BATTLESTAR GALACTICA and PHILOSOPHY:Knowledge Here
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Representations and Discourse of Torture in Post 9/11 Television: an Ideological Critique of 24 and Battlestar Galactica
REPRESENTATIONS AND DISCOURSE OF TORTURE IN POST 9/11 TELEVISION: AN IDEOLOGICAL CRITIQUE OF 24 AND BATTLSTAR GALACTICA Michael J. Lewis A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2008 Committee: Jeffrey Brown, Advisor Becca Cragin ii ABSTRACT Jeffrey Brown Advisor Through their representations of torture, 24 and Battlestar Galactica build on a wider political discourse. Although 24 began production on its first season several months before the terrorist attacks, the show has become a contested space where opinions about the war on terror and related political and military adventures are played out. The producers of Battlestar Galactica similarly use the space of television to raise questions and problematize issues of war. Together, these two television shows reference a long history of discussion of what role torture should play not just in times of war but also in a liberal democracy. This project seeks to understand the multiple ways that ideological discourses have played themselves out through representations of torture in these television programs. This project begins with a critique of the popular discourse of torture as it portrayed in the popular news media. Using an ideological critique and theories of televisual realism, I argue that complex representations of torture work to both challenge and reify dominant and hegemonic ideas about what torture is and what it does. This project also leverages post-structural analysis and critical gender theory as a way of understanding exactly what ideological messages the programs’ producers are trying to articulate. -
Patricia Murray Patricia Clum & Patricia M
PATRICIA MURRAY PATRICIA CLUM & PATRICIA M. MAKE-UP DESIGNER CANADIAN CITIZENSHIP & RESIDENCE / US RESIDENCE / IATSE 891 / ACFC HEAD OF DEPARTMENT FEATURE FILMS DIRECTOR/PRODUCER CAST THE ART OF RACING IN THE RAIN D: Simon Curtis Amanda Seyfried Fox 2000 Pictures P: Joannie Burstein, 2nd Unit Make-up Vancouver Patrick Dempsey, Tania Landau, Make-Up FX Artist Neal H. Moritz THE PACKAGE D: Jake Szymanski Daniel Doheny, Luke Spencer Roberts, Netflix EP: Shawn Williamson, Geraldine Viswanathan, Sadie Calvano, Brightlight Pictures & Jamie Goehring, Kevin Leeson, Eduardo Franco Red Hour Productions Haroon Saleem HOD & Make-Up FX Artist P: Ross Dinerstein, Nicky Weinstock, Ben Stiller, Anders Holm, Kyle Newacheck, Blake Anderson, Adam DeVine STATUS UPDATE D: Scott Speer Ross Lynch, Olivia Holt, Netflix P: Jennifer Gibgot, Dominic Rustam, Harvey Guillen, Famke Janssen, Offspring Entertainment & Adam Shankman, Shawn Williamson Wendi McLendon-Covey Brightlight Pictures HOD TOMORROWLAND D: Brad Bird Raffey Cassidy, Kathryn Hahn Walt Disney Pictures P: Damon Lindelof Make-Up Onset FX Supervisor Co-P: Bernie Bellew, Tom Peitzman PERCY JACKSON: D: Thor Freudenthal Missy Pyle, Yvette Nicole Brown, SEA OF MONSTERS P: Chris Columbus, Christopher Redman Fox 2000 Pictures Karen Rosenfelt, Michael Barnathan Make-Up FX Supervisor DAYDREAM NATION D: Michael Goldbach Personal Make-Up Artist to Kat Dennings Screen Siren Pictures EP: Tim Brown, Cameron Lamb HOD P: Trish Dolman, Christine Haebler, Michael Olsen, Simone Urdl THE TWILIGHT SAGA: ECLIPSE D: David Slade Ashley Greene, Bryce Dallas Howard, Summit Entertainment P: Wyck Godfrey, Greg Mooradian, Kellan Lutz Make-Up Artist Main Unit Karen Rosenfelt SLAP SHOT 2 D: Steve Boyum Stephen Baldwin, Gary Busey, Universal Pictures P: Ron French Callum Keith Rennie, Jessica Steen HOD JUST FRIENDS D: Roger Kumble Ryan Reynolds New Line Cinema P: Chris Bender, Bill Johnson, Make-Up FX Artist Michael Ohoven, J.C. -
GALACTICA DISCOVERS EARTH (Early Draft) by Glen A
GALACTICA 1980 GALACTICA DISCOVERS EARTH (early draft) by Glen A. Larson Revision Date: November 26, 2979 FADE IN ON A BEAUTIFUL STARFIELD - NIGHT WALTER Fantastic, isn't it... Do you ever wonder if there's life out there? We are on an average looking guy, in average casual clothes, circa 1980. He is in an average compact car with a sunroof, through which Walter gazes skyward, his arm draped off screen. We follow his arm with camera to take in a prettier than average young woman who seems interested in anything but Walter and the stars. JAMIE I'm not too sure there's even life around here. Walter's eyes drift down and over, his mood shattered. WALTER What? JAMIE I've had it... WALTER What'd I do now? JAMIE Nothing... It's what I did... WALTER You've been like this for a week... If it's the wedding, we can move it up... I just thought your folks would prefer... JAMIE Walter... It isn't working... WALTER You don't mean us... JAMIE Walter... I don't mean you and me... I mean me and this planet... It just isn't working out... I got passed over today... 2. WALTER Passed over for what... Head of the steno pool... Once we're married I don't want you working anyway... JAMIE I didn't apply for head of the steno pool... I was interviewed by Scott to get an on-camera assignment... WALTER On-camera... You? JAMIE And what's that supposed to mean? I don't have the brains to be a good field reporter.. -
Learning About Colonialism. High School Students' Perception Of
Learning about colonialism. High school students' perception of Italian colonial history. Camilla Guerrato Dissertação de Mestrado em Migrações, Inter-Etnicidades e Transnacionalismo September, 2019 Dissertação apresentada para cumprimento dos requisites necessários à obtenção do grau de Mestre em Migrações, Inter-Etnicidades e Transnacionalismo, realizada sob orientação científica do Prof. Nuno Dias - NOVA/FCSH e a coorientação da Prof. Helena Serra - NOVA/FCSH e do Prof. Shaul Bassi - Universidade Ca’ Foscari de Veneza. This dissertation is presented as a final requirement for obtaining the Master's degree in Migration, Inter-Ethnicity and Transnationalism, under the scientific guidance of Prof. Nuno Dias - NOVA/FCSH, and co-orientation of Prof. Helena Serra - NOVA/FCSH and Prof. Shaul Bassi - Ca’ Foscari University of Venice. 1 Acknowledgements First of all, I would like to thank my thesis advisors Prof. Nuno Ferreira Dias for inspiring and challenging me along with the whole research and writing process, Prof. Helena Serra for her methodology teaching and Prof. Shaul Bassi for his advice. In one way or another, their words were precious for the realization of this thesis. I would also like to thank the Headmaster of Istituto Primo Levi for allowing me to carry out the fieldwork there. I am grateful to the history teachers that welcomed me in their class and supported my work with interest and enthusiasm. I would also like to thank the students of the senior year classes I worked with for the active participation in the activities I proposed to them. Without the inputs received from all those I got in touch with at Istituto Primo Levi, this research could not have been successfully conducted. -
The Women of Battlestar Galactica and Their Roles : Then and Now
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2013 The women of Battlestar Galactica and their roles : then and now. Jesseca Schlei Cox 1988- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Cox, Jesseca Schlei 1988-, "The women of Battlestar Galactica and their roles : then and now." (2013). Electronic Theses and Dissertations. Paper 284. https://doi.org/10.18297/etd/284 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE WOMEN OF BATTLESTAR GALACTICA AND THEIR ROLES: THEN AND NOW By Jesseca Schleil Cox B.A., Bellarmine University, 2010 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degre:e of Master of Arts Department of Sociology University of Louisville Louisville, Kentucky May 2013 Copyright 2013 by Jesseca Schlei Cox All Rights Reserved The Women of Battlestar Galactica and Their Roles: Then and Now By Jesseca Schlei Cox B.A., Bellarmine University, 2010 Thesis Approved on April 11, 2013 by the following Thesis Committee: Gul Aldikacti Marshall, Thesis Director Cynthia Negrey Dawn Heinecken ii DEDICATION This thesis is dedicated to my mother and grandfather Tracy Wright Fritch and Bill Wright who instilled in me a love of science fiction and a love of questioning the world around me. -
And Battlestar Galactica (2003)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive Evil, Dangerous, and Just Like Us: Androids and Cylons in Do Androids Dream of Electric Sheep? (1968) and Battlestar Galactica (2003) A Project Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of English University of Saskatchewan Saskatoon By Chelsea Catherine Cox © Copyright Chelsea Catherine Cox, September 2011. All Rights Reserved. PERMISSION TO USE In presenting this project in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for the copying of this project in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my project work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this project or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my project. Requests for permission to copy or to make other uses of materials in this project in whole or part should be addressed to: Head of the Department of English University of Saskatchewan 9 Campus Drive Saskatoon, Saskatchewan S7N 5A5 Canada OR Dean College of Graduate Studies and Research University of Saskatchewan 107 Administration Place Saskatoon, Saskatchewan S7N 5A2 Canada i ABSTRACT The nature of humanity and what it means to be human has long been the focus of science fiction writers in all media. -
B&C Pre-Production Draft
Battlestar Galactica "Blood & Chrome" A Movie in Ten Parts Story by Michael Taylor, David Eick, & Bradley Thompson & David Weddle Teleplay by Michael Taylor Pre-Production Draft, 11/30/10 “Blood & Chrome” ACT ONE FADE IN: 1 EXT. SPACE - STARFIELD 1 A beat, then a familiar dire rhythm of TAIKO DRUMS fades up as 12 stars flash brightly and race toward us to wheel in a * circle, establishing the border of a 3-D LOGO for the Colonial * Defense Forces, as the drumming segues to a patriotic theme, * There’s a dated, “newsreel” vibe to this, and the film stock * itself seems degraded, as if it’s years old and much played. * The logo retreats to a corner, where it lingers like the SyFy bug as the image of space is replaced by... 2 EXT. CAPRICA CITY - DAY 2 The pyramid stadium and the splendid city. OFFICIAL VOICE Caprica City. Then... The city become a partial ruins, strafed and bomb-pocked. OFFICIAL VOICE (cont’d) ...and now. 3 EXT. GEMENON - DAY 3 The stunning religious capital: Dubai meets ancient Rome. OFFICIAL VOICE Gemenon, the holy city of Oranu, then... The glittering cityscape yields to a similar image of devastation (not post-nuclear; more London during the Blitz). OFFICIAL VOICE (cont’d) ...and now. 4 EXT. AQUARION - DAY 4 The Reykjavik-like capital of Heim, powered by sun and wind, glaciers at its back, its harbor embracing an icy sea. OFFICIAL VOICE Aquarion then... Now the city is partly destroyed and the icy harbor is filled by the spectacular wreckage of a massive Cylon Base Star. -
Apocalypse As Religious and Secular Discourse in Battlestar Galactica
Volume 6 2014-15 APOCALYPSE & GHOSTS Apocalypse as Religious and Secular Discourse in Battlestar Galactica and its Prequel Caprica Diane Langlumé University of Paris VIII Saint-Denis Abstract he concept of the end of the world is inherent in religious discourse. Illustratively, in T Medieval Christianity, a divine power was held responsible for cataclysmic events. In the post-Hiroshima era, the concept of apocalypse has taken on secular meaning. Not surprisingly, given recent history, the apocalypse has become a prominent component of popular television epics; broadcast narratives, such as Battlestar Galactica and Caprica, entwine both Biblical and secular versions of the apocalypse, thereby creating a novel apocalyptic discourse which, instead of establishing the apocalypse as an end, uses it as a foundation, as a thought-provoking means of conveying a political message of tolerance and acceptance of otherness, of encouraging self-reflectiveness; and as a way of denouncing the empty rhetoric of religious extremism. Keywords: Television series, Battlestar Galactica, Caprica, religion, Book of Mormon, Bible, Book of Revelation, John of Patmos, Genesis, Adam, Garden of Eden, Heaven, God, fall of man, the beast, false prophet, angel, Second Coming, resuscitation, apocalypse, end of the world, nuclear apocalypse, Hiroshima, post-apocalyptic, genocide, intertextuality, parody, pastiche, religious satire, 9/11, America, religious terrorism, suicide bombing, cyborg, robot, humanity, monotheism, polytheism. he television series Battlestar Galactica1 establishes its chronology between a nuclear T apocalypse that has just taken place and the threat of a potential future apocalypse,2 both at the hands of human-looking cyborgs called Cylons. Caprica, its prequel series, set fifty- eight years before the nuclear detonation, unfolds the events leading up to the apocalypse in Battlestar Galactica. -
39635191.Pdf
table of contents RKYV # 28 {September 2009} RKYV ONLINE LOGO - David Marshall { current } RKYV ONLINE LOGO – r. j. paré {modified} RKYV COMICS LOGO – Roy G. James {original} Virtual Cover # 28 Writer’s Column - Art by Allen Freeman - By Larissa Gula - Layout by David Marshall Poetry Interior Art - By Dexter Betantos, Anna Gehmacher, - By Jonathan Biermann, De Tourist, Roger Frances Vargas, r. j. paré Formidable, Engin Korkmaz, Lisa Marie Mueller, Dave Michaels, r. j. paré, Allen Music Freeman. - “Redhouse” - by r. j. pare Editorial Column - “At the Outset: A Few Thoughts from the Short Fiction Editor” - “Bad Beat – Part 2” - By r. j. paré - By r. j. paré In the News Pop Culture - By Tom Rossini - “An interview with Jimmy Palmiotti” - By Brad Bellmore Featured Artist Review - “Comic Book Review” – Allen Freeman - By Brad Bellmore - By r .j. paré - “Raised on Saturday Morning Cartoons” - By Pauline Paré 12 Inches – by Roger Formidable at the outset a few thoughts from the editor By r. j. paré “I suppose I should collect my books And go back to school.” --- Rod Stewart The summer ends and with it the time for idle days at the beach. For our children, moaning and groaning it is time to head on back fer some more of that fancy book learning. For ourselves it can be an opportunity to devote extra time to our never ending back-log of projects. Whether it is a leaky roof that needs fixing before winter or some creative time to express yourself… we all have stuff that piles up. Here at RKYV ONLINE we’ve, lately, devoted more energy to showcasing bigger names and talents as a means of sharing with you – our readers, contributors and developing artists – what is possible when you truly invest in your own creativity. -
Battlestar Gray Museum Had Nightlights for Tsale That Had Been Part of Their As I Write This, the Second Season of Battlestar Galactica Has “Blobjects” Exhibit
Bento 17 is published August 2005 by David Levine and Kate Yule for Interaction, the Worldcon in Glasgow, Scotland If you ask us during a science fiction (or square dance) convention “What’s new with you? What have you been up to?” the answer may well disappoint. We’re in convention space, you see! The real world is far away; home, job, and political crises all equally insubstantial. The crappy signage by the registration desk—now that’s a scandal worth discussing, that is— So do have a chat with us at the Worldcon. Buy us a pint, or a nice cuppa. And if you’d like to know a bit more about those strange people who just slid under the table, when you get home take a look at www.LiveJournal.com. Our usernames are kateyule and davidlevine respectively. One doesn’t have to register in order to read public entries. David has lots to say about the process of novel writing, plus com- puter natter and smatterings of real life. Kate’s earli- est posts are all about our kitchen remodel, and in February 2005 she got a CPAP machine to cope with sleep apnea. “Hey, Rusty’s in the club!” We’d love to have you drop by. We can also be reached at: 1905 SE 43rd Avenue, Portland, Oregon 97215 [email protected] — [email protected] www.BentoPress.com he gift shop at the San Jose Art Battlestar Gray Museum had nightlights for Tsale that had been part of their As I write this, the second season of Battlestar Galactica has “blobjects” exhibit. -
But, You're Just a Girl
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-17-2013 But, You're Just A Girl Sasha McTee [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the English Language and Literature Commons Recommended Citation McTee, Sasha, "But, You're Just A Girl" (2013). University of New Orleans Theses and Dissertations. 1655. https://scholarworks.uno.edu/td/1655 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. “But, You’re Just A Girl:” The Female Hero in Modern Science Fiction and Fantasy A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in English by Sasha Rene McTee B.A. University of Colorado at Boulder, 2007 May, 2013 Table of Contents Abstract ............................................................................................................................. -
Zálohadiplomka Konečná Verze
Masarykova univerzita Filozofická fakulta Ústav filmu a audiovizuální kultury Kristýna Chmelíková (FAV, magisterské navazující prezen ční studium) Narativn ě komplexní seriál a jeho transmediální extenze Případová studie amerického seriálu Battlestar Galactica Magisterská diplomová práce Vedoucí práce : Mgr. Pavel Skopal, Ph.D. Brno 2011 Prohlášení o samostatnosti Prohlašuji, že jsem pracovala samostatn ě a použila jen uvedených zdroj ů. Datum Podpis 31. dubna 2011 ............................................................................. 1 Poděkování Za vedení diplomové práce a cenné p řipomínky d ěkuji Mgr. Pavlu Skopalovi, Ph.D. Za podn ětné konzultace tématu pat ří m ůj dík Mgr. Jaroslavu Švelchovi a Mgr. Radomíru D. Kokešovi. Děkuji též Martinu Chmelíkovi za pomoc p ři zpracování graf ů a Vendule Pavlí čkové za jazykové korektury. Pod ěkovat za srde čnou podporu, a to nejen v dob ě vzniku této práce, pak chci svým rodi čů m a Michalu Kašpárkovi. 2 Klíčová slova Narativn ě komplexní seriál, transmediální vypráv ění, transmediální extenze, konvergence médií, narativní analýza, produser, hyperdiegeze, Battlestar Galactica Keywords Narrative complexity of a TV series, transmedia storytelling, transmedia extension, media convergence, narrative analysis, produser, hyperdiegesis, Battlestar Galactica 3 Obsah 1. Úvod ................................................................................................................................................ 6 1.1 Ne p říb ěh, ale sv ět nebo ansámbl.............................................................................................