurch Adrian Noble CAT ON A HOT TIN ROOF Big Mama Rob Hastie Theatr Clwyd BRAVE NEW WORLD Linda James Dacre Northampton Royal and Derngate United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company PRIDE AND PREJUDICE Lady Catherine De Tamara Harvey Sheffield Crucible Theatres Bourgh SHAKESPEARE IN LOVE The Nurse Declan Donellan/ West End Noel Coward A TALE OF TWO CITIES Miss Pross James Dacre Northampton Royal and Derngate TRAVELLING LIGHT Ida Nick Hytner National Theatre TRAVESTIES Nadya Philip Wilson Birmingham Rep THE IMPORTANCE OF Miss Prism Philip Wilson Birmingham Rep BEING ERNEST BUS STOP Grace James Dacre New Vic/Scarborough co- production LINGUA FRANCA, Madge Fox -
New Plays from the MA Drama Writing Students of 2020 First Published in 2020 by Bristol Old Vic Theatre School All Rights Reserved
New Plays from the MA Drama Writing Students of 2020 First published in 2020 by Bristol Old Vic Theatre School All rights reserved. If you are interested in contacting a writer regarding representation please contact them c/o Bristol Old Vic Theatre School. Application for professional and amateur performance rights should be directed to the author c/o Bristol Old Vic Theatre School. No performance may be given unless a licence has been obtained, and no alterations may be made in the title or the text of the adaptation without the author’s prior written consent. You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or binding or by any means (print, electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. CONTENTS Georgie Bailey, Tadpoles 5 Maddie Beautyman, The Predicament of Living, 31 Emily Glaze, Mute, 47 Jaisal Marmion, West Country Oriental Gentleman, 73 Dan Scott, Orbital Decay, 89 Eva Sinclair, Artificial Flavouring, 117 Abigail Slack, Two Tribes, 135 Jacob P Woods, Pink’s Furniture Store, 151 TADPOLES Georgie Bailey Beware of the pond life, it’s bad yano. Tad’s older, autistic brother Kit is being targeted by the local Estate Boys gang. Deciding to take matters into his own hands, Tad begins a feud with them, leading himself into the jaws of a shady group inhabiting the local pond who offer him protection in exchange for a job, whilst Kit is indoctrinated into a crew of his own: the Toad on the Roads volunteers. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Local Plan Was Adopted on December 16Th 1997
B RISTOL L OCAL P LAN The city council wishes to thank all the people of Bristol who were involved in planning the future of our city by making comments on the formulation of this Plan. After five years of debate involving consultation, a public local inquiry and modifications, the Bristol Local Plan was adopted on December 16th 1997. The Plan consists of this written statement and a separate Proposals Map. For further information, please contact Strategic and Citywide Policy Team Directorate of Planning, Transport and Development Services Brunel House St George’s Road Bristol BS1 5UY Telephone: 903 6723 / 903 6724 / 903 6725 / 903 6727 Produced by: Planning content The Directorate of Planning, Transport and Development Services Technical Production Technical Services and Word Processing Bureau of the Planning Directorate Graphic & 3-D Design Unit of the Policy Co-ordinator and Chief Executive’s Office Printed by Bristol City Council Contract Services – Printing and Stationery Department, Willway Street, Bedminster GRA1865 20452 P&S Printed on recycled paper ADOPTED BRISTOL LOCAL PLAN DECEMBER 1997 P REFACE The Bristol Local Plan was formally adopted in December 1997 after a long and lively debate involving many thousands of local people and numerous organisations with a stake in the city’s future. Bristol now has up to date statutory planning policies covering the whole city. This Plan will guide development up to 2001 and form the basis for a review taking Bristol into the 21st Century. The Plan sets out to protect open space, industrial land, housing, shopping and local services and to promote the quality of life for all the citizens of Bristol. -
Chloe Armstrong
JOSH MCCONVILLE | Actor FILM Year Production / Character Director Company 2017 1% Stephen McCallum Head Gear Films Skink 2016 WAR MACHINE David Michôd Porchlight Films Payne 2015 JOE CINQUE'S CONSOLATION Sotiris Dounoukos Consolation Productions Chris 2014 DOWN UNDER Abe Forsythe Riot Films Gav 2013 THE INFINITE MAN Hugh Sullivan Infinite Man Productions P/L Dean Trilby 2012 THE TURNING “COMMISSION” David Wenham ArenaMedia Vic Lang TELEVISION Year Production/Character Director Company 2017 HOME & AWAY Various Seven Network Caleb 2015 CLEVERMAN Wayne Blair ABCTV Dickson 2013 THE KILLING FIELD Samantha Lang Seven Network Operations Jackson 2012 REDFERN NOW Various ABC TV/Blackfella Films Photographer Shanahan Management Pty Ltd Level 3 | Berman House | 91 Campbell Street | Surry Hills NSW 2010 PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] 2011 WILD BOYS Various Southern Star Productions No. 8 Ben 2009 UNDERBELLY II: Various Screentime A TALE OF TWO CITIES Hurley THEATRE Year Production/Character Director Company 2017 CLOUD 9 Kip Williams Sydney Theatre Company Clive/Cathy 2016 A MIDSUMMER NIGHT’S DREAM Kip Williams Sydney Theatre Company Bottom 2016 ALL MY SONS Kip Williams Sydney Theatre Company George Deever 2016 HAY FEVER Imara Savage Sydney Theatre Company Sandy Tyrell 2016 ARCADIA Richard Cottrell Sydney Theatre Company Bernard Nightingale 2015 HAMLET Damien Ryan Bell Shakespeare Hamlet 2015 AFTER DINNER Imara Savage Sydney Theatre Company -
The Call's Home Study Circle
THE SAN FRANCISCO CALL, THURSDAY, JANUARY 18, 1900. 9 THE CALL'S NEWS OF THEBAY CITIES ALAMEDAOAKLANDBERKELEY HOME STUDY CIRCLE TWO WOMEN, TWO MEN, MONEY, SUIT. STAGE HISTORY OF CORIOLANUS. MRS. HEARST IS WOULD END HER Copyright, 1900, by Seymour Eaton. POPULAR STUDIES IN SHAKESPEARE. WELCOMED BY Widow Spiars Sued MISERY 'NEATH Contributors to this course: Dr. Edward Dowden, Dr. William J. Rolfe. Dr. Hamilton W. Mable, Dr. Albert S. Cook. Dr. Hiram Corson, Dr. Isaac N. Deramon. Dr. Vlda D. 3cud- for Alienating the der and ethers. X. CORIOLAUTJS. Inhis repertoire inhis last year upon the- SALTY WATERS stage (1SIT). when, however, part of THE STUDENTS the The Play as an Acting Drama. Volumnia iMrs. Siddons having retired Love and Affection from the stage) was taken by Mrs. Fau- The play of "Coriolanus" is never acted clt. the mother of Helen Faueit. Also It Great Demonstration Mrs. Mary Schutter as Shakespeare wrote it. To begin with, was the play he chose for his farewell of Mrs. Lane's Hus- it is much too long for the exigencies of appearance In Edinburgh, where he was the modern At least a great favorite. Finally.It was the play- in Her Honor. Was Despondent. stage. two-fifths Covent must be omitted in any modern repre- he chose forhis last appearance In ? » Garden, in his "ever-memorable farewell band. sentation of the play. Again, for nearly to the stage." June 1817. 150 years theatrical managers not 23. ¦ Oakland Office San Francisco Call, did have Of that last appearance John Howard THE UNIVERSITY'S NEW ERA ? ? 908 Broadway, Jan. -
Josh Mcconville
JOSH MCCONVILLE Training: NIDA and Griffith University Film: Lone Wolf Conrad Jonathan Ogilvie Future Pictures Fantasy Island Sarge Jeff Wadlow Columbia Pictures Top End Wedding Officer Kent Wayne Blair Goalpost M4M Ice Man Paul Ireland Toothless Pictures Escape and Evasion Seth Storm Ashwood Bronte Pictures The Merger Snapper Mark Grentell Umbrella Entertainment 1% Skink Stephen McCallum Head Gear Films War Machine Payne David Michod Netflix Down Under Gav Abe Wild Eddie Joe Cinque's Consolation Chris Sotiris Dounoukos Consolation Productions The Infinite Man Dean Trilby Hugh Sullivan Infinite man Productions The Turning "Commission" Vic lang David Wenham ArenaMedia TV: Wakefield Scott Jocelyn Moorhouse & Kim Morduant Jungle Ent. Mr Inbetween S2 Alex Nash Edgerton Blue-Tongue Films Home and Away Caleb Snow Alan Bateman 7 Network Cleverman Dickson Leah Purcell Goalpost Pictures Redfern Now Photographer Various ABC TV / Blackfella Films Wild Boys Ben Barratt Southern Star Ent. Shirley Barratt Underbelly II Michael Hurley C9 Network Tony Tilse Theatre: Cloud 9 Clive/Cathy Kip Williams Sydney Theatre Company A Midsummer Night's Dream Bottom Kip Williams Sydney Theatre Company All My Sons George Deever Kip Williams Sydney Theatre Company Hay Fever Sandy Tyrell Imara Savage Sydney Theatre Company Arcadia Bernard Nightingale Richard Cottrell Sydney Theatre Company Hamlet Hamlet Damien Ryan Bell Shakespeare Tour Death of A Salesman Biff Adam Mitchell Black Swan Theatre Company The Boys Brett Sprague Sam Strong Griffin Theatre Company Josh McConville -
Bodily Motion As Innovation in Bernhardt's Hamlet
University of New Orleans ScholarWorks@UNO Foreign Languages Faculty Publications Department of English and Foreign Languages 9-2020 Something in the Way She Moves: Bodily Motion as Innovation in Bernhardt’s Hamlet Juliana Starr University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/fl_facpubs Part of the Theatre History Commons Recommended Citation Starr, Juliana. "Something in the Way She Moves: Bodily Motion as Innovation in Bernhardt’s Hamlet." American International Journal of Humanities and Social Science, vol. 6, no. 1, Sept. 2020, pp. 24-33. This Article is brought to you for free and open access by the Department of English and Foreign Languages at ScholarWorks@UNO. It has been accepted for inclusion in Foreign Languages Faculty Publications by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. American International Journal of Humanities and Social Science, Vol. 6 No 1; September 2020 ISSN 2415-1270 (Online), ISSN 2415-1424 (Print) Published by Center for Global Research Development Something in the Way She Moves: Bodily Motion as Innovation in Bernhardt’s Hamlet Juliana Starr Associate Professor University of New Orleans United States of America Abstract Sarah Bernhardt’s audiences often described feeling thrilled by the star performer, and they relished the ways in which her agency exceeded their own. She developed a style of setting her entire body in motion, often in arresting, unusual ways. Using Sharon Marcus’s concept of “exteriority effects”-mobility, framing, tempo control, and hyperextension-this article analyzes Bernhardt’s stage movement in her most famous cross-gender role, Hamlet.