First Mosaic Stone Qur'an in Preparation
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Interview with Bahman Jalali1
11 Interview with Bahman Jalali1 By Catherine David2 Catherine David: Among all the Muslim countries, it seems that it was in Iran where photography was first developed immediately after its invention – and was most inventive. Bahman Jalali: Yes, it arrived in Iran just eight years after its invention. Invention is one thing, what about collecting? When did collecting photographs beyond family albums begin in Iran? When did gathering, studying and curating for archives and museum exhibitions begin? When did these images gain value? And when do the first photography collections date back to? The problem in Iran is that every time a new regime is established after any political change or revolution – and it has been this way since the emperor Cyrus – it has always tried to destroy any evidence of previous rulers. The paintings in Esfahan at Chehel Sotoon3 (Forty Pillars) have five or six layers on top of each other, each person painting their own version on top of the last. In Iran, there is outrage at the previous system. Photography grew during the Qajar era until Ahmad Shah Qajar,4 and then Reza Shah5 of the Pahlavi dynasty. Reza Shah held a grudge against the Qajars and so during the Pahlavi reign anything from the Qajar era was forbidden. It is said that Reza Shah trampled over fifteen thousand glass [photographic] plates in one day at the Golestan Palace,6 shattering them all. Before the 1979 revolution, there was only one book in print by Badri Atabai, with a few photographs from the Qajar era. Every other photography book has been printed since the revolution, including the late Dr Zoka’s7 book, the Afshar book, and Semsar’s book, all printed after the revolution8. -
Treasures of Iran
Treasures of Iran 15 Days Treasures of Iran Home to some of the world's most renowned and best-preserved archaeological sites, Iran is a mecca for art, history, and culture. This 15-day itinerary explores the fascinating cities of Tehran, Shiraz, Yazd, and Isfahan, and showcases Iran's rich, textured past while visiting ancient ruins, palaces, and world-class museums. Wander vibrant bazaars, behold Iran's crown jewels, and visit dazzling mosques adorned with blue and aqua tile mosaics. With your local guide who has led trips here for over 23 years, be one of the few lucky travelers to discover this unique destination! Details Testimonials Arrive: Tehran, Iran “I have taken 12 trips with MT Sobek. Each has left a positive imprint on me Depart: Tehran, Iran —widening my view of the world and its peoples.” Duration: 15 Days Jane B. Group Size: 6-16 Guests "Our trip to Iran was an outstanding Minimum Age: 16 Years Old success! Both of our guides were knowledgeable and well prepared, and Activity Level: Level 2 played off of each other, incorporating . lectures, poetry, literature, music, and historical sights. They were generous with their time and answered questions non-stop. Iran is an important country, strategically situated, with 3,000+ years of culture and history." Joseph V. REASON #01 REASON #02 REASON #03 MT Sobek is an expert in Iran Our team of local guides are true This journey exposes travelers travel, with over five years' experts, including Saeid Haji- to the hospitality of Iranian experience taking small Hadi (aka Hadi), who has been people, while offering groups into the country. -
Early Islamic Architecture in Iran
EARLY ISLAMIC ARCHITECTURE IN IRAN (637-1059) ALIREZA ANISI Ph.D. THESIS THE UNIVERSITY OF EDINBURGH 2007 To My wife, and in memory of my parents Contents Preface...........................................................................................................iv List of Abbreviations.................................................................................vii List of Plates ................................................................................................ix List of Figures .............................................................................................xix Introduction .................................................................................................1 I Historical and Cultural Overview ..............................................5 II Legacy of Sasanian Architecture ...............................................49 III Major Feature of Architecture and Construction ................72 IV Decoration and Inscriptions .....................................................114 Conclusion .................................................................................................137 Catalogue of Monuments ......................................................................143 Bibliography .............................................................................................353 iii PREFACE It is a pleasure to mention the help that I have received in writing this thesis. Undoubtedly, it was my great fortune that I benefited from the supervision of Robert Hillenbrand, whose comments, -
Iran Eco Adventure Tours
Iran Eco Adventure TOURS “My mother was one of the first professional female rock climbers in Iran and she was the memberof first Iranian student team to climb Mount Everest.She introduced my uncle to mountaineering then my uncle in turn converted other members of the family.” SahandAghdaie recalls as he explains the backstory of Iran Eco Adventure. For Sahand, the founder and CEO of Iran Eco Adventure Tours Co., mountaineering and nature are like family heirlooms. Thus, he joined his uncle in 2006 to bring into being one of the pioneer Iranian companies in Eco adventures. Iran Eco Adventure is the brand name of incoming tours and a division of Spilet Eco Adventures Co. It’s an Iran based company and for over 10 years we’ve been made memories and trips for people who love outdoor activities and hiking, have a passion for travel and a bucket list of exciting adventures. Iran Eco Adventure Our travel experience runs deep, from years mountaineering and traveling in nature of Iran to research trips and just bouncing around every corner of the country. This deep experience is the reason behind our pioneering approach to winning itineraries. Whether you’ve taken many trips, or you’re tying up for the first time, we design and offer everything in the tour program according to your needs. Our tours offer variety of adventure activities ranging from hiking, trekking and biking to alpine skiing and desert safari. Giving you the joy of adventure in numerous locations of our beautiful country under our proficiency steam is what our company mission is all about and we pride ourselves on our knowledge of destinations and our dedication to nature. -
See the Document
IN THE NAME OF GOD IRAN NAMA RAILWAY TOURISM GUIDE OF IRAN List of Content Preamble ....................................................................... 6 History ............................................................................. 7 Tehran Station ................................................................ 8 Tehran - Mashhad Route .............................................. 12 IRAN NRAILWAYAMA TOURISM GUIDE OF IRAN Tehran - Jolfa Route ..................................................... 32 Collection and Edition: Public Relations (RAI) Tourism Content Collection: Abdollah Abbaszadeh Design and Graphics: Reza Hozzar Moghaddam Photos: Siamak Iman Pour, Benyamin Tehran - Bandarabbas Route 48 Khodadadi, Hatef Homaei, Saeed Mahmoodi Aznaveh, javad Najaf ...................................... Alizadeh, Caspian Makak, Ocean Zakarian, Davood Vakilzadeh, Arash Simaei, Abbas Jafari, Mohammadreza Baharnaz, Homayoun Amir yeganeh, Kianush Jafari Producer: Public Relations (RAI) Tehran - Goragn Route 64 Translation: Seyed Ebrahim Fazli Zenooz - ................................................ International Affairs Bureau (RAI) Address: Public Relations, Central Building of Railways, Africa Blvd., Argentina Sq., Tehran- Iran. www.rai.ir Tehran - Shiraz Route................................................... 80 First Edition January 2016 All rights reserved. Tehran - Khorramshahr Route .................................... 96 Tehran - Kerman Route .............................................114 Islamic Republic of Iran The Railways -
The Land of Glory and Beauties
IRAN The Land of Glory and Beauties Iranian Cultural Heritage, Handicrafts and Tourism Organization www.tourismiran.ir Iran is the land of four seasons, history and culture, souvenir and authenticity. This is not a tourism slogan, this is the reality inferred from the experience of visitors who have been impressed by Iran’s beauties and amazing attractions. Antiquity and richness of its culture and civilization, the variety of natural and geographical attractions, four - season climate, diverse cultural sites in addition to different tribes with different and fascinating traditions and customs have made Iran as a treasury of tangible and intangible heritage. Different climates can be found simultaneously in Iran. Some cities have summer weather in winter, or have spring or autumn weather; at the same time in summer you might find some regions covered with snow, icicles or experiencing rain and breeze of spring. Iran is the land of history and culture, not only because of its Pasargad and Persepolis, Chogha Zanbil, Naqsh-e Jahan Square, Yazd and Shiraz, Khuzestan and Isfahan, and its tangible heritage inscribed in the UNESCO World Heritage List; indeed its millennial civilization and thousands historical and archeological monuments and sites demonstrate variety and value of religious and spiritual heritage, rituals, intact traditions of this country as a sign of authenticity and splendor. Today we have inherited the knowledge and science from scientists, scholars and elites such as Hafez, Saadi Shirazi, Omar Khayyam, Ibn Khaldun, Farabi, IRAN The Land of Glory and Beauties Ibn Sina (Avicenna), Ferdowsi and Jalal ad-Din Muhammad Rumi. Iran is the land of souvenirs with a lot of Bazars and traditional markets. -
Evaluation of the Role of Iran National Museum in the Cultural Tourism in Iran
EVALUATION OF THE ROLE OF IRAN NATIONAL MUSEUM IN THE CULTURAL TOURISM IN IRAN Omid Salek Farokhi Per citar o enllaçar aquest document: Para citar o enlazar este documento: Use this url to cite or link to this publication: http://hdl.handle.net/10803/667713 ADVERTIMENT. L'accés als continguts d'aquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials d'investigació i docència en els termes establerts a l'art. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix l'autorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No s'autoritza la seva reproducció o altres formes d'explotació efectuades amb finalitats de lucre ni la seva comunicació pública des d'un lloc aliè al servei TDX. Tampoc s'autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art. 32 del Texto Refundido de la Ley de Propiedad Intelectual (RDL 1/1996). -
THE SOCIETY for ASIAN ART PRESENTS Through the Pishtaq: Art, Architecture and Culture of Persia APRIL 22 - MAY 9, 2018
THE SOCIETY FOR ASIAN ART PRESENTS Through the Pishtaq: Art, Architecture and Culture of Persia APRIL 22 - MAY 9, 2018 More than five hundred years before Christ, Cyrus the Great founded one of the world’s first empires at Pasargadae. Over the centuries Persian civilization has been impacted by diverse cultural influences from invading Greeks, Arabs, Mongols and Turks. Join Dr. Keelan Overton on a journey through Iran where impressive monuments serve as vivid testament to the extraordinary history and culture of the country. The name Persia, used by the ancient Greeks, is derived from the southwesterly province of Pars which was the cradle of the Persian Empire. It was here that the Achaemenids became the first kings of a united country. They built capitals at Pasargadae and Persepolis and ruled over territory which stretched from the Persian Gulf to the Black Sea and from China in the east to the Mediterranean shores in the west. It is a welcoming and beautiful country of contrasts, of jagged mountains and golden deserts punctuated by slender wind towers, crumbling clay-baked caravansaries, and everywhere a horizon pierced by mosques and turquoise minarets. ----------------------------------Tour Highlights -------------------------------------- Tehran– 3 nights Visit Jameh Atigh, 9th c. Friday Mosque Visit the National Museum of Iran complex: Learn about tribal rugs at a nomadic gallery Museum of Ancient Iran (History and Archaeology) Yasuj - 1 night Museum of the Islamic Era Drive through the beautiful Zagros Mountains to Yasuj -
Arta 2004.004
ARTA 2004.004 Shahrokh Razmjou Center of Achaemenid Studies National Museum of Iran (Tehran) Project Report of the Persepolis Fortification Tablets in the National Museum of Iran 11 Introduction to the Collection During the excavations of Ernst Herzfeld in Persepolis, an ancient archive of clay tablets was discovered at the northeast corner of the platform, which was a part of the Persepolis fortification system. The collection was sent to the Oriental Institute of the University of Chicago for further research. In 1951, after negotiations between the Oriental Institute, the Iranian Embassy in Washington D.C. and André Godard, a part of the collection was sent back to Iran to the Archaeology Office in the then Iran-e Bastan Museum in Tehran. The rest of the collection, apart from 300 tablets returned in April 2004, still resides in Chicago for translation and further research. Achemenet août 2004 1 ARTA 2004.004 The part of the collection that was sent back to Iran included 3 wooden crates, containing 235 small boxes of tablet fragments. They were sent to Iran by ship via the Persian Gulf. The three crates were marked with numbers 1, 2, 3. Their dimensions, as appears from the OI records, were: Crate 1: 33 x 25 x 19.5 inches (83.82 x 63.5 x 49.5 cm) 260 lbs (117.93 kilos) Crate 2: 33 x 25 x 19.5 inches (83.82 x 63.5 x 49.5 cm) 305 lbs (138.34 kilos) Crate 3: 30.5 x 22 x 21.5 inches (77.47 x 55.88 x 54.61) 215 lbs (97.52 kilos) Each of the crates would have been marked on the outside with black ink to André Godard in the Iran-e Bastan Museum with the address: Archaeological Service Musée de Tehran Tehran, Iran Attn.: Mr. -
Behind the Scenes
©Lonely Planet Publications Pty Ltd 369 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to your submissions, we always guarantee that your feed- back goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/ privacy. Martin, Klaas Flechsig, Larissa Chu, Leigh Dehaney, OUR READERS Leonie Gavalas, Lianne Bosch, Lisandra Ilisei, Luis Many thanks to the travellers who used the last Maia, Luzius Thuerlimann, Maarten Jan Oskam, edition and wrote to us with helpful hints, useful Maksymilian Dzwonek, Manfred Henze, Marc Verkerk, advice and interesting anecdotes: Adriaan van Dijk, Marcel Althaus, Marei Bauer, Marianne Schoone, Adrian Ineichen, Adrien Bitton, Adrien Ledeul, Agapi Mario Sergio Dd Oliveira Pinto, Marjolijn -
The Journal of the Asian Arts Society of Australia Ancient Iran
VOLUME 19 NO. 3 SEPTEMBER 2010 the journal of the asian arts society of australia TAASA Review ancient iran C o n t E n t s Volume 19 No. 3 September 2010 3 Editorial taasa rEVIEW Tobin Hartnell and Josefa Green THE ASIAN ARTS SOCIETY OF AUSTRALIA INC. ABN 64093697537 • Vol. 19 No. 3, September 2010 ISSN 1037.6674 4 ChEshmEh ali WarE: a PaintEd CEramiC tradition in thE iranian CEntral PlatEau Registered by Australia Post. Publication No. NBQ 4134 Edna Wong EditorIAL • email: [email protected] 7 ElamitE art General editor, Josefa Green Javier Álvarez-Món PubliCations Committee 10 the KazaKly-yatKan Wall Paintings: New PErspectivEs on the Art of the AnCiEnt Iranian World Josefa Green (convenor) • Tina Burge Melanie Eastburn • Sandra Forbes • Ann MacArthur Fiona Kidd Jim Masselos • Ann Proctor • Susan Scollay Sabrina Snow • Christina Sumner 12 PErsepolis in the WEstErn imagination dEsign/layout Tobin Hartnell Ingo Voss, VossDesign Printing 15 love Thy Neighbour: The Intimate Art of DiPlomaCy in PErsepolis Processional SculPturEs John Fisher Printing Stephanie Reed Published by The Asian Arts Society of Australia inc. 18 sasanian roCK rEliEf PanEls PO Box 996 Potts Point NSw 2011 www.taasa.org.au Ali Asadi Enquiries: [email protected] 21 in the PubliC domain: A Persian ShAhnama FoliO from ThE NGV TAASA Review is published quarterly and is distributed to members Susan Scollay of The Asian Arts Society of Australia inc. TAASA Review welcomes submissions of articles, notes and reviews on Asian visual and performing arts. All articles are refereed. Additional copies and 22 silKs of sasanian PErsia subscription to TAASA Review are available on request. -
Culture and Tourism
IRAN STATISTICAL YEARBOOK 1394 19. CULTURE AND TOURISM Introduction his chapter presents statistical Organization into a newly–established information on radio and television organization called ''Cultural Heritage and programmes, press, books and Tourism Organization", the related data have been T public libraries, cinemas, museums, provided by the new organization. monuments, tourists arrived and pilgrims of holy Data on pilgrims of holy places include only those places. Following paragraphs summarize the dispatched by Hajj and Pilgrimage Organization. history of data collection in these areas. Regular data compilation on radio and television Definitions and concepts programmes and museums began in the years Production of radio and television programmes: 1345 and 1347 ,respectively. is a process in which the contextual (message) and The earliest data on movies available in the SCI structural components of the message are back to the year 1348. They were produced by incorporated artistically and technically using the Culture and Art Ministry, renamed the required resources in order to be broadcast on TV, Ministry of Culture and Islamic Guidance after radio and the Internet. the victory of the Islamic Revolution. National production and broadcast of Comprehensive data collection on the press was programme: refers to the programme produced first accomplished by the SCI under the title of and broadcast for people in the country. "Review of the country’s publications survey" in International production and broadcast of the year 1349. At present, the Domestic Press programme: refers to the programme produced Department of the Ministry of Culture and and broadcast for overseas people. Islamic Guidance is in charge of the task.