Scientific Analysis of 7Th- to 9Th-Century Pottery from Lundenwic
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Playing Shakespeare with Deutsche Bank Production of Twelfth Night
2016 shakespeare’s globe Annual review contents Welcome 5 Theatre: The Globe 8 Theatre: The Sam Wanamaker Playhouse 14 Celebrating Shakespeare’s 400th Anniversary 20 Globe Education – Inspiring Young People 30 Globe Education – Learning for All 33 Exhibition & Tour 36 Catering, Retail and Hospitality 37 Widening Engagement 38 How We Made It & How We Spent It 41 Looking Forward 42 Last Words 45 Thank You! – Our Stewards 47 Thank You! – Our Supporters 48 Who’s Who 50 The Playing Shakespeare with Deutsche Bank production of Twelfth Night. Photo: Cesare de Giglio The Little Matchgirl and Other Happier Tales. Photo: Steve Tanner WELCOME 2016 – a momentous year – in which the world celebrated the richness of Shakespeare’s legacy 400 years after his death. Shakespeare’s Globe is proud to have played a part in those celebrations in 197 countries and led the festivities in London, where Shakespeare wrote and worked. Our Globe to Globe Hamlet tour travelled 193,000 miles before coming home for a final emotional performance in the Globe to mark the end, not just of this phenomenal worldwide journey, but the artistic handover from Dominic Dromgoole to Emma Rice. A memorable season of late Shakespeare plays in the Sam Wanamaker Playhouse and two outstanding Globe transfers in the West End ran concurrently with the last leg of the Globe to Globe Hamlet tour. On Shakespeare’s birthday, 23 April, we welcomed President Obama to the Globe. Actors performed scenes from the late plays running in the Sam Wanamaker Playhouse at Southwark Cathedral, a service which was the only major civic event to mark the anniversary in London and was attended by our Patron, HRH the Duke of Edinburgh. -
Constructing the Seventh Century
COLLÈGE DE FRANCE – CNRS CENTRE DE RECHERCHE D’HISTOIRE ET CIVILISATION DE BYZANCE TRAVAUX ET MÉMOIRES 17 constructing the seventh century edited by Constantin Zuckerman Ouvrage publié avec le concours de la fondation Ebersolt du Collège de France et de l’université Paris-Sorbonne Association des Amis du Centre d’Histoire et Civilisation de Byzance 52, rue du Cardinal-Lemoine – 75005 Paris 2013 PREFACE by Constantin Zuckerman The title of this volume could be misleading. “Constructing the 7th century” by no means implies an intellectual construction. It should rather recall the image of a construction site with its scaffolding and piles of bricks, and with its plentiful uncovered pits. As on the building site of a medieval cathedral, every worker lays his pavement or polishes up his column knowing that one day a majestic edifice will rise and that it will be as accomplished and solid as is the least element of its structure. The reader can imagine the edifice as he reads through the articles collected under this cover, but in this age when syntheses abound it was not the editor’s aim to develop another one. The contributions to the volume are regrouped in five sections, some more united than the others. The first section is the most tightly knit presenting the results of a collaborative project coordinated by Vincent Déroche. It explores the different versions of a “many shaped” polemical treatise (Dialogica polymorpha antiiudaica) preserved—and edited here—in Greek and Slavonic. Anti-Jewish polemics flourished in the seventh century for a reason. In the centuries-long debate opposing the “New” and the “Old” Israel, the latter’s rejection by God was grounded in an irrefutable empirical proof: God had expelled the “Old” Israel from its promised land and given it to the “New.” In the first half of the seventh century, however, this reasoning was shattered, first by the Persian conquest of the Holy Land, which could be viewed as a passing trial, and then by the Arab conquest, which appeared to last. -
How Could Phenological Records from the Chinese Poems of the Tang and Song Dynasties
https://doi.org/10.5194/cp-2020-122 Preprint. Discussion started: 28 September 2020 c Author(s) 2020. CC BY 4.0 License. How could phenological records from the Chinese poems of the Tang and Song Dynasties (618-1260 AD) be reliable evidence of past climate changes? Yachen Liu1, Xiuqi Fang2, Junhu Dai3, Huanjiong Wang3, Zexing Tao3 5 1School of Biological and Environmental Engineering, Xi’an University, Xi’an, 710065, China 2Faculty of Geographical Science, Key Laboratory of Environment Change and Natural Disaster MOE, Beijing Normal University, Beijing, 100875, China 3Key Laboratory of Land Surface Pattern and Simulation, Institute of Geographic Sciences and Natural Resources Research, Chinese Academy of Science (CAS), Beijing, 100101, China 10 Correspondence to: Zexing Tao ([email protected]) Abstract. Phenological records in historical documents have been proved to be of unique value for reconstructing past climate changes. As a literary genre, poetry reached its peak period in the Tang and Song Dynasties (618-1260 AD) in China, which could provide abundant phenological records in this period when lacking phenological observations. However, the reliability of phenological records from 15 poems as well as their processing methods remains to be comprehensively summarized and discussed. In this paper, after introducing the certainties and uncertainties of phenological information in poems, the key processing steps and methods for deriving phenological records from poems and using them in past climate change studies were discussed: -
MEDIEVAL DAMASCUS Arabic Book Culture, Library Culture and Reading Culture Is Significantly Enriched.’ Li Guo, University of Notre Dame and MEDIEVAL
PLURALITY KONRAD HIRSCHLER ‘This is a tour de force of ferocious codex dissection, relentless bibliographical probing and imaginative reconstructive storytelling. Our knowledge of medieval MEDIEVAL DAMASCUS DAMASCUS MEDIEVAL Arabic book culture, library culture and reading culture is significantly enriched.’ Li Guo, University of Notre Dame AND MEDIEVAL The first documented insight into the content and DIVERSITY structure of a large-scale medieval Arabic library The written text was a pervasive feature of cultural practices in the medieval Middle East. At the heart of book circulation stood libraries that experienced a rapid expansion from the DAMASCUS twelfth century onwards. While the existence of these libraries is well known, our knowledge of their content and structure has been very limited as hardly any medieval Arabic catalogues have been preserved. This book discusses the largest and earliest medieval library of the PLURALITY AND Middle East for which we have documentation – the Ashrafiya library in the very centre of IN AN Damascus – and edits its catalogue. The catalogue shows that even book collections attached to Sunni religious institutions could hold very diverse titles, including Muʿtazilite theology, DIVERSITY IN AN Shiʿite prayers, medical handbooks, manuals for traders, stories from the 1001 Nights and texts extolling wine consumption. ARABIC LIBRARY ARABIC LIBRARY Listing over two thousand books the Ashrafiya catalogue is essential reading for anybody interested in the cultural and intellectual history of Arabic societies. -
Copyright Marilyn J. La Vine © 2007 New York –
Copyright Marilyn J. La Vine © 2007 New York - Tous droits réservés - # Symbol denotes creation of role Commencing with the year 1963, only the first performance of each new work to his repertoire is listed. London March 2,1970 THE ROPES OF TIME # The Traveler The Royal Ballet; Royal Opera House With: Monica Mason, Diana Vere C: van Dantzig M: Boerman London July 24,1970 'Tribute to Sir Frederick Ashton' Farewell Gala. The Royal LES RENDEZ-VOUS Ballet,- Royal Opera House Variation and Adagio of Lovers With: Merle Park Double debut evening. C: Ashton M: Auber London July 24,1970 APPARITIONS Ballroom Scene The Royal Ballet; Royal Opera House The Poet Danced at this Ashton Farewell Gala only. With: Margot Fonteyn C: Ashton M: Liszt London October 19, 1970 DANCES AT A GATHERING Lead Man in Brown The Royal Ballet; Royal Opera House With: Anthony Dowell, Antoinette Sibley C: Robbins M: Chopin Marseille October 30, 1970 SLEEPING BEAUTY Prince Desire Ballet de L'Opera de Morseille; Opera Municipal de Marseille With: Margot Fonteyn C: Hightower after Petipa M: Tchaikovsky Berlin Berlin Ballet of the Germon Opera; Deutsche Opera House November 21, 1970 Copyright Marilyn J. La Vine © 2007 New York – www.nureyev.org Copyright Marilyn J. La Vine © 2007 New York - Tous droits réservés - # Symbol denotes creation of role SWAN LAKE Prince Siegfried With: Marcia Haydee C: MacMillan M: Tchaikovsky Brussels March 11, 1971 SONGS OF A WAYFARER (Leider Eines Fahrenden Gesellen) # Ballet of the 20#, Century; Forest National Arena The Wanderer With: Paolo Bortoluzzi C: Bejart M: Mahler Double debut evening. -
Types & Forms of Theatres
THEATRE PROJECTS 1 Credit: Scott Frances Scott Credit: Types & Forms of Theatres THEATRE PROJECTS 2 Contents Types and forms of theatres 3 Spaces for drama 4 Small drama theatres 4 Arena 4 Thrust 5 Endstage 5 Flexible theatres 6 Environmental theatre 6 Promenade theatre 6 Black box theatre 7 Studio theatre 7 Courtyard theatre 8 Large drama theatres 9 Proscenium theatre 9 Thrust and open stage 10 Spaces for acoustic music (unamplified) 11 Recital hall 11 Concert halls 12 Shoebox concert hall 12 Vineyard concert hall, surround hall 13 Spaces for opera and dance 14 Opera house 14 Dance theatre 15 Spaces for multiple uses 16 Multipurpose theatre 16 Multiform theatre 17 Spaces for entertainment 18 Multi-use commercial theatre 18 Showroom 19 Spaces for media interaction 20 Spaces for meeting and worship 21 Conference center 21 House of worship 21 Spaces for teaching 22 Single-purpose spaces 22 Instructional spaces 22 Stage technology 22 THEATRE PROJECTS 3 Credit: Anton Grassl on behalf of Wilson Architects At the very core of human nature is an instinct to musicals, ballet, modern dance, spoken word, circus, gather together with one another and share our or any activity where an artist communicates with an experiences and perspectives—to tell and hear stories. audience. How could any one kind of building work for And ever since the first humans huddled around a all these different types of performance? fire to share these stories, there has been theatre. As people evolved, so did the stories they told and There is no ideal theatre size. The scale of a theatre the settings where they told them. -
Aldwych-House-Brochure.Pdf
Executive summary • An iconic flagship in the heart of Midtown • This imposing building invested with period grandeur, has been brought to life in an exciting and modern manner • A powerful and dramatic entrance hall with 9 storey atrium creates a backdrop to this efficient and modern office • A total of 142,696 sq ft of new lettings have taken place leaving just 31,164 sq ft available • A space to dwell… 4,209 – 31,164 SQ FT 4 | ALDWYCHHOUSE.COM ALDWYCHHOUSE.COM | 5 Aldwych House • MoreySmith designed reception • Full height (9 storey) central atrium fusing a modern which provides a light, modern, interior with imposing spacious circulation area 1920s architecture • Floors are served by a newly refurbished lightwell on the west side and a dramatically lit internal Aldwych House totals 174,000 atrium to the east from lower sq ft over lower ground to 8th ground to 3rd floor floors with a 65m frontage • An extensive timber roof terrace onto historic Aldwych around a glazed roof area • Showers, cycle storage and a drying room are located in the basement with easy access from the rear of the building • The ROKA restaurant is on the ground floor 6 | ALDWYCHHOUSE.COM ALDWYCHHOUSE.COM | 7 8 | ALDWYCHHOUSE.COM Floorplate Typical upper floor c. 18,000 sq ft Typical upper floor CGI with sample fit-out 10 | ALDWYCHHOUSE.COM ALDWYCHHOUSE.COM | 11 Floorplate Typical upper floor with suite fit-out 12 | ALDWYCHHOUSE.COM ALDWYCHHOUSE.COM | 13 SOHO TOTTENHAM COURT ROAD MIDTOWN | LONDON Aldwych House, now transformed as part of the dynamic re-generation of this vibrant eclectic midtown destination, stands tall and COVENT GARDEN commanding on the north of the double crescent of Aldwych. -
List of Societies Not Audited for Last 3 Years Or More/Annual Return
List of Societies Whose Audit has not been conducted since last 3 or more years/Annual Return Sr. No. Reg. No. Soc. Name Soc. Address Zone Status 1 1232S-GH NAV NIKETAN CGHS LTD B-83, AMAR COLONY, LAJPAT NAGAR, NEW DELHI : 110 024 South ACTIVE 2 1451ND-GH PREETI PRISHAD CGHS LTD. DB-84E, DDA FLATS, HARI NAGAR, NEW DELHI: 110 063 New Delhi ACTIVE 3 875E-GH NAV TARANG COOP. G/H SOCIETY LTD H-26, OLD GOBIND PURA EXT.,DELHI-51 East ACTIVE 4 724-INDL THE JAIN H/L COOP. INDL. (P) SOCIETY LTD. F413 GALI NO. 11, BHAGIRATH VIHAR, DELHI-94 North East ACTIVE THE BAKARWALA COOP. BRICKS KILN (I) 5 24W-INDL SOCIETY LTD. SURERE, NAJAFGARH, N. DELHI-43 West ACTIVE LIQUIDATE 6 24W-NMPS THE BAKARWALA COOP. M/P SOCIETY LTD. West D THE PANDWAL KHOODS COOP N.M.P SOCIETY South LIQUIDATE 7 32-NMPS LTD V.P.O PANDWAL KHOODS, NEW DELHI West D 8 505S-TC The Sikh Coop. Thrift & Credit Society Ltd. 61, Hemkunt Colony, New Delhi- South ACTIVE South 9 124-NMPS THE PALAM COOP N.M.P SOCIETY LTD V&PO, PALAM , NEW DELHI West ACTIVE 211NW- North 10 NMPS BAKAOLI COOL M/P SOCIETY LTD VILLAGE BAKAOLI, DELHI West DEFUNCT NON- 216NE- FUNCTION 11 NMPS THE BABARPUR M/P COOP. SOCIETY LTD. VILLAGE BABARPUR, SHAHDARA, DELHI-32 North East AL Chiragh Delhi Palti Yadram Coop. Thrift & Credit 12 230S-TC Sociey Ltd. 830 Chiragh Delhi,New Delhi-17 South ACTIVE 138NW- North 13 NMPS BUKHTAWAR PUR COOP. -
Aldwych Key Features
61 ALDWYCH KEY FEATURES 4 PROMINENT POSITION ON CORNER OF ALDWYCH AND KINGSWAY HOLBORN, STRAND AND COVENT GARDEN ARE ALL WITHIN 5 MINUTES’ WALK APPROXIMATELY 7,500 – 45,000 SQ FT OF FULLY REFURBISHED OFFICE ACCOMMODATION AVAILABLE 2,800 SQ FT ROOF TERRACE ON 9TH FLOOR DUAL ENTRANCES TO THE BUILDING OFF ALDWYCH AND KINGSWAY TEMPLE 61 ALDWYCH 14 KINGSWAY 6 HOLBORN COVENT GARDEN FARRINGDON 14 4 CHANCERY LANE N LOCAL AMENITIESSmitheld Market C NEWMAN’S ROW 15 HOLBORN H A 12 N C E OCCUPIERS R 13 FARRINGDON STREET 7 Y 1 British American Tobacco 9 Fladgates TOTTENHAM COURT ROAD L A 2 BUPA 10 PWC KINGSWAY N 3 11 Tate & Lyle D R U R Y L N E LSE 6 4 Mitsubishi 12 ACCA 11 5 Shell 13 Law Society E 9 N 6 Google 14 Reed D 7 Mishcon De Reya 15 WSP E E V L 8 Coutts 16 Covington and Burlington L A S 10 Y T LINCOLN’S INN FIELDS 13 R GREAT QUEEN ST U 3 C A R E Y S T RESTAURANTS B S Covent E 1 Roka 8 The Delauney T Garden F 2 The Savoy 9 Rules A CHARING CROSS RD Market 61 8 H 3 STK 10 Coopers S ALDWYCH 1 4 L’Ate l i e r 11 Fields Bar & Kitchen 11 5 The Ivy 12 Mirror Room and Holborn 16 N D 6 Dining Room 5 8 L D W Y C H A Radio Rooftop Bar 4 2 A R 13 8 L O N G A C R E 3 S T 7 Balthazar Chicken Shop & Hubbard 4 and Bell at The Hoxton COVENT GARDEN 7 LEISURE & CULTURE 6 3 1 National Gallery 6 Royal Festival Hall 1 2 7 Theatre Royal National Theatre ST MARTIN’S LN 3 Aldwych Theatre 8 Royal Courts of Justice LEICESTER 5 4 Royal Opera House 9 Trafalgar Square 5 Somerset House BLACKFRIARS SQUARE 9 2 TEMPLE BLACKFRIARS BRIDGE T 2 E N K M N B A STRAND M E 5 I A R WATERLOO BRIDGE O T STAY CONNECTED 1 C 8 12 I V CHARING CROSS STATION OXO Tower WALKING TIME 9 Holborn 6 mins Temple 8 mins Trafalgar Square Covent Garden 9 mins 10 NORTHUMBERLAND AVE Leicester Square 12 mins EMBANKMENT 7 Charing Cross 12 mins Embankment 12 mins Chancery Lane 13 mins Tottenham Court Road 15 mins 6 London Eye WATERLOO RD THE LOCATION The building benefits from an excellent location on the corner of Aldwych and Kingsway, which links High Holborn to the north and Strand to the south. -
Your Reputation Deserves Typar Landscape Fabric
YOUR REPUTATION DESERVES TYPAR LANDSCAPE FABRIC. Your reputation can be jeopardized by little to block weeds under decks and in planters, to prevent things. Like weeds. heaving of bricks in patios and walkways, and to mini- Fight back with Typar landscape Fabric, the key to mize erosion. maintenance-free landscaping for your clients. Ask for Typar landscape Fabric for Professionals. Typar is made from rugged polypropylene fabric. It You deserve it. blocks weeds, but is porous enough to let water, air and fertilizer pass through. The result? Healthier soil and plants. Typar leaves all your landscaping projects—and your reputation—looking beautiful longer. There are plenty of other professional uses for Typar: o member of The InterTech Group FOR PROFESSIONALS The Ryan Touch. RYAN Quality equipment for lets you do the job as effectively tings and routine maintenance. So, outstanding results. with less maintenance for as many you'll reduce your downtime while Combine your turf care exper- years as the new Greensaire 24. saving service time between the tise with Ryan turf care equipment, Only with its crank and cam action greens — getting golfers back on and it's a little like working magic do tines go vertically in and out to the course quickly. on your course. Our complete line virtually eliminate side compaction comes with a long history of low- and a ridge around each hole. The Ryan tackles the big jobs, too. maintenance and high performance. result is a smoother putting surface The Ryan Renovaire® is the In fact, the only one who works and better root development. -
Press Release the Wind in the Willows
Press Release CMP presents the Royal Opera House production of The Wind In The Willows Directed and choreographed by Will Tuckett Starring Tony Robinson as Kenneth Grahame The Duchess Theatre Tony Robinson to star as Kenneth Grahame in The Wind in the Willows, his first theatre role for 16 years Will Kemp to reprise his role as Ratty Full cast announced for Will Tuckett’s acclaimed production which transfers to the Duchess Theatre for an eight week Christmas season First time a Royal Opera House production transfers commercially into London’s West End Tony Robinson will star as Kenneth Grahame, who narrates the Royal Opera House’s production of The Wind in the Willows, in the ROH’s first commercial transfer to London’s West End. This well-loved story is brought to life through song, music, dance and puppetry. The production, directed and choreographed by Will Tuckett, will run at the Duchess Theatre from Wednesday 11 December 2013 – Saturday 1 February 2014. Tony has enjoyed a long career in television, having presented twenty seasons of Channel 4's archaeology series Time Team and played Baldrick in Blackadder amongst many other credits. He is an award-winning children’s television writer and the author of more than thirty children’s books. The Wind in the Willows sees Tony return to the stage for the first time since 1997. He has previously appeared in the West End, at Chichester Festival Theatre and the National Theatre, as well as with the RSC. Tony received a knighthood in the Queen’s Birthday Honours 2013. -
Savoy House & Milford House
SAVOY HOUSE & MILFORD HOUSE 190 Strand is a luxurious new development of apartments, townhouses and penthouses in an area of central London internationally acknowledged as the Capital’s theatre, nightlife, shopping and cultural heartland, with international embassies, law courts and the River Thames close by. CONTENTS A World Class Location 04 Cosmopolitan London Living 08 Connecting London 10 The Garden Bridge 12 London’s Famous Address 14 Cocktails & Cuisine 16 Culture & Leisure 18 Fashion & Retail 20 Location Map 22 Iconic Landmark 24 Site Plan 26 First Class Living 28 Warm Welcome 34 Business & Pleasure 40 Leisure Facilities 42 Impressive Interiors 46 Specification 62 Savoy House Floor Plans 64 Milford House Floor Plans 86 The Team 108 Sustainability at 190 Strand 109 St Edward – Designed for Life 110 Our Commitment to the Future 111 1 3 Computer generated image is indicative only CANARY WHARF THE CITY TOWER BRIDGE THE SHARD ST PAUL’S CATHEDRAL TATE MODERN MILLENNIUM BRIDGE BLACKFRIARS BRIDGE OXO TOWER KING’S COLLEGE LONDON OLD BANK OF ENGLAND VICTORIA ROYAL COURTS EMBANKMENT OF JUSTICE NATIONAL THEATRE RIVER THAMES ST CLEMENT DANES CHURCH LONDON SCHOOL OF ECONOMICS & POLITICAL SCIENCE ST MARY LE STRAND CHURCH ALDWYCH SOMERSET HOUSE WATERLOO BRIDGE STRAND ALDWYCH THEATRE LYCEUM THEATRE In the heart of Central London, 190 Strand is just moments from the River Thames, A WORLD CLASS Covent Garden, the Houses of Parliament and Trafalgar Square. Perfectly located for access to culture and entertainment, fashion and shopping, hotels and fine dining, as well LOCATION as being within close proximity to a range of London’s educational centres of excellence.