Neil Macmaster
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Connecticut Daily Campus Serving Storrs Since 1896
Connecticut Daily Campus Serving Storrs Since 1896 VOL. LXVII, NO. 20 STORRS, CONNECTICUT THURSDAY, OCTOBER 17, 1963 Students Continue Tutorial Over 500 State Applicants In Hartford North End Last year a group of UConn stu- cational difficulties, the facilities of dents established a tutorial program the Education Library are open to Denied UConn Admission in the north end of the city of him, and members of UConn's Hartford, an area with a reputation School of Education faculty have By IACK CARLSON gret that it was necessary this year 1964 and 1965 are unusually large, for being "culturally deprived", been more than willing to lend their More than 500 resident applicants to refuse admission to the State Uni- taxing the facilities and staff at the whose residents are considered in aid. The original members attended of the University of Connecticut versity to many well-qualified Con- university. The vacancy left by the low economic and educational brack- briefing sessions concerning educa- who met all published requirements necticut applicants because of in- class of 1963 left little room for a ets, and are generally of minority tional and sociological problem; were turned away according to a adequate staff and facilities." large number of new students. groups, predominantly Negro and speakers included Mr. Neville of report given by Provost Albert President Babbidge pointed out Waugh added. Puerto Rican. Its schools are over- the Education Dept. and Dr. Weller Waugh at a Board of Trustees that this marks the first time that The large increase in the number cowded and its teachers over- of the Sociology Dept., as well as meeting yesterday morning. -
Morphological Evolution of the Port‐City Interface of Algiers (16Th Century to the Present)
Urban Planning (ISSN: 2183–7635) 2021, Volume 6, Issue 3, Pages 119–135 https://doi.org/10.17645/up.v6i3.4017 Article Morphological Evolution of the Port‐City Interface of Algiers (16th Century to the Present) Khalil Bachir Aouissi 1, Said Madani 1 and Vincent Baptist 2,* 1 Laboratory PUViT, Ferhat Abbas University Setif 1, Algeria; E‐Mails: aouissikhalil@univ‐blida.dz (K.B.A.), smadani@univ‐setif.dz (S.M.) 2 Erasmus School of History, Culture and Communication, Erasmus University Rotterdam, The Netherlands; E‐Mail: [email protected] * Corresponding author Submitted: 17 January 2021 | Accepted: 27 March 2021 | Published: 27 July 2021 Abstract This article traces the centuries‐long morphological development of Algiers’ port‐city interface across four historically rel‐ evant time periods that together span from the dawn of the 16th century up until today. Through a diachronic and geo‐ historical approach, we identify and analyse the origins of Algiers’ persistent port‐city divide. In doing so, the notion of the interface is interpreted as a spatial threshold between city and port, which nevertheless supports the material flows of both entities. As a multi‐purpose area, the interface holds the potential to weave the disparate entities of a port city back together. To further complement this conceptual angle, we provide investigations of porosity that determine the differing degrees of connectivity between the city and port of Algiers. This is combined with a spatial‐functional analysis of Algiers’ current port‐city interface, which is ultimately characterised as a non‐homogeneous entity composed of four distinct sequences. These results contribute to a better orientation of imminent plans for waterfront revitalisations in Algiers. -
Representing the Algerian Civil War: Literature, History, and the State
Representing the Algerian Civil War: Literature, History, and the State By Neil Grant Landers A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in French in the GRADUATE DIVISION of the UNIVERSITY OF CALIFORNIA, BERKELEY Committee in charge: Professor Debarati Sanyal, Co-Chair Professor Soraya Tlatli, Co-Chair Professor Karl Britto Professor Stefania Pandolfo Fall 2013 1 Abstract of the Dissertation Representing the Algerian Civil War: Literature, History, and the State by Neil Grant Landers Doctor of Philosophy in French Literature University of California, Berkeley Professor Debarati Sanyal, Co-Chair Professor Soraya Tlatli, Co-Chair Representing the Algerian Civil War: Literature, History, and the State addresses the way the Algerian civil war has been portrayed in 1990s novelistic literature. In the words of one literary critic, "The Algerian war has been, in a sense, one big murder mystery."1 This may be true, but literary accounts portray the "mystery" of the civil war—and propose to solve it—in sharply divergent ways. The primary aim of this study is to examine how three of the most celebrated 1990s novels depict—organize, analyze, interpret, and "solve"—the civil war. I analyze and interpret these novels—by Assia Djebar, Yasmina Khadra, and Boualem Sansal—through a deep contextualization, both in terms of Algerian history and in the novels' contemporary setting. This is particularly important in this case, since the civil war is so contested, and is poorly understood. Using the novels' thematic content as a cue for deeper understanding, I engage through them and with them a number of elements crucial to understanding the civil war: Algeria's troubled nationalist legacy; its stagnant one-party regime; a fear, distrust, and poor understanding of the Islamist movement and the insurgency that erupted in 1992; and the unending, horrifically bloody violence that piled on throughout the 1990s. -
Guerre Algérie 23/08/05 17:23 Page 1 2°-Guerre Algérie 23/08/05 17:23 Page 2 2°-Guerre Algérie 23/08/05 17:23 Page 3
2°-Guerre Algérie 23/08/05 17:23 Page 1 2°-Guerre Algérie 23/08/05 17:23 Page 2 2°-Guerre Algérie 23/08/05 17:23 Page 3 La Guerre d’Algérie: une histoire apaisée? 2°-Guerre Algérie 23/08/05 17:23 Page 4 Du même auteur La Torture et l’Armée pendant la guerre d’Algérie (1954-1962) Gallimard, 2001 La Documentation photographique, n° 8022 La guerre d’Algérie (en coll. avec Sylvie Thénault) Documentation française, 2001 2°-Guerre Algérie 23/08/05 17:23 Page 5 L’Histoire en débats Raphaëlle Branche La Guerre d’Algérie: une histoire apaisée? Éditions du Seuil 2°-Guerre Algérie 23/08/05 17:23 Page 6 COLLECTION «POINTS HISTOIRE» FONDÉE PAR MICHEL WINOCK Ce livre est publié sous la responsabilité de Christian Delacroix dans la série «L’Histoire en débats» qu’il dirige avec François Dosse et Patrick Garcia. ISBN 2-02-058951-6 © Éditions du Seuil, octobre 2005 Le Code de la propriété intellectuelle interdit les copies ou reproductions destinées à une utilisation collective. Toute représentation ou reproduction intégrale ou partielle faite par quelque procédé que ce soit, sans le consentement de l’auteur ou de ses ayants cause, est illicite et constitue une contrefaçon sanctionnée par les articles L.335-2 et suivants du Code de la propriété intellectuelle. www.seuil.com 2°-Guerre Algérie 23/08/05 17:23 Page 7 Introduction 7 Introduction Quand la guerre d’Algérie apparaît dans le débat public en France, c’est presque autant comme un sujet d’histoire que comme un sujet d’actualité. -
Algerian Regime to the Test
HUMAN RIGHTS PUT ALGERIAN REGIME TO THE TEST The illusion of change Paris – April 2013 Collective of Families of the Disappeared in Algeria 112, rue de Charenton 75012 Paris – France Telephone: + 33 (0)1 43 44 87 82 – Fax: + 33 (0)1 43 44 87 82 E-mail: [email protected] Website: www.algerie-disparus.org HUMAN RIGHTS PUT ALGERIAN REGIME TO THE TEST The illusion of change Bibliographical information Title: Human Rights Put Algerian Regime to the Test – The illusion of change Author: Collective of Families of the Disappeared in Algeria Publication: Collective of Families of the Disappeared in Algeria Date of the publication: April 2013 Pages: 148 ISBN: 978-2-7466-6386-2 Photos: CFDA, Rachel Corner, El Watan Weekend, Hassen Ferhani, Toufik Hachi, Omar D, Reuters, SOS Disappeared Translation into English and Arabic: Bélaid Hamici / [email protected] Graphic Design: Benjamin Lerasle / [email protected] Reproduction: The Collective of Families of the Disappeared in Algeria authorises the free distribution of extracts of this publication on the condition that it will be properly cited. Collective of Families of the Disappeared in Algeria HUMAN RIGHTS PUT ALGERIAN REGIME TO THE TEST The illusion of change Report 2011-2013 4 Human Rights Put Algerian Regime to the Test - The illusion of change Methodology: Members of the Collective of Families of the Disappeared in Algeria (CFDA) and activists working closely with the CFDA initially came together to form an editorial group. Several meetings were then held in the CFDA office in Paris to select topics to discuss and reflect on the methodology to be followed in preparation for this report. -
Constantine Faculté Des Sciences De La Nature Et De La Vie 19, 20 & 21
République Algérienne Démocratique et Populaire Ministère de l’Enseignement Supérieur et de la Recherche Scientifique Université Frères Mentouri - Constantine Faculté des Sciences de la Nature et de la Vie 19, 20 & 21 Octobre 2015 Thématiques : Biotechnologies et Santé Biotechnologies et Agriculture Biotechnologies et Industries Biotechnologies et Environnement Avec le parrainage de l’Agence Thématique de Recherche en Biotechnologie et Sciences Agroalimentaires Agence Thématique de Recherche en Biotechnologie et Sciences Agroalimentaires Adresse : Campus Ahmed Hamani (Zarzara), Tour administrative 8ème étage, Route d’Ain El Bey, Constantine 25000, Algérie. Téléphone/Fax: +213 31 81 91 25 Site Web : www.atrbsa.dz E-mail : [email protected] Laboratoire de Production Pharmaceutique Adresse : Zone industrielle, Zighoud Youcef 25200 Constantine, Algérie Téléphone/Fax: +213 31 91 95 73 Site Web : www.biogalenicpharma.com LDM groupe - Algérie Adresse : Z.I Oued Hamimime El Khroub 25100 Constantine, Algérie. Tél : +213 31 95 53 03 & 04 Fax : +213 31 95 51 82 Site Web : www.ldmgroupe.com E-mail : [email protected] ETs MELLAH OUIDED Distributeur Matériels de Laboratoires Scientifiques - Informatiques - Bureautiques - Réactifs et Produits Consommables Adresse : N°04 Coopérative El-Amel M'SILA 28 000, Algérie. Téléphone/Fax : +213 35 55 65 89 E-mail : [email protected] Entreprise AD-Diffusion Matériel Bureautique & Informatique Adresse : 01 UV05 Bâtiment C Nouvelle Ville Ali Mendjeli Constantine, Algérie. Librairie papeterie EL-WAFA Fourniture de -
La Filosofía Política De Cornelius Castoriadis
La filosofía política de Cornelius Castoriadis Xavier Pedrol Rovira Aquesta tesi doctoral està subjecta a la llicència Reconeixement- NoComercial – SenseObraDerivada 3.0. Espanya de Creative Commons. Esta tesis doctoral está sujeta a la licencia Reconocimiento - NoComercial – SinObraDerivada 3.0. España de Creative Commons. This doctoral thesis is licensed under the Creative Commons Attribution-NonCommercial- NoDerivs 3.0. Spain License. UNIVERSIDAD DE BARCELONA Departamento de Teoría Sociológica, Filosofía del Derecho y Metodología de las Ciencias Sociales Área de Filosofía del Derecho Facultad de Derecho Programa de Doctorado del bienio 1994/1996 Filosofía Jurídica, Moral y Política LA FILOSOFÍA POLÍTICA DE CORNELIUS CASTORIADIS Tesis presentada para optar al Título de Doctor en Derecho por Xavier Pedrol Rovira Director de la tesis Dr. José Antonio Estévez Araujo 2003 Es común observación de todo estudioso, a título de experiencia personal, que toda nueva teoría estudiada con «heroico furor» (o sea, cuando no se estudia por mera curiosidad exterior, sino por un interés profundo) y durante un cierto tiempo, especialmente cuando se es joven, atrae por sí misma, se adueña de toda la personalidad, y luego queda limitada por la teoría posteriormente estudiada, hasta que se impone un equilibrio crítico y se estudia con profundidad, sin rendirse en seguida al atractivo del sistema o del autor estudiados. Esta serie de observaciones se imponen aún más cuando el pensador estudiado es más bien impulsivo, de carácter polémico, y carece de espíritu de sistema, cuando se trata de una personalidad en la cual la actividad teórica y la práctica están indisolublemente entrelazadas, cuando se trata de una inteligencia en creación continua y en movimiento perpetuo que siente vigorosamente la autocrítica del modo más despiado y consecuente. -
Nostalgias in Modern Tunisia Dissertation
Images of the Past: Nostalgias in Modern Tunisia Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By David M. Bond, M.A. Graduate Program in Near Eastern Languages and Cultures The Ohio State University 2017 Dissertation Committee: Sabra J. Webber, Advisor Johanna Sellman Philip Armstrong Copyrighted by David Bond 2017 Abstract The construction of stories about identity, origins, history and community is central in the process of national identity formation: to mould a national identity – a sense of unity with others belonging to the same nation – it is necessary to have an understanding of oneself as located in a temporally extended narrative which can be remembered and recalled. Amid the “memory boom” of recent decades, “memory” is used to cover a variety of social practices, sometimes at the expense of the nuance and texture of history and politics. The result can be an elision of the ways in which memories are constructed through acts of manipulation and the play of power. This dissertation examines practices and practitioners of nostalgia in a particular context, that of Tunisia and the Mediterranean region during the twentieth and early twenty-first centuries. Using a variety of historical and ethnographical sources I show how multifaceted nostalgia was a feature of the colonial situation in Tunisia notably in the period after the First World War. In the postcolonial period I explore continuities with the colonial period and the uses of nostalgia as a means of contestation when other possibilities are limited. -
La 1 Réflexion
POUR DETENTION D’UN PISTOLET AUTOMATIQUE ISRAELIEN ET DE KIF UN PERE ET SON FILS SOUS MANDAT DE DEPÔT A TIARET P 9 Si vous aimez la liberté Payez-en le prix éflexion LE WALI DE MOSTAGANEM REPOND AUX DOLEANCES QUOTIDIEN NATIONAL D’INFORMATION P 7 Jeudi 17 Septembre 2015 N° 2162 8ème année Prix 20 DA www.reflexiondz.net DES CITOYENS FACEBOOKAPRES LA PUBLICATION DE L’ARTICLE DE INTITULE REFLEXION ‘’VRAIE CHEKCHOUKA’’ S’ENFLAMME ! P 7 CONTRIBUTION Les medjahers ‘’kham’se kh‘mess’’ et les ‘’hachems’’ qui ont fait l’histoire à Mostaganem P 6 Vue générale de Mostaganem des années 50 – Photo colorée par Réflexion SIDI BEL ABBES Deux maliens interceptés à Benbadis P 5 TLEMCEN TIARET Saisie d’une quantité de Cocaïne DECOUVERTE et de kif traité P 5 AIN TEMOUCHENT DE KIF ET DE 2 Algérie Poste fait des mécontents à Oulhaça P 9 ORAN MILLIONS DE DA Campagne de nettoyage du cimetière DANS UN WC P 9 ‘’Moul Eddouma’’ P 8 éflexionSi vous aimez la liberté Payez-en le prix dits QUOTIDIEN NATIONAL D’INFORMATION Non Jeudi 17 Septembre 2015 2 Non Citation Moul Firma ‘’À quoi bon prendre la vie au sérieux, puisque de toute façon La grande lessive à Mostaganem nous n'en sortirons pas vivants ?’’ Hier, Moul Firma comme à son accoutu- Alphonse Allais mée s’est rendu à son kiosque habituel pour acheter son journal ‘’Réflexion’’, ne le trouvant pas, il demanda au pa- LES OVINS tron du kiosque : « Qu’est-ce qui se passe aujourd’hui, pourquoi il n’y a pas AU CŒUR DE de journal ?». -
Osu1199254932.Pdf (640.26
FROM MUSE TO MILITANT: FRANCOPHONE WOMEN NOVELISTS AND SURREALIST AESTHETICS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Mary Anne Harsh, M.A. ***** The Ohio State University 2008 Dissertation Committee: Approved by Professor Danielle Marx-Scouras, Advisor Professor Karlis Racevskis ______________________________ Advisor Professor Sabra Webber French and Italian Graduate Program ABSTRACT In 1924, André Breton launched the Surrealist movement in France with his publication of Manifeste du surréalisme. He and his group of mostly male disciples, prompted by the horrors of World War I, searched for fresh formulas for depicting the bizarre and inhumane events of the era and for reviving the arts in Europe, notably by experimenting with innovative practices which included probing the unconscious mind. Women, if they had a role, were viewed as muses or performed only ancillary responsibilities in the movement. Their participation was usually in the graphic arts rather than in literature. However, in later generations, francophone women writers such as Joyce Mansour and Suzanne Césaire began to develop Surrealist strategies for enacting their own subjectivity and promoting their political agendas. Aside from casual mention, no critic has formally investigated the surreal practices of this sizeable company of francophone women authors. I examine the literary production of seven women from three geographic regions in order to document the enduring capacity of surrealist practice to express human experience in the postcolonial and postmodern era. From the Maghreb I analyze La Grotte éclatée by Yamina Mechakra and L'amour, la fantasia by Assia Djebar, and from Lebanon, L'Excisée by Evelyne Accad. -
The French Revolution in the French-Algerian War (1954-1962): Historical Analogy and the Limits of French Historical Reason
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 The French Revolution in the French-Algerian War (1954-1962): Historical Analogy and the Limits of French Historical Reason Timothy Scott Johnson The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1424 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE FRENCH REVOLUTION IN THE FRENCH-ALGERIAN WAR (1954-1962): HISTORICAL ANALOGY AND THE LIMITS OF FRENCH HISTORICAL REASON By Timothy Scott Johnson A dissertation submitted to the Graduate Faculty in History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 TIMOTHY SCOTT JOHNSON All Rights Reserved ii The French Revolution in the French-Algerian War (1954-1962): Historical Analogy and the Limits of French Historical Reason by Timothy Scott Johnson This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy Richard Wolin, Distinguished Professor of History, The Graduate Center, CUNY _______________________ _______________________________________________ Date Chair of Examining Committee _______________________ -
Viewed One of the First “Films Parlants” in 1930 in London
FROM GOLDEN AGE TO SILVER SCREEN: FRENCH MUSIC-HALL CINEMA FROM 1930-1950 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Rebecca H. Bias, M.A. * * * * * The Ohio State University 2005 Dissertation Committee: Approved by Professor Judith Mayne, Advisor Professor Diane Birckbichler _________________________ Advisor Professor Charles D. Minahen Graduate Program in French and Italian Copyright by Rebecca H. Bias 2005 ABSTRACT This dissertation examines French music-hall cinema from 1930-1950. The term “music-hall cinema” applies to films that contain any or all of the following: music-hall performers, venues, mise en scène, revues, and music- hall songs or repertoire. The cinema industry in France owes a great debt to the music-hall industry, as the first short films near the turn of the century were actually shown as music-hall acts in popular halls. Nonetheless, the ultimate demise of the music hall was in part due to the growing popularity of cinema. Through close readings of individual films, the dynamics of music-hall films will be related to the relevant historical and cultural notions of the period. The music-hall motif will be examined on its own terms, but also in relation to the context or genre that underlies each particular film. The music-hall motif in films relies overwhelmingly on female performers and relevant feminist film theory of the 1970s will help support the analysis of female performance, exhibition, and relevant questions of spectatorship. Music-hall cinema is an important motif in French film, and the female performer serves as the prominent foundation in these films.