DOCSLIB.ORG

2018 – Volume 6, Number

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2018 – Volume 6, Number THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 2 & 3 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Bump in the Night” by Brent Jones © 2018 Courtesy of Pixabay/Kellepics EDITORIAL ADVISORY BOARD ANTHONY ADAH PAUL BOOTH Minnesota State University, Moorhead DePaul University GARY BURNS ANNE M. CANAVAN Northern Illinois University Salt Lake Community College BRIAN COGAN ASHLEY M. DONNELLY Molloy College Ball State University LEIGH H. EDWARDS KATIE FREDICKS Florida State University Rutgers University ART HERBIG ANDREW F. HERRMANN Indiana University - Purdue University, Fort Wayne East Tennessee State University JESSE KAVADLO KATHLEEN A. KENNEDY Maryville University of St. Louis Missouri State University SARAH MCFARLAND TAYLOR KIT MEDJESKY Northwestern University University of Findlay CARLOS D. MORRISON SALVADOR MURGUIA Alabama State University Akita International University CARYN NEUMANN ANGELA NELSON Miami University Bowling Green State University PAUL PETROVIC CARRIELYNN D. REINHARD Emmanuel College Dominican University SPECIAL ISSUE EDITORIAL BOARD Monstrosity EDITOR BERNADETTE MARIE CALAFELL University of Denver BOARD SHADEE ABDI JOSHUA ATKINSON Arizona State University Bowling Green State University DAOINE BACHRAN BETTINA BILDHAUER University of Denver University of Saint Andrews KYLE WILLIAM BISHOP KINITRA BROOKS Southern Utah University Michigan State University PETER ODELL CAMPBELL JAMES L. CHERNEY University of Pittsburgh Independent Scholar LINDSEY DECKER HANEEN GHABRA Boston University Kuwait University STEVEN GRANELLI CALEB J. GREEN Northeastern University University of Denver BRIAN GREWE RACHEL ALICIA GRIFFIN University of Denver University of Utah JOSHUA GUNN ROBERT GUTIERREZ-PEREZ University of Texas, Austin University of Nevada, Reno BRENDAN G. A. HUGHES SOPHIE JONES Metropolitan State University of Denver University of New Mexico RICHARD G. JONES JR. ERIC KING WATTS Eastern Illinois University University of North Carolina, Chapel Hill CASEY RYAN KELLY AMANDA LEBLANC University of Nebraska-Lincoln Adams State University MURRAY LEEDER BENNY LEMASTER University of Calgary Arizona State University DAVID J. LEONARD MARINA LEVINA Washington State University The University of Memphis SUSANA LOZA AMANDA MARTINEZ Hampshire College Davidson College DAWN MARIE D. MCINTOSH JASON MCROY Independent Scholar University of Wisconsin, Parkside ROBERT MEJIA RAQUEL MOREIRA North Dakota State University Graceland University THOMAS OATES KENDALL R. PHILLIPS University of Iowa Syracuse University PAVITHRA PRASAD CRISTINA SANTOS California State University, Northridge Brock University CLAIRE SISCO KING CRAIG WEATHERS Vanderbilt University University of Denver Editorial: Six Years! 1 Norma Jones ARTICLES Cylons, Dolls, and Hosts: The Cyborg Plot Twist in Science 4 Fiction Television EMILY MIDKIFF “I'm too Drunk to Taste this Chicken”: The Hidden Poetry of 28 Will Ferrell's Comedies LAURA GARRISON “Look at the Flowers”: Utilitarian Themes in the Post- 51 Apocalypse KRISTINE LEVAN “I’m into this Woodworking Stuff”: Hipster Masculinity and 72 Adam Sackler on HBO’s Girls MICHAEL MARIO ALBRECHT SPECIAL ISSUE Monstrosity Introduction to the Special Issue 94 BERNADETTE MARIE CALAFELL Transing Dystopia: Constituting Trans Monstrosity, 96 Performing Trans Rage in Torrey Peters’ Infect Your Friends and Loved Ones BENNY LEMASTER Removing Racism from White Bodies: Peter Cvjetanovic’s 118 White Masculine Monstrosity DAWN MARIE D. MCINTOSH Preparing for the Zombie Apocalypse and other Neocolonial 145 Monsters During the Endless Global War on Terrorism MAROUF HASIAN, JR. AND SEAN T. LAWSON “If It’s in A Word”: Intersectional Feminism, Precarity, and 166 The Babadook CLAIRE SISCO KING Awakening the Civic Dead: Political Mobilization of the 190 Zombie in Real Time NANCY WADSWORTH A Very Well Tailored Person Suit: Hannibal Lecter, America 217 Gothic and Cannibal Neoliberal Capitalism ALENA KIEL ChicanX “Monsters” and ChicanX/LatinX “Futures” in Film 239 (Or, Searching for LatinXs in Sci-Fi Movies) MICHAEL LECHUGA, ROBERTO AVANT-MIER, AND KATHERINE ALANIS RAMÍREZ Resurrecting the Witch: The Reanimation of the Witch 263 Archetype and Toxic White Femininity in American Horror Story: Coven MARYLOU R. NAUMOFF Crafting a Monstrously Queer Space: A Medicalized Gothic 287 Reading of Nathaniel Highmore’s Case of a Foetus Found in the Abdomen of a Young Man SHANE MILLER Voting Horrors: Youthful, Monstrous, and Worrying Agency in 306 American Film DEREK LEWIS Zaha Hadid: Locating the Monster Within Architecture 326 CATHRYN LADD Monstrosity in Everyday Life: Nepantleras, Theories in the 345 Flesh, and Transformational Politics ROBERT GUTIERREZ-PEREZ Erecting and Impaling the Monstrous Social Justice Warrior in 369 The Green Inferno MATTHEW FOY Something’s Not Right: Monstrous Motherhood and Traumatic 399 Survival in Among the Sleep BIANCA BATTI The Literary Zombie in Robin Becker’s Brains: “How Pop 420 Culture Illuminates and Comments on the Current Zombie Crisis” T. MAY STONE Hair-raising and knee taking: Colin Kaepernick’s Monstrous 441 Persona & Nonviolent Civil Disobedience SCARLETT R. HESTER SPECIAL ISSUE: INTERVIEWS Latin Horror is Luchagore: An Interview With Luchagore 462 Productions CALEB GREEN If It’s Not Intersectional, It’s Not Monstrosity: An Interview on 474 Horror and Monstrosity with Marina Levina MIRANDA OLZMAN Horror Films Almost Dare You to Come and Watch Them: An 484 Interview With Kendall Phillips HANEEN GHABRA REVIEWS 492 Introduction MALYNNDA JOHNSON Babic, Annessa Ann. America's Changing Icons: Constructing Patriotic Women from World War I to the Present. Rowman & Littlefield, 2018. Tiara Good Womack, Kenneth, and Cox, Kathryn B. The Beatles, Sgt. Pepper, and the Summer of Love. Lexington Books, 2017. Gaurav Pai Olson, Liesl. Chicago Renaissance: Literature and Art in the Midwest Metropolis. New Haven: Yale University Press, 2013. Adam Q. Stauffer Garcia, Vanessa, and Arkerson, Samantha. Crime, Media, and Reality: Examining Mixed Messages About Crime in Popular Media. Rowman and Littlefield, 2018. Print. Monica Klonowski Natoli, Joseph. Dark Affinities, Dark Imaginaries: A Mind’s Odyssey. Albany, State University of New York Press, 2017. Rachel Presley Theodore G. Ammon, editor, David Bowie and Philosophy: Rebel Rebel. Open Court, 2016. Noah Franken Steven Shaviro. Digital Music Videos (Quick Takes: Movies and Popular Culture). Rutgers University Press, 2017. Marci Mazzarotto Wills, John. Disney Culture. Rutgers University Press, 2017. Anna Halipilias Matthews David, Alison. Fashion Victims: Dangers of Dress Past and Present. Bloomsbury Visual Arts, 2017. Alexandra Jordan Thelin Engstrom, Erika. Feminism, Gender, and Politics in NBC’s Parks and Recreation. New York, NY: Peter Lang, 2017. Print. Lori Henson Darowski, Joseph J, and Kate Darowski. Frasier: A Cultural History. Rowman & Littlefield, 2017. Paul Arras Condis, Megan. Gaming Masculinity: Trolls, Fake Geeks, and the Gendered Battle for Online Culture. University of Iowa Press, 2018. Kyle Robert McMillen Gunkel, David J. Gaming the System: Deconstructing Video Games, Games Studies, and Virtual Worlds. Indiana University Press, 2018. Scott R. Stalcup Rabinowitz, Aaron and Robert Axp editors. Hamilton and Philosophy: Revolutionary Thinking. Open Court Publishing Company, 2017. Melissa M. Spirek Flanagan, Martin, Andrew Livingstone, and Mike McKenny. The Marvel Studios Phenomenon: Inside a Transmedia Universe. Bloomsbury Publishing USA, 2016. Curtis Sullivan Auxier, Randall E. Metaphysical Graffiti: Deep Cuts in the Philosophy of Rock. Open Court, 2017. Benjamin van Loon Kee, Chera. Not Your Average Zombie: Rehumanizing the Dead from Voodoo to Zombie Walks. University of Texas Press, 2017. Matt Sautman Christian, Aymar Jean. Open TV: Innovation Beyond Hollywood and the Rise of Web Television. NYU Press, 2018. James Perez Heyrman, John. Politcs, Hollywood Style: American Politics in Film from Mr. Smith to Selma. Lexington Books, 2018. Katherine R. Fleck Santino, Jack. Public Performances: Studies in the Carnivalesque and the Ritualesque, Utah State University Press, 2017 Lauren Cheek Lopez, Marco, Hazel Newlevant, Desiree Rodriguez, Derek Ruiz, and Neil Schwartz, editors. Puerto Rico Strong: A Comics Anthology Supporting Puerto Rico Disaster. Lion Forge. 2018. Joe Cruz Pugh, Tison, The Queer Fantasies of the American Family Sitcom. New Brunswick, NJ: Rutgers University Press, 2018. Jennifer Miller Brown, Simon. Screening Stephen King: Adaptation and the Horror Genre in Film and Television. University of Texas Press, 2018. Michelle Kay Hansen Cavalcante, Andre. Struggling for Ordinary: Media and Transgender Belonging in Everyday Life. New York University Press, 2018. Nicholas Lepp Boudreaux, Armond, and Corey Latta, Titans: How Superheroes Can Help Us Make Sense of a Polarized World. Cascade Books. 2017. Matthew
Load more

Recommended publications
  • Webb Management Services
    building creativity Webb Management Services ✲ Webb Management Services, Inc. is North America’s leading provider of arts and cultural project planning services ✲ We work for governments, schools, developers, and arts organizations on facility feasibility, business planning, strategic planning, and cultural planning ✲ Our practice was founded in 1997, and we just started our 348th assignment ✲ Previous work in the region includes projects in Chandler and Mesa, as well as a Cultural Facilities Master Plan for the Scottsdale Cultural Council Webb Management Services Inc. Page 1 building creativity Additional team members Elizabeth Healy, Healy Entertainment Elizabeth recently re-launched Healy Entertainment, a development and production company. One of her first clients is The Recording Academy (GRAMMY Awards Organization), which follows on the heels of her eight- year term as senior executive director of The Recording Academy New York Chapter. Her work there included developing and producing over 400 special programs and events for the company. Elizabeth's past experience also includes working at significant performing arts organizations such as Lincoln Center for the Performing Arts, New York City Ballet, Saratoga Performing Arts Center, and Finger Lakes Performing Arts Center, in addition to several major record companies, and with world renowned artists. Christine Ewing, Ewing Consulting Christine has a proven track record of more than 25 years producing successful financial development programs for a broad range of vital nonprofit
    [Show full text]
  • Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales.
    [Show full text]
  • Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs
    Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs The thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. Word count: 85,810 Abstract Extreme art cinema, has, in recent film scholarship, become an important area of study. Many of the existing practices are motivated by a Franco-centric lens, which ultimately defines transgressive art cinema as a new phenomenon. The thesis argues that a study of extreme art cinema needs to consider filmic production both within and beyond France. It also argues that it requires an historical analysis, and I contest the notion that extreme art cinema is a recent mode of Film production. The study considers extreme art cinema as inhabiting a space between ‘high’ and ‘low’ art forms, noting the slippage between the two often polarised industries. The study has a focus on the paratext, with an analysis of DVD extras including ‘making ofs’ and documentary featurettes, interviews with directors, and cover sleeves. This will be used to examine audience engagement with the artefacts, and the films’ position within the film market. Through a detailed assessment of the visual symbols used throughout the films’ narrative images, the thesis observes the manner in which they engage with the taste structures and pictorial templates of art and exploitation cinema.
    [Show full text]
  • Beyond Westworld
    “We Don’t Know Exactly How They Work”: Making Sense of Technophobia in 1973 Westworld, Futureworld, and Beyond Westworld Stefano Bigliardi Al Akhawayn University in Ifrane - Morocco Abstract This article scrutinizes Michael Crichton’s movie Westworld (1973), its sequel Futureworld (1976), and the spin-off series Beyond Westworld (1980), as well as the critical literature that deals with them. I examine whether Crichton’s movie, its sequel, and the 1980s series contain and convey a consistent technophobic message according to the definition of “technophobia” advanced in Daniel Dinello’s 2005 monograph. I advance a proposal to develop further the concept of technophobia in order to offer a more satisfactory and unified interpretation of the narratives at stake. I connect technophobia and what I call de-theologized, epistemic hubris: the conclusion is that fearing technology is philosophically meaningful if one realizes that the limitations of technology are the consequence of its creation and usage on behalf of epistemically limited humanity (or artificial minds). Keywords: Westworld, Futureworld, Beyond Westworld, Michael Crichton, androids, technology, technophobia, Daniel Dinello, hubris. 1. Introduction The 2016 and 2018 HBO series Westworld by Jonathan Nolan and Lisa Joy has spawned renewed interest in the 1973 movie with the same title by Michael Crichton (1942-2008), its 1976 sequel Futureworld by Richard T. Heffron (1930-2007), and the short-lived 1980 MGM TV series Beyond Westworld. The movies and the series deal with androids used for recreational purposes and raise questions about technology and its risks. I aim at an as-yet unattempted comparative analysis taking the narratives at stake as technophobic tales: each one conveys a feeling of threat and fear related to technological beings and environments.
    [Show full text]
  • Call for Abstracts Westworld and Philosophy Richard Greene & Josh
    Call for Abstracts Westworld and Philosophy Richard Greene & Josh Heter, Editors Abstracts are sought for a collection of philosophical essays related to the HBO television series Westworld (we also welcome essays on the 1973 movie of the same name on which it is based, the 1976 sequel to that movie, Futureworld, and the subsequent 1980 television series, Beyond West World). This volume will be published by Open Court Publishing (the publisher of The Simpsons and Philosophy, The Matrix and Philosophy, Dexter and Philosophy, The Walking Dead and Philosophy, Boardwalk Empire and Philosophy, and The Princess Bride and Philosophy, etc.) as part of their successful Popular Culture and Philosophy series. We are seeking abstracts, but anyone who has already written an unpublished paper on this topic may submit it in its entirety. Potential contributors may want to examine other volumes in the Open Court series. Contributors are welcome to submit abstracts on any topic of philosophical interest that pertains to Westworld. The editors are especially interested in receiving submissions that engage philosophical issues/topics/concepts in Westworld in creative and non-standard ways. Please feel free to forward this to anyone writing within a philosophic discipline who might be interested in contributing. Contributor Guidelines: 1. Abstract of paper (100–750 words) 2. Resume/CV for each author/coauthor of the paper 3. Initial submission should be made by email (we prefer e-mail with MS Word attachment) 4. Deadlines: Abstracts due February 1, 2018 First drafts due April 1, 2018 Final drafts due June 1, 2018 (we are looking to complete the entire ms by June 15, 2018, so early submissions are encouraged and welcomed!) Email: [email protected] .
    [Show full text]
  • A Journal for Critical Debate Vol. 27 (2018)
    Connotations A Journal for Critical Debate Volume 27 (2018) Connotations Society Connotations: A Journal for Critical Debate Published by Connotations: Society for Critical Debate EDITORS Inge Leimberg (Münster), Matthias Bauer (Tübingen), Burkhard Niederhoff (Bochum) and Angelika Zirker (Tübingen) Secretary: Eva Maria Rettner Editorial Assistants: Mirjam Haas, Tobias Kunz, Alia Luley, Sara Rogalski EDITORIAL ADDRESS Professor Matthias Bauer, Eberhard Karls Universität Tübingen, Department of English, Wilhelmstr. 50, 72074 Tübingen, Germany Email: [email protected] http://www.connotations.de EDITORIAL BOARD Judith Anderson, Indiana University Bloomington Åke Bergvall, University of Karlstad Christiane Maria Binder, Universität Dortmund Paul Budra, Simon Fraser University Lothar Černý, Fachhochschule Köln Eleanor Cook, University of Toronto William E. Engel, The University of the South Bernd Engler, Eberhard Karls Universität Tübingen David Fishelov, The Hebrew University of Jerusalem John P. Hermann, University of Alabama Lothar Hönnighausen, Rheinische Friedrich-Wilhelms-Universität Bonn Arthur F. Kinney, University of Massachusetts, Amherst Frances M. Malpezzi, Arkansas State University J. Hillis Miller, University of California, Irvine Angela Alaimo O’Donnell, Fordham University Martin Procházka, Charles University, Prague Alan Rudrum, Simon Fraser University Michael Steppat, Universität Bayreuth Leona Toker, The Hebrew University of Jerusalem John Whalen-Bridge, National University of Singapore Joseph Wiesenfarth, University of Wisconsin-Madison Connotations is a peer-reviewed journal that encourages scholarly communication in the field of English Literature (from the Middle English period to the present), as well as American and other Literatures in English. It focuses on the semantic and stylistic energy of the language of literature in a historical perspective and aims to represent different approaches. Connotations publishes articles and responses to articles, as well as to recent books.
    [Show full text]
  • Pennsylvania History
    Pennsylvania History a journal of mid-atlantic studies PHvolume 80, number 2 · spring 2013 “Under These Classic Shades Together”: Intimate Male Friendships at the Antebellum College of New Jersey Thomas J. Balcerski 169 Pennsylvania’s Revolutionary Militia Law: The Statute that Transformed the State Francis S. Fox 204 “Long in the Hand and Altogether Fruitless”: The Pennsylvania Salt Works and Salt-Making on the New Jersey Shore during the American Revolution Michael S. Adelberg 215 “A Genuine Republican”: Benjamin Franklin Bache’s Remarks (1797), the Federalists, and Republican Civic Humanism Arthur Scherr 243 Obituaries Ira V. Brown (1922–2012) Robert V. Brown and John B. Frantz 299 Gerald G. (Gerry) Eggert (1926–2012) William Pencak 302 bOOk reviews James Rice. Tales from a Revolution: Bacon’s Rebellion and the Transformation of Colonial America Reviewed by Matthew Kruer 305 This content downloaded from 128.118.153.205 on Mon, 15 Apr 2019 13:08:47 UTC All use subject to https://about.jstor.org/terms Sally McMurry and Nancy Van Dolsen, eds. Architecture and Landscape of the Pennsylvania Germans, 1720-1920 Reviewed by Jason R. Sellers 307 Patrick M. Erben. A Harmony of the Spirits: Translation and the Language of Community in Early Pennsylvania Reviewed by Karen Guenther 310 Jennifer Hull Dorsey. Hirelings: African American Workers and Free Labor in Early Maryland Reviewed by Ted M. Sickler 313 Kenneth E. Marshall. Manhood Enslaved: Bondmen in Eighteenth- and Early Nineteenth-Century New Jersey Reviewed by Thomas J. Balcerski 315 Jeremy Engels. Enemyship: Democracy and Counter-Revolution in the Early Republic Reviewed by Emma Stapely 318 George E.
    [Show full text]
  • TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written By
    TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC The Good Wife, Written by Meredith Averill, Leonard Dick, Keith Eisner, Jacqueline Hoyt, Ted Humphrey, Michelle King, Robert King, Erica Shelton Kodish, Matthew Montoya, J.C. Nolan, Luke Schelhaas, Nichelle Tramble Spellman, Craig Turk, Julie Wolfe; CBS Homeland, Written by Henry Bromell, William E. Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Barbara Hall, Patrick Harbinson, Chip Johannessen, Meredith Stiehm, Charlotte Stoudt, James Yoshimura; Showtime House Of Cards, Written by Kate Barnow, Rick Cleveland, Sam R. Forman, Gina Gionfriddo, Keith Huff, Sarah Treem, Beau Willimon; Netflix Mad Men, Written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Janet Leahy, Erin Levy, Michael Saltzman, Tom Smuts, Matthew Weiner, Carly Wray; AMC COMEDY SERIES 30 Rock, Written by Jack Burditt, Robert Carlock, Tom Ceraulo, Luke Del Tredici, Tina Fey, Lang Fisher, Matt Hubbard, Colleen McGuinness, Sam Means, Dylan Morgan, Nina Pedrad, Josh Siegal, Tracey Wigfield; NBC Modern Family, Written by Paul Corrigan, Bianca Douglas, Megan Ganz, Abraham Higginbotham, Ben Karlin, Elaine Ko, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Audra Sielaff, Emily Spivey, Brad Walsh, Bill Wrubel, Danny Zuker; ABC Parks And Recreation, Written by Megan Amram, Donick Cary, Greg Daniels, Nate DiMeo, Emma Fletcher, Rachna
    [Show full text]
  • 1 a Day in New York Alain Elkann It Had Been a Few Days Since I Was
    A Day in New York Alain Elkann It had been a few days since I was alone in the house. They were all away for different reasons. Now and then a young Ukrainian man came to do some work on the basement and the garden. His name was Sergio and he spoke Italian with me as he knew no English, no French, or any other languages but Ukrainian and Italian. We had both lived in Italy for many years. He had lived in the country in Umbria, I in Rome. Now we were both in New York for work. Sergio was in his mid-twenties, thin and tall, very pale with brown eyes. He was kind, but extremely stubborn. He rarely smiled and was a pessimist by nature. In New York he refused to visit anything cultural and had no friends. The only thing he liked was having some free time to visit stores that sold electronics. He pretended to know about and understand everything, but he was often wrong. That morning we had breakfast together at around eight. He only ate white bread and butter, and drank coffee with two spoons of white sugar. He liked to listen to the radio, Ukrainian programmes in particular, songs or sporting events. He loved cars and the Internet. He loved country villages and small towns. He liked order and Italian shoes. As I said, the house was empty. Anita was in the country, Victoria on vacation in London, Zeno in California, Masha in Europe for a friend’s wedding. The dogs were with Anita in the country.
    [Show full text]
  • As Writers of Film and Television and Members of the Writers Guild Of
    July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.
    [Show full text]
  • Red Dragon, the Cleft-Lip, and the Politics of Recognition
    The Monster Without: Red Dragon, the Cleft-Lip, and the Politics of Recognition Timothy D. Harfield Rarely represented in popular film, the cleft lip and palate is more often than not used as the locus of some kind of monstrosity. Of films featuring characters affected by cleft lip and palate, for example, at least five figure them as agents of violence or death. From the school bully,1 to a hired killer,2 to a serial killer,3 to a zombie,4 it is common to use the cleft lip as a cue for menace, or as a thing to be feared. On the other side of violence, the recent film Psycho Beach Party5 features a young girl with a cleft lip as the first to be killed by a serial killer targeting youth with disabilities. Even the Swedish film Den Enfoldige Mördaren,6 or "The Simple-minded Murderer," acclaimed for the sympathetic portrayal of its protagonist, features a killer with a cleft lip. Following in this tradition, the recent film Red Dragon7 features a serial killer whose cleft lip is the primary factor motivating his murderous behaviour. Although the film initially capitalizes upon the tradition of linking cleft lip and palate with homicidal psychopathy, however, it does so through a keen awareness of the politics of identity formation, and so has the effect of ultimately shifting the locus of monstrosity away from the cleft lip, and toward those social systems of 1 Frank Whaley, Joe the King (USA: Lions Gate, 1999), videorecording. 2 Frank Tuttle, This Gun for Hire (USA: Universal Studios, 1942), videorecording.
    [Show full text]
  • Complicated Views: Mainstream Cinema's Representation of Non
    University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Film Studies Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. DOI: by Eliot W. Blades Thesis for the degree of Doctor of Philosophy May 2020 University of Southampton Abstract Faculty of Arts and Humanities Department of Film Studies Thesis for the degree of Doctor of Philosophy Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. by Eliot W. Blades This thesis examines a number of mainstream fiction feature films which incorporate imagery from non-cinematic moving image technologies. The period examined ranges from the era of the widespread success of television (i.e.
    [Show full text]