Storage Conditions and Physical Treatments Relating to the Dating of the Dead Sea Scrolls
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Frank Moore Cross's Contribution to the Study of the Dead Sea Scrolls
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications, Classics and Religious Studies Classics and Religious Studies Department 2014 Frank Moore Cross’s Contribution to the Study of the Dead Sea Scrolls Sidnie White Crawford University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/classicsfacpub Part of the Classical Archaeology and Art History Commons, Classical Literature and Philology Commons, and the Jewish Studies Commons Crawford, Sidnie White, "Frank Moore Cross’s Contribution to the Study of the Dead Sea Scrolls" (2014). Faculty Publications, Classics and Religious Studies Department. 127. http://digitalcommons.unl.edu/classicsfacpub/127 This Article is brought to you for free and open access by the Classics and Religious Studies at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications, Classics and Religious Studies Department by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Frank Moore Cross’s Contribution to the Study of the Dead Sea Scrolls Sidnie White Crawford This paper examines the impact of Frank Moore Cross on the study of the Dead Sea Scrolls. Since Cross was a member of the original editorial team responsible for publishing the Cave 4 materials, his influence on the field was vast. The article is limited to those areas of Scrolls study not covered in other articles; the reader is referred especially to the articles on palaeography and textual criticism for further discussion of Cross’s work on the Scrolls. t is difficult to overestimate the impact the discovery They icturedp two columns of a manuscript, columns of of the Dead Sea Scrolls had on the life and career of the Book of Isaiah . -
How We Got Our Bible Part Three: the Text of the New Testament
How We Got Our Bible Part Three: The Text of the New Testament I. The Nature of New Testament Manuscripts A. Early biblical manuscripts were written on papyrus. B. By the 3d century parchment (leather) became the standard paper for biblical manuscripts. C. Writing was done with pen and ink. The ink was usually brown or black. D. Initially New Testament books were written on Scrolls. E. Around the beginning of the 2d century the codex (modern book) became the main book format. II. The Styles of Writing in New Testament Manuscripts A. Cursive (minuscule) Handwriting B. All-Capitals (uncial) C. Because of the cost of parchment many documents were scraped and washed to be reused for other literature. These are called Palimpsests. They are biblical manuscripts that are written on reused parchment. Of the 263 uncial manuscripts of the New Testament 63 are palimpsests. D. In the early centuries of Christianity the gospels were divided into regular readings for services. Scribes marked the beginning and end of these readings so the lector (reader) knew where to begin and end. These manuscripts of the gospels are called lectionaries (Lindisfarne Gospels). E. The advent of monasteries created a class of monks who became scribes. They worked standing at a writing desk in a room called a scriptorium. This was difficult and tedious work. Some monks even added little sentences at the end of manuscripts such as, “The end of the book; thanks be to God.” F. The monks also added footnotes called colophons which include the name of the scribe and sometimes the date and place of writing. -
Qumran Caves” in the Iron Age in the Light of the Pottery Evidence
CHAPTER 17 History of the “Qumran Caves” in the Iron Age in the Light of the Pottery Evidence Mariusz Burdajewicz Since the late ‘40s and the beginning of the ‘50s of the last Jerusalem carried out a survey of about 270 sites situated century, the north-eastern part of the Judean Desert has to the north and south of the Qumran site.4 Of the 40 sites been witnessing numerous archaeological surveys and (almost exclusively caves or cavities), where the traces of works (Table 17.1; Fig. 17.1). The main, but not the only one, human presence from various periods were found, only goal of various expeditions sent to the Dead Sea region, few of them yielded the finds pertaining to the Iron Age. was the quest for more and more scrolls. On this occasion, One large bowl and one lamp came from caves GQ 27 and apart from manuscripts, many other artefacts, like pottery GQ 39 respectively.5 Fragments of two vessels dated to the and the so-called small finds,1 have come to light. Their Iron Age II are mentioned as coming from cave GQ 13, and chronology range in date from the Chalcolithic to the a few pottery sherds, possibly dated to the same period, Arab periods. from cave GQ 6.6 The survey was completed in 1956, and The aim of this short paper is to present, on the basis of some additional pottery fragments from the Iron Age pottery evidence, some observations concerning the use were found in cave 11Q (fragments of jars, two lamps and of the caves during the Iron Age II–III. -
How Is a Torah Made?
How is a Torah made? By Rabbi Amy R. Scheineman The scribe prepares parchment sheets While printed editions of the Torah abound, in both Hebrew and English translation, and with many different commentaries, when the Torah is read in the synagogue on Shabbat and holidays, it is read from a hand-written scroll, called a Sefer Torah, in keeping with age-old tradition. It takes several months, and often as a long as a year to complete one Sefer Torah. The Sefer Torah is written by a scribe, special trained for this holy task, on sheets of parchment. The parchment must derive from a kosher animal, usually a cow, and is meticulously prepared by the scribe, who first soaks the skin in lime water to remove hairs, and then stretches the skin over a wooden frame to dry. The scribe scrapes the skin while it is stretched over the wooden frame to remove more hair and smooths the surface of the skin in preparation for writing on it with the use of a sanding machine. When the skin is dry, the scribe cuts it into a rectangle. The scribe must prepare many such skins because a Sefer Torah usually contains 248 columns, and one rectangle of parchment yields space for three or four columns. Thus a Sefer Torah may require at more than 80 skins in all. When the parchment sheets are ready, the scribe marks out lines and columns using a stylus, which makes a mark in the skin that has no color, much as if you ran your fingernail across a sheet of paper. -
Worthy of Another Look: the Great Isaiah Scroll and the Book of Mormon
Journal of Book of Mormon Studies Volume 20 Number 2 Article 7 2011 Worthy of Another Look: The Great Isaiah Scroll and the Book of Mormon Donald W. Perry Stephen D. Ricks Follow this and additional works at: https://scholarsarchive.byu.edu/jbms BYU ScholarsArchive Citation Perry, Donald W. and Ricks, Stephen D. (2011) "Worthy of Another Look: The Great Isaiah Scroll and the Book of Mormon," Journal of Book of Mormon Studies: Vol. 20 : No. 2 , Article 7. Available at: https://scholarsarchive.byu.edu/jbms/vol20/iss2/7 This Feature Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Journal of Book of Mormon Studies by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Title Worthy of Another Look: The Great Isaiah Scroll and the Book of Mormon Author(s) Donald W. Parry and Stephen D. Ricks Reference Journal of the Book of Mormon and Other Restoration Scripture 20/2 (2011): 78–80. ISSN 1948-7487 (print), 2167-7565 (online) Abstract Numerous differences exist between the Isaiah pas- sages in the Book of Mormon and the corresponding passages in the King James Version of the Bible. The Great Isaiah Scroll supports several of these differences found in the Book of Mormon. Five parallel passages in the Isaiah scroll, the Book of Mormon, and the King James Version of the Bible are compared to illus- trate the Book of Mormon’s agreement with the Isaiah scroll. WORTHY OF ANOTHER LOOK THE GREAT ISAIAH SCROLL AND THE BOOK OF MORMON DONALD W. -
History and Narrative in a Changing Society: James Henry Breasted and the Writing of Ancient Egyptian History in Early Twentieth Century America
History and Narrative in a Changing Society: James Henry Breasted and the Writing of Ancient Egyptian History in Early Twentieth Century America by Lindsay J. Ambridge A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Near Eastern Studies) in The University of Michigan 2010 Doctoral Committee: Associate Professor Janet E. Richards, Chair Professor Carla M. Sinopoli Associate Professor Terry G. Wilfong Emily Teeter, Oriental Institute, University of Chicago © Lindsay J. Ambridge All rights reserved 2010 Acknowledgments The first person I would like to thank is my advisor and dissertation committee chair, Janet Richards, who has been my primary source of guidance from my first days at the University of Michigan. She has been relentlessly supportive not only of my intellectual interests, but also in securing fieldwork opportunities and funding throughout my graduate career. For the experiences I had over the course of four expeditions in Egypt, I am deeply grateful to her. Most importantly, she is always kind and unfailingly gracious. Terry Wilfong has been a consistent source of support, advice, and encyclopedic knowledge. His feedback, from my first year of graduate school to my last, has been invaluable. He is generous in giving advice, particularly on matters of language, style, and source material. It is not an overstatement to say that the completion of this dissertation was made possible by Janet and Terry’s combined resourcefulness and unflagging support. It is to Janet and Terry also that I owe the many opportunities I have had to teach at U of M. Working with them was always a pleasure. -
The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
THE NATURE OF HELLENISTIC DOMESTIC SCULPTURE IN ITS CULTURAL AND SPATIAL CONTEXTS DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Craig I. Hardiman, B.Comm., B.A., M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by Dr. Mark D. Fullerton, Advisor Dr. Timothy J. McNiven _______________________________ Advisor Dr. Stephen V. Tracy Graduate Program in the History of Art Copyright by Craig I. Hardiman 2005 ABSTRACT This dissertation marks the first synthetic and contextual analysis of domestic sculpture for the whole of the Hellenistic period (323 BCE – 31 BCE). Prior to this study, Hellenistic domestic sculpture had been examined from a broadly literary perspective or had been the focus of smaller regional or site-specific studies. Rather than taking any one approach, this dissertation examines both the literary testimonia and the material record in order to develop as full a picture as possible for the location, function and meaning(s) of these pieces. The study begins with a reconsideration of the literary evidence. The testimonia deal chiefly with the residences of the Hellenistic kings and their conspicuous displays of wealth in the most public rooms in the home, namely courtyards and dining rooms. Following this, the material evidence from the Greek mainland and Asia Minor is considered. The general evidence supports the literary testimonia’s location for these sculptures. In addition, several individual examples offer insights into the sophistication of domestic decorative programs among the Greeks, something usually associated with the Romans. -
Freeing the Dead Sea Scrolls: a Question of Access
690 American Archivist / Vol. 56 / Fall 1993 Downloaded from http://meridian.allenpress.com/american-archivist/article-pdf/56/4/690/2748590/aarc_56_4_w213201818211541.pdf by guest on 30 September 2021 Freeing the Dead Sea Scrolls: A Question of Access SARA S. HODSON Abstract: The announcement by the Huntington Library in September 1991 of its decision to open for unrestricted research its photographs of the Dead Sea Scrolls touched off a battle of wills between the library and the official team of scrolls editors, as well as a blitz of media publicity. The action was based on a commitment to the principle of intellectual freedom, but it must also be considered in light of the ethics of donor agreements and of access restrictions. The author relates the story of the events leading to the Huntington's move and its aftermath, and she analyzes the issues involved. About the author: Sara S. Hodson is curator of literary manuscripts at the Huntington Library. Her articles have appeared in Rare Books & Manuscripts Librarianship, Dictionary of Literary Biography Yearbook, and the Huntington Library Quarterly. This article is revised from a paper delivered before the Manuscripts Repositories Section meeting of the 1992 Society of American Archivists conference in Montreal. The author wishes to thank William A. Moffett for his encour- agement and his thoughtful and invaluable review of this article in its several revisions. Freeing the Dead Sea Scrolls 691 ON 22 SEPTEMBER 1991, THE HUNTINGTON scrolls for historical scholarship lies in their LIBRARY set off a media bomb of cata- status as sources contemporary with the time clysmic proportions when it announced that they illuminate. -
Bibliography
Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P. -
The Poetry of the Damascus Document
The Poetry of the Damascus Document by Mark Boyce Ph.D. University of Edinburgh 1988 For Carole. I hereby declare that the research undertaken in this thesis is the result of my own investigation and that it has been composed by myself. No part of it has been previously published in any other work. ýzýa Get Acknowledgements I should begin by thanking my financial benefactors without whom I would not have been able to produce this thesis - firstly Edinburgh University who initially awarded me a one year postgraduate scholarship, and secondly the British Academy who awarded me a further two full year's scholarship and in addition have covered my expenses for important study trips. I should like to thank the Geniza Unit of the Cambridge University Library who gave me access to the original Cairo Document fragments: T-S 10 K6 and T-S 16-311. On the academic side I must first and foremost acknowledge the great assistance and time given to me by my supervisor Prof. J. C.L. Gibson. In addition I would like to thank two other members of the Divinity Faculty, Dr. B.Capper who acted for a time as my second supervisor, and Dr. P.Hayman, who allowed me to consult him on several matters. I would also like to thank those scholars who have replied to my letters. Sa.. Finally I must acknowledge the use of the IM"IF-LinSual 10r package which is responsible for the interleaved pages of Hebrew, and I would also like to thank the Edinburgh Regional Computing Centre who have answered all my computing queries over the last three years and so helped in the word-processing of this thesis. -
Bible from Qumran Sidnie White Crawford
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sidnie White Crawford Publications Classics and Religious Studies 2014 The O" ther" Bible from Qumran Sidnie White Crawford Follow this and additional works at: https://digitalcommons.unl.edu/crawfordpubs This Article is brought to you for free and open access by the Classics and Religious Studies at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sidnie White Crawford Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. The "Other" Bible from Qumran by Sidnie White Crawford Where did the Bible come from? The Hebrew Bible, or Christian Old Testament, did not exist in the canonical form we know prior to the early second century C.E. Before that, certain books had become authoritative in the Jewish community, but the status of other books, which eventually did become part of the Hebrew Bible, was questionable. All Jews everywhere, since at least the fourth century B.C.E., accepted the authority of the Torah of Moses, the first five books of the Bible (also called the Pentateuch): Genesis, Exodus, Leviticus, Numbers, and Deuteronomy. Most Jews also accepted the books of the Prophets, including the Former Prophets or historical books (Joshua through Kings), as authoritative. The Samaritan community only accepted the Pentateuch as authoritative, and the Pentateuch remains their Bible today. Some parts of the Jewish community accepted the books found in the Writings as authoritative, but not all Jews accepted all of those books. The Jewish community that lived at Qumran and stored their manuscripts in the nearby caves, for example, do not seem to have accepted Esther as authoritative. -
Reassessing the Judean Desert Caves: Libraries, Archives, Genizas and Hiding Places
Bulletin of the Anglo-Israel Archaeological Society 2007 Volume 25 Reassessing the Judean Desert Caves: Libraries, Archives, Genizas and Hiding Places STEPHEN PFANN In December 1952, five years after the discovery of Qumran cave 1, Roland de Vaux connected its manuscript remains to the nearby site of Khirbet Qumran when he found one of the unique cylindrical jars, typical of cave 1Q, embedded in the floor of the site. The power of this suggestion was such that, from that point on, as each successive Judean Desert cave containing first-century scrolls was discovered, they, too, were assumed to have originated from the site of Qumran. Even the scrolls discovered at Masada were thought to have arrived there by the hands of Essene refugees. Other researchers have since proposed that certain teachings within the scrolls of Qumran’s caves provide evidence for a sect that does not match that of the Essenes described by first-century writers such as Josephus, Philo and Pliny. These researchers prefer to call this group ‘the Qumran Community’, ‘the Covenanters’, ‘the Yahad ’ or simply ‘sectarians’. The problem is that no single title sufficiently covers the doctrines presented in the scrolls, primarily since there is a clear diversity in doctrine among these scrolls.1 In this article, I would like to present a challenge to this monolithic approach to the understanding of the caves and their scroll collections. This reassessment will be based on a close examination of the material culture of the caves (including ceramics and fabrics) and the palaeographic dating of the scroll collections in individual caves.