Jay Fox: the Life and Times of an American Radical
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ELIZABETH GURLEY FLYNN Labor's Own WILLIAM Z
1111 ~~ I~ I~ II ~~ I~ II ~IIIII ~ Ii II ~III 3 2103 00341 4723 ELIZABETH GURLEY FLYNN Labor's Own WILLIAM Z. FOSTER A Communist's Fifty Yea1·S of ,tV orking-Class Leadership and Struggle - By Elizabeth Gurley Flynn NE'V CENTURY PUBLISIIERS ABOUT THE AUTHOR Elizabeth Gurley Flynn is a member of the National Com mitt~ of the Communist Party; U.S.A., and a veteran leader' of the American labor movement. She participated actively in the powerful struggles for the industrial unionization of the basic industries in the U.S.A. and is known to hundreds of thousands of trade unionists as one of the most tireless and dauntless fighters in the working-class movement. She is the author of numerous pamphlets including The Twelve and You and Woman's Place in the Fight for a Better World; her column, "The Life of the Party," appears each day in the Daily Worker. PubUo-hed by NEW CENTURY PUBLISH ERS, New York 3, N. Y. March, 1949 . ~ 2M. PRINTED IN U .S .A . Labor's Own WILLIAM Z. FOSTER TAUNTON, ENGLAND, ·is famous for Bloody Judge Jeffrey, who hanged 134 people and banished 400 in 1685. Some home sick exiles landed on the barren coast of New England, where a namesake city was born. Taunton, Mass., has a nobler history. In 1776 it was the first place in the country where a revolutionary flag was Bown, "The red flag of Taunton that flies o'er the green," as recorded by a local poet. A century later, in 1881, in this city a child was born to a poor Irish immigrant family named Foster, who were exiles from their impoverished and enslaved homeland to New England. -
Firebrand and the Forging of a New Anarchism: Anarchist Communism and Free Love Fall 2004
The Firebrand and the Forging ofa New Anarchism: Anarchist Communism and Free Love Jessica Moran Fall 2004 Contents Firebrand and its Editors ........................... 8 What is Anarchist Communism? ...................... 12 Anarchism and Sex ............................. 15 Conclusion .................................. 19 2 In January 1895 a small paper appeared in Portland, Oregon. Titled Firebrand, and staunchly and openly advocating anarchist communism and free love, the pa- per was instrumental in the development of American anarchism. The paper sys- tematically brought working-class anarchism and social revolution to an English speaking audience for the first time, influencing the direction of anarchism inthe United States for the next twenty years. Understanding the pivotal position of Fire- brand in what is often considered a dormant period in American anarchist history, is necessary to comprehending the evolution of anarchism in the United States. The American anarchist movement thrived in the last part of the 1890s. Firebrand fos- tered the growth of an anarchist movement that incorporated the economic change fought for by the Haymarket anarchists, along with social issues like free love and individual freedom long advocated by individualist anarchists. Published between 1895 and 1897, Firebrand helped reinvigorate the anarchist movement, and intro- duced an important development that remained part of the anarchist movement throughout the twentieth century. By combining the economic and political argu- ments of anarchist communism with the social and cultural ideas of free love, Fire- brand and its contributors consciously developed an anarchism that appealed to both immigrant and native-born Americans. The anarchism discussed and worked out in the pages of Firebrand influenced and perhaps even formed the American an- archism appearing after the turn of the century, which gained popular expression throughout the Progressive Era. -
Germany and Japan As Regional Actors in the Post-Cold War Era: a Role Theoretical Comparison
Alexandra Sakaki Germany and Japan as Regional Actors in the Post-Cold War Era: A Role Theoretical Comparison Trier 2011 GERMANY AND JAPAN AS REGIONAL ACTORS IN THE POST-COLD WAR ERA: A ROLE THEORETICAL COMPARISON A dissertation submitted by Alexandra Sakaki to the Political Science Deparment of the University of Trier in partial fulfillment of the requirements for the degree of Doctor of Philosophy Submission of dissertation: August 6, 2010 First examiner: Prof. Dr. Hanns W. Maull (Universität Trier) Second examiner: Prof. Dr. Christopher W. Hughes (University of Warwick) Date of viva: April 11, 2011 ABSTRACT Germany and Japan as Regional Actors in the Post-Cold War Era: A Role Theoretical Comparison Recent non-comparative studies diverge in their assessments of the extent to which German and Japanese post-Cold War foreign policies are characterized by continuity or change. While the majority of analyses on Germany find overall continuity in policies and guiding principles, prominent works on Japan see the country undergoing drastic and fundamental change. Using an explicitly comparative framework for analysis based on a role theoretical approach, this study reevaluates the question of change and continuity in the two countries‘ regional foreign policies, focusing on the time period from 1990 to 2010. Through a qualitative content analysis of key foreign policy speeches, this dissertation traces and compares German and Japanese national role conceptions (NRCs) by identifying policymakers‘ perceived duties and responsibilities of their country in international politics. Furthermore, it investigates actual foreign policy behavior in two case studies about German and Japanese policies on missile defense and on textbook disputes. -
The Cinema of Virtuality: the Untimely Avant-Garde of Matsumoto Toshio
The Cinema of Virtuality: The Untimely Avant-Garde of Matsumoto Toshio by Joshua Scammell A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University OTTAWA, Ontario © 2016, Joshua Scammell Abstract: Scholarship on the avant-garde in Japanese cinema tends to focus on the 1960s. Many scholars believe that the avant-garde vanishes from Japanese cinema in the early 1970s. This study aims to disrupt such narratives with the example of filmmaker/theorist Matsumoto Toshio. Matsumoto is one of the key figures of the 1960s political avant-garde, and this study argues that his 1970s films should also be considered part of the avant-garde. Following Yuriko Furuhata who calls the avant-garde of the 1960s “the cinema of actuality,” this thesis calls the avant-garde of the 1970s “the cinema of virtuality.” The cinema of virtuality will be seen to emphasize a particular type of contiguity with the spectator. This strategy will be discussed in relation to four of Matsumoto’s short films: Nishijin (1961), For the Damaged Right Eye (1968), Atman (1975), and Sway (1985) and a brief discussion of Funeral Parade of Roses (1969). ii Acknowledgements: In the classical world, artists often had their pupils do the actual work, while they took all the credit for the original idea. Working with Aboubakar Sanogo is almost the opposite. No words can express my gratitude towards his generous commitment of time and energy towards this project, and his nurturing open-mindedness to my more abstract ideas. -
Scanned Using Book Scancenter 5030
VOL. I—NO. 6 , APRIL, 1925 PRICE 5 CENTS The Evolution of Anarchist Theories E shall attempt to review in lence: rent, interest, profit, and taxes. The further develbpmeht of Anar this brief sketch the theoreti They demand freedom of production for chist theories therefore centered around W cal developmlent of Anar the individual and for the voluntary the problem qf harmonizing, economic chism by describing the ideas whence groups in unrestrained competition in conditions with the basic principle of Anarchist thought originated and the the open market. The principle of the a free society. The idea of equitable manner in which the various. modern "full product of one's labor" is main and direct exchange repeatedly sought schools of Anarchism gradually devel tained by securing to each, as his in practical expression, as in the London oped. We shall therefore leave out of alienable private possesMon, all that he Industrial Fairs, also in America aud consideration all general historical dis is able to gain by competing against France. Similar ideas are still cham cussions, biographic and literary data, the whole field. Thel restrictions en pioned by the American, English, and and the external history of the move forced in present society by monopoly Australian Individualist Anarchists, as ment. —aided by its^ tool, the State—^being well as by somie followers of Proudhon and Stirner. Our modern attitude, how There never lacked men to advocate eliminated, the equal opportunity of all ever, is opposed to these ideas on the subtle projects of governmental organ niust result in the equitable exchange ground that the requirements of com ization and regulation of production of equal values. -
Issue No. 3, May, 1923
QP?cial Organ ?f TKe Trade Union Educational Lesli MAY 1923 99 15 GENTS JUST OFF THE PRESS The Labor Defense Council Pamphlet A masterful presentation of the background of the Michigan Criminal Syndi- calism Case, the high points of the prosecution and the defense and a clear cut statement of the issues involved. • / No one who wishes to keep informed about the development of the governmental attacks on labor can afford to miss this brilliant pamphlet;. For those who want to aid in the defense of the men and -vjromen now being pro- secuted, it is an absolute necessity. 24 pages, 6x9 inch, A permanent con- Cover design by tribution to Ameri- can Labor Litera- Fred Ellis, illustra- ture. A smashing ted with 22 pictures attack on the Labor- of the principals of baiters and their the defense and the masters, the "Cap- prosecution and of tains" of Industry- A spirited defense scenes taken at the of' the rights of Foster trial. labor. Published By LABOR DEFENSE COUNCIL 166 W. Washington St. CHICAGO, ILL. ' ' | Price 10 cents ; BUY IT! READ IT! SELL IT! Help the Michigan Defense by Putting a Copy of This Pamphlet in the Hands of Every Worker, Every Lover of Liberty. Order a Bundle to Sell at Union and Mass Meetings ~~j 10 cents a copy, '3 for 25 cents, 14 for a Enclosed please find $ ~ dollar, $6.50 per hundred. Postpaid any for _.:. copies of the place in the U. S. or Canada. Labor Defense Council pamphlet. Address all comimunications and make checks payable to, Name - LABOR DEFENSE COUNCIL I Address .~ Room 307, 166 W. -
Toshio Matsumoto Filmography 松本俊夫フィルモグラフィー
Toshio Matsumoto Filmography 松本俊夫フィルモグラフィー Non-Profit Organization Postwar Japan Moving Image Archive | PJMIA (Release date: Jul 26, 2019) NPO 法人戦後映像芸術アーカイブ(2019 年 7 月 26 日公開) This Matsumoto’s filmography is a compilation of information on 83 works that he participated in the director, 9 works that he participated in the screenplay (including collaboration) and 3 works that he participated in the assistant director or second-unit director. This filmography was created with reference to “Kawasaki City Museum Cinematheque News (Kawasaki City Museum. Oct, 2006)”. We added found information from primary source and interview with artist for this filmography. The rules of description are as follows. 1: Clarification of the basic information. (Title | Date | Event title and venue) 2: Clarification of the format. (Film gauge or video type and aspect ratio; Presence or absence of color; Presence or absence of sound; Run time) 3: Clarification of the used medium. (For example, expanded cinema, installation and performance) 4: Clarification of the production staff. When there are sponsor company and production company, we listed on the first line. Basically, the production staff was listed in this order; Planner, Producer, Screenplay, Director, Cinematographer, Gaffer, Production Designer, Editor, Music Composer, Audio Engineer, Others, Production Coordinator, Assistant, Actor and Narrator, etc. Attached square bracket on the actor's name indicate name of the role. このフィルモグラフィーは、これまでの調査で判明した、松本俊夫が監督または演出として関わった 83 作品、脚 本として関わった 9 作品(協力含む)、助監督もしくは B 班監督として関わった 3 作品の情報をまとめたものです。 『川崎市市民ミュージアム シネマテーク・ニュース』(川崎市市民ミュージアム、2006年 10 月)に記載された情 報を参照して、作家への聞き取り調査、および一次資料の調査を経て作成されました。記述のルールは以下の通 りです。 1:作品タイトルなどの基本情報を明記する。(作品タイトル|完成日・公開日または初演日・放送日|催事の名 称もしくは会場) 2:フォーマットを明記する。(フィルム・ビデオの種類および画面サイズ/カラーの有無/サウンドの有無/時 間の長さ) 3:使用されたメディウムを明記する。(エクスパンデッドシネマやインスタレーション、パフォーマンスの場合) 4:製作スタッフを明記する。企画会社や製作会社などが存在する作品の場合は、それらを一行目に表記する。製 作スタッフは「企画・製作・脚本・監督または演出・撮影・照明・美術・編集・音楽・録音・その他・進行・助手・ 出演・解説」という呼称および順番で表記することを基本方針とする。出演者の名前に付記された角括弧は作中 での役名を指す。 1 1: Participated in the director 監督または演出として関わった作品 1_1. -
Sing! 1975 – 2014 Song Index
Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo .. -
Anarchist Periodicals in English Published in the United (1833–1955) States (1833–1955): an Annotated Guide, Ernesto A
Anarchist Periodicals REFERENCE • ANARCHIST PERIODICALS Longa in English In the nineteenth and twentieth centuries, dozens of anarchist publications appeared throughout the United States despite limited fi nancial resources, a pestering and Published in censorial postal department, and persistent harassment, arrest, and imprisonment. the United States Such works energetically advocated a stateless society built upon individual liberty and voluntary cooperation. In Anarchist Periodicals in English Published in the United (1833–1955) States (1833–1955): An Annotated Guide, Ernesto A. Longa provides a glimpse into the doctrines of these publications, highlighting the articles, reports, manifestos, and creative works of anarchists and left libertarians who were dedicated to An Annotated Guide propagandizing against authoritarianism, sham democracy, wage and sex slavery, Anarchist Periodicals in English Published in the United States and racial prejudice. Nearly 100 periodicals produced throughout North America are surveyed. Entries include title; issues examined; subtitle; editor; publication information, including location and frequency of publication; contributors; features and subjects; preced- ing and succeeding titles; and an OCLC number to facilitate the identifi cation of (1833–1955) owning libraries via a WorldCat search. Excerpts from a selection of articles are provided to convey both the ideological orientation and rhetorical style of each newspaper’s editors and contributors. Finally, special attention is given to the scope of anarchist involvement in combating obscenity and labor laws that abridged the right to freely circulate reform papers through the mail, speak on street corners, and assemble in union halls. ERNESTO A. LONGA is assistant professor of law librarianship at the University of New Mexico School of Law. -
Japanese in the Samba”: Japanese Brazilian Musical Citizenship, Racial Consciousness, and Transnational Migration
“JAPANESE IN THE SAMBA”: JAPANESE BRAZILIAN MUSICAL CITIZENSHIP, RACIAL CONSCIOUSNESS, AND TRANSNATIONAL MIGRATION by Shanna Lorenz B.A., Reed College, 1995 M.A., University of Pittsburgh, 1999 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Shanna Lorenz It was defended on November 27, 2007 and approved by Bell Yung, Professor, Department of Music Mary Lewis, Professor, Department of Music Hermann Herlinghaus, Professor, Hispanic Languages and Literatures Dissertation Director: Andrew Weintraub, Associate Professor, Department of Music ii Copyright © by Shanna Lorenz 2007 iii “JAPANESE IN THE SAMBA”: JAPANESE BRAZILIAN MUSICAL CITIZENSHIP, RACIAL CONSCIOUSNESS, AND TRANSNATIONAL MIGRATION Shanna Lorenz, PhD University of Pittsburgh, 2007 This doctoral dissertation is an ethnographic study of musical culture among Japanese Brazilians in São Paulo, Brazil. Specifically, the study explores how the musical culture of this community has changed in recent years as a result of the dekasegui movement, the migration of hundreds of thousands of Japanese Brazilians who have traveled to Japan since 1990 in search of work. In order to explore these questions, I conducted fieldwork between May and November of 2003 on three musical groups, Zhen Brasil, Ton Ton Mi, and Wadaiko Sho, each of which have found different ways to invoke, contest, and reinvent their Brazilian and Japanese musical heritages. By exploring these groups’ musical practices, texts, dance, costumes, and discourses of self-definition, this study offers insight into shifts in the ethnic self-definition and racial consciousness of the Japanese Brazilian community that have taken place as the result of face-to-face contact between Japanese Brazilians and Japanese under the conditions of contiguous globalization. -
Communist) Party of America Is the Class Party of the of the Rich Farmer, Small and Medium Capitalist and the American Workers and Poor Farmers
A Good Policy— For a Workingman! £ DAILY WORKER When you make it your policy InsurancerS to protect your interests as a worker—that's a good policy. When you make it your policy to establish firmly a great work- ing class newspaper to BETTER protect your interests — that's still your policy—that's a good policy. This Policy is to Insure THE DAILY WORKER, for 1925.' Insure the Daily Worker for 1925 to build the Labor Movement to protect your interests. AND WHEN YOU GIVE— Every cent that you can spare—you will receive the DAILY WORKER Insurance Policy for the amount remitted as a token of your policy to protect the workingman's interests in the best way. The Policy in $10, $5 and $1 denominations is made in colors and has the Red Star of the world's first working class government. THIS IS YOUR POLICY—INSURE THE DAILY WORKER FOR 1925 WITH EVERY My policy is to protect working class interests—my interests. For this I enclose $ which you will acknowledge by sending me a printed policy CENT THAT to prove my statement. YOU CAN Name Street SPARE! City State.. Maurice Becker Symposium In a Cell-Leavenworth FEBRUARY, 1925 159 Teddy's Correspondence Confidential Letters of An Earlier LaFollette By Thurber Lewis HE private correspondence of Henry Cabot Lodge and That Roosevelt's anti-trust campaign was sheer bluff is T Theodore Roosevelt, the result of forty years of personal made clear by the following extract from a letter by Lodge: friendship, has been given to the press as prepared by Lodge "The country will certainly not forget your attitude toward prior to the latter's death. -
Exile Vol. III No. 2 Lois Rowley Denison University
Exile Volume 3 | Number 2 Article 1 1957 Exile Vol. III No. 2 Lois Rowley Denison University Dennis Trudell Denison University Lewis D. Clark Denison University Virginia Wallace Denison University Robert Marriott Denison University See next page for additional authors Follow this and additional works at: http://digitalcommons.denison.edu/exile Part of the Creative Writing Commons Recommended Citation Rowley, Lois; Trudell, Dennis; Clark, Lewis D.; Wallace, Virginia; Marriott, Robert; Kuyama, Yoko; Haupt, Barbara; Matlack, Jesse; Moore, Ellen; Stangos, Nikos; and Turnbull, Thomas (1957) "Exile Vol. III No. 2," Exile: Vol. 3 : No. 2 , Article 1. Available at: http://digitalcommons.denison.edu/exile/vol3/iss2/1 This Article is brought to you for free and open access by Denison Digital Commons. It has been accepted for inclusion in Exile by an authorized editor of Denison Digital Commons. Exile Vol. III No. 2 Authors Lois Rowley, Dennis Trudell, Lewis D. Clark, Virginia Wallace, Robert Marriott, Yoko Kuyama, Barbara Haupt, Jesse Matlack, Ellen Moore, Nikos Stangos, and Thomas Turnbull This article is available in Exile: http://digitalcommons.denison.edu/exile/vol3/iss2/1 The EXILE Vol. 3 No. 2 Spring 1Q57 Denison University Granville, Ohio year, however, Exile "went under" by $58, necessitating a f m University funds. To facilitate publication of this sixty P*°* • e y°u have in your hand, the Denison Campus Government p:lgC 'ftion has generously added $80 to the allotted budget of $425. t of no less than $600 can adequately support the present f Exile- We believe that the magazine already has its success nd that it can attain ever greater financial status in the jt is our hope that the current financial status of Exile will future 1 'ously considered when allotments are issued next fall.