Lecture the KING JAMES BIBLE 1611
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
1 Miles Smith, Ed., the Workes of the Right Reverend Father in God Gervase Babington, Late Bishop of Worcester (London, 1592), A3v
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of East Anglia digital repository Miles Smith (1552/53-1624) and the Uses of Oriental Learning Item I doe give vnto the Librarie of Hereford these Bookes followinge, The Venice Byble conteyninge the Targumim and the Rabbins in fower Volumes bounde in white Leather Maimonides in fower Volumes. Kimhi his Miklol (That is to saye) his Grammar in Hebrewe & his Dictionarie in Hebrewe. Kimhi vppon the Psalmes Elias Levita his Meturgemam. The Byble in Hebrew in 4 Volumes in 40 guylded leaves, & Stephanus print Raphalingus Arabick Dictionarie. Erpenius Arabick Grammar. Arabick Newe Testament and 5. Bookes of Moses Arabick Lexicon Talmudicum and the Hebrewe Concordance.1 On 7 March 1624, the bishop of Gloucester, Miles Smith, made his will. 2 In it, he left twenty volumes of Hebrew, Aramaic, and Arabic books to the library of Hereford Cathedral. Smith had been born in Hereford, he became a prebend there in 1580, and his career was closely associated with that of another Hereford Cathedral prebend, Gervase Babington (1549/50-1610). His time at Gloucester seems to have been difficult and controversial, and it is striking he chose to leave his books to the library at Hereford, where he was born, rather than Gloucester, where he was a bishop. Smith does not seem to have been unique in his desire to improve libraries’ holdings of oriental books: Richard Kilbye (1560-1620), for instance, left his collection of Hebrew books to the library of Lincoln College, -
Trial by Jewry: the Jewish Figure As Subversive Critic in the Plays of The
I University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. "Trial By Jewry*: The Jewish Figure as Subversive Critic in the Plays of the Public Theatre, 1580-1600 by Lloyd Edward Kermode A thesis submitted to the Faculty of Arts of the University of Birmingham in partial fulfilment of the degree of Master of Philosophy The Shakespeare Institute. August 1992 SYNOPSIS This thesis sets out to analyse the role of the Jewish figure on the late Elizabethan public stage. To do this, an historical approach is used. The first chapter charts generally the movements of the Jews on the Continent in the fifteenth- and sixteenth-centuries, showing how some Jews were to find their way to England, and where those Jews lived; but also painting a picture of the Jews' situation in various key European locations, a picture from which many images found their way onto the English stage. The second chapter analyses the place of the public theatre in the suburbs around London, and surveys the English arena into which the Jews were received. Chapters three to seven follow the estimated early performances of the plays involving Jewish or 'Jew-ish 1 figures, and analyse the social, cultural, religious and political significance of the interest in a race of people officially absent from the country since 1290. -
Subject Indexes
Subject Indexes. p.4: Accession Day celebrations (November 17). p.14: Accession Day: London and county index. p.17: Accidents. p.18: Accounts and account-books. p.20: Alchemists and alchemy. p.21: Almoners. p.22: Alms-giving, Maundy, Alms-houses. p.25: Animals. p.26: Apothecaries. p.27: Apparel: general. p.32: Apparel, Statutes of. p.32: Archery. p.33: Architecture, building. p.34: Armada; other attempted invasions, Scottish Border incursions. p.37: Armour and armourers. p.38: Astrology, prophecies, prophets. p.39: Banqueting-houses. p.40: Barges and Watermen. p.42: Battles. p.43: Birds, and Hawking. p.44: Birthday of Queen (Sept 7): celebrations; London and county index. p.46: Calendar. p.46: Calligraphy and Characterie (shorthand). p.47: Carts, carters, cart-takers. p.48: Catholics: selected references. p.50: Census. p.51: Chapel Royal. p.53: Children. p.55: Churches and cathedrals visited by Queen. p.56: Church furnishings; church monuments. p.59: Churchwardens’ accounts: chronological list. p.72: Churchwardens’ accounts: London and county index. Ciphers: see Secret messages, and ciphers. p.76: City and town accounts. p.79: Clergy: selected references. p.81: Clergy: sermons index. p.88: Climate and natural phenomena. p.90: Coats of arms. p.92: Coinage and coins. p.92: Cooks and kitchens. p.93: Coronation. p.94: Court ceremonial and festivities. p.96: Court disputes. p.98: Crime. p.101: Customs, customs officers. p.102: Disease, illness, accidents, of the Queen. p.105: Disease and illness: general. p.108: Disease: Plague. p.110: Disease: Smallpox. p.110: Duels and Challenges to Duels. -
The Descent Into Hell
THE DESCENT INTO HELL: AN ELIZABETHAN CONTROVERSY By PATRICIA WEIGHTMAN STEWART M.A., Cambridge University, 1980 THESIS SUBMITTED IN PARTIAL FULFILLMENT THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES Department of History We accept this thesis as conforming to the^ required standard THE UNIVERSITY'OF BRITISH COLUMBIA August 1984 ® Patricia Weightman Stewart, 1984 '6 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of #/s7~rt/ty The University of British Columbia 1956 Main Mall Vancouver, Canada V6T 1Y3 DE-6 (3/81) ABSTRACT The Protestant schism with Rome involved a rejection of Catholic beliefs about the nature of hell. As a result it was imperative that Protestants reinterpret)? a central article of Christian belief. This article was Christ's descent into hell which had long been accepted in the Apostles' Creed as having followed the death and burial of Christ. Debate about the meaning and purpose of Christ's descent grew in England during the reign of Queen Elizabeth I. The Protestant emphasis on the Word as the all important foundation of faith meant that the Scriptures and the Church Fathers were consulted to establish the meaning of the article. -
Friends Acquisitions 1964-2018
Acquired with the Aid of the Friends Manuscripts 1964: Letter from John Dury (1596-1660) to the Evangelical Assembly at Frankfurt-am- Main, 6 August 1633. The letter proposes a general assembly of the evangelical churches. 1966: Two letters from Thomas Arundel, Archbishop of Canterbury, to Nicholas of Lucca, 1413. Letter from Robert Hallum, Bishop of Salisbury concerning Nicholas of Lucca, n.d. 1966: Narrative by Leonardo Frescobaldi of a pilgrimage to the Holy Land in 1384. 1966: Survey of church goods in 33 parishes in the hundreds of Blofield and Walsham, Norfolk, 1549. 1966: Report of a debate in the House of Commons, 27 February 1593. From the Fairhurst Papers. 1967: Petition to the Ecclesiastical Commissioners by Miles Coverdale and others, 1565. From the Fairhurst Papers. 1967: Correspondence and papers of Christopher Wordsworth (1807-1885), Bishop of Lincoln. 1968: Letter from John Whitgift, Archbishop of Canterbury, to John Boys, 1599. 1968: Correspondence and papers of William Howley (1766-1848), Archbishop of Canterbury. 1969: Papers concerning the divorce of Henry VIII and Catherine of Aragon. 1970: Papers of Richard Bertie, Marian exile in Wesel, 1555-56. 1970: Notebook of the Nonjuror John Leake, 1700-35. Including testimony concerning the birth of the Old Pretender. 1971: Papers of Laurence Chaderton (1536?-1640), puritan divine. 1971: Heinrich Bullinger, History of the Reformation. Sixteenth century copy. 1971: Letter from John Davenant, Bishop of Salisbury, to a minister of his diocese [1640]. 1971: Letter from John Dury to Mr. Ball, Preacher of the Gospel, 1639. 1972: ‘The examination of Valentine Symmes and Arthur Tamlin, stationers, … the Xth of December 1589’. -
Theatre of Truth: Performing Public Religious Disputation in Seventeenth-Century Europe
Theatre of Truth: Performing Public Religious Disputation in Seventeenth-Century Europe by David Lorne Robinson A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Degree History University of Toronto © Copyright by David Lorne Robinson 2020 Theatre of Truth: Performing Public Religious Disputation in Seventeenth-Century Europe David Lorne Robinson Doctor of Philosophy History University of Toronto 2020 Abstract This dissertation examines the practice of public religious disputation in early seventeenth- century Europe. It takes a transnational approach, examining disputations in France, England, and the Low Countries between 1598 and 1625. This approach highlights the ways in which common social and political circumstances created a climate for frequent disputations, but also how religious controversy was communicated across political boundaries. It argues that these debates were part of a wider culture of performance and became especially prevalent in religiously-divided communities where performances of religious unity like Corpus Christi processions had become contested. These disputations took the practice of academic disputation, still well regarded by both Catholics and Protestants as an effective method of inquiry, and relocated it in the homes of lay hosts. The lay audience thereby became active participants in the performance, debating clergy and performing their own religious identity. Disputations then became the subject of a more public debate as rumours about them spread and clerics exploited oral and manuscript communications networks and printing presses to vaunt their victories and denigrate their opponents, making use of negative stereotypes to solidify religious divisions. State actors, seeing the utility of disputation in shaping public opinion, also sought to organize disputations in an effort to legitimize their religious policies. -
Hugh Broughton's Censure to the King James Bible Rocío G
HUGH BROUGHTON’S CENSURE TO THE KING JAMES BIBLE ROCÍO G. SUMILLERA Universidad de Granada “The New edition crosseth me, I require it be burnt” is one of the blunt expressions the renowned Hebraist Hugh Broughton (1549-1612) used in his pamphlet A Censure of the late translation for our Churches (1611) to criticize the new print first edition of the King James Bible (1611). Studies exploring the invaluable impact of the Authorized Version upon the English language and literatures in English logically proliferate in the year of the 400th anniversary of the KJB. With a view to contributing to the celebration, this paper schematically goes through the history of the translations of the Bible into English before focusing on the production of the KJB and its early reception by unimpressed scholars such as the choleric and controversial Hugh Broughton. As the following pages will show, the beginnings of the KJB were no bed of roses, a rather surprising revelation given the unanimous acclamation the book has received ever since the second half of the seventeenth century. In the year of the 400th anniversary of the first appearance in print of the King James Bible, it is inevitable to repeatedly read laudatory speeches justly praising the language and style of the Authorized Version commanded by King James I, and remarking the book’s overwhelming influence in subsequent centuries. However, this deserved and understandable praise often obscures the fact that the King James Bible was not the immediate success one would expect it to have been, given its posterior impact upon English language and letters. -
Cliff Forshaw
EnterText 3.1 CLIFF FORSHAW “Cease Cease to bawle, thou wasp-stung Satyrist:”1 Writers, Printers and the Bishops’ Ban of 1599 On 1 June 1599, the authorities for licensing books, Archbishop Whitgift of Canterbury and Bishop Bancroft of London, issued a decree demanding: That noe Satyres or Epigramms be printed hereafter That noe English historyes bee printed excepte they bee allowed by somme of her maiesties privie Counsell That noe playes bee printed excepte they bee allowed by such as have auctoritie That all NASSHes bookes and Doctor HARVYes bookes be taken wheresouer they maye be found and that none of theire bookes bee euer printed hereafter2 Fashionable verse satires called in by the Edict included Joseph Hall’s Virgidemiarum, John Marston’s Pigmalians Image and The Scourge of Villanie, Guilpin’s Skialetheia, Thomas Middleton’s Microcynicon, and Sir John Davies’s Epigrammes in a hybrid volume containing Marlowe’s translation of Ovid’s Amores. Also called in were books whose satirical point is not so obvious: Thomas Cutwode’s Caltha Poetarum and two prose tracts, “the book againste woemen viz, of mariage and wyvinge” and The xv joyes of mariage. The Order of Conflagration on 4 June 1599 stayed Hall’s and Cutwode’s books from the fire, but no reason was given. In what seems like an afterthought, the innocuous (and misnamed) Willobies Adviso was called in. Forshaw: Writers, Printers and the Bishops’ Ban of 1599 101 EnterText 3.1 The more we examine the documents of 1 and 4 June, the odder they seem: satires are included in a rag-bag of plays, histories, narratives, and polemics; authors’ names are omitted; works are misnamed or referred to by subtitle. -
The Renaissance Society of America Annual Meeting
BOSTON 31 March–2 April 2016 RSA 2016 Annual Meeting, Boston, 31 March–2 April Photograph © 2016 Museum of Fine Arts, Boston. William K. Richardson Fund. K. Richardson William of © 2016 Museum Boston. Arts, Fine Photograph Fund. K. Richardson William of © 2016 Museum Boston. Arts, Fine Photograph The Renaissance Society of America Annual Meeting The Renaissance Society of America Annual Meeting Program Boston 31 March–2 April 2016 Front cover: Maria Bockenolle (Wife of Johannes Elison). Rembrandt Harmensz. van Rijn (Dutch, 1606–69). Oil on canvas,1634. William K. Richardson Fund. Photograph © 2016 Museum of Fine Arts, Boston. Back cover: Reverend Johannes Elison. Rembrandt Harmensz. van Rijn (Dutch, 1606–69). Oil on canvas, 1634. William K. Richardson Fund. Photograph © 2016 Museum of Fine Arts, Boston. Contents RSA Executive Board .......................................................................5 RSA Staff ........................................................................................6 RSA Donors in 2015 .......................................................................7 RSA Life Members ...........................................................................8 RSA Patron Members....................................................................... 9 Sponsors ........................................................................................ 10 Program Committee .......................................................................10 Local Arrangements Committee ......................................................10 -
Puritan Renaissance (Or Puritan "Babel"?) at Seventeenth-Century Amsterdam
CHAPTER 3 PURITAN RENAISSANCE (OR PURITAN "BABEL"?) AT SEVENTEENTH-CENTURY AMSTERDAM When Puritans began their migrations to Amsterdam in the late sixteenth century, they found intellectual stimulation as well as relig ious solace and economic opportunity. In the sixteenth and seven teenth centuries, Amsterdam was a mighty metropolis of world trade and finance; its commerce "doth daily increase", and foreigners flocked in "there to resyde and trafficq".1 One of Hugh Broughton's first published books at Amsterdam advertised on the title page the world greatness of the city: "Printed at Amstelredam a city of Marchandise knowen vnto India and all limites of the Earth."2 In addition to religious and economic opportunity, Puritan intellectuals found new freedom to probe the horizons of knowledge. The combi nation of profitable commerce and free opinions was a strange and dangerous world for Puritans, so much so that Ambassador Winwood warned that Amsterdam "doth growe another Babilon, and in tyme may be feared will prove the Babel of Holland".3 The Puritan settlers had to confront "Babylon" and "Babel". Freedom meant diversity and sectarianism. The lifestyle looked like Babylon. The voices sounded like Babel. After William Bedwell came for a visit in 1612, he thought "Cairo" might be a better descrip tion—Egypt sounded terribly factious and wicked.4 But where, in truth, was Babylon? For many of the Puritan exiles, the story was reversed. Amsterdam meant the land of freedom, and England, which had persecuted them, was the real Babylon. Many of the Puritanical books printed at Amsterdam changed the labels and proclaimed that England under the prelates was today's Babylon (or Egypt). -
JONSON, SCHOLARSHIP, and SCIENCE Mark Bland LITERARY
JONSON, SCHOLARSHIP, AND SCIENCE Mark Bland LITERARY NARRATIVES, by their very nature, concentrate on the creative lives of authors and view their intellectual and social activity through that prism. For Jonson, this has drawn interest towards the links between social networks and his patronage relationships, as well as the theatre of the time and, more generally, London as the place where most of this activity was situated. As an author, he has been portrayed as someone almost entirely English in his concerns, who was deeply versed in ancient texts ; a writer of urban and urbane comedy, of social poetry, and court entertainments, with no apparent connection to Europe beyond some military experience in his youth and a few months as tutor to Wat Ralegh in 1612-13. Stylistically, his work is saturated with classical allusions, rather than being indebted to French and Italian fashions, and he was dismissive of contemporary writers who privileged aesthetics over substance. There can be no doubt that a localised perception of Jonson has its place in our understanding of his life and work ; yet, for all is vividness, the view it gives is partial. Our sense of Jonson as an intellectual, who was fully engaged with contemporary European scholarship and science, has been limited. There has always been, of course, an acknowledgment of his friendships with Camden, Cotton, and Selden, and to a lesser extent Bacon, yet it as if their concerns were of no real interest to him : Jonson, in this portrait, is an intellectual without a hinterland. His satires on witchcraft and alchemy seem to place him firmly in the world of magic rather than reason. -
A Selected Edition of Sir John Harington's a Supplie Or Addicion to the Catalogue of Bishops, to the Yeare 1608
This dissertation has been microfilmed exactly as received 69-4939 MILLER, Robert Henry, 1938- A SELECTED EDITION OF SIR JOHN HARINGTON'S A SUPPLIE OR ADDICION TO THE CATALOGUE OF BISHOPS, TO THE YEARE 1608, The Ohio State University, Ph.D., 1968 Language and Literature, general University Microfilms, Inc., Ann Arbor, Michigan Copyright by Robert Henry Miller 1969 A SELECTED EDITION OF SIR JOHN HARINGTON'S A SUPPLIE OR ADDICION TO THE CATALOGUE OF BISHOPS. TO THE YBARE 1608 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Robert Henry Miller, B.A., M.A. The Ohio State University 1968 Approved by Adviser Department of E llsh ACKNOWLEDGMENTS I wish to express my deepest thanks to Professor Ruth Hughey, who spent many hours encouraging and advis ing me in my work, and who succeeded in instilling in me some of her own interest in the Haringtons. I am completely in her debt for any comments I make here about Sir John Haringtonfs equally talented father, John Harington of Stepney. Without her help this edition would never have been possible. To Richard Schrader I am grateful for much needed assistance in translating Latin quotations and phrases. I also wish to thank the Folger Shakespeare Library for assistance of various kinds, all of which were vital to my work. I am especially grateful to the Trustees of the British Museum for permission to base this edition on manuscripts in their keeping. 11 VITA August 10, 1938 Born - Defiance, Ohio 1960 B.A., Bowling Green University, Bowling Green, Ohio 1960-I96I Teaching Assistant, English Department, Bowling Green University 1961 M.A., Bowling Green University 1961-196^ Instructor, Humanities Depart ment, Michigan Technological University, Houghton, Michigan 196^-1968 Teaching Assistant, Department of English, The Ohio State University, Columbus, Ohio FIELDS OF STUDY Major Field: English Literature of the Renaissance Studies in the Renaissance.