Neil Macmaster

Total Page:16

File Type:pdf, Size:1020Kb

Neil Macmaster 1 Inside the FLN NEIL MACMASTER 2 Inside the FLN: the Paris massacre and the French Intelligence Service Neil MacMaster March 2013. The moral right of the author has been asserted. The author welcomes any e-mail comment: <[email protected]> Cover photograph: Mohamed Zouaoui. 3 Contents Introduction 4 1 “Operation Flore” and the arrest of Mohamed Zouaoui 10 2 The Zouaoui network: the role of the Contrôleurs 21 3 The European Support Network, Renault, and FLN Propaganda 33 4 The Problem of Violence and the Federation U-Turn 43 5 Assassination of police officers and the Federation crisis 54 6 At the grass-roots: Mohammed Ghafir and Amala 12 (13th Arrondissement) 66 7 Planning the demonstrations of 17-20 October 84 8 Abderrahmane Farès and the financial network 98 9 After the massacre: the impact of the crisis on the FLN 108 Conclusion 123 Jean-Luc Einaudi and the Sacralisation of Mohammedi Saddek: An Essay 127 Appendix 1 Who was Mohammedi Saddek? 132 Appendix 2 La guerre des chiffres: how many Algerians died? 140 Short bibliography of publications, 2006-2013 145 Note on the author 147 4 INTRODUCTION By 2006, when I and Jim House published Paris 1961. Algerians, State Terror, and Memory, a number of books, by Jean-Luc Einaudi, Jean-Paul Brunet, Alain Dewerpe, Linda Amiri, Rémy Valat, and others, meant that the main features of the Paris massacre and the demonstration of 17 October were quite well understood.1 Political controversy has continued to rage, mainly in relation to the contested issue of the numbers of Algerians that were killed, but in general the bulk of the publications that have appeared since Paris 1961 have had to do with the cultural, artistic and memorial aspects of the events, rather than with further research into primary archival sources.2 This shift from the further excavation of archives, to differing interpretations of cultural and political meanings, was exemplified by the debates surrounding Michael Haneke’s film Caché,3 and the commemoration of the 50th anniversary in October 2011. The commemoration was marked by an enormous range of memorial, artistic and political activity: the organisation of demonstrations in Paris and its suburbs, as well as in numerous provincial towns from Caen to Bordeaux; conferences in Lyons, Nanterre and elsewhere, including one in the Paris National Assembly; documentary and film productions, most notably Yasmina Adi’s Ici on noie les Algériens; photographic exhibitions; four new theatre productions; several books, including a bande dessiné by Daeninckx and Mako, Octobre Noir; musical-café shows; the ceremonial renaming of streets and squares, the unveiling of plaques (Pont de Bezons, Pont de Neuilly).......4 At the heart of this mobilisation was a campaign to bring pressure on the French state to officially recognise the massacre through a ‘proposition de loi’ tabled in the Senate on 12 October 2006. Jim House closely analysed in Paris 1961 the extraordinary complexity and emotional intensity of the political, trade union, nationalist, inter-generational and sectarian memory battles that raged openly, or seethed under the surface, throughout the period from 1961 to 2006 over the very existence and significance of the Paris massacre. Since 2006 the debates and political skirmishing has intensified, both in France and Algeria, and the campaign for official recognition of the massacre by the French state has been challenged by an array of right-wing and reactionary forces, from UMP conservatives and retired generals, to neo-fascists and die-hard ex-colonialists that defend the enlightened ‘civilizing mission’ of France in its oversea empire and its undemocratic and violent domination over ‘subject races’. On 17 October 2012 President François Hollande provided the first official recognition of the fact of the massacre in a brief statement: ‘The Republic recognises lucidly these facts. Fifty-one years after the tragedy, I pay tribute to the memories of the victims’. This declaration was met with a cachophany of protest from Marine Le Pen and others on the far-right. 1 For a full bibiography see Jim House and Neil MacMaster, Paris 1961. Algerians, State Terror, and Memory (Oxford: Oxford University Press, 2006), 341-359, French edition, Paris 1961. Les Algériens, la terreur d’Etat et la mémoire (Paris: Tallandier, 2008), 483-509. I have updated this in a short bibliography of works that have appeared since 2006, see below page 145. 2 The major exception here is Emmanuel Blanchard’s book, based on his 2008 thesis, La Police Parisienne et les Algériens (1944-1962) (Paris: Nouveau Monde, 2011). Linda Amiri’s doctoral thesis on the FLN in France, based on many years of archival research, also promises to bring new elements to our understanding of October 17 and its context. 3 There is a considerable, and growing, literature on Haneke and the 17 October: see, for example, Nancy E. Virtue, ‘Memory, Trauma, and the French-Algerian War: Michael Haneke’s Caché (2005)’, Modern and Contemporary France, 19:3 (2011), 281-96; Jonathan Thomas, ‘Michael Haneke’s New(s) Images’, Art Journal, 67:3 (Fall 2008), 80-85; Susannah Radstone, ‘Caché: Or what the past hides’, Continuum: Journal of Media and Cultural Studies, 24:1 (2010), 17-29. 4 On some of this cultural activism see the homepage of the ‘Collectif “17 Octobre 61”’, www.17octobre61.org; also the bibliography and references in Marcel and Paulette Péju, Le 17 Octobre des Algériens. Suivi de La Triple Occulation d’Un Massacre par Gilles Manceron, (Paris: La Découverte, 2011), 187-195. 5 Had a point been reached by 2007 in which debate was no longer about gleaning further evidence on the 17 October, but offering different cultural and political readings of the established ‘facts’? Was little more to be discovered from the archives in which research was no longer worth the effort because it promised diminishing returns? Such a claim would be absurd, since no historical investigation can ever claim to be definitive and each generation of historians will bring to the body of evidence quite new and different interpretations. In 2006, however, after several years research on the massacre, I decided to move on, not because the topic was exhausted, but because I had a number of others projects that were waiting. However, the peculiar interpretations that Jean-Luc Einaudi continued to develop in his book, Scènes de la guerre d’Algérie en France (2009), and elsewhere, led me in early 2012 to re-examination the DST archives.5 To mark the 50th anniversary commemoration in October 2011, which drew enormous media attention in France and Algeria, Jean-Luc Einaudi, the doyen of memory activists, and Mohammed Ghafir, who was FLN leader of Amala or Superzone 12, located on the Left Bank of the Seine, joined forces in the autumn of 1961 to publicise the claim that Mohammedi Saddek was the head of the entire FLN network on French soil and had organised the demonstration of 17 October. The rather strange campaign, assisted by members of the Saddek family, to construct a mythical status for Mohammedi Saddek was intended to counter the research of myself and Jim House that had shown that the top-level co-ordinator in France was Mohamed Zouaoui.6 This inspired me to re-examine much of the archival materials that I had collected a decade earlier and the issues surrounding the Paris massacre. My initial, but subsidiary interest was in an anthropological examination of how and why Einaudi and Ghafir went about the construction or defense of such a myth through the sacralisation of Saddek, especially by religious commemorative rituals in his village of origin in Kabylie. This case-study serves to throw light on wider processes of memory activism and the ‘ideologisation’ of history and why it is that the charged emotional investments that result from the confusion or mixing of commemoration ritual and historical interpretation and fact can make for poor history. I have placed this case-study at the end, since it can be read on its own standing apart from the main drive of the study, as a separate essay under the title, Jean-Luc Einaudi and the Sacralisation of Mohammedi Saddek. I have also examined the question of the biography and role of Saddek in the FLN, who appears nowhere in the DST and police archives, in a separate Appendix 1 (page 132). The more substantial reason for writing this study arose from a re-examination of my research notes from the Archives of the Paris Prefecture of Police (APP) which reminded me how extraordinarily rich and important these documents were for an understanding of the Paris massacre. This was especially true of the extensive reports of the counter-intelligence agency, the Direction de la Surveillance du Territoire (DST), its arrest of numerous top FLN cadres in early November 1961, and the seizure of hundreds of key FLN documents. In our previous publications we had referred to the DST files, but editorial restrictions on word-length meant that full justice could not be done to this important and extensive body of source material. Since the publication of our 2004 article it would appear that no historians have followed our lead by further investigating what constitutes the richest and most significant, but still largely unused, archival source on the Paris massacre and its context. My aim in this study is to fill this gap.7 The DST archive is important to an understanding of the Paris massacre for a number of reasons. On 22 September 1961 DST agents, who were tailing an FLN cadre Medjoub Benzerfa, were led to 5 Jean-Luc Einaudi, Scènes de la guerre d’Algérie en France.
Recommended publications
  • Connecticut Daily Campus Serving Storrs Since 1896
    Connecticut Daily Campus Serving Storrs Since 1896 VOL. LXVII, NO. 20 STORRS, CONNECTICUT THURSDAY, OCTOBER 17, 1963 Students Continue Tutorial Over 500 State Applicants In Hartford North End Last year a group of UConn stu- cational difficulties, the facilities of dents established a tutorial program the Education Library are open to Denied UConn Admission in the north end of the city of him, and members of UConn's Hartford, an area with a reputation School of Education faculty have By IACK CARLSON gret that it was necessary this year 1964 and 1965 are unusually large, for being "culturally deprived", been more than willing to lend their More than 500 resident applicants to refuse admission to the State Uni- taxing the facilities and staff at the whose residents are considered in aid. The original members attended of the University of Connecticut versity to many well-qualified Con- university. The vacancy left by the low economic and educational brack- briefing sessions concerning educa- who met all published requirements necticut applicants because of in- class of 1963 left little room for a ets, and are generally of minority tional and sociological problem; were turned away according to a adequate staff and facilities." large number of new students. groups, predominantly Negro and speakers included Mr. Neville of report given by Provost Albert President Babbidge pointed out Waugh added. Puerto Rican. Its schools are over- the Education Dept. and Dr. Weller Waugh at a Board of Trustees that this marks the first time that The large increase in the number cowded and its teachers over- of the Sociology Dept., as well as meeting yesterday morning.
    [Show full text]
  • Morphological Evolution of the Port‐City Interface of Algiers (16Th Century to the Present)
    Urban Planning (ISSN: 2183–7635) 2021, Volume 6, Issue 3, Pages 119–135 https://doi.org/10.17645/up.v6i3.4017 Article Morphological Evolution of the Port‐City Interface of Algiers (16th Century to the Present) Khalil Bachir Aouissi 1, Said Madani 1 and Vincent Baptist 2,* 1 Laboratory PUViT, Ferhat Abbas University Setif 1, Algeria; E‐Mails: aouissikhalil@univ‐blida.dz (K.B.A.), smadani@univ‐setif.dz (S.M.) 2 Erasmus School of History, Culture and Communication, Erasmus University Rotterdam, The Netherlands; E‐Mail: [email protected] * Corresponding author Submitted: 17 January 2021 | Accepted: 27 March 2021 | Published: 27 July 2021 Abstract This article traces the centuries‐long morphological development of Algiers’ port‐city interface across four historically rel‐ evant time periods that together span from the dawn of the 16th century up until today. Through a diachronic and geo‐ historical approach, we identify and analyse the origins of Algiers’ persistent port‐city divide. In doing so, the notion of the interface is interpreted as a spatial threshold between city and port, which nevertheless supports the material flows of both entities. As a multi‐purpose area, the interface holds the potential to weave the disparate entities of a port city back together. To further complement this conceptual angle, we provide investigations of porosity that determine the differing degrees of connectivity between the city and port of Algiers. This is combined with a spatial‐functional analysis of Algiers’ current port‐city interface, which is ultimately characterised as a non‐homogeneous entity composed of four distinct sequences. These results contribute to a better orientation of imminent plans for waterfront revitalisations in Algiers.
    [Show full text]
  • Representing the Algerian Civil War: Literature, History, and the State
    Representing the Algerian Civil War: Literature, History, and the State By Neil Grant Landers A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in French in the GRADUATE DIVISION of the UNIVERSITY OF CALIFORNIA, BERKELEY Committee in charge: Professor Debarati Sanyal, Co-Chair Professor Soraya Tlatli, Co-Chair Professor Karl Britto Professor Stefania Pandolfo Fall 2013 1 Abstract of the Dissertation Representing the Algerian Civil War: Literature, History, and the State by Neil Grant Landers Doctor of Philosophy in French Literature University of California, Berkeley Professor Debarati Sanyal, Co-Chair Professor Soraya Tlatli, Co-Chair Representing the Algerian Civil War: Literature, History, and the State addresses the way the Algerian civil war has been portrayed in 1990s novelistic literature. In the words of one literary critic, "The Algerian war has been, in a sense, one big murder mystery."1 This may be true, but literary accounts portray the "mystery" of the civil war—and propose to solve it—in sharply divergent ways. The primary aim of this study is to examine how three of the most celebrated 1990s novels depict—organize, analyze, interpret, and "solve"—the civil war. I analyze and interpret these novels—by Assia Djebar, Yasmina Khadra, and Boualem Sansal—through a deep contextualization, both in terms of Algerian history and in the novels' contemporary setting. This is particularly important in this case, since the civil war is so contested, and is poorly understood. Using the novels' thematic content as a cue for deeper understanding, I engage through them and with them a number of elements crucial to understanding the civil war: Algeria's troubled nationalist legacy; its stagnant one-party regime; a fear, distrust, and poor understanding of the Islamist movement and the insurgency that erupted in 1992; and the unending, horrifically bloody violence that piled on throughout the 1990s.
    [Show full text]
  • Guerre Algérie 23/08/05 17:23 Page 1 2°-Guerre Algérie 23/08/05 17:23 Page 2 2°-Guerre Algérie 23/08/05 17:23 Page 3
    2°-Guerre Algérie 23/08/05 17:23 Page 1 2°-Guerre Algérie 23/08/05 17:23 Page 2 2°-Guerre Algérie 23/08/05 17:23 Page 3 La Guerre d’Algérie: une histoire apaisée? 2°-Guerre Algérie 23/08/05 17:23 Page 4 Du même auteur La Torture et l’Armée pendant la guerre d’Algérie (1954-1962) Gallimard, 2001 La Documentation photographique, n° 8022 La guerre d’Algérie (en coll. avec Sylvie Thénault) Documentation française, 2001 2°-Guerre Algérie 23/08/05 17:23 Page 5 L’Histoire en débats Raphaëlle Branche La Guerre d’Algérie: une histoire apaisée? Éditions du Seuil 2°-Guerre Algérie 23/08/05 17:23 Page 6 COLLECTION «POINTS HISTOIRE» FONDÉE PAR MICHEL WINOCK Ce livre est publié sous la responsabilité de Christian Delacroix dans la série «L’Histoire en débats» qu’il dirige avec François Dosse et Patrick Garcia. ISBN 2-02-058951-6 © Éditions du Seuil, octobre 2005 Le Code de la propriété intellectuelle interdit les copies ou reproductions destinées à une utilisation collective. Toute représentation ou reproduction intégrale ou partielle faite par quelque procédé que ce soit, sans le consentement de l’auteur ou de ses ayants cause, est illicite et constitue une contrefaçon sanctionnée par les articles L.335-2 et suivants du Code de la propriété intellectuelle. www.seuil.com 2°-Guerre Algérie 23/08/05 17:23 Page 7 Introduction 7 Introduction Quand la guerre d’Algérie apparaît dans le débat public en France, c’est presque autant comme un sujet d’histoire que comme un sujet d’actualité.
    [Show full text]
  • Algerian Regime to the Test
    HUMAN RIGHTS PUT ALGERIAN REGIME TO THE TEST The illusion of change Paris – April 2013 Collective of Families of the Disappeared in Algeria 112, rue de Charenton 75012 Paris – France Telephone: + 33 (0)1 43 44 87 82 – Fax: + 33 (0)1 43 44 87 82 E-mail: [email protected] Website: www.algerie-disparus.org HUMAN RIGHTS PUT ALGERIAN REGIME TO THE TEST The illusion of change Bibliographical information Title: Human Rights Put Algerian Regime to the Test – The illusion of change Author: Collective of Families of the Disappeared in Algeria Publication: Collective of Families of the Disappeared in Algeria Date of the publication: April 2013 Pages: 148 ISBN: 978-2-7466-6386-2 Photos: CFDA, Rachel Corner, El Watan Weekend, Hassen Ferhani, Toufik Hachi, Omar D, Reuters, SOS Disappeared Translation into English and Arabic: Bélaid Hamici / [email protected] Graphic Design: Benjamin Lerasle / [email protected] Reproduction: The Collective of Families of the Disappeared in Algeria authorises the free distribution of extracts of this publication on the condition that it will be properly cited. Collective of Families of the Disappeared in Algeria HUMAN RIGHTS PUT ALGERIAN REGIME TO THE TEST The illusion of change Report 2011-2013 4 Human Rights Put Algerian Regime to the Test - The illusion of change Methodology: Members of the Collective of Families of the Disappeared in Algeria (CFDA) and activists working closely with the CFDA initially came together to form an editorial group. Several meetings were then held in the CFDA office in Paris to select topics to discuss and reflect on the methodology to be followed in preparation for this report.
    [Show full text]
  • Constantine Faculté Des Sciences De La Nature Et De La Vie 19, 20 & 21
    République Algérienne Démocratique et Populaire Ministère de l’Enseignement Supérieur et de la Recherche Scientifique Université Frères Mentouri - Constantine Faculté des Sciences de la Nature et de la Vie 19, 20 & 21 Octobre 2015 Thématiques : Biotechnologies et Santé Biotechnologies et Agriculture Biotechnologies et Industries Biotechnologies et Environnement Avec le parrainage de l’Agence Thématique de Recherche en Biotechnologie et Sciences Agroalimentaires Agence Thématique de Recherche en Biotechnologie et Sciences Agroalimentaires Adresse : Campus Ahmed Hamani (Zarzara), Tour administrative 8ème étage, Route d’Ain El Bey, Constantine 25000, Algérie. Téléphone/Fax: +213 31 81 91 25 Site Web : www.atrbsa.dz E-mail : [email protected] Laboratoire de Production Pharmaceutique Adresse : Zone industrielle, Zighoud Youcef 25200 Constantine, Algérie Téléphone/Fax: +213 31 91 95 73 Site Web : www.biogalenicpharma.com LDM groupe - Algérie Adresse : Z.I Oued Hamimime El Khroub 25100 Constantine, Algérie. Tél : +213 31 95 53 03 & 04 Fax : +213 31 95 51 82 Site Web : www.ldmgroupe.com E-mail : [email protected] ETs MELLAH OUIDED Distributeur Matériels de Laboratoires Scientifiques - Informatiques - Bureautiques - Réactifs et Produits Consommables Adresse : N°04 Coopérative El-Amel M'SILA 28 000, Algérie. Téléphone/Fax : +213 35 55 65 89 E-mail : [email protected] Entreprise AD-Diffusion Matériel Bureautique & Informatique Adresse : 01 UV05 Bâtiment C Nouvelle Ville Ali Mendjeli Constantine, Algérie. Librairie papeterie EL-WAFA Fourniture de
    [Show full text]
  • La Filosofía Política De Cornelius Castoriadis
    La filosofía política de Cornelius Castoriadis Xavier Pedrol Rovira Aquesta tesi doctoral està subjecta a la llicència Reconeixement- NoComercial – SenseObraDerivada 3.0. Espanya de Creative Commons. Esta tesis doctoral está sujeta a la licencia Reconocimiento - NoComercial – SinObraDerivada 3.0. España de Creative Commons. This doctoral thesis is licensed under the Creative Commons Attribution-NonCommercial- NoDerivs 3.0. Spain License. UNIVERSIDAD DE BARCELONA Departamento de Teoría Sociológica, Filosofía del Derecho y Metodología de las Ciencias Sociales Área de Filosofía del Derecho Facultad de Derecho Programa de Doctorado del bienio 1994/1996 Filosofía Jurídica, Moral y Política LA FILOSOFÍA POLÍTICA DE CORNELIUS CASTORIADIS Tesis presentada para optar al Título de Doctor en Derecho por Xavier Pedrol Rovira Director de la tesis Dr. José Antonio Estévez Araujo 2003 Es común observación de todo estudioso, a título de experiencia personal, que toda nueva teoría estudiada con «heroico furor» (o sea, cuando no se estudia por mera curiosidad exterior, sino por un interés profundo) y durante un cierto tiempo, especialmente cuando se es joven, atrae por sí misma, se adueña de toda la personalidad, y luego queda limitada por la teoría posteriormente estudiada, hasta que se impone un equilibrio crítico y se estudia con profundidad, sin rendirse en seguida al atractivo del sistema o del autor estudiados. Esta serie de observaciones se imponen aún más cuando el pensador estudiado es más bien impulsivo, de carácter polémico, y carece de espíritu de sistema, cuando se trata de una personalidad en la cual la actividad teórica y la práctica están indisolublemente entrelazadas, cuando se trata de una inteligencia en creación continua y en movimiento perpetuo que siente vigorosamente la autocrítica del modo más despiado y consecuente.
    [Show full text]
  • Nostalgias in Modern Tunisia Dissertation
    Images of the Past: Nostalgias in Modern Tunisia Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By David M. Bond, M.A. Graduate Program in Near Eastern Languages and Cultures The Ohio State University 2017 Dissertation Committee: Sabra J. Webber, Advisor Johanna Sellman Philip Armstrong Copyrighted by David Bond 2017 Abstract The construction of stories about identity, origins, history and community is central in the process of national identity formation: to mould a national identity – a sense of unity with others belonging to the same nation – it is necessary to have an understanding of oneself as located in a temporally extended narrative which can be remembered and recalled. Amid the “memory boom” of recent decades, “memory” is used to cover a variety of social practices, sometimes at the expense of the nuance and texture of history and politics. The result can be an elision of the ways in which memories are constructed through acts of manipulation and the play of power. This dissertation examines practices and practitioners of nostalgia in a particular context, that of Tunisia and the Mediterranean region during the twentieth and early twenty-first centuries. Using a variety of historical and ethnographical sources I show how multifaceted nostalgia was a feature of the colonial situation in Tunisia notably in the period after the First World War. In the postcolonial period I explore continuities with the colonial period and the uses of nostalgia as a means of contestation when other possibilities are limited.
    [Show full text]
  • La 1 Réflexion
    POUR DETENTION D’UN PISTOLET AUTOMATIQUE ISRAELIEN ET DE KIF UN PERE ET SON FILS SOUS MANDAT DE DEPÔT A TIARET P 9 Si vous aimez la liberté Payez-en le prix éflexion LE WALI DE MOSTAGANEM REPOND AUX DOLEANCES QUOTIDIEN NATIONAL D’INFORMATION P 7 Jeudi 17 Septembre 2015 N° 2162 8ème année Prix 20 DA www.reflexiondz.net DES CITOYENS FACEBOOKAPRES LA PUBLICATION DE L’ARTICLE DE INTITULE REFLEXION ‘’VRAIE CHEKCHOUKA’’ S’ENFLAMME ! P 7 CONTRIBUTION Les medjahers ‘’kham’se kh‘mess’’ et les ‘’hachems’’ qui ont fait l’histoire à Mostaganem P 6 Vue générale de Mostaganem des années 50 – Photo colorée par Réflexion SIDI BEL ABBES Deux maliens interceptés à Benbadis P 5 TLEMCEN TIARET Saisie d’une quantité de Cocaïne DECOUVERTE et de kif traité P 5 AIN TEMOUCHENT DE KIF ET DE 2 Algérie Poste fait des mécontents à Oulhaça P 9 ORAN MILLIONS DE DA Campagne de nettoyage du cimetière DANS UN WC P 9 ‘’Moul Eddouma’’ P 8 éflexionSi vous aimez la liberté Payez-en le prix dits QUOTIDIEN NATIONAL D’INFORMATION Non Jeudi 17 Septembre 2015 2 Non Citation Moul Firma ‘’À quoi bon prendre la vie au sérieux, puisque de toute façon La grande lessive à Mostaganem nous n'en sortirons pas vivants ?’’ Hier, Moul Firma comme à son accoutu- Alphonse Allais mée s’est rendu à son kiosque habituel pour acheter son journal ‘’Réflexion’’, ne le trouvant pas, il demanda au pa- LES OVINS tron du kiosque : « Qu’est-ce qui se passe aujourd’hui, pourquoi il n’y a pas AU CŒUR DE de journal ?».
    [Show full text]
  • Osu1199254932.Pdf (640.26
    FROM MUSE TO MILITANT: FRANCOPHONE WOMEN NOVELISTS AND SURREALIST AESTHETICS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Mary Anne Harsh, M.A. ***** The Ohio State University 2008 Dissertation Committee: Approved by Professor Danielle Marx-Scouras, Advisor Professor Karlis Racevskis ______________________________ Advisor Professor Sabra Webber French and Italian Graduate Program ABSTRACT In 1924, André Breton launched the Surrealist movement in France with his publication of Manifeste du surréalisme. He and his group of mostly male disciples, prompted by the horrors of World War I, searched for fresh formulas for depicting the bizarre and inhumane events of the era and for reviving the arts in Europe, notably by experimenting with innovative practices which included probing the unconscious mind. Women, if they had a role, were viewed as muses or performed only ancillary responsibilities in the movement. Their participation was usually in the graphic arts rather than in literature. However, in later generations, francophone women writers such as Joyce Mansour and Suzanne Césaire began to develop Surrealist strategies for enacting their own subjectivity and promoting their political agendas. Aside from casual mention, no critic has formally investigated the surreal practices of this sizeable company of francophone women authors. I examine the literary production of seven women from three geographic regions in order to document the enduring capacity of surrealist practice to express human experience in the postcolonial and postmodern era. From the Maghreb I analyze La Grotte éclatée by Yamina Mechakra and L'amour, la fantasia by Assia Djebar, and from Lebanon, L'Excisée by Evelyne Accad.
    [Show full text]
  • The French Revolution in the French-Algerian War (1954-1962): Historical Analogy and the Limits of French Historical Reason
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 The French Revolution in the French-Algerian War (1954-1962): Historical Analogy and the Limits of French Historical Reason Timothy Scott Johnson The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1424 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE FRENCH REVOLUTION IN THE FRENCH-ALGERIAN WAR (1954-1962): HISTORICAL ANALOGY AND THE LIMITS OF FRENCH HISTORICAL REASON By Timothy Scott Johnson A dissertation submitted to the Graduate Faculty in History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 TIMOTHY SCOTT JOHNSON All Rights Reserved ii The French Revolution in the French-Algerian War (1954-1962): Historical Analogy and the Limits of French Historical Reason by Timothy Scott Johnson This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy Richard Wolin, Distinguished Professor of History, The Graduate Center, CUNY _______________________ _______________________________________________ Date Chair of Examining Committee _______________________
    [Show full text]
  • Viewed One of the First “Films Parlants” in 1930 in London
    FROM GOLDEN AGE TO SILVER SCREEN: FRENCH MUSIC-HALL CINEMA FROM 1930-1950 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Rebecca H. Bias, M.A. * * * * * The Ohio State University 2005 Dissertation Committee: Approved by Professor Judith Mayne, Advisor Professor Diane Birckbichler _________________________ Advisor Professor Charles D. Minahen Graduate Program in French and Italian Copyright by Rebecca H. Bias 2005 ABSTRACT This dissertation examines French music-hall cinema from 1930-1950. The term “music-hall cinema” applies to films that contain any or all of the following: music-hall performers, venues, mise en scène, revues, and music- hall songs or repertoire. The cinema industry in France owes a great debt to the music-hall industry, as the first short films near the turn of the century were actually shown as music-hall acts in popular halls. Nonetheless, the ultimate demise of the music hall was in part due to the growing popularity of cinema. Through close readings of individual films, the dynamics of music-hall films will be related to the relevant historical and cultural notions of the period. The music-hall motif will be examined on its own terms, but also in relation to the context or genre that underlies each particular film. The music-hall motif in films relies overwhelmingly on female performers and relevant feminist film theory of the 1970s will help support the analysis of female performance, exhibition, and relevant questions of spectatorship. Music-hall cinema is an important motif in French film, and the female performer serves as the prominent foundation in these films.
    [Show full text]