Non Stop Joe the Latest Stroke of Inspiration from Fremantlemedia France

Total Page:16

File Type:pdf, Size:1020Kb

Non Stop Joe the Latest Stroke of Inspiration from Fremantlemedia France 13 November 2008 week 46 Non Stop Joe The latest stroke of inspiration from FremantleMedia France Germany United Kingdom Antonia Rados returns TalkbackThames producing for to Mediengruppe the big screen RTL Deutschland FremantleMedia teaming up Belgium with YouTube First annual ACT conference week 4 COVER: Montage with photos from Non Stop Joe’s candidates Non Stop Joe 2 week 46 the RTL Group intranet A world first Non Stop Joe, the new ‘global media’ game show from FremantleMedia France Bruno Henriquet, Creative Director and Edouard Duprey, Programme Director of France - 12 November 2008 FremantleMedia France If you thought there was nothing new under the Backstage asked Edouard Duprey, Programme sun – that you’d seen and heard it all – then you Director at FremantleMedia France, and Bruno were wrong! The buzz is running rampant in the Henriquet, Creative Director, to shed some light small world that is the French media industry. on the innovative concept underlying their The tone is set right latest ‘baby’. from the start. Its own website descri- So, now that bes Non Stop Joe you’ve aroused a as “one of the cra- lot curiosity, let’s ziest events this talk about the autumn”. There’s no concept. What is doubt that Non Stop Joe and FremantleMedia how does it work? France is pulling out Edouard Duprey: all the stops with “Before SFR, no brand had the guts to Non Stop Joe is a this new show that go for a ‘triple play’: Internet, mobile game show where, has seemingly phone and television. This is a date to for the first time emerged straight remember in the history of communi- ever, nothing is writ- from the unfettered cation.” ten down ahead of minds of its creative time. It is a far cry La Tribune, 12 November 2008 team. Non Stop Joe from programmes – a ‘global media’ managed within the game show with revolutionary rules and a cosy confines of a studio! That’s what makes major 3G and web 2.0 footprint. It is a leap into Non Stop Joe such a unique, innovative and the unknown, not just for the courageous can- revolutionary experience. Let’s start at the didates, but also for all the TV viewers, mobile beginning. First of all, we chose candidates users and net surfers who are bound to embra- during a huge national talent hunt. We received ce this interactive adventure. more than 1,000 applications, saw more than 200 candidates and we finally selected about 30 of them. The aim is for people to go to the website and vote for their favourite ‘Joe’. Once a candidate becomes Non Stop Joe, he is under the total control of the web community and of mobile users. Cameras film him every day from 08:00 to midnight, for 30 days. His adventures are broadcast live. Here’s where it starts to get interesting: He has to do – live and 3 week 46 the RTL Group intranet in real time – everything that web users ask him Where can people watch the show? to do. And if they decide to kick him off the Edouard Duprey: The programme can be wat- show, then so be it. At this point he will be ched on all platforms. On Monday, we laun- replaced by another Non Stop Joe. So, the ched the www.nonstopjoe.com community power lies with the viewers, who are in charge site, where web users can already watch videos of how the game proceeds. At the end of the of the candidates. On 20 November, we will day, the viewers ‘write’ the game in three ways: launch the live feed on the website. It will last they can set challenges, they can vote for a 30 days, seven days a week, from 08:00 to challenge and they can decide whether or not midnight. MTV will broadcast daily highlights of Non Stop Joe can keep going. Joe’s day; and that will also be shown on MTV Pulse. For mobile addicts, we will provide a live Every hour, the web community is free to set broadcast and in addition exclusive contents, any kind of daily challenge it wants. As you can which will be available on the mobile portal of imagine, we are expecting the most hare-brai- SFR, Vodafone live. ned challenges, but that will just make the game more interesting. They might ask Non You are calling this a world first, but how Stop Joe to ride a scooter up the Champs- does Non Stop Joe differ from other reality Elysées, hop up the Eiffel Tower, become the TV shows? new mascot for the French national rugby Bruno Henriquet: Non Stop Joe is a new kind of team, eat spiders or who knows what else... game show in two ways. Not only is the Right now we have no idea. Anything that takes concept innovative as Edouard just explained, the web community’s fancy might actually take but broadcasting it on three platforms – televi- place in real life and become a challenge to be sion, Internet and mobile phones – is unprece- taken up by Non Stop Joe. You can probably dented. This is the first ever ‘global media’ pro- see why there is little chance that Non Stop Joe ject of this kind in France or anywhere else for is going to sit around twiddling his thumbs; he that matter. We have television viewers, web will really be put to the test as the show pro- viewers and mobile viewers who can, to diffe- gresses. Taking it easy is definitely not part of rent degrees, play a key part in the show. the concept! Non Stop Joe’s only downtime for Another major difference compared to a rest and relaxation will be between midnight conventional reality TV show is that Non Stop and 08:00. Joe’s adventure are not taking place in a closed 4 The show’s website: www.nonstopjoe.com week 46 the RTL Group intranet environment, it will begin in his apartment, from that idea we did a format. Then we sold it, where he will be equipped with a mobile phone not in the conventional way to a television net- and a portable computer. He will then be relea- work, but to SFR, a mobile phone operator. sed into the ‘wild’ and subjected to the whims Next came the production phase, which inclu- and goodwill of the viewers. des the talent hunt, establishing the Where did the idea for Non Stop Joe rules and checking come from? the legalities. We set Bruno Henriquet: We started with a very up a technical team simple idea, in cooperation with the and then we created company Dialog Red. Remember an interactive plat- ‘tamagotchis’? Those little electronic form with our part- pets that you had to ner Dialog Red. feed, clean and take “A brand like SFR always has to be care of? Well, we But now, to be thought it would be out in front, but this is not an honest, we are wai- funny to have a approach based on content produc- ting for just one human tamagotchi tion (…). We prefer to join forces with thing: For November that we could call the best, like we've done with MTV 20 to come so that ‘Joe’. And since he and Fremantle.” the adventure can would never stop, begin! Cécile Berger, Branding and Advertising Manager, SFR we would call him ‘Non Stop Joe’. That was where it all started, but it took us a little longer than six months to get everything set up. We had the idea in late May. We then began writing and developing the programme, and Timing Visit www.nonstopjoe.com From 5 to 19 November: The Selection Net surfers discover the candidates on the community site and chose their favorite ones. One will be selected to enter into the game. From 20 November to 19 December: The Game The community is the boss and takes the commands: the community follows live Non Stop Joe, set the challenges and votes. All kind of crazy, cheeky, funny challenges are allowed with the strict exclusion of racism, violence, drugs, sex, homophobia. 20 December: The Big Final The best ‘Joes‘ will have to undergo a final round of challenges . The community will vote and elect the best Non Stop Joe. 5 week 46 the RTL Group intranet Back for good Antonia Rados, 55, will return to Mediengruppe RTL Deutschland on 1 January 2009. She will work as Senior Reporter Foreign Affairs for the channels of Mediengruppe RTL Deutschland mainly reporting on crisis regions around the world. Antonia Rados Germany - 10 November 2008 Rados will produce current events coverage as res from war zones. In 2003 Antonia Rados well as longer features. RTL Television editor- finally became a household name in TV repor- in-chief Peter Kloeppel said: “We are delighted ting with her live coverage from Baghdad that Antonia Rados has decided to make RTL during the Iraq War, for which she won several Television her journalistic home again.” prizes including the Hanns Joachim Friedrichs Media Award for TV journalism. Her documen- Antonia Rados began her career in 1978 at taries have won awards as well: in 2007, ORF. In 1991 she joined WDR as a special cor- Antonia Rados received the Robert respondent, and left in 1993 to join RTL Geisendörfer Award and the German Camera Television. The veteran war correspondent and Award for Feuertod, her moving feature about Middle East expert made a name for herself Afghani women who choose to set themselves mainly with her dedicated reporting and featu- on fire rather than go on living.
Recommended publications
  • Lost Prince Pack Latest
    Miranda Richardson Miranda Richardson Miranda Richardson portrays Queen Mary, the Stranger,The Crying Game, Enchanted April, Damage, emotionally repressed mother of Prince John.A Empire Of The Sun,The Apostle and Spider (Official fundamentally inhibited character, she is a loving Selection, Cannes 2002), as well as the mother but has great difficulty communicating with unforgettable Queenie in the BBC’s Blackadder. She her son. says:“Mary had an absolute belief in the idea of duty. She thought that her husband’s word was the The actress, one of Britain’s most gifted screen law and believed in the divine right of kings. performers, immersed herself in research for the Although that view seems old-fashioned to us now, role and emerged with a clearer, more sympathetic she thought it could not be questioned. Ultimately, I idea about this often-maligned monarch. think this film understands Mary. It portrays her most sympathetically.” ‘’When people hear I’m playing Mary, they say, ‘Wasn’t she a dragon?’ But I’ve learnt from my For all that, Mary’s rigid adherence to the research that she wasn’t just a crabby old bag. She Edwardian code of ethics created a barrier may never have laughed in public, but that was between her and her independent-minded son, because she was shy. She felt she wasn’t able to Johnnie.“She loved him as fully as she could,” express her emotions in public.” Richardson reflects.“She knew that he was a free spirit who was able to be himself. Mary could never Miranda has gained a towering reputation for a be herself because she was always so serious, number of films, including Tom And Viv, Dance With A dedicated, dutiful and aware of her destiny.
    [Show full text]
  • Adrian Edmondson Actor
    Adrian Edmondson Actor Showreel Agents Lindy King Associate Agent Joel Keating [email protected] 0203 214 0871 Assistant Tessa Schiller [email protected] Lucia Pallaris Assistant [email protected] Eleanor Kirby +44 (0) 20 3214 0909 [email protected] Roles Television Production Character Director Company OUT OF HER MIND Lewis Ben Blaine & BBC Chris Blaine SAVE ME TOO Gideon Charles Kim Loach/Coky Sky Giedroyc EASTENDERS Daniel Cook Various BBC SUMMER OF ROCKETS Max Dennis Stephen Poliakoff BBC BANCROFT (Series 1 & Superintendent Cliff John Hayes ITV 2) Walker CHEAT William Louise Hooper Two Brothers Pictures RETRIBUTION Peter Elliot William McGregor BBC Scotland United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company STRIKE BACK James McKitterick Bill Eagles Sky One URBAN MYTHS Leslie Conn Jim O'Hanlon Sky Arts UPSTART CROW Sergeant Dogberry Richard Boden BBC SAVE ME Gideon Charles Various Gone Productions Ltd GENIUS David Hilbert Various EUE/Sokolow/National Geographic Channel ONE OF US Peter Elliott William McGregor BBC WAR AND PEACE Count Ilya Rostov Tom Harper BBC MISS AUSTEN REGRETS Henry Austen Jeremy Lovering BBC CHERNOBYL Legasov Nick Murphy BBC PREY DCI Warner Nick Murphy Red Production Company THE BLEAK OLD SHOP Headmaster Ben Gosling Fuller BBC OF STUFF Wackville RONJA, THE ROBBER'S Noodle Pete NHK Enterprises DAUGHTER HOLBY CITY Percy 'Abra' Durrant Various BBC JONATHAN
    [Show full text]
  • Eine Starke Frau Mit Sehr Viel Zivilcourage, Die Journalistin Und Chefreporterin Ausland Der RTL-Medien- Gruppe Dr
    GESELLSCHAFT & KULTUR GESELLSCHAFT & KULTUR E Eineine starkestarke Frau mit viel ZivilcourageFrau Dr.Dr. Antonia RRados vielBesondere Zivilcourage Ehrung für Dr. Antonia Rados Sie ist in der Tat eine starke Frau mit sehr viel Zivilcourage, die Journalistin und Chefreporterin Ausland der RTL-Medien- gruppe Dr. Antonia Rados. Verleihung der „Auszeichnung Bei der Übergabe der Auszeichnung: Wer kennt sie nicht, die mutige und populäre Frau, die seit Landtagspräsident Eckhard Uhlenberg, Harald Gaspers, Dr. Antonia für Zivilcourage“ Rados, Christoph Neu (Merck Finck & Co Privatbankiers), Karl-Heinz Programm Jahren aus allen aktuellen Krisengebieten dieser Welt be- Theisen, Dr. Siegmar Rothstein (Sprecher der Jury) richtet. Man sieht sie quasi „mitten im Kugelhagel“ und Musikalischer Alexander & Ekaterina Kolodochka, Klavier fragt sich immer wieder: Wie schafft sie es in gefährlichsten Auftakt Wolfgang Amadeus Mozart (1756-1791) , Situationen – ungeachtet der eigenen Person – den Men- Sonate D-Dur KV 381 1. Satz schen am Bildschirm die Lage zeitnah, ungeschminkt und unmittelbar nahe zu bringen? Begrüßung Karl-Heinz Theisen Vorsitzender Freundeskreis Heinrich Heine Durch ihre aus langjähriger Erfahrung erworbenen detail- Grußworte Eckhard Uhlenberg reichen Kenntnisse politischer Zusammenhänge hat sie die Präsident des Landtags Nordrhein- notwendige Kompetenz und Urteilskraft, den Zuschauern Westfalen die jeweilige Situation vorurteilsfrei und unverfälscht schil- Begrüßung: Karl-Heinz Theisen Grußwort: Landtagspräsident dern zu können. Eckhard
    [Show full text]
  • Susannah Buxton - Costume Designer
    SUSANNAH BUXTON - COSTUME DESIGNER THE TIME OF THEIR LIVES Director: Roger Goldby. Producer: Sarah Sulick. Starring: Joan Collins and Pauline Collins. Bright Pictures. POLDARK (Series 2) Directors: Charles Palmer and Will Sinclair. Producer: Margaret Mitchell. Starring: Aiden Turner and Eleanor Tomlinson. Mammoth Screen. LA TRAVIATA AND THE WOMEN OF LONDON Director: Tim Kirby. Producer: Tim Kirby. Starring: Gabriela Istoc, Edgaras Montvidas and Stephen Gadd. Reef Television. GALAVANT Directors: Chris Koch, John Fortenberry and James Griffiths. Producers: Chris Koch and Helen Flint. Executive Producer: Dan Fogelman. Starring: Timothy Omundson, Joshua Sasse, Mallory Jansen, Karen David Hugh Bonneville, Ricky Gervais, Rutger Hauer and Vinnie Jones. ABC Studios. LORD LUCAN Director: Adrian Shergold. Producer: Chris Clough. Starring: Christopher Ecclestone, Michael Gambon, Anna Walton and Rory Kinnear. ITV. BURTON & TAYLOR Director: Richard Laxton. Producer: Lachlan MacKinnon. Starring: Helena Bonham-Carter and Dominic West. BBC. RTS CRAFT AND DESIGN AWARD 2013 – Best Costume Design. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] DOWNTON ABBEY (Series I, Series II, Christmas Special) Directors: Brian Percival, Brian Kelly and Ben Bolt. Series Producer: Liz Trubridge. Executive Producer: Gareth Neame. Starring Hugh Bonneville, Jim Carter, Brendan Coyle, Michelle Dockery, Joanne Froggatt, Phyllis Logan, Maggie Smith and Elizabeth McGovern. Carnival Film & Television. EMMY Nomination 2012 – Outstanding Costumes for a Series. BAFTA Nomination 2012 – Best Costume Design. COSTUME DESIGNERS GUILD (USA) AWARD 2012 – Outstanding Made for TV Movie or MiniSeries. EMMY AWARD 2011 – Outstanding Costume Design. (Series 1). Emmy Award 2011 – Outstanding Mini-Series. Golden Globe Award 2012 – Best Mini Series or Motion Picture made for TV.
    [Show full text]
  • O R F – J a H R E S B E R I C H T 2 0
    III-384 der Beilagen XXV. GP - Bericht - Hauptdokument gesamt (elektr. übermittelte Version) 1 von 193 O R F – J a h r e s b e r i c h t 2 0 1 6 Gemäß § 7 ORF-Gesetz März 2017 Dieser Text wurde elektronisch übermittelt. Abweichungen vom Original sind möglich. www.parlament.gv.at 2 von 193 III-384 der Beilagen XXV. GP - Bericht - Hauptdokument gesamt (elektr. übermittelte Version) Inhalt INHALT 1. Einleitung ....................................................................................................................................... 7 2. Erfüllung des öffentlich-rechtlichen Kernauftrags.................................................................. 11 2.1 Radio ................................................................................................................................... 11 2.1.1 Österreich 1 ............................................................................................................................ 12 2.1.2 Hitradio Ö3 ............................................................................................................................. 17 2.1.3 FM4 ........................................................................................................................................ 21 2.1.4 ORF-Regionalradios allgemein ............................................................................................... 24 2.1.5 Radio Burgenland ................................................................................................................... 24 2.1.6 Radio Kärnten ........................................................................................................................
    [Show full text]
  • Deutsche Welle Global Media Forum | Documentation 2015
    Documentaion Documentaion Deutsche Welle Global Media Forum Media Forum Global Welle Deutsche Documentation 2015 Media and Foreign Policy in the Digital Age dw.com/gmf | #dw_gmf 2,211 delegates from 126 countries representing 743 institutions Afghanistan Albania Angola Argentina Armenia Australia Austria Azerbaijan Bangladesh Belarus Belgium Benin Bhutan Bosnia-Herzegovina Brazil Brunei Bulgaria Burkina Faso Cambodia Cameroon Canada Central African Republic Chad Chile China Colombia Democratic Republic of the Congo Costa Rica Croatia Cuba Cyprus Czech Republic Denmark Ecuador Egypt Estonia Ethiopia Finland France Gabon Germany Ghana Greece Guatemala Guinea Guinea-Bissau Honduras Hungary India Indonesia Iran Iraq Ireland Israel Italy Ivory Coast Japan Jordan Kazakhstan Kenya Kosovo Kuwait Latvia Lebanon Lesotho Libya Luxembourg Macedonia (FYROM) Madagascar Malawi Malaysia Mauritania Mexico Moldova Mongolia Montenegro Morocco Mozambique Myanmar Nepal The Netherlands New Zealand Nicaragua Niger Nigeria Norway Pakistan Palestinian Territories Paraguay Peru Philippines Poland Portugal Qatar Romania Russia Saudi Arabia Serbia Sierra Leone Singapore Slovakia Slovenia Somalia South Africa South Korea South Sudan Spain Sri Lanka Sudan Sweden Switzerland Syria Taiwan (Republic of China) Tanzania Thailand Togo Tunisia Turkey Uganda Ukraine United Arab Emirates United Kingdom United States of America Uruguay Uzbekistan Vatican City Venezuela Vietnam Yemen Zambia Zimbabwe Co-hosted by Supported by In co-operation with International Conference June
    [Show full text]
  • Literary Journalism Studies
    LITERARY JOURNALISM STUDIES LITERARY Miles Maguire: Recent Trends and Topics in Scholarship Return address: Literary Journalism Studies School of Journalism Ryerson University Literary Journalism Studies 350 Victoria Street Vol. 11, No. 1, June 2019 Toronto, Ontario, Canada M5B 2K3 Indian LJ Indian Cuban LJ German LJ German In This Issue n Katarzyna Frukacz / Melchior Wańkowicz + Polish literary lournaliasm n Holly Schreiber / Miguel Barnet, Oscar Lewis + the culture of poverty Polish LJ n Troy R. E. Paddock / Rolf Brandt + German conservative literary journalism Ameican LJ Belgian LJ Belgian n Digital LJ / David O. Dowling + Subin Paul on Meena Kandasamy n SPQ+A / Isabelle Meuret interviews Pascal Verbeken VOL. 11, NO.1, JUNE 2019 Published at the Medill School of Journalism, Northwestern University 1845 Sheridan Road, Evanston, IL 60208, United States The Journal of the International Association for Literary Journalism Studies Literary Journalism Studies The Journal of the International Association for Literary Journalism Studies Vol. 11, No. 1, June 2019 Information for Contributors 4 Literary Reportage or Journalistic Fiction? Polish Reporters’ Struggles with the Form by Katarzyna Frukacz 6 Rewriting La Vida: Miguel Barnet and Oscar Lewis on the Culture of Poverty by Holly Schreiber 36 Rolf Brandt and a Conservative Literary Journalism by Troy R. E. Paddock 60 Digital LJ Digital Literary Journalism in Opposition: Meena Kandasamy and the Dalit Online Movement in India by David O. Dowling and Subin Paul 86 Research Review Recent Trends and Topics in Literary Journalism Scholarship by Miles Maguire 100 Scholar–Practitioner Q+A An Interview Pascal Verbeken by Isabelle Meuret 108 Book Reviews Bill Reynolds on Robert A.
    [Show full text]
  • Magisterarbeit
    MAGISTERARBEIT Titel der Magisterarbeit Neue Medien als Konkurrenz für die Korrespondenz? Technische Entwicklungen als Chancen oder Hindernis für das journalistische Schaffen – am Beispiel von AuslandskorrespondentInnen des ORF Verfasserin Hellin Julia Sapinski, Bakk. phil. Angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, im Oktober 2012 Studienkennzahl lt. Studienblatt: A 066-841 Studienrichtung lt. Studienblatt: Publizistik- und Kommunikationswissenschaft Betreuerin: Dr. Petra Herczeg 2 DANKSAGUNG An dieser Stelle möchte ich mich bei all jenen Personen bedanken, die mir während des Verfassens dieser Studie unterstützend und motivierend zur Seite gestanden sind. Ein besonderes Dankeschön möchte ich meiner Betreuerin Dr. Petra Herczeg aussprechen, die sich für jedwede Anliegen Zeit genommen hat. Auch meinen InterviewpartnerInnen sei gedankt, die sich den Fragen bereitwillig stellten und so zum Gelingen der vorliegenden Arbeit maßgeblich beigetragen haben. 3 EIDESSTATTLICHE ERKLÄRUNG Ich versichere hiermit ehrenwörtlich, dass ich die vorliegende Arbeit selbständig und nur unter Benutzung der angegebenen Literatur und Hilfsmittel angefertigt habe. Wörtlich übernommene Sätze und Satzteile sind als Zitate belegt, andere Anlehnungen hinsichtlich Aussage und Umfang unter Quellenangabe kenntlich gemacht. Die Arbeit hat in gleicher oder ähnlicher Form noch keiner Prüfungsbehörde vorgelegen und ist auch noch nicht veröffentlicht. …………………………………………………………………………….. Ort, Datum, Unterschrift 4 INHALTSVERZEICHNIS Abkürzungsverzeichnis 7 1. Einleitung 9 2. KorrespondentInnen und neue Medien 12 2.1. AuslandskorrespondentInnen – Ein historischer Überblick 12 2.2. Auslandskorrespondenz im ORF 14 2.3. Vielfalt der Korrespondenz – Begriffsdefinition 17 2.3.1. Ständige KorrespondentInnen 19 2.3.2. SonderberichterstatterInnen 19 2.3.3. KriegsberichterstatterInnen 20 2.3.4. ReisekorrespondentInnen 20 2.4. Journalistische Recherche 22 2.5. Neue Medien und das Web 2.0 – Begriffsdefinition 29 3.
    [Show full text]
  • Zeitgenössische Konfliktfotografie
    DIPLOMARBEIT Titel der Diplomarbeit „Zeitgenössische Konfliktfotografie Zur Darstellung ziviler Opfer und ihrer Wirkungsmöglichkeiten“ Verfasserin Bettina Plach angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2013 Studienkennzahl lt. Studienblatt: A 315 Studienrichtung lt. Studienblatt: Diplomstudium Kunstgeschichte Betreuerin: Ao. Univ.-Prof. Dr. Martina Pippal Ich widme diese Arbeit meinen Eltern, die immer für mich da sind und mich durch mein Kunstgeschichtestudium unterstützend begleitet haben. Vielen lieben Dank, Manfred und Birgit, ohne Euch hätte ich vieles im Leben nicht erreichen können bzw. ohne Eure motivierenden Worte nicht geschafft. Auch bedanke ich mich bei meiner Betreuerin, Ao. Uni.-Prof. Dr. Martina Pippal, herzlich dafür, dass sie mir mein selbst gewähltes Thema zu verwirklichen geholfen hat und mir stets mit Rat und Tat zur Seite stand. - „Warum mögen die Leute Kunst?“ - „Weil es die einzige Spur ist, die unser Dasein auf Erden hinterlässt.“1 1 Zitat aus dem französischen Film „Intouchables“ (zu dt.: „Ziemlich beste Freunde“), Regie und Drehbuch: Olivier Nakache und Éric Toledano, Dialog zwischen den beiden Protagonisten, Frankreich 2011 Inhaltsverzeichnis VORWORT...............................................................................................................................1 1. GESCHICHTE DER KAMERA UND DER FOTOGRAFIE..........................................5 1.1 Exkurs: Die ersten Fotografinnen.............................................................................9 2.
    [Show full text]
  • CAST BIOS TOM RILEY (Leonardo Da Vinci) Tom Has Been Seen in A
    CAST BIOS TOM RILEY (Leonardo da Vinci) Tom has been seen in a variety of TV roles, recently portraying Dr. Laurence Shepherd opposite James Nesbitt and Sarah Parish in ITV1’s critically acclaimed six-part medical drama series “Monroe.” Tom has completed filming the highly anticipated second season which premiered autumn 2012. In 2010, Tom played the role of Gavin Sorensen in the ITV thriller “Bouquet of Barbed Wire,” and was also cast in the role of Mr. Wickham in the ITV four-part series “Lost in Austen,” alongside Hugh Bonneville and Gemma Arterton. Other television appearances include his roles in Agatha Christie’s “Poirot: Appointment with Death” as Raymond Boynton, as Philip Horton in “Inspector Lewis: And the Moonbeams Kiss the Sea” and as Dr. James Walton in an episode of the BBC series “Casualty 1906,” a role that he later reprised in “Casualty 1907.” Among his film credits, Tom played the leading roles of Freddie Butler in the Irish film Happy Ever Afters, and the role of Joe Clarke in Stephen Surjik’s British Comedy, I Want Candy. Tom has also been seen as Romeo in St Trinian’s 2: The Legend of Fritton’s Gold alongside Colin Firth and Rupert Everett and as the lead role in Santiago Amigorena’s A Few Days in September. Tom’s significant theater experiences originate from numerous productions at the Royal Court Theatre, including “Paradise Regained,” “The Vertical Hour,” “Posh,” “Censorship,” “Victory,” “The Entertainer” and “The Woman Before.” Tom has also appeared on stage in the Donmar Warehouse theatre’s production of “A House Not Meant to Stand” and in the Riverside Studios’ 2010 production of “Hurts Given and Received” by Howard Barker, for which Tom received outstanding reviews and a nomination for best performance in the new Off West End Theatre Awards.
    [Show full text]
  • Welchen Anteil Haben Frauen an Der Publizistischen Macht
    Welchen Anteil haben Frauen an der publizistischen Macht in Deutschland? Eine Studie zur Geschlechterverteilung in journalistischen Führungspositionen Teil I: Rundfunk Welchen Anteil haben Frauen an der publizistischen Macht in Deutschland? Eine Studie zur Geschlechterverteilung in journalistischen Führungspositionen Teil I: Rundfunk Inhaltsverzeichnis Vorwort 4 „Die Quote wirkt“– Interview mit Bundesfrauenministerin Dr. Franziska Giffey 5 1 Ausgangslage und Methoden 7 2 Öffentlich-rechtlicher Rundfunk 10 2.1 Die ARD und ihre Landesrundfunkanstalten 11 2.1.1 Bayerischer Rundfunk 11 2.1.2 Rundfunk Berlin-Brandenburg 14 2.1.3 Radio Bremen 17 2.1.4 Hessischer Rundfunk 20 2.1.5 Mitteldeutscher Rundfunk 23 2.1.6 Norddeutscher Rundfunk 26 2.1.7 Saarländischer Rundfunk 29 2.1.8 Südwestrundfunk 32 2.1.9 Westdeutscher Rundfunk 35 2. 2 Deutschlandradio 38 2.3 Deutsche Welle 41 2. 4 ZDF 44 2.5 Arte 47 2. 6 Daten im Vergleich 50 2.7 Aussagen von Gleichstellungsbeauftragten 57 3 Privater Rundfunk 60 2 3.1 Mediengruppe RTL 60 3.2 ProSiebenSat.1 63 3. 3 Fazit 66 4 Analysen in ausgewählten Bereichen 67 4.1 „Tagesthemen“-Kommentare 67 4. 2 Politische TV-Magazine 68 4.3 Auslandsberichterstattung 69 4.4 Programmleitung Radio 71 5 Zusammenfassung 73 Gastkommentar von Elizabeth Prommer 75 6 Quellenverzeichnis 77 Impressum 80 Inhaltsverzeichnis 3 Vorwort Die meisten Chefredakteure in deutschen Medien sind Männer. Das Bild der Frau, das Bild des Mannes, ihre Rollen und gesellschaftlichen Aufgaben werden in der Öffentlichkeit weitgehend aus männlicher Sicht dargestellt. Im Februar 2012 wollte eine Reihe von Journalistinnen genauer wissen, wie sich die Macht verteilt.
    [Show full text]
  • From the Director by David Blacker
    Volume 63 Issue 1 Spring 2018 By David Blacker From the Director Executive Director, DVNHA Being that this is our “Accountability” issue, I thought I should bring you up to date on DVNHA’s biggest project supporting the recovery of Scotty’s Castle. I am happy to report that there is light at the end of the tunnel. We are at the end of the “planning and compliance” stage of the recovery, and this fall construction will begin on the new water, electrical, and sewer projects needed to reopen this historic district! That’s not the only good news; DVNHA has just passed $100,000 in funds raised for Scotty’s Castle restorations since the flood took place in October of 2015! This means that besides the projects that have already been finished, the entire restoration of the Scotty’s Castle Welte-Mignon Theatre Organ can be fully funded out of your generous contributions as well as the proceeds from our walking tour ticket sales! So here is an updated list of projects and services that have been provided for Scotty’s Castle so far: • Conservation treatment of Scotty’s Castle Silver Collection, $7,500 • Curatorial interns to assist with packing and moving of collection after flood, $4,800 • Conservation & repair of the Upper Music Room lace curtain, $19,369 • Repairs and restoration of the Upper Music Room’s Historic Theatre Pipe Organ, $57,800 Total Funded • New playback system for the Historic Theatre Organ, $12,000 Projects: $101,468 We have the following projects that we are still raising money for: • Conservation and repairs to Dining Room curtains, $23,000 Current Unfunded • Conservation and repairs to Lower Music Room curtains, $14,000 Projects: $59,200 • Conservation and repairs to 8 panels of Crewel work curtains, $22,200 Although we have some other funding sources, the majority comes from you, our generous supporters! DVNHA gathers the money together, but it is all of you who are making sure that when Scotty’s Castle does reopen in 2020, it will be to the sound of music, and in better shape than it was before the flood.
    [Show full text]