Looking After National Parks
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Problematika České Transkripce Japonštiny a Pravidla Jejího Užívání Nihongo 日本語 社会 Šakai Fudži 富士 Ivona Barešová, Monika Dytrtová Momidži Tókjó もみ じ 東京 Čotto ち ょっ と
チェ コ語 翼 čekogo cubasa šin’jó 信用 Problematika české transkripce japonštiny a pravidla jejího užívání nihongo 日本語 社会 šakai Fudži 富士 Ivona Barešová, Monika Dytrtová momidži Tókjó もみ じ 東京 čotto ち ょっ と PROBLEMATIKA ČESKÉ TRANSKRIPCE JAPONŠTINY A PRAVIDLA JEJÍHO UŽÍVÁNÍ Ivona Barešová Monika Dytrtová Spolupracovala: Bc. Mária Ševčíková Oponenti: prof. Zdeňka Švarcová, Dr. Mgr. Jiří Matela, M.A. Tento výzkum byl umožněn díky účelové podpoře na specifi cký vysokoškolský výzkum udělené roku 2013 Univerzitě Palackého v Olomouci Ministerstvem školství, mládeže a tělovýchovy ČR (FF_2013_044). Neoprávněné užití tohoto díla je porušením autorských práv a může zakládat občanskoprávní, správněprávní, popř. trestněprávní odpovědnost. 1. vydání © Ivona Barešová, Monika Dytrtová, 2014 © Univerzita Palackého v Olomouci, 2014 ISBN 978-80-244-4017-0 Ediční poznámka V publikaci je pro přepis japonských slov užito české transkripce, s výjimkou jejich výskytu v anglic kém textu, kde se objevuje původní transkripce anglická. Japonská jména jsou uváděna v pořadí jméno – příjmení, s výjimkou jejich uvedení v bibliogra- fi ckých citacích, kde se jejich pořadí řídí citační normou. Pokud není uvedeno jinak, autorkami překladů citací a parafrází jsou autorky této práce. V textu jsou použity následující grafi cké prostředky. Fonologický zápis je uveden standardně v šikmých závorkách // a fonetický v hranatých []. Fonetické symboly dle IPA jsou použity v rámci kapi toly 5. V případě, že není nutné zaznamenávat jemné zvukové nuance dané hlásky nebo že není kladen důraz na zvukové rozdíly mezi jed- notlivými hláskami, je jinde v textu, kde je to možné, z důvodu usnadnění porozumění užito namísto těchto specifi ckých fonetických symbolů písmen české abecedy, např. -
Hiragana Chart
ひらがな Hiragana Chart W R Y M H N T S K VOWEL ん わ ら や ま は な た さ か あ A り み ひ に ち し き い I る ゆ む ふ ぬ つ す く う U れ め へ ね て せ け え E を ろ よ も ほ の と そ こ お O © 2010 Michael L. Kluemper et al. Beginning Japanese, Tuttle Publishing, an imprint of Periplus Editions (HK) Ltd. All rights reserved. www.TimeForJapanese.com. 1 Beginning Japanese 名前: ________________________ 1-1 Hiragana Activity Book 日付: ___月 ___日 一、 Practice: あいうえお かきくけこ がぎぐげご O E U I A お え う い あ あ お え う い あ お う あ え い あ お え う い お う い あ お え あ KO KE KU KI KA こ け く き か か こ け く き か こ け く く き か か こ き き か こ こ け か け く く き き こ け か © 2010 Michael L. Kluemper et al. Beginning Japanese, Tuttle Publishing, an imprint of Periplus Editions (HK) Ltd. All rights reserved. www.TimeForJapanese.com. 2 GO GE GU GI GA ご げ ぐ ぎ が が ご げ ぐ ぎ が ご ご げ ぐ ぐ ぎ ぎ が が ご げ ぎ が ご ご げ が げ ぐ ぐ ぎ ぎ ご げ が 二、 Fill in each blank with the correct HIRAGANA. SE N SE I KI A RA NA MA E 1. -
Handy Katakana Workbook.Pdf
First Edition HANDY KATAKANA WORKBOOK An Introduction to Japanese Writing: KANA THIS IS A SUPPLEMENT FOR BEGINNING LEVEL JAPANESE LANGUAGE INSTRUCTION. \ FrF!' '---~---- , - Y. M. Shimazu, Ed.D. -----~---- TABLE OF CONTENTS Page Introduction vi ACKNOWLEDGEMENlS vii STUDYSHEET#l 1 A,I,U,E, 0, KA,I<I, KU,KE, KO, GA,GI,GU,GE,GO, N WORKSHEET #1 2 PRACTICE: A, I,U, E, 0, KA,KI, KU,KE, KO, GA,GI,GU, GE,GO, N WORKSHEET #2 3 MORE PRACTICE: A, I, U, E,0, KA,KI,KU, KE, KO, GA,GI,GU,GE,GO, N WORKSHEET #~3 4 ADDmONAL PRACTICE: A,I,U, E,0, KA,KI, KU,KE, KO, GA,GI,GU,GE,GO, N STUDYSHEET #2 5 SA,SHI,SU,SE, SO, ZA,JI,ZU,ZE,ZO, TA, CHI, TSU, TE,TO, DA, DE,DO WORI<SHEEI' #4 6 PRACTICE: SA,SHI,SU,SE, SO, ZA,II, ZU,ZE,ZO, TA, CHI, 'lSU,TE,TO, OA, DE,DO WORI<SHEEI' #5 7 MORE PRACTICE: SA,SHI,SU,SE,SO, ZA,II, ZU,ZE, W, TA, CHI, TSU, TE,TO, DA, DE,DO WORKSHEET #6 8 ADDmONAL PRACI'ICE: SA,SHI,SU,SE, SO, ZA,JI, ZU,ZE,ZO, TA, CHI,TSU,TE,TO, DA, DE,DO STUDYSHEET #3 9 NA,NI, NU,NE,NO, HA, HI,FU,HE, HO, BA, BI,BU,BE,BO, PA, PI,PU,PE,PO WORKSHEET #7 10 PRACTICE: NA,NI, NU, NE,NO, HA, HI,FU,HE,HO, BA,BI, BU,BE, BO, PA, PI,PU,PE,PO WORKSHEET #8 11 MORE PRACTICE: NA,NI, NU,NE,NO, HA,HI, FU,HE, HO, BA,BI,BU,BE, BO, PA,PI,PU,PE,PO WORKSHEET #9 12 ADDmONAL PRACTICE: NA,NI, NU, NE,NO, HA, HI, FU,HE, HO, BA,BI,3U, BE, BO, PA, PI,PU,PE,PO STUDYSHEET #4 13 MA, MI,MU, ME, MO, YA, W, YO WORKSHEET#10 14 PRACTICE: MA,MI, MU,ME, MO, YA, W, YO WORKSHEET #11 15 MORE PRACTICE: MA, MI,MU,ME,MO, YA, W, YO WORKSHEET #12 16 ADDmONAL PRACTICE: MA,MI,MU, ME, MO, YA, W, YO STUDYSHEET #5 17 -
Writing As Aesthetic in Modern and Contemporary Japanese-Language Literature
At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2021 Reading Committee: Edward Mack, Chair Davinder Bhowmik Zev Handel Jeffrey Todd Knight Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2021 Christopher J Lowy University of Washington Abstract At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy Chair of the Supervisory Committee: Edward Mack Department of Asian Languages and Literature This dissertation examines the dynamic relationship between written language and literary fiction in modern and contemporary Japanese-language literature. I analyze how script and narration come together to function as a site of expression, and how they connect to questions of visuality, textuality, and materiality. Informed by work from the field of textual humanities, my project brings together new philological approaches to visual aspects of text in literature written in the Japanese script. Because research in English on the visual textuality of Japanese-language literature is scant, my work serves as a fundamental first-step in creating a new area of critical interest by establishing key terms and a general theoretical framework from which to approach the topic. Chapter One establishes the scope of my project and the vocabulary necessary for an analysis of script relative to narrative content; Chapter Two looks at one author’s relationship with written language; and Chapters Three and Four apply the concepts explored in Chapter One to a variety of modern and contemporary literary texts where script plays a central role. -
Tutor List 2019-2020
Tutor List 2019-2020 Updated September 13, 2019 ALL SUBJECTS Megan Sharp [email protected] Teacher certification: K-6 Elementary Education Grade levels willing to tutor: K-5th Subjects: All Fee: $30 per hour Areas served: Students with ADD/ADHD, autism Christine Holsopple [email protected] Teacher certification: K-12 Special Education & Elementary Education Grade levels willing to tutor: K-8 Subjects: Math, Reading, Social Studies Fee: $24 an hour Areas served: South Charleston and Charleston Jessica Blake [email protected] Teacher certification: K-6, Pre-k Grade levels willing to tutor: 1-6 Subjects: Any Fee: $25 Areas served: Saint Albans Autumn Martin [email protected] Teacher certification: Professional Teacher- MUL-CAT/LD/BD/MI Grade levels willing to tutor: All Subjects: All Fee: $25 per hour Other information: Specializing in students with ADHD, autism, or any other disability. Areas served: Nitro public library, Dunbar public library, Cross Lanes public library, Sissonville public library Lindsay Hyden [email protected] Teacher certification: Elementary K-6 Grade levels willing to tutor: K-5 Subjects: All Fee: $25 per hour Areas served: Cross Lanes, Nitro, Dunbar, St. Albans Abbey Ferrari Johnson [email protected] Teacher certification: Elementary Education & Math 5-9 Grade levels willing to tutor: K-10 Subjects: Algebra, middle school math, any elementary subject, lower level english, spanish Fee: $20 Other Information: Served as a tutor for 4 years at Fairmont State (3 years tutoring kids, 1 year tutoring college students) and a private tutor for 2 years Areas served: Kanawha County Cheryl R Carter [email protected] Teacher certification: Elementary K-8, K-Adult Special Education Grade levels willing to tutor: K-8 Subjects: English, Reading, Math, Science, Social Studies Fee: $20 per hour Areas served: St. -
Introduction to the Special Issue on Japanese Geminate Obstruents
J East Asian Linguist (2013) 22:303-306 DOI 10.1007/s10831-013-9109-z Introduction to the special issue on Japanese geminate obstruents Haruo Kubozono Received: 8 January 2013 / Accepted: 22 January 2013 / Published online: 6 July 2013 © Springer Science+Business Media Dordrecht 2013 Geminate obstruents (GOs) and so-called unaccented words are the two properties most characteristic of Japanese phonology and the two features that are most difficult to learn for foreign learners of Japanese, regardless of their native language. This special issue deals with the first of these features, discussing what makes GOs so difficult to master, what is so special about them, and what makes the research thereon so interesting. GOs are one of the two types of geminate consonant in Japanese1 which roughly corresponds to what is called ‘sokuon’ (促音). ‘Sokon’ is defined as a ‘one-mora- long silence’ (Sanseido Daijirin Dictionary), often symbolized as /Q/ in Japanese linguistics, and is transcribed with a small letter corresponding to /tu/ (っ or ッ)in Japanese orthography. Its presence or absence is distinctive in Japanese phonology as exemplified by many pairs of words, including the following (dots /. / indicate syllable boundaries). (1) sa.ki ‘point’ vs. sak.ki ‘a short time ago’ ka.ko ‘past’ vs. kak.ko ‘paranthesis’ ba.gu ‘bug (in computer)’ vs. bag.gu ‘bag’ ka.ta ‘type’ vs. kat.ta ‘bought (past tense of ‘buy’)’ to.sa ‘Tosa (place name)’ vs. tos.sa ‘in an instant’ More importantly, ‘sokuon’ is an important characteristic of Japanese speech rhythm known as mora-timing. It is one of the four elements that can form a mora 1 The other type of geminate consonant is geminate nasals, which phonologically consist of a coda nasal and the nasal onset of the following syllable, e.g., /am. -
Table of Hiragana Letters Pdf
Table of hiragana letters pdf Continue Hiragana is one of three sets of characters used in Japanese. Each letter of Hiragana is a special syllable. The letter itself doesn't make sense. Hiragan is widely used to form a sentence. You can download/print the Hiragan chart (PDF) of all Hiragana's letters. The origin of Hiragan あ か た ま や the original 安 加 太 末 也 of Hiragan was developed in the 8th-10th century by simplifying the shape of specific kanji symbols. Compared to Katakana, Hiragana's letters have more curved lines. Number of letters In modern Japanese 46 basic letters of Hiragana. In addition to these 46 main letters, called gojon, there are modified forms to describe more time - 20 dakun, 5 handakuon, 36 y'on, 1 sokuon and 6 additional letters. Frequently asked questions: What are the letters with the bar on top ( Yap.) ? Gojaon 【五⼗⾳】 Goyon-【五⼗⾳図】 In Japanese, syllables are organized as a table (5 x 10). This table is called goj'on-zu (literally means a table of 50 sounds). The alphabets of Hiragan and Katakana are used to describe these sounds. Letters い, う and え appear more than once in the table. These 5 duplicates (grey) are usually missed or ignored. It includes ん syllable. It does not belong to any row or column. In total, 46 letters (45'1) are considered goj'on (50 sounds). You can learn the goj'on letters on the Hiragan course: Part 1-10. The structure of table First row - あ, い, う, え and お - five vowels of Japanese. -
Sveučilište Josipa Jurja Strossmayera U Osijeku Filozofski Fakultet U Osijeku Odsjek Za Engleski Jezik I Književnost Uroš Ba
CORE Metadata, citation and similar papers at core.ac.uk Provided by Croatian Digital Thesis Repository Sveučilište Josipa Jurja Strossmayera u Osijeku Filozofski fakultet u Osijeku Odsjek za engleski jezik i književnost Uroš Barjaktarević Japanese-English Language Contact / Japansko-engleski jezični kontakt Diplomski rad Kolegij: Engleski jezik u kontaktu Mentor: doc. dr. sc. Dubravka Vidaković Erdeljić Osijek, 2015. 1 Summary JAPANESE-ENGLISH LANGUAGE CONTACT The paper examines the language contact between Japanese and English. The first section of the paper defines language contact and the most common contact-induced language phenomena with an emphasis on linguistic borrowing as the dominant contact-induced phenomenon. The classification of linguistic borrowing thereby follows Haugen's distinction between morphemic importation and substitution. The second section of the paper presents the features of the Japanese language in terms of origin, phonology, syntax, morphology, and writing. The third section looks at the history of language contact of the Japanese with the Europeans, starting with the Portuguese and Spaniards, followed by the Dutch, and finally the English. The same section examines three different borrowing routes from English, and contact-induced language phenomena other than linguistic borrowing – bilingualism , code alternation, code-switching, negotiation, and language shift – present in Japanese-English language contact to varying degrees. This section also includes a survey of the motivation and reasons for borrowing from English, as well as the attitudes of native Japanese speakers to these borrowings. The fourth and the central section of the paper looks at the phenomenon of linguistic borrowing, its scope and the various adaptations that occur upon morphemic importation on the phonological, morphological, orthographic, semantic and syntactic levels. -
Japanese Writing 書き方 一 + 人 = 一人 あ い う え お ア イ ウ エ オ a I U E
書き方 THE JAPANESE HOUSE Japanese Writing ACTIVITIES Learn about Japanese writing and give it a try yourself! TIME: 25 minutes MATERIALS: • Video: ManyHomes in Kyoto, Japan—Ran •Kanji and Hiragana activity worksheets 1. Learn about Japanese Writing In Japanese, there are three writing systems called Hiragana, PRONUNCIATION Katakana, and Kanji. Hiragana and Katakana are both made up of 46 GUIDE: basic letters. Each of these letters represents one syllable. Hiragana Kanji: Kah-n-gee is used to write Japanese words, and Katakana is often used to write words from foreign languages. Japanese children start learning to Hiragana: Hee-rah-gah- write with Hiragana and Katakana in first grade. nah Kanji, originally from China, is the writing system made of thou- Katakana: Kah-tah-kah- sands of characters. Each character represents specific meaning. By nah putting characters together, you get new words with new meanings. Once first grade students have mastered Hiragana and Katakana, they start learning Kanji, but that takes a lot longer. By sixth grade, students will have learned 1,000 characters; to read newspapers, it’s said you need to know 2,000 Kanji characters. Besides these three writing systems, Rōmaji, the romanization of Japanese, is also commonly used. Hiragana あ い う え お Katakana ア イ ウ エ オ Romaji a i u e o Kanji 一 + 人 = 一人 ichi (one) hito (person) hitori (one person or alone) 1 © 2013 Boston Children’s Museum KYO NO MACHIYA ACTIVITIES 2. Practice Writing in Japanese 1. Watch the chapter “Ran” in the video “Many Homes in Kyoto, Japan” and find her calligraphy done in brush and ink. -
AD 67 Mixteco
STATE OF CALIFORNIA - HEALTH AND HUMAN SERVICES AGENCY CALIFORNIA DEPARTMENT OF SOCIAL SERVICES KIVI’I NA LOHO’O NUMERO CASO INFORMACION NA KUU MA’A, ÑA SA’AKAKU NA LO’OHO KIVI’Í NA KU’U TRABAJADOR NA SATCHU’U CASO YO’O KIVI’Í AGENCIA TU’UHU NISXHI NTAKUTÚ KUE TUTU YO’O • Lapicero ña tinta’a kuachu’u ní cha va’aha ná kuna’aha letra ní. • Ntasa kutú ní ni’i so nu’u tutu yo’o. Tátu kue sxhini ní nchi’i ña kua cha, cha’a ní, “Kue sxhini yu’u” • Forma ña AD 67 cha uvi kua ku’u ña. Sxhio nu’u Ka’aha, (Seccion l) cha katchi “identificado” (nu’ú ku’u ntakani ní, sxha’ahá mi’í ní) cha kue tu’uhu yo’oho cha ma ntákani na ña nu’u se’ehe ní na ku’u ntaki’ihi na sakuahnu na / há nu’u na yivi’i na kuntaki’ihi ná mancha, tátu mi’i ní na sa’va’aha tutu ña sxha’aha ní permiso. Cha sxhio nu’u katchi (Seccion II) “no identificado” (ña kue kuni ní ña kuni na yivi’i hana ku’u ní). Tisxi ley ña California cha kue na kuenta adopcion cha tasxhi na hi’i copia ña tutu ña Seccion II, nu’u ntaka’a tutu ní ña kuenta doctor, ña há ye’e va’aha ní cha ha va’aha ntatu’uhu ni sxhi kue na yivi’i, cha tasxhi ná hi’i copia tutu yo’o nu’u na/kue na yivi’i na kuntaki’ihi se’ehe ní sakuahnu na, antes ka ña kunta’a ña kunta ki’i hi na se’ehe ní, sxhi tátu ná ka’aha se’ehe ní sxha’aha ña na keta rá/ña 18 kuiya. -
Katakana Chart
かたかな Katakana Chart W R Y M H N T S K VOWEL ン ワ ラ ヤ マ ハ ナ タ サ カ ア A リ ミ ヒ ニ チ シ キ イ I ル ユ ム フ ヌ ツ ス ク ウ U レ メ ヘ ネ テ セ ケ エ E ヲ ロ ヨ モ ホ ノ ト ソ コ オ O © 2010 Michael L. Kluemper et al. Beginning Japanese, Tuttle Publishing, an imprint of Periplus Editions (HK) Ltd. All rights reserved. www.TimeForJapanese.com. 22 Beginning Japanese 名前: ________________________ 1-1 Katakana Activity Book 日付: ___月 ___日 一、 Practice: アイウエオ カキクケコ ガギグゲゴ O E U I A オ エ ウ イ ア ア オ エ ウ イ ア オ ウ ア エ イ ア オ エ ウ イ オ ウ イ ア オ エ ア KO KE KU KI KA コ ケ ク キ カ カ コ ケ ク キ カ コ ケ ク ク キ カ カ コ キ キ カ コ コ ケ カ ケ ク ク キ キ コ ケ カ © 2010 Michael L. Kluemper et al. Beginning Japanese, Tuttle Publishing, an imprint of Periplus Editions (HK) Ltd. All rights reserved. www.TimeForJapanese.com. 23 GO GE GU GI GA ゴ ゲ グ ギ ガ ガ ゴ ゲ グ ギ ガ ゴ ゴ ゲ グ グ ギ ギ ガ ガ ゴ ゲ ギ ガ ゴ ゴ ゲ ガ ゲ グ グ ギ ギ ゴ ゲ ガ © 2010 Michael L. Kluemper et al. Beginning Japanese, Tuttle Publishing, an imprint of Periplus Editions (HK) Ltd. All rights reserved. -
Hoṛ Ko̠ Goćena,Ko̠ro̠na Re̠aḱ Te̠saraḱ
Janam- Gujuḱ Reaḱ Ol Caṛhao (Registration) Lạgit́ Sarkaraḱ Nawa Goṭa Katha Jãhãe gidrạko janamlen khan se̠ jãhãe hoṛko goćlen khan 45 din bhitrire ńutum ol caṛhao ( Registration) lạgit́ nawa ạn do̠e e̠mkeda Sarkar. Ạn lekate nit́ kho̠n Union porjaire noa ol caṛhao do̠ hoyoḱa. So̠mbar (9 August) hoeyen Montrisabha reaḱ mit́ dupuṛuṕre noa khobor baḍae ńam akana. Noa khạtirte nit́ kho̠n jao serma reaḱ (6 October) do̠ jatiyo janam ar gujuḱ mãhã hisạbte manao hoyoḱa. Lahate noa din do̠ khạli janam ol caṛhao mãhã hisạbte manaoḱkan tahẽkana. Noa babotre Montrisabhare gapalmarao mucạt́re Montriporisod bibhag re̠n Socib Khondokar Anwarul Islam do̠e baḍae ocokeda, SDG lekate 2030 serma bhitrire 80 percent manwako ol caṛhao talare ạgu lạgit́ noa do̠ goṭa hoeakana. No̠a nawa ạn re jo̠to̠ko janam ar gujuḱ mit́ cando tala bhitrire ol caṛhao kạmi do̠ purạu hoyoḱa. Netar do̠ noa ol caṛhao lạgit́ Union Porisodre 75 tk fee ko hataoda. Calaoen 5/6 cando kho̠n Sarkar noa do̠e kạmi kana. Ṭhikte ol caṛhao bạnuḱ khạtir aema hoṛ do̠ umer ko ukuieda. Nawa ạnre ona do̠ sombhob baṅ hoyoḱ me̠nte Socib do̠e lại so̠do̠rkeda. No̠a lahare, Sthanio Sarkar bibhag re̠n Sinior Socib Helaluddin Ahmed suhiat́ ńum uduḱ (prostab) re me̠n akana, Montriporisod bibhag 2018 serma reaḱ 23 October jao serma 6 October do̠ ‘Jatiyo janam ol caṛhao mãhã’ hisạbte jạhir akadae ar ‘C’ hudạ reaḱ mãhã lekate jopoṛao menaḱ poripotrore lekha midoḱa. Hoṛkoaḱ janam din ol caṛhao são sãote uniaḱ gujuḱ din hõ ol caṛhao jạruṛa. Sustainable Development Goals ( SDG) reaḱ as matra do̠ 16.9 ar Sucok 17.19.2 re 2030 serma bhitrire 100% janam din ol caṛhao 80% gujuḱ din ol caṛhao babotre ulek menaḱa.