Richard Hatch (Obituary)
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GALACTICA DISCOVERS EARTH (Early Draft) by Glen A
GALACTICA 1980 GALACTICA DISCOVERS EARTH (early draft) by Glen A. Larson Revision Date: November 26, 2979 FADE IN ON A BEAUTIFUL STARFIELD - NIGHT WALTER Fantastic, isn't it... Do you ever wonder if there's life out there? We are on an average looking guy, in average casual clothes, circa 1980. He is in an average compact car with a sunroof, through which Walter gazes skyward, his arm draped off screen. We follow his arm with camera to take in a prettier than average young woman who seems interested in anything but Walter and the stars. JAMIE I'm not too sure there's even life around here. Walter's eyes drift down and over, his mood shattered. WALTER What? JAMIE I've had it... WALTER What'd I do now? JAMIE Nothing... It's what I did... WALTER You've been like this for a week... If it's the wedding, we can move it up... I just thought your folks would prefer... JAMIE Walter... It isn't working... WALTER You don't mean us... JAMIE Walter... I don't mean you and me... I mean me and this planet... It just isn't working out... I got passed over today... 2. WALTER Passed over for what... Head of the steno pool... Once we're married I don't want you working anyway... JAMIE I didn't apply for head of the steno pool... I was interviewed by Scott to get an on-camera assignment... WALTER On-camera... You? JAMIE And what's that supposed to mean? I don't have the brains to be a good field reporter.. -
Apocalypse As Religious and Secular Discourse in Battlestar Galactica
Volume 6 2014-15 APOCALYPSE & GHOSTS Apocalypse as Religious and Secular Discourse in Battlestar Galactica and its Prequel Caprica Diane Langlumé University of Paris VIII Saint-Denis Abstract he concept of the end of the world is inherent in religious discourse. Illustratively, in T Medieval Christianity, a divine power was held responsible for cataclysmic events. In the post-Hiroshima era, the concept of apocalypse has taken on secular meaning. Not surprisingly, given recent history, the apocalypse has become a prominent component of popular television epics; broadcast narratives, such as Battlestar Galactica and Caprica, entwine both Biblical and secular versions of the apocalypse, thereby creating a novel apocalyptic discourse which, instead of establishing the apocalypse as an end, uses it as a foundation, as a thought-provoking means of conveying a political message of tolerance and acceptance of otherness, of encouraging self-reflectiveness; and as a way of denouncing the empty rhetoric of religious extremism. Keywords: Television series, Battlestar Galactica, Caprica, religion, Book of Mormon, Bible, Book of Revelation, John of Patmos, Genesis, Adam, Garden of Eden, Heaven, God, fall of man, the beast, false prophet, angel, Second Coming, resuscitation, apocalypse, end of the world, nuclear apocalypse, Hiroshima, post-apocalyptic, genocide, intertextuality, parody, pastiche, religious satire, 9/11, America, religious terrorism, suicide bombing, cyborg, robot, humanity, monotheism, polytheism. he television series Battlestar Galactica1 establishes its chronology between a nuclear T apocalypse that has just taken place and the threat of a potential future apocalypse,2 both at the hands of human-looking cyborgs called Cylons. Caprica, its prequel series, set fifty- eight years before the nuclear detonation, unfolds the events leading up to the apocalypse in Battlestar Galactica. -
Battlestar Gray Museum Had Nightlights for Tsale That Had Been Part of Their As I Write This, the Second Season of Battlestar Galactica Has “Blobjects” Exhibit
Bento 17 is published August 2005 by David Levine and Kate Yule for Interaction, the Worldcon in Glasgow, Scotland If you ask us during a science fiction (or square dance) convention “What’s new with you? What have you been up to?” the answer may well disappoint. We’re in convention space, you see! The real world is far away; home, job, and political crises all equally insubstantial. The crappy signage by the registration desk—now that’s a scandal worth discussing, that is— So do have a chat with us at the Worldcon. Buy us a pint, or a nice cuppa. And if you’d like to know a bit more about those strange people who just slid under the table, when you get home take a look at www.LiveJournal.com. Our usernames are kateyule and davidlevine respectively. One doesn’t have to register in order to read public entries. David has lots to say about the process of novel writing, plus com- puter natter and smatterings of real life. Kate’s earli- est posts are all about our kitchen remodel, and in February 2005 she got a CPAP machine to cope with sleep apnea. “Hey, Rusty’s in the club!” We’d love to have you drop by. We can also be reached at: 1905 SE 43rd Avenue, Portland, Oregon 97215 [email protected] — [email protected] www.BentoPress.com he gift shop at the San Jose Art Battlestar Gray Museum had nightlights for Tsale that had been part of their As I write this, the second season of Battlestar Galactica has “blobjects” exhibit. -
BATTLESTAR GALACTICA and PHILOSOPHY:Knowledge Here
BATTLESTAR GALACTICA AND PHILOSOPHY The Blackwell Philosophy and PopCulture Series Series editor William Irwin A spoonful of sugar helps the medicine go down, and a healthy help- ing of popular culture clears the cobwebs from Kant. Philosophy has had a public relations problem for a few centuries now. This series aims to change that, showing that philosophy is relevant to your life—and not just for answering the big questions like “To be or not to be?” but for answering the little questions: “To watch or not to watch South Park?” Thinking deeply about TV, movies, and music doesn’t make you a “complete idiot.” In fact it might make you a philosopher, someone who believes the unexamined life is not worth living and the unexamined cartoon is not worth watching. Edited by Robert Arp Edited by William Irwin Edited by J. Jeremy Wisnewski Edited by Jason Holt Edited by Sharon M. Kaye Edited by Jennifer Hart Weed, Richard Davis, and Ronald Weed BATTLESTAR GALACTICA AND PHILOSOPHY:Knowledge Here Begins Out There Edited by Jason T. Eberl Forthcoming the office and philosophy: scenes from the unexamined life Edited by J. Jeremy Wisnewski BATTLESTAR GA LACTICA AND PHILOSOPHY KNOWLEDGE HERE BEGINS OUT THERE EDITED BY JASON T. EBERL © 2008 by Blackwell Publishing Ltd blackwell publishing 350 Main Street, Malden, MA 02148–5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Jason T. Eberl to be identified as the author of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. -
Colonel Takes Charge Col John M
MARINE CORPS L CENTER to 11311 HAWAIIVoluntary payment for delivery MAto MCAS housing/$1 per four week period I VOL. 10 NO. 26 KANEOHE BAY, HAWAII, JULY 1, 1981 TWENTY PAGES Colonel takes charge Col John M. Solan will assume Group-33 in September 1966, and His most recent assignment was duties as the Marine Aircraft then the maintenance officer for assistant chief of staff, G-3, 4th Group-24 commanding officer at 10 VMA-214 from April 1967 to March Marine Division. am. Thursday during a ceremony 1968. He was later assigned to Col Solan was promoted to his at Dewey Square. Marine Air Wing Training Unit present rank shortly after joining LtCol Richard Ward, the interim Pacific as an instructor. the 4th Marine Division commanding officer, will become Headquarters in August 1979. the group's executive officer. DURING JANUARY 1969 Col Solan entered Chapman College. HIS FORMAL military COL SOLAN, a native of After completing the bootstrap education has been at the Air Brooklyn, N.Y., entered the Marine program he was transitioned to the Command and Staff College, Corps as a naval aviation cadet in CH-46 helicopters with Marine Maxwell Air Force Base, Ala, His May 1956 and was commissioned Helicopter Training Squadron-302. civilian schooling includes a in July 1957. After being Col Solan returned to Iwakuni to Bachelor of Arts in History from designated a naval aviator in fill the executive officer billet in Chapman College and a Master of December, he was assigned to Headquarters and Maintenance Political Science from Auburn Naval Auxiliary Air Station, Squadron-12. -
Downloaded,” and Galen Tryol Has a Son, Nicholas, with His Human Wife, Cally, When the Couple Lives on the Planet New Caprica
DISTRIBUTION AGREEMENT In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in who or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation ____________________________________ July 16, 2014__________ Sarah Toton Date From Mechanical Men to Cybernetic Skin-Jobs: A History of Robots in American Popular Culture By Sarah Toton Doctor of Philosophy Graduate Institute of the Liberal Arts ________________________________________________ Cristine Levenduski, Ph.D. Co-Chair ________________________________________________ Kevin Corrigan, Ph.D. Co-Chair ________________________________________________ Ted Friedman, Ph.D. Outside Co-Chair ________________________________________________ Karla Oeler, Ph.D. Committee Member Accepted: ________________________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies _______________________ Date ! From Mechanical Men to Cybernetic Skin-Jobs: A History of Robots in American Popular Culture -
Battlestar Galactica
Diaspora narrative in Battlestar Galactica Grace L. Dillon Science Fiction Film and Television, Volume 5, Issue 1, Spring 2012, pp. 1-21 (Article) Published by Liverpool University Press DOI: 10.1353/sff.2012.0001 For additional information about this article http://muse.jhu.edu/journals/sff/summary/v005/5.1.dillon.html Access provided by Portland State University (11 Jul 2013 09:31 GMT) dummy header Diaspora narrative in Battlestar Galactica Grace L. Dillon Seek the welfare of the city where I have sent you into exile, and pray to the Lord on its behalf, for in its welfare you will find your welfare. – Jeremiah 29:7 This article reads the original Battlestar Galactica series and its 1980 sequel as a diasporic narrative. It compares exodus and diaspora, contextualises the Colonial journey within emerging diaspora theory and views the Galactica allegory as an indicator of American imperialism. Reliance on the theme of exodus is a common characteristic that receives little attention in the scholarship on the original Battlestar Galactica (US 1978–9), its spinoff Galactica 1980 (US 1980) and the ‘reimagined’ Battlestar Galactica (US 2004–9). The proliferation of biblical allusions, along with the presence of original series creator Glen A. Larson’s theology, offers exodus as a ready-made description of characters’ movements throughout the narrative. However, ‘exo- dus’ has become the shorthand term of choice for artists and critics. Certainly the association heightens dramatic tension. Invoking it often and casually, how- ever, has diminished its contribution to the Battlestar Galactica storyline while overshadowing the significance of diaspora as a unifying element of original and remade series. -
HOWELL-THESIS.Pdf (710.3Kb)
Copyright by Charlotte Elizabeth Howell 2011 The Thesis Committee for Charlotte Elizabeth Howell Certifies that this is the approved version of the following thesis: Prophets in the Margins: Fantastic, Feminist Religion in Contemporary American Telefantasy APPROVED BY SUPERVISING COMMITTEE: Supervisor: Mary Celeste Kearney Michael Kackman Prophets in the Margins: Fantastic, Feminist Religion in Contemporary American Telefantasy by Charlotte Elizabeth Howell, B.A. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2011 Abstract Prophets in the Margins: Fantastic, Feminist Religion in Contemporary American Telefantasy Charlotte Elizabeth Howell, M.A. The University of Texas at Austin, 2011 Supervisor: Mary Celeste Kearney In this thesis, I will examine the connected representations of religion and gender in the context of contemporary American telefantasy (a term for science fiction, fantasy, and horror television genres) programs that include characters who experience fantastic visions that can be explained as originating from either divine or medically materialist origins. The fantastic mode, facilitated by telefantasy’s non-verisimilitudinous genre, presents these visions in a liminal space in which religious and gender representations can potentially subvert or challenge patriarchal and hegemonic representational norms. I analyze Battlestar Galactica (Sci-Fi 2003-2009), Eli Stone (ABC 2008-2009), and Wonderfalls (FOX 2004) for their formal presentation of visions, representations of visionary characters, and the religious representations that form the context for the visions and visionaries. I focus on visionary characters that are directly implicated by the television text as being potential prophets: Laura Roslin and Gaius Baltar on Battlestar Galactica, Eli Stone on Eli Stone, and Jaye Tyler on Wonderfalls. -
NETFLIX – CATALOGO USA 20 Dicembre 2015 1. 009-1: the End Of
NETFLIX – CATALOGO USA 20 dicembre 2015 1. 009-1: The End of the Beginning (2013) , 85 imdb 2. 1,000 Times Good Night (2013) , 117 imdb 3. 1000 to 1: The Cory Weissman Story (2014) , 98 imdbAvailable in HD on your TV 4. 1001 Grams (2014) , 90 imdb 5. 100 Bloody Acres (2012) , 1hr 30m imdbAvailable in HD on your TV 6. 10.0 Earthquake (2014) , 87 imdb 7. 100 Ghost Street: Richard Speck (2012) , 1hr 23m imdbAvailable in HD on your TV 8. 100, The - Season 1 (2014) 4.3, 1 Season imdbClosed Captions: [ Available in HD on your TV 9. 100, The - Season 2 (2014) , 41 imdbAvailable in HD on your TV 10. 101 Dalmatians (1996) 3.6, 1hr 42m imdbClosed Captions: [ 11. 10 Questions for the Dalai Lama (2006) 3.9, 1hr 27m imdbClosed Captions: [ 12. 10 Rules for Sleeping Around (2013) , 1hr 34m imdbAvailable in HD on your TV 13. 11 Blocks (2015) , 78 imdb 14. 12/12/12 (2012) 2.4, 1hr 25m imdbClosed Captions: [ Available in HD on your TV 15. 12 Dates of Christmas (2011) 3.8, 1hr 26m imdbClosed Captions: [ Available in HD on your TV 16. 12 Horas 2 Minutos (2012) , 70 imdb 17. 12 Segundos (2013) , 85 imdb 18. 13 Assassins (2010) , 2hr 5m imdbAvailable in HD on your TV 19. 13 Going on 30 (2004) 3.5, 1hr 37m imdbClosed Captions: [ Available in HD on your TV 20. 13 Sins (2014) 3.6, 1hr 32m imdbClosed Captions: [ Available in HD on your TV 21. 14 Blades (2010) , 113 imdbAvailable in HD on your TV 22. -
Subjective and Objective Violence in Battlestar Galactica and the War on Terror
ISSN 1751-8229 Volume Five, Number Two They Were Created by Man … and They Have a Plan: Subjective and Objective Violence in Battlestar Galactica and the War on Terror Luke Howie, Monash University, Australia Since tragedy, comedy, and light comedy fail to please him precisely because of their perfection, he turns to farce. The same phenomenon is repeated in other spheres (Kierkegaard, 1983: 158). All this has happened before, and all of it will happen again (The Book of Pythia in Johnson, 2008: 181). Repetition and Farce in the “War on Terror” Tele-visual cultures have played a significant role in representing the meanings and consequences of the 9/11 terrorist attacks. The re-imagined Battlestar Galactica (BSG) television series has been particularly influential in articulating a critical account of 9/11 and the so-called “War on Terror”. The re-imagined BSG regularly attracted over two million viewers each week when it was first aired (Gorman, 2009) and it has been the 1 impetus for a body of scholarly thought that should perhaps be described as Battlestar Galactica studies. More than anything, the re-imagined BSG is about 9/11. It is the story of the human race attempting to avoid an apocalypse at the hands of a race of robots called Cylons. Humans created Cylons to be a race of slaves, but they were self-aware and rebelled against their human masters. But this is only part of the story. There is a broader story with broader implications that belies both BSG and the “War on Terror”. To understand the significance of this broader story I analyze in this paper the re-imagined BSG with the aid of Žižek’s theoretical accounts of “subjective” and “objective” violence. -
Special Events Expo Stage Workshops & Panels
SPA CON - SEP 23-25, 2016 - Hot Springs Convention Center - spa-con.org #spacon SPECIAL EVENTS EXPO STAGE TITLE DAY TIME LOCATION TITLE DAY TIME LOCATION Outside. Corner of Siren FX Makeup Demonstration PeeLander Z (Japanese comic punks) Spa FRI 6:00 PM Malvern & Convention SAT 11:30 AM Expo Stage - watch the transformation! Con Kick Off Concert Blvd. Meet at Peelander Z, Cosplay Kid's Showcase -12 and FRI 7:00 PM "Trek" downtown SAT 1:00 PM Expo Stage Bar Trek downtown scavenger hunt. under. Judged by Ginny Di! Win a "Don't Panic" towel! businesses. Spa Con After Party, 3 bands. Free for The Exchange, 100 Cosplay Showcase - 13 and FRI 9:00 PM SAT 1:30 PM Expo Stage pass holders Exchange St. older Nichelle Nichols Meet & Greet 501st Legion - Blast a SAT 11:00 AM Horner Hall SAT 3:00 PM Expo Stage (ticketed) Stormtrooper w/nerf guns. Nichelle Nichols Lunch and Q&A Robotics Demonstration with SAT 11:30 AM Horner Hall SAT 4:00 PM Expo Stage (ticketed) ASMSA Sci-fi Trivia contest. Test your SAT 1:00 PM 201 SAT 5:00 PM Expo Stage Nichelle Nichols Photo Op knowledge. Win prizes. Autograph session w/ Voice Actors, Expo Hall, Voice Actor Pokemon Go Meet-up. We're SAT 1:00 PM SAT 6:00 PM Expo Stage Christopher Smith, Leah Clark & Booth gonna drop some lures!! Caitlin Glass Battlestar Galactica Panel with 501st Legion - Costume SAT 3:30 PM 203 SUN 11:00 AM Expo Stage Richard Hatch & Michael Hogan Challenge Robotics Demonstration with Battlestar Galactica Photo Op SAT 5:00 PM 201 SUN 12:00 PM Expo Stage ASMSA The Cosplay Club - Hot Springs only Cosplay Nightclub and Cosplay Sci-fi Trivia contest. -
Birthdays Frank Leblanc
Volume 21 Number 9 Issue 256 February 2009 A WORD FROM THE EDITOR Orlando Area Science Fiction Society (OASFiS) Business If you have not renewed your membership and wish Meeting, Sunday, January 11th, 2009 to do so, please contact Micahel Pilletere or myself. The Megacon report will have to wait till April since The meeting was called to order by Patricia Wheeler shortly after the convention being so late in the month. I hope to do a book 1:30 PM. In attendance were: Ed Anthony, Johnny Atomic, Steve and maybe some media reviews. Cole, Susan Cole, Arthur Dykeman, Steve Grant, Patty Russell, Juan Sanmiguel, Pat Sims, Roger Sims, Dick Spelman, Kathy These are major conventions which will occur in Florida this year. Vincenti, Paul Vincenti, and Patricia Wheeler. This list was provided by Tom Croom aka Wasabiguy of Wesabi Anime (www.wesabianime.org). Officers Announcements: 2009 Florida Events (in order) It was announced that in addition to a presentation at this meeting by Paul Vincenti, we would have presentations in February by MegaCon - Feb 27 - Mar 1 Richard Lee Byers and in March by Chris Berman. Anime Express - Mar 13-15 Naruto Trek - Mar 27-29 Mike Pilletere was not able to attend this meeting due to work AccioCon - Apr 3-5 commitments. However, he has provided accounting statements. We currently have cash assets of $5598.95 including some FX International - Apr 17-19 undeposited funds. Mike also provided a profit and loss statement JACON - May 22-24 for Oasis 21, upcoming Oasis 22, and OASFiS club expenses OASIS - May 22-24 during 2008.