The Crisis, Vol. 8, No. 4 (August, 1914)
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Negroes Are Different in Dixie: the Press, Perception, and Negro League Baseball in the Jim Crow South, 1932 by Thomas Aiello Research Essay ______
NEGROES ARE DIFFERENT IN DIXIE: THE PRESS, PERCEPTION, AND NEGRO LEAGUE BASEBALL IN THE JIM CROW SOUTH, 1932 BY THOMAS AIELLO RESEARCH ESSAY ______________________________________________ “Only in a Negro newspaper can a complete coverage of ALL news effecting or involving Negroes be found,” argued a Southern Newspaper Syndicate advertisement. “The good that Negroes do is published in addition to the bad, for only by printing everything fit to read can a correct impression of the Negroes in any community be found.”1 Another argued that, “When it comes to Negro newspapers you can’t measure Birmingham or Atlanta or Memphis Negroes by a New York or Chicago Negro yardstick.” In a brief section titled “Negroes Are Different in Dixie,” the Syndicate’s evaluation of the Southern and Northern black newspaper readers was telling: Northern Negroes may ordain it indecent to read a Negro newspaper more than once a week—but the Southern Negro is more consolidated. Necessity has occasioned this condition. Most Southern white newspapers exclude Negro items except where they are infamous or of a marked ridiculous trend… While his northern brother is busily engaged in ‘getting white’ and ruining racial consciousness, the Southerner has become more closely knit.2 The advertisement was designed to announce and justify the Atlanta World’s reformulation as the Atlanta Daily World, making it the first African-American daily. This fact alone probably explains the advertisement’s “indecent” comment, but its “necessity” argument seems far more legitimate.3 For example, the 1932 Monroe Morning World, a white daily from Monroe, Louisiana, provided coverage of the black community related almost entirely to crime and church meetings. -
Black Women, Educational Philosophies, and Community Service, 1865-1965/ Stephanie Y
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2003 Living legacies : Black women, educational philosophies, and community service, 1865-1965/ Stephanie Y. Evans University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Evans, Stephanie Y., "Living legacies : Black women, educational philosophies, and community service, 1865-1965/" (2003). Doctoral Dissertations 1896 - February 2014. 915. https://scholarworks.umass.edu/dissertations_1/915 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. M UMASS. DATE DUE UNIVERSITY LIBRARY UNIVERSITY OF MASSACHUSETTS AMHERST LIVING LEGACIES: BLACK WOMEN, EDUCATIONAL PHILOSOPHIES, AND COMMUNITY SERVICE, 1865-1965 A Dissertation Presented by STEPHANIE YVETTE EVANS Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2003 Afro-American Studies © Copyright by Stephanie Yvette Evans 2003 All Rights Reserved BLACK WOMEN, EDUCATIONAL PHILOSOHIES, AND COMMUNITY SERVICE, 1865-1964 A Dissertation Presented by STEPHANIE YVETTE EVANS Approved as to style and content by: Jo Bracey Jr., Chair William Strickland, -
1 the Center for Popular Music Middle Tennessee
THE CENTER FOR POPULAR MUSIC MIDDLE TENNESSEE STATE UNIVERSITY, MURFREESBORO, TN DOUG SEROFF AFRICAN AMERICAN GOSPEL QUARTET COLLECTION 10-026 MANUSCRIPTS, PRINTED MATERIALS, PHOTOGRAPHS, SOUND RECORDINGS Creator: Seroff, Doug Type of Material: Image, moving image physical object sound text event Physical Description: 3.8 ft. including 324 images (b&w photos and negatives) 52 cassette audio tapes 7 VHS video cassettes 10 CD-R audio recordings Dates: 1876-2011 Abstract (Descriptive Summary): This collection was gathered by Doug Seroff during the course of his research relating to the African American gospel quartet tradition in the South, circa 1870-2000s. RESTRICTIONS: There is a seven year restriction on the use of Fisk University Jubilee Singers interviews and related ephemera. That portion of the collection shall not be accessible to researchers during the period of restriction without the expressed permission of Doug Seroff. If CPM receives inquiries about this material, contact Mr. Seroff before replying to the request. The restriction will expire on January 8, 2025. Folder #15, Box #1 contains some personal information that includes social security numbers. Provenance and Acquisition Information: The majority of the items in this collection were written, recorded and assembled by historian/researcher Doug Seroff. Some of the historic Nashville images are from the collection of John Phillips. Many of the 1980s-1990s quartet photos were taken by Robert Cogswell. Most of the early Fairfield Four materials come from the collection of John Battle. 1 Subject/Index Terms: African American gospel singers Popular music Fairfield Four Spirit of Memphis Quartet Jubilee singers Oral history transcripts Swan Silvertones Agency History/Biographical Sketch: Doug Seroff, born February, 21st, 1947 in Newark, NJ and currently residing in Greenbrier, TN, has been involved in recording, researching and promoting African American vernacular music since the 1970s. -
© 2019 Kaisha Esty ALL RIGHTS RESERVED
© 2019 Kaisha Esty ALL RIGHTS RESERVED “A CRUSADE AGAINST THE DESPOILER OF VIRTUE”: BLACK WOMEN, SEXUAL PURITY, AND THE GENDERED POLITICS OF THE NEGRO PROBLEM 1839-1920 by KAISHA ESTY A dissertation submitted to the School of Graduate Studies Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in History Written under the co-direction of Deborah Gray White and Mia Bay And approved by ________________________ ________________________ ________________________ ________________________ ________________________ New Brunswick, New Jersey MAY 2019 ABSTRACT OF THE DISSERTATION “A Crusade Against the Despoiler of Virtue”: Black Women, Sexual Purity, and the Gendered Politics of the Negro Problem, 1839-1920 by KAISHA ESTY Dissertation Co-Directors: Deborah Gray White and Mia Bay “A Crusade Against the Despoiler of Virtue”: Black Women, Sexual Purity, and the Gendered Politics of the Negro Problem, 1839-1920 is a study of the activism of slave, poor, working-class and largely uneducated African American women around their sexuality. Drawing on slave narratives, ex-slave interviews, Civil War court-martials, Congressional testimonies, organizational minutes and conference proceedings, A Crusade takes an intersectional and subaltern approach to the era that has received extreme scholarly attention as the early women’s rights movement to understand the concerns of marginalized women around the sexualized topic of virtue. I argue that enslaved and free black women pioneered a women’s rights framework around sexual autonomy and consent through their radical engagement with the traditionally conservative and racially-exclusionary ideals of chastity and female virtue of the Victorian-era. -
Mythology and Folklore in Robert Penn Warren's Early Fiction Leverett Belton Butts, IV Georgia State University
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarWorks @ Georgia State University Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 12-2009 Heroes with a Hundred Names: Mythology and Folklore in Robert Penn Warren's Early Fiction Leverett Belton Butts, IV Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Butts, IV, Leverett Belton, "Heroes with a Hundred Names: Mythology and Folklore in Robert Penn Warren's Early Fiction." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/english_theses/71 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. HEROES WITH A HUNDRED NAMES: MYTHOLOGY AND FOLKLORE IN ROBERT PENN WARREN‘S EARLY FICTION by LEVERETT BELTON BUTTS, IV Under the Direction of Thomas McHaney ABSTRACT This dissertation examines Robert Penn Warren‘s use of Arthurian legend, Judeo-Christian folklore, Norse mythology, and ancient vegetation rituals in his first four novels. It also illustrates how the use of these myths helps define Warren‘s Agrarian ideals while underscoring his subtle references to these ideals in his early fiction. -
Copyright by Yuri Andrew Campbell 2014
Copyright by Yuri Andrew Campbell 2014 The Dissertation Committee for Yuri Andrew Campbell Certifies that this is the approved version of the following dissertation: The Brothers Johnson: The Lincoln Motion Picture Company, Black Business, and the Negro Image During the Progressive Era Committee: _________________________________ Juliet E. K. Walker, Supervisor _________________________________ Toyin Falola _________________________________ Leonard Moore _________________________________ Karl Miller _________________________________ Johnny S. Butler The Brothers Johnson: The Lincoln Motion Picture Company, Black Business, and the Negro Image During the Progressive Era by Yuri Andrew Campbell, B.A., J.D. Dissertation Presented to the Faculty of the Graduate School of The University oF Texas at Austin In Partial FulFillment of the Requirements for the Degree of Doctor of Philosophy The University oF Texas at Austin May 2014 Abstract The Brothers Johnson: The Lincoln Motion Picture Company, Black Business, and the Negro Image During the Progressive Era Yuri Andrew Campbell, PhD. The University oF Texas at Austin, 2014 Supervisor: Juliet E. K. Walker This dissertation looks at the Lincoln Motion Picture Company, the first Filmmaking concern owned and operated by African Americans with the intention oF producing dramas depicting the race in a positive Fashion. By undertaking a micro-level inquiry oF the LMPC the study provides an unusually detailed assessment oF the strengths and weaknesses of a Progressive-Era black entrepreneurial endeavor whose national reach had macro-level economic and cultural eFFect within the African-American commercial realm. On the micro-level, the dissertation adheres to the Cole model oF entrepreneurial history by addressing the Family, social, and employment backgrounds oF the two brothers who owned and operated the Film venture, Noble and George Johnson. -
Through the Eyes of Pioneers: Accounts of the Women╎s
Wright State University CORE Scholar Master of Humanities Capstone Projects Master of Humanities Program 2015 Through the Eyes of Pioneers: Accounts of the Women’s Suffrage Movement in Dayton, Ohio (1890-1920) Michelle Schweickart Wright State University - Main Campus Follow this and additional works at: https://corescholar.libraries.wright.edu/humanities Part of the Arts and Humanities Commons Repository Citation Schweickart, M. (2015). Through the Eyes of Pioneers: Accounts of the Women’s Suffrage Movement in Dayton, Ohio (1890-1920) (Master's thesis). Wright State University, Dayton, Ohio. This Thesis is brought to you for free and open access by the Master of Humanities Program at CORE Scholar. It has been accepted for inclusion in Master of Humanities Capstone Projects by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. 1 Through the Eyes of Pioneers: Accounts of the Women’s Suffrage Movement in Dayton, Ohio (1890-1920) By: Michelle Schweickart “I believe in woman suffrage because I believe in fundamental democracy. There can be no fundamental democracy where half the population, being of sound mind, are compelled to obey laws in the making of which they have had no voice . But if I must say more, then I would say that women today need, and are asking for the ballot not because they wish to forsake their homes, but because they wish to make their homes better places to live in. Woman needs the ballot to protect her home and her children, now as always her first care . .” - Grace Isabel Colbron, “Why I Believe in Woman Suffrage,” n.d. -
Portraiture and Text in African-American Illustrated Biographical Dictionaries, 1876 to 1917
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2014 Portraiture and Text in African-American Illustrated Biographical Dictionaries, 1876 to 1917 Dennis Williams II Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the American Literature Commons, American Material Culture Commons, Book and Paper Commons, and the Interdisciplinary Arts and Media Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/3666 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Portraiture and Text in African-American Illustrated Biographical Dictionaries, 1876 to 1917 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at Virginia Commonwealth University by Dennis Williams II, Bachelor of Arts, Virginia Commonwealth University, 2012 Director: Eric Garberson, Ph.D. Associate Professor, Department of Art History, and Director, Media, Art and Text Program Virginia Commonwealth University Richmond, Virginia December, 2014 ii Acknowledgements I am indebted to Dr. Eric Garberson for his perseverance, direction, patience, and breadth of knowledge and am grateful for the high expectations and standards to which he holds his students. I would like to thank Dr. Brian Daugherity and Dr. Babatunde Lawal for their assistance throughout this process and for their undergraduate courses which I took and which helped form the epistemological foundations for this thesis. I must also thank the following professors: Dr. Charles Brownell for setting me on the path which ultimately led to the study of portraiture, Dr. -
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nmmm^^HHiH^HMH ____* _-B .3—• „^*i4«V-.". fHB OfffO . ....... ^... SATURDAY, MARCH 12, 1960 Over 2500 Attend Sentinel's 1960 Home Service Exposition SENTINEL -Story OnvPage 3 SPORTS GLEAMNGS Poindexter Spoils By BILL BELL • Sports Editor TUB OHIO "Poindaxter Center was repre THI PEOPLE'S sented by three teams in tha inter-centcr basketball tourna • COLUMBUS HAS been a mecca for sport fans tho past CHAMPION ment sponsored by the City Rec week. Central Dist. Class AA basketball tournament has been go - reation Dept. being run off at ing on in the Ohio Coliseum since Feb. 28. • Thompson Recreation Center. The Big Ten indoor track and field championships were held I in French fieldhouse at Ohio State Friday night and Saturday. Two of the teams fell by the . wayside after their first encoun Monday night the annual Ohio State basketball team banquet was ter. The intermediate boys for open to the public for the first time. VOL. 11. No. 40 ta feited their game because of ar If that was not.enough to keep the most avid sports fan happy, SATURDAY, MARCH 19, 1960 20 CENTS COLUMBUS, OHIO ! riving late. These were boys all hc had to do was to read about the battle which is raging in the , em whoso ages range from 13-15. Big Ten over whether or not any conference athletic team should Senior boys, 16-18, were over be allowed to compete in any meets or games after the conference . powered by Pilgrim's senior season ends, - boys, 65-36. Marshall, • WE SHALL attempt to touch upon all of the above topics POINDEXTER's day of bas In the short amount of space here. -
“Lifting As We Climb”: the Emergence of an African-Canadian Civil Society in Southern Ontario (1840-1901) by Lorene Bridgen
“Lifting As We Climb”: The Emergence of an African-Canadian Civil Society in Southern Ontario (1840-1901) by Lorene Bridgen A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Doctor of Philosophy in History Waterloo, Ontario, Canada, 2016 © Lorene Bridgen 2016 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This dissertation examines Black civil society organizations that brought the African- Canadian community closer to their rights as citizens of Canada West from 1840-1901. Past scholars have applied the concept of civil society to White organizations, but the following considers civil society organizations in the context of African-Canadian life. Through a broader discussion of multiple Black cultural organizations, including literary societies, fraternal orders, religious societies, and etiquette groups, “Lifting As We Climb” highlights the community’s training of future activists and the application of the lessons learned within the walls of these groups to “mainstream” society. During the nineteenth century African Canadians experienced the harsh realities that accompanied their newfound freedom in Canada West, particularly from racist Whites. In response, the Black community utilized African-Canadian cultural organizations to create change. “Lifting As We Climb” argues that, while African-Canadian citizens came together through organizational work, for the common and overarching reason of equality, their fight against injustice resulted in the emergence of a Black civil society. -
THURSDAY, March 23 Opening General Session
Thursday, 8:00–10:00 a.m. THURSDAY, March 23 REGISTRATION, 8:00 a.m.–6:00 p.m. Upper Exhibit Hall, Fourth Floor EXHIBITS, 10:00 a.m.–6:00 p.m. Upper Exhibit Hall, Fourth Floor Newcomers’ Coffee Hour, 7:00 a.m.–8:15 a.m. Private Dining Room 18, Fifth Floor Opening General Session 8:30 a.m.–10:00 a.m. Grand Ballroom, Fourth Floor Presiding: Akua Duku Anokye, Program Chair/CCCC Associate Chair, Arizona State University, Tempe Greetings: Joe Janangelo, Local Arrangements Chair, Loyola University, Chicago, IL Kyoko Sato, NCTE President, California State University, Northridge Sharon Mitchler, Centralia College, WA • Scholars for the Dream—2006 Recipients: Timothy J. Brown, West Chester University, Pennsylvania Kevin Browne, The Pennsylvania State University, University Park Rachel Carrales, University of Texas at San Antonio Elizabeth Imende, High Point University, North Carolina Kendall Leon, Michigan State University, East Lansing Jolivette Mecenas, University of Hawaii at Manoa Soncerey Montgomery, Winston-Salem State University, North Carolina Iris Ruiz, University of California, San Diego Paul Velazquez, Texas State University–San Marcos Han Yu, Illinois State University, Normal 90 FinalInterior06.p65 90 2/13/2006, 11:14 AM Thursday, 8:00–10:00 a.m. • Scholars for the Dream Committee Chair: Joyce Rain Anderson, Massasoit Community College, Brockton, MA Lena Ampadu, Towson University, Baltimore, MD Joseph Eng, Eastern Washington University, Cheney Amanda Espinosa-Aguilar, Washington State University, Pullman Donald McCrary, Long Island University-Brooklyn, NY To increase the participation of traditionally underrepresented groups—African Americans, Asian Americans, Mexican Americans, Puerto Ricans and other Latino and Latina Americans, and American Indians—CCCC has established the Scholars for the Dream Travel Awards. -
Hallie Quinn Brown Sept
NBASLH Resound))) A publication of the National Black Association for Speech-Language and Hearing Summer 2013 NBASLH Executive Board Hallie Quinn Brown Sept. 1, 2013 - Aug. 31, 2014 Unsung Heroine of Communication Sciences and Disorders Rachel Williams, Chair [email protected] ecently, we were visiting friends in Pennsylvania. As is our tradition, we Arnell Brady, Past Chair Rattended church on Sunday morning with this couple. The service included [email protected] a ‘crew’ of spiritual dancers. Elegant in their style and glowing interpretation of a gospel song being sung by the massive choir of about 200 psalmists, the dancers Linda McCabe Smith, ended by bending down their backs in stair-step fashion and having one light-weight Treasurer [email protected] dance member ‘climb that staircase’ reaching high up with her arms outstretched toward the heavens. A great ending for the performers that day! The church folks Kellie E. Green, went wild by standing to their feet and rendering thunderous applause with shouts Secretary of ‘glory’ and ‘halleluiah.’ [email protected] The halleluiah chorus reminded us of an unfinished task we had both promised Kia Johnson, Parliamentarian/Awards to complete about an unsung heroine in our profession of communication [email protected] sciences and disorders whose back we stand upon! Some of you may recall that we featured a photograph and brief biography about our heroine as part of the Katrina Miller, Affiliates NBASLH Exhibit during the 2012 ASHA Convention in Atlanta, Georgia. Others may have read [email protected] [email protected] about this stylish scholar who was featured in the on-line book by Hyter and Duchan (2011) titled, A History of Speech-Language Pathology.