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Pennsylvania History
Pennsylvania History a journal of mid-atlantic studies PHvolume 80, number 2 · spring 2013 “Under These Classic Shades Together”: Intimate Male Friendships at the Antebellum College of New Jersey Thomas J. Balcerski 169 Pennsylvania’s Revolutionary Militia Law: The Statute that Transformed the State Francis S. Fox 204 “Long in the Hand and Altogether Fruitless”: The Pennsylvania Salt Works and Salt-Making on the New Jersey Shore during the American Revolution Michael S. Adelberg 215 “A Genuine Republican”: Benjamin Franklin Bache’s Remarks (1797), the Federalists, and Republican Civic Humanism Arthur Scherr 243 Obituaries Ira V. Brown (1922–2012) Robert V. Brown and John B. Frantz 299 Gerald G. (Gerry) Eggert (1926–2012) William Pencak 302 bOOk reviews James Rice. Tales from a Revolution: Bacon’s Rebellion and the Transformation of Colonial America Reviewed by Matthew Kruer 305 This content downloaded from 128.118.153.205 on Mon, 15 Apr 2019 13:08:47 UTC All use subject to https://about.jstor.org/terms Sally McMurry and Nancy Van Dolsen, eds. Architecture and Landscape of the Pennsylvania Germans, 1720-1920 Reviewed by Jason R. Sellers 307 Patrick M. Erben. A Harmony of the Spirits: Translation and the Language of Community in Early Pennsylvania Reviewed by Karen Guenther 310 Jennifer Hull Dorsey. Hirelings: African American Workers and Free Labor in Early Maryland Reviewed by Ted M. Sickler 313 Kenneth E. Marshall. Manhood Enslaved: Bondmen in Eighteenth- and Early Nineteenth-Century New Jersey Reviewed by Thomas J. Balcerski 315 Jeremy Engels. Enemyship: Democracy and Counter-Revolution in the Early Republic Reviewed by Emma Stapely 318 George E. -
2018 – Volume 6, Number
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 2 & 3 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Bump in the Night” by Brent Jones © 2018 Courtesy of Pixabay/Kellepics EDITORIAL ADVISORY BOARD ANTHONY ADAH PAUL BOOTH Minnesota State University, Moorhead DePaul University GARY BURNS ANNE M. CANAVAN Northern Illinois University Salt Lake Community College BRIAN COGAN ASHLEY M. DONNELLY Molloy College Ball State University LEIGH H. EDWARDS KATIE FREDICKS Florida State University Rutgers University ART HERBIG ANDREW F. HERRMANN Indiana University - Purdue University, Fort Wayne East Tennessee State University JESSE KAVADLO KATHLEEN A. KENNEDY Maryville University of St. Louis Missouri State University SARAH MCFARLAND TAYLOR KIT MEDJESKY Northwestern University University of Findlay CARLOS D. MORRISON SALVADOR MURGUIA Alabama State University Akita International -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
B&C Pre-Production Draft
Battlestar Galactica "Blood & Chrome" A Movie in Ten Parts Story by Michael Taylor, David Eick, & Bradley Thompson & David Weddle Teleplay by Michael Taylor Pre-Production Draft, 11/30/10 “Blood & Chrome” ACT ONE FADE IN: 1 EXT. SPACE - STARFIELD 1 A beat, then a familiar dire rhythm of TAIKO DRUMS fades up as 12 stars flash brightly and race toward us to wheel in a * circle, establishing the border of a 3-D LOGO for the Colonial * Defense Forces, as the drumming segues to a patriotic theme, * There’s a dated, “newsreel” vibe to this, and the film stock * itself seems degraded, as if it’s years old and much played. * The logo retreats to a corner, where it lingers like the SyFy bug as the image of space is replaced by... 2 EXT. CAPRICA CITY - DAY 2 The pyramid stadium and the splendid city. OFFICIAL VOICE Caprica City. Then... The city become a partial ruins, strafed and bomb-pocked. OFFICIAL VOICE (cont’d) ...and now. 3 EXT. GEMENON - DAY 3 The stunning religious capital: Dubai meets ancient Rome. OFFICIAL VOICE Gemenon, the holy city of Oranu, then... The glittering cityscape yields to a similar image of devastation (not post-nuclear; more London during the Blitz). OFFICIAL VOICE (cont’d) ...and now. 4 EXT. AQUARION - DAY 4 The Reykjavik-like capital of Heim, powered by sun and wind, glaciers at its back, its harbor embracing an icy sea. OFFICIAL VOICE Aquarion then... Now the city is partly destroyed and the icy harbor is filled by the spectacular wreckage of a massive Cylon Base Star. -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
Colonel Takes Charge Col John M
MARINE CORPS L CENTER to 11311 HAWAIIVoluntary payment for delivery MAto MCAS housing/$1 per four week period I VOL. 10 NO. 26 KANEOHE BAY, HAWAII, JULY 1, 1981 TWENTY PAGES Colonel takes charge Col John M. Solan will assume Group-33 in September 1966, and His most recent assignment was duties as the Marine Aircraft then the maintenance officer for assistant chief of staff, G-3, 4th Group-24 commanding officer at 10 VMA-214 from April 1967 to March Marine Division. am. Thursday during a ceremony 1968. He was later assigned to Col Solan was promoted to his at Dewey Square. Marine Air Wing Training Unit present rank shortly after joining LtCol Richard Ward, the interim Pacific as an instructor. the 4th Marine Division commanding officer, will become Headquarters in August 1979. the group's executive officer. DURING JANUARY 1969 Col Solan entered Chapman College. HIS FORMAL military COL SOLAN, a native of After completing the bootstrap education has been at the Air Brooklyn, N.Y., entered the Marine program he was transitioned to the Command and Staff College, Corps as a naval aviation cadet in CH-46 helicopters with Marine Maxwell Air Force Base, Ala, His May 1956 and was commissioned Helicopter Training Squadron-302. civilian schooling includes a in July 1957. After being Col Solan returned to Iwakuni to Bachelor of Arts in History from designated a naval aviator in fill the executive officer billet in Chapman College and a Master of December, he was assigned to Headquarters and Maintenance Political Science from Auburn Naval Auxiliary Air Station, Squadron-12. -
Artificial Subjectivity As a Posthuman Negotiation of Hegel's Master/ Slave Dialectic Casey J
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarWorks @ Georgia State University Georgia State University ScholarWorks @ Georgia State University English Theses Department of English Spring 5-2011 "Now There's No Difference": Artificial Subjectivity as a Posthuman Negotiation of Hegel's Master/ Slave Dialectic Casey J. McCormick Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation McCormick, Casey J., ""Now There's No Difference": Artificial Subjectivity as a Posthuman Negotiation of Hegel's Master/Slave Dialectic." Thesis, Georgia State University, 2011. https://scholarworks.gsu.edu/english_theses/105 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “NOW THERE’S NO DIFFERENCE”: ARTIFICIAL SUBJECTIVITY AS A POSTHUMAN NEGOTIATION OF HEGEL’S MASTER/SLAVE DIALECTIC by CASEY J. MCCORMICK Under the Direction of Dr. Chris Kocela ABSTRACT This thesis examines the theme of robot rebellion in SF narrative as an incarnation of Hegel’s Master/Slave dialectic. Chapter one analyzes the depiction of robot rebellion in Karel Capek’s R.U.R. Chapter two surveys posthuman theory and offers close readings of two con- temporary SF television series that exemplify ontologically progressive narratives. The thesis concludes that posthuman subjectivity sublates the Master/Slave dialectic and encourages practical posthuman ethics. INDEX WORDS: Artificial subjectivity, Hegel, Master/Slave, Posthuman, Capek, Battlestar Galac- tica, Dollhouse “NOW THERE’S NO DIFFERENCE”: ARTIFICIAL SUBJECTIVITY AS A POSTHUMAN NEGOTIATION OF HEGEL’S MASTER/SLAVE DIALECTIC by CASEY J. -
Battlestar Galactica
Diaspora narrative in Battlestar Galactica Grace L. Dillon Science Fiction Film and Television, Volume 5, Issue 1, Spring 2012, pp. 1-21 (Article) Published by Liverpool University Press DOI: 10.1353/sff.2012.0001 For additional information about this article http://muse.jhu.edu/journals/sff/summary/v005/5.1.dillon.html Access provided by Portland State University (11 Jul 2013 09:31 GMT) dummy header Diaspora narrative in Battlestar Galactica Grace L. Dillon Seek the welfare of the city where I have sent you into exile, and pray to the Lord on its behalf, for in its welfare you will find your welfare. – Jeremiah 29:7 This article reads the original Battlestar Galactica series and its 1980 sequel as a diasporic narrative. It compares exodus and diaspora, contextualises the Colonial journey within emerging diaspora theory and views the Galactica allegory as an indicator of American imperialism. Reliance on the theme of exodus is a common characteristic that receives little attention in the scholarship on the original Battlestar Galactica (US 1978–9), its spinoff Galactica 1980 (US 1980) and the ‘reimagined’ Battlestar Galactica (US 2004–9). The proliferation of biblical allusions, along with the presence of original series creator Glen A. Larson’s theology, offers exodus as a ready-made description of characters’ movements throughout the narrative. However, ‘exo- dus’ has become the shorthand term of choice for artists and critics. Certainly the association heightens dramatic tension. Invoking it often and casually, how- ever, has diminished its contribution to the Battlestar Galactica storyline while overshadowing the significance of diaspora as a unifying element of original and remade series. -
HOWELL-THESIS.Pdf (710.3Kb)
Copyright by Charlotte Elizabeth Howell 2011 The Thesis Committee for Charlotte Elizabeth Howell Certifies that this is the approved version of the following thesis: Prophets in the Margins: Fantastic, Feminist Religion in Contemporary American Telefantasy APPROVED BY SUPERVISING COMMITTEE: Supervisor: Mary Celeste Kearney Michael Kackman Prophets in the Margins: Fantastic, Feminist Religion in Contemporary American Telefantasy by Charlotte Elizabeth Howell, B.A. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2011 Abstract Prophets in the Margins: Fantastic, Feminist Religion in Contemporary American Telefantasy Charlotte Elizabeth Howell, M.A. The University of Texas at Austin, 2011 Supervisor: Mary Celeste Kearney In this thesis, I will examine the connected representations of religion and gender in the context of contemporary American telefantasy (a term for science fiction, fantasy, and horror television genres) programs that include characters who experience fantastic visions that can be explained as originating from either divine or medically materialist origins. The fantastic mode, facilitated by telefantasy’s non-verisimilitudinous genre, presents these visions in a liminal space in which religious and gender representations can potentially subvert or challenge patriarchal and hegemonic representational norms. I analyze Battlestar Galactica (Sci-Fi 2003-2009), Eli Stone (ABC 2008-2009), and Wonderfalls (FOX 2004) for their formal presentation of visions, representations of visionary characters, and the religious representations that form the context for the visions and visionaries. I focus on visionary characters that are directly implicated by the television text as being potential prophets: Laura Roslin and Gaius Baltar on Battlestar Galactica, Eli Stone on Eli Stone, and Jaye Tyler on Wonderfalls. -
Navigating Change in Battlestar Galactica
A SEARCH FOR HOME: NAVIGATING CHANGE IN BATTLESTAR GALACTICA KIMBERLY S. YOST A DISSERTATION Submitted to the Ph.D. in Leadership and Change Program of Antioch University in partial fulfillment of the requirements for the degree of Doctor of Philosophy August, 2012 Signature Page This is to certify that the Dissertation entitled: A SEARCH FOR HOME: NAVIGATING CHANGE IN BATTLESTAR GALACTICA prepared by Kimberly S. Yost Is approved in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Leadership and Change. Approved by: Carolyn Kenny, Ph.D. date Chair Lize Booysen, D.B.L. date Committee Member Holly Baumgartner, Ph.D. date Committee Member Kristin Bezio, Ph.D. date External Reader Copyright 2012 Kimberly S. Yost All rights reserved Acknowledgements Many doctoral students comment that it takes a village to write a dissertation. I would like to thank my village. My committee chair, Carolyn Kenny, and the members of my committee, Lize Booysen, Holly Baumgartner, and Kristin Bezio, for their support, encouragement, insightfulness, and enthusiasm. They took extraordinary care in their comments and even took the time to watch the series. I hope you all had fun. I would also like to acknowledge my peers in Cohort 9 of the Antioch University Leadership and Change program, particularly my “study buddy” Tammy Stachowicz, as well as the entire faculty for their encouragement as I plowed ahead with a project that may have seemed a bit odd to some. I would also like to thank my family for their forbearance as I concentrated on my academic work these past few years. -
Special Events Expo Stage Workshops & Panels
SPA CON - SEP 23-25, 2016 - Hot Springs Convention Center - spa-con.org #spacon SPECIAL EVENTS EXPO STAGE TITLE DAY TIME LOCATION TITLE DAY TIME LOCATION Outside. Corner of Siren FX Makeup Demonstration PeeLander Z (Japanese comic punks) Spa FRI 6:00 PM Malvern & Convention SAT 11:30 AM Expo Stage - watch the transformation! Con Kick Off Concert Blvd. Meet at Peelander Z, Cosplay Kid's Showcase -12 and FRI 7:00 PM "Trek" downtown SAT 1:00 PM Expo Stage Bar Trek downtown scavenger hunt. under. Judged by Ginny Di! Win a "Don't Panic" towel! businesses. Spa Con After Party, 3 bands. Free for The Exchange, 100 Cosplay Showcase - 13 and FRI 9:00 PM SAT 1:30 PM Expo Stage pass holders Exchange St. older Nichelle Nichols Meet & Greet 501st Legion - Blast a SAT 11:00 AM Horner Hall SAT 3:00 PM Expo Stage (ticketed) Stormtrooper w/nerf guns. Nichelle Nichols Lunch and Q&A Robotics Demonstration with SAT 11:30 AM Horner Hall SAT 4:00 PM Expo Stage (ticketed) ASMSA Sci-fi Trivia contest. Test your SAT 1:00 PM 201 SAT 5:00 PM Expo Stage Nichelle Nichols Photo Op knowledge. Win prizes. Autograph session w/ Voice Actors, Expo Hall, Voice Actor Pokemon Go Meet-up. We're SAT 1:00 PM SAT 6:00 PM Expo Stage Christopher Smith, Leah Clark & Booth gonna drop some lures!! Caitlin Glass Battlestar Galactica Panel with 501st Legion - Costume SAT 3:30 PM 203 SUN 11:00 AM Expo Stage Richard Hatch & Michael Hogan Challenge Robotics Demonstration with Battlestar Galactica Photo Op SAT 5:00 PM 201 SUN 12:00 PM Expo Stage ASMSA The Cosplay Club - Hot Springs only Cosplay Nightclub and Cosplay Sci-fi Trivia contest. -
3 Hollywood Scientists
Science and Fiction Editorial Board Mark Alpert Philip Ball Gregory Benford Michael Brotherton Victor Callaghan Amnon H Eden Nick Kanas Geoffrey Landis Rudi Rucker Dirk Schulze-Makuch Rüdiger Vaas Ulrich Walter Stephen Webb Science and Fiction—A Springer Series This collection of entertaining and thought-provoking books will appeal equally to sci- ence buffs, scientists and science-fiction fans. It was born out of the recognition that scientific discovery and the creation of plausible fictional scenarios are often two sides of the same coin. Each relies on an understanding of the way the world works, coupled with the imaginative ability to invent new or alternative explanations—and even other worlds. Authored by practicing scientists as well as writers of hard science fiction, these books ex- plore and exploit the borderlands between accepted science and its fictional counterpart. Uncovering mutual influences, promoting fruitful interaction, narrating and analyzing fictional scenarios, together they serve as a reaction vessel for inspired new ideas in sci- ence, technology, and beyond. Whether fiction, fact, or forever undecidable: the Springer Series “Science and Fiction” intends to go where no one has gone before! Its largely non-technical books take several different approaches. Journey with their authors as they • Indulge in science speculation—describing intriguing, plausible yet unproven ideas; • Exploit science fiction for educational purposes and as a means of promoting critical thinking; • Explore the interplay of science and science fiction—throughout the history of the genre and looking ahead; • Delve into related topics including, but not limited to: science as a creative process, the limits of science, interplay of literature and knowledge; • Tell fictional short stories built around well-defined scientific ideas, with a supple- ment summarizing the science underlying the plot.