Artificial Subjectivity As a Posthuman Negotiation of Hegel's Master/ Slave Dialectic Casey J
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Pennsylvania History
Pennsylvania History a journal of mid-atlantic studies PHvolume 80, number 2 · spring 2013 “Under These Classic Shades Together”: Intimate Male Friendships at the Antebellum College of New Jersey Thomas J. Balcerski 169 Pennsylvania’s Revolutionary Militia Law: The Statute that Transformed the State Francis S. Fox 204 “Long in the Hand and Altogether Fruitless”: The Pennsylvania Salt Works and Salt-Making on the New Jersey Shore during the American Revolution Michael S. Adelberg 215 “A Genuine Republican”: Benjamin Franklin Bache’s Remarks (1797), the Federalists, and Republican Civic Humanism Arthur Scherr 243 Obituaries Ira V. Brown (1922–2012) Robert V. Brown and John B. Frantz 299 Gerald G. (Gerry) Eggert (1926–2012) William Pencak 302 bOOk reviews James Rice. Tales from a Revolution: Bacon’s Rebellion and the Transformation of Colonial America Reviewed by Matthew Kruer 305 This content downloaded from 128.118.153.205 on Mon, 15 Apr 2019 13:08:47 UTC All use subject to https://about.jstor.org/terms Sally McMurry and Nancy Van Dolsen, eds. Architecture and Landscape of the Pennsylvania Germans, 1720-1920 Reviewed by Jason R. Sellers 307 Patrick M. Erben. A Harmony of the Spirits: Translation and the Language of Community in Early Pennsylvania Reviewed by Karen Guenther 310 Jennifer Hull Dorsey. Hirelings: African American Workers and Free Labor in Early Maryland Reviewed by Ted M. Sickler 313 Kenneth E. Marshall. Manhood Enslaved: Bondmen in Eighteenth- and Early Nineteenth-Century New Jersey Reviewed by Thomas J. Balcerski 315 Jeremy Engels. Enemyship: Democracy and Counter-Revolution in the Early Republic Reviewed by Emma Stapely 318 George E. -
2018 – Volume 6, Number
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 2 & 3 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Bump in the Night” by Brent Jones © 2018 Courtesy of Pixabay/Kellepics EDITORIAL ADVISORY BOARD ANTHONY ADAH PAUL BOOTH Minnesota State University, Moorhead DePaul University GARY BURNS ANNE M. CANAVAN Northern Illinois University Salt Lake Community College BRIAN COGAN ASHLEY M. DONNELLY Molloy College Ball State University LEIGH H. EDWARDS KATIE FREDICKS Florida State University Rutgers University ART HERBIG ANDREW F. HERRMANN Indiana University - Purdue University, Fort Wayne East Tennessee State University JESSE KAVADLO KATHLEEN A. KENNEDY Maryville University of St. Louis Missouri State University SARAH MCFARLAND TAYLOR KIT MEDJESKY Northwestern University University of Findlay CARLOS D. MORRISON SALVADOR MURGUIA Alabama State University Akita International -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
B&C Pre-Production Draft
Battlestar Galactica "Blood & Chrome" A Movie in Ten Parts Story by Michael Taylor, David Eick, & Bradley Thompson & David Weddle Teleplay by Michael Taylor Pre-Production Draft, 11/30/10 “Blood & Chrome” ACT ONE FADE IN: 1 EXT. SPACE - STARFIELD 1 A beat, then a familiar dire rhythm of TAIKO DRUMS fades up as 12 stars flash brightly and race toward us to wheel in a * circle, establishing the border of a 3-D LOGO for the Colonial * Defense Forces, as the drumming segues to a patriotic theme, * There’s a dated, “newsreel” vibe to this, and the film stock * itself seems degraded, as if it’s years old and much played. * The logo retreats to a corner, where it lingers like the SyFy bug as the image of space is replaced by... 2 EXT. CAPRICA CITY - DAY 2 The pyramid stadium and the splendid city. OFFICIAL VOICE Caprica City. Then... The city become a partial ruins, strafed and bomb-pocked. OFFICIAL VOICE (cont’d) ...and now. 3 EXT. GEMENON - DAY 3 The stunning religious capital: Dubai meets ancient Rome. OFFICIAL VOICE Gemenon, the holy city of Oranu, then... The glittering cityscape yields to a similar image of devastation (not post-nuclear; more London during the Blitz). OFFICIAL VOICE (cont’d) ...and now. 4 EXT. AQUARION - DAY 4 The Reykjavik-like capital of Heim, powered by sun and wind, glaciers at its back, its harbor embracing an icy sea. OFFICIAL VOICE Aquarion then... Now the city is partly destroyed and the icy harbor is filled by the spectacular wreckage of a massive Cylon Base Star. -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
Navigating Change in Battlestar Galactica
A SEARCH FOR HOME: NAVIGATING CHANGE IN BATTLESTAR GALACTICA KIMBERLY S. YOST A DISSERTATION Submitted to the Ph.D. in Leadership and Change Program of Antioch University in partial fulfillment of the requirements for the degree of Doctor of Philosophy August, 2012 Signature Page This is to certify that the Dissertation entitled: A SEARCH FOR HOME: NAVIGATING CHANGE IN BATTLESTAR GALACTICA prepared by Kimberly S. Yost Is approved in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Leadership and Change. Approved by: Carolyn Kenny, Ph.D. date Chair Lize Booysen, D.B.L. date Committee Member Holly Baumgartner, Ph.D. date Committee Member Kristin Bezio, Ph.D. date External Reader Copyright 2012 Kimberly S. Yost All rights reserved Acknowledgements Many doctoral students comment that it takes a village to write a dissertation. I would like to thank my village. My committee chair, Carolyn Kenny, and the members of my committee, Lize Booysen, Holly Baumgartner, and Kristin Bezio, for their support, encouragement, insightfulness, and enthusiasm. They took extraordinary care in their comments and even took the time to watch the series. I hope you all had fun. I would also like to acknowledge my peers in Cohort 9 of the Antioch University Leadership and Change program, particularly my “study buddy” Tammy Stachowicz, as well as the entire faculty for their encouragement as I plowed ahead with a project that may have seemed a bit odd to some. I would also like to thank my family for their forbearance as I concentrated on my academic work these past few years. -
3 Hollywood Scientists
Science and Fiction Editorial Board Mark Alpert Philip Ball Gregory Benford Michael Brotherton Victor Callaghan Amnon H Eden Nick Kanas Geoffrey Landis Rudi Rucker Dirk Schulze-Makuch Rüdiger Vaas Ulrich Walter Stephen Webb Science and Fiction—A Springer Series This collection of entertaining and thought-provoking books will appeal equally to sci- ence buffs, scientists and science-fiction fans. It was born out of the recognition that scientific discovery and the creation of plausible fictional scenarios are often two sides of the same coin. Each relies on an understanding of the way the world works, coupled with the imaginative ability to invent new or alternative explanations—and even other worlds. Authored by practicing scientists as well as writers of hard science fiction, these books ex- plore and exploit the borderlands between accepted science and its fictional counterpart. Uncovering mutual influences, promoting fruitful interaction, narrating and analyzing fictional scenarios, together they serve as a reaction vessel for inspired new ideas in sci- ence, technology, and beyond. Whether fiction, fact, or forever undecidable: the Springer Series “Science and Fiction” intends to go where no one has gone before! Its largely non-technical books take several different approaches. Journey with their authors as they • Indulge in science speculation—describing intriguing, plausible yet unproven ideas; • Exploit science fiction for educational purposes and as a means of promoting critical thinking; • Explore the interplay of science and science fiction—throughout the history of the genre and looking ahead; • Delve into related topics including, but not limited to: science as a creative process, the limits of science, interplay of literature and knowledge; • Tell fictional short stories built around well-defined scientific ideas, with a supple- ment summarizing the science underlying the plot. -
British Romanticism January 8, 2017 “No More Mr
Walthall 1 Bill Walthall Professor J. Fleming LIT 509: British Romanticism January 8, 2017 “No More Mr. Nice Gaius”: Battlestar Galactica‘s Baltar as the Byronic Post-”Modern Prometheus” Conventional wisdom posits that the writers of the Romantic period had little interest in mining earlier artistic epochs--like the Classical era--for imitation (“Romanticism” LVIII), and that the movement itself can be viewed as a reaction against Neoclassicism. Yet interest in Classical Greece helped shape many writers of the period (Hebron). This melding of the modern with the ancient informs a trio of works from the era, all concerning the same mythic figure, a kind of rebel hero. This focus on Prometheus, pulling elements from versions of the myth by Hesiod, Aeschylus and Pausanias, can be found in Lord Byron’s poem “Prometheus,” Mary Shelley’s novel Frankenstein (subtitled The Modern Prometheus), and her husband Percy’s lyrical drama Prometheus Unbound. An evolutionary leap from Aeschylus’ mythic figure, Mary Shelley’s ‘Modern Prometheus’ has had a ripe “fecundity” (McQueen 125; Blais 67) of its own, spawning generations of works in a new medium: cinema--from the James Whale/Universal films of the 1930s to twenty-first century science-fiction pieces like EX_MACHINA and Westworld. Running through the works, however, from the ancient (proleptically) through today, is that same rebel protagonist archetype, the Byronic Hero. Gaius Baltar, the flawed human scientist from Ronald D. Moore’s 2003-2009 television series Battlestar Galactica, is a kind of post-“Modern Prometheus,” a neo-Romantic Byronic Hero who can trace his literary evolution Walthall 2 back through Mary Shelley’s Frankenstein, to the ancient myth of the life-giver/fire-bringer, as found in Aeschylus’ Prometheus Bound. -
Real Maps, Unreal Places: the Maps of Imaginary Places Collection at Cushing Memorial Library & Archives
DOI: 10.14714/CP84.1394 CARTOGRAPHIC COLLECTIONS Real Maps, Unreal Places: The Maps of Imaginary Places Collection at Cushing Memorial Library & Archives Sierra Laddusaw Jeremy Brett Texas A&M University Texas A&M University [email protected] [email protected] It can be difficult to attract students outside of the television, movies, graphic novels, and games, offer a new geosciences into a university map collection, even if it con- collecting focus within a map collection. tains material that will help them with their research and studies. But unique and interesting material can bring in At Texas A&M, Cushing Memorial Library & Archives new users: holding “cool” maps that are culturally relevant has been building an impressive collection of Science and visually engaging provides an outreach opportunity Fiction and Fantasy (SF&F) materials since 1974. Among to a wide audience. Maps of imaginary places, includ- the materials in its Science Fiction & Fantasy Research ing those from famous and popular works of literature, Collection are several maps drawn either from archival Figure 1. The Marvelous Land of Oz: Based on the Original Map drawn by Professor H.M. Wogglebug, T.E.; Revised in accordance with the Royal Histories of Oz, cartographer James E. Haff, 1975. © by the author(s). This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. Cartographic Perspectives, Number 84, 2016 Real Maps, Unreal Places – Laddusaw & Brett | 23 collections or cataloged as individual library items. -
Excavating the Future
EXCAVATING THE FUTURE Liverpool Science Fiction Texts and Studies, 57 Liverpool Science Fiction Texts and Studies Editor David Seed, University of Liverpool Editorial Board Mark Bould, University of the West of England Veronica Hollinger, Trent University Rob Latham, University of California Roger Luckhurst, Birkbeck College, University of London Patrick Parrinder, University of Reading Andy Sawyer, University of Liverpool Recent titles in the series 34. Mike Ashley Gateways to Forever: The Story of the Science-Fiction Magazine from 1970–1980 35. Patricia Kerslake Science Fiction and Empire 36. Keith Williams H. G. Wells, Modernity and the Movies 37. Wendy Gay Pearson, Veronica Hollinger and Joan Gordon (eds.) Queer Universes: Sexualities and Science Fiction 38. John Wyndham (eds. David Ketterer and Andy Sawyer) Plan for Chaos 39. Sherryl Vint Animal Alterity: Science Fiction and the Question of the Animal 40. Paul Williams Race, Ethnicity and Nuclear War: Representations of Nuclear Weapons and Post-Apocalyptic Worlds 41. Sara Wasson and Emily Alder, Gothic Science Fiction 1980–2010 42. David Seed (ed.), Future Wars: The Anticipations and the Fears 43. Andrew M. Butler, Solar Flares: Science Fiction in the 1970s 44. Andrew Milner, Locating Science Fiction 45. Joshua Raulerson, Singularities 46. Stanislaw Lem: Selected Letters to Michael Kandel (edited, translated and with an introduction by Peter Swirski) 47. Sonja Fritzsche, The Liverpool Companion to World Science Fiction Film 48. Jack Fennel: Irish Science Fiction 49. Peter Swirski and Waclaw M. Osadnik: Lemography: Stanislaw Lem in the Eyes of the World 50. Gavin Parkinson (ed.), Surrealism, Science Fiction and Comics 51. Peter Swirski, Stanislaw Lem: Philosopher of the Future 52. -
You've Seen the Movie, Now Play The
“YOU’VE SEEN THE MOVIE, NOW PLAY THE VIDEO GAME”: RECODING THE CINEMATIC IN DIGITAL MEDIA AND VIRTUAL CULTURE Stefan Hall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2011 Committee: Ronald Shields, Advisor Margaret M. Yacobucci Graduate Faculty Representative Donald Callen Lisa Alexander © 2011 Stefan Hall All Rights Reserved iii ABSTRACT Ronald Shields, Advisor Although seen as an emergent area of study, the history of video games shows that the medium has had a longevity that speaks to its status as a major cultural force, not only within American society but also globally. Much of video game production has been influenced by cinema, and perhaps nowhere is this seen more directly than in the topic of games based on movies. Functioning as franchise expansion, spaces for play, and story development, film-to-game translations have been a significant component of video game titles since the early days of the medium. As the technological possibilities of hardware development continued in both the film and video game industries, issues of media convergence and divergence between film and video games have grown in importance. This dissertation looks at the ways that this connection was established and has changed by looking at the relationship between film and video games in terms of economics, aesthetics, and narrative. Beginning in the 1970s, or roughly at the time of the second generation of home gaming consoles, and continuing to the release of the most recent consoles in 2005, it traces major areas of intersection between films and video games by identifying key titles and companies to consider both how and why the prevalence of video games has happened and continues to grow in power. -
Messiah Complexes in Battlestar Galactica
TIME TO PLAY THE RELIGION CARD: MESSIAH COMPLEXES IN BATTLESTAR GALACTICA A Paper Submitted to the Graduate Faculty of the North Dakota State University of Agriculture and Applied Science By Carissa Noel Wolf In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Major Department: English Option: Composition November 2010 Fargo, North Dakota North Dakota State University Graduate School Title TIME TO PLAY THE RELIGION CARD: MESSIAH COMPLEXES IN BATTLESTAR GALACTICA By Carissa Noel Wolf The Supervisory Committee certifies that this disquisition complies with North Dakota State University’s regulations and meets the accepted standards for the degree of MASTER OF ARTS SUPERVISORY COMMITTEE: Miriam Mara, Ph.D. Chair Amy Rupiper Taggart, Ph.D. Verena Theile, Ph.D. Kevin Sedivec, Ph.D. Approved: November 10, 2011 Kevin Brooks, Ph.D. Date Department Chair ABSTRACT Wolf, Carissa Noel, M.A., Department of English, College of Arts, Humanities and Social Sciences, North Dakota State University, November 2010. Time to Play the Religion Card: Messiah Complexes in Battlestar Galactica. Major Professor: Dr. Miriam Mara. In 2003, Battlestar Galactica (BSG) was re-invented from its 1978 roots and updated to a post-apocalyptic narrative that reflects numerous issues in current American culture, including the influence of religious rhetoric in post-9/11 politics. As theorized by psychoanalyst Carl Jung, the fictions of a culture reveal the subconscious values and beliefs of that culture,1 and BSG has proven fertile ground for such investigations. Four major compilations of critical essays on BSG have been published to date, with some articles analyzing the post-9/11 politics and others on the use of religion in the narrative, but few examine these elements in conjunction with each other or how the characters use them.