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First Evidence of Farming Appears; Stone Axes, Antler Combs, Pottery in Common Use
BC c.5000 - Neolithic (new stone age) Period begins; first evidence of farming appears; stone axes, antler combs, pottery in common use. c.4000 - Construction of the "Sweet Track" (named for its discoverer, Ray Sweet) begun; many similar raised, wooden walkways were constructed at this time providing a way to traverse the low, boggy, swampy areas in the Somerset Levels, near Glastonbury; earliest-known camps or communities appear (ie. Hembury, Devon). c.3500-3000 - First appearance of long barrows and chambered tombs; at Hambledon Hill (Dorset), the primitive burial rite known as "corpse exposure" was practiced, wherein bodies were left in the open air to decompose or be consumed by animals and birds. c.3000-2500 - Castlerigg Stone Circle (Cumbria), one of Britain's earliest and most beautiful, begun; Pentre Ifan (Dyfed), a classic example of a chambered tomb, constructed; Bryn Celli Ddu (Anglesey), known as the "mound in the dark grove," begun, one of the finest examples of a "passage grave." c.2500 - Bronze Age begins; multi-chambered tombs in use (ie. West Kennet Long Barrow) first appearance of henge "monuments;" construction begun on Silbury Hill, Europe's largest prehistoric, man-made hill (132 ft); "Beaker Folk," identified by the pottery beakers (along with other objects) found in their single burial sites. c.2500-1500 - Most stone circles in British Isles erected during this period; pupose of the circles is uncertain, although most experts speculate that they had either astronomical or ritual uses. c.2300 - Construction begun on Britain's largest stone circle at Avebury. c.2000 - Metal objects are widely manufactured in England about this time, first from copper, then with arsenic and tin added; woven cloth appears in Britain, evidenced by findings of pins and cloth fasteners in graves; construction begun on Stonehenge's inner ring of bluestones. -
The Role of the French Maîtresse En Titre: How Royal Mistresses Utilized Liminal Space to Gain Power and Access by Marine Elia
The Role of the French Maîtresse en titre: How Royal Mistresses Utilized Liminal Space to Gain Power and Access By Marine Elia Senior Honors Thesis Romance Studies University of North Carolina at Chapel Hill 4/19/2021 Approved: Jessica Tanner, Thesis Advisor Valérie Pruvost, Reader Dorothea Heitsch, Reader 2 Table of Contents Introduction…Page 3 Chapter 1: The Liminal Space of the Maîtresse-en-titre…Page 15 Cahpter 2: Fashioning Power…Page 24 Chapter 3: Mistresses and Celebrity…Page 36 Conclusion…Page 52 Bibliography…Page 54 Acknowledgments…Page 58 3 Introduction Beginning in the mid-fifteenth century, during the reign of Charles VII (1422- 1461), the “royal favorite” (favorite royale) became a quasi-official position within the French royal court (Wellman 37). The royal favorite was an open secret of French courtly life, an approved, and sometimes encouraged, scandal that helped to define the period of a king's reign. Boldly defying Catholic tenants of marriage, the position was a highly public transgression of religious mores. Shaped during the Renaissance by powerful figures such as Diane de Poitiers and Agnès Sorel, the role of the royal mistress evolved through the centuries as each woman contributed their own traditions, further developing the expectations of the title. Some used their influence to become powerful political actors, often surpassing that of the king’s ministers, while other women used their title to patronize the arts. Using the liminal space of their métier, royal mistresses created opportunities for themselves using the limited spaces available to women in Ancien Régime France. Historians and writers have been captivated by the role of the royal mistress for centuries, studying their lives and publishing both academic and non-academic biographies of individual mistresses. -
Women Investors and the Virginia Company in the Early Seventeenth Century
The University of Manchester Research Women Investors and the Virginia Company in the Early Seventeenth Century DOI: 10.1017/s0018246x19000037 Document Version Accepted author manuscript Link to publication record in Manchester Research Explorer Citation for published version (APA): Ewen, M. (2019). Women Investors and the Virginia Company in the Early Seventeenth Century. The Historical Journal, 62(4), 853-874. https://doi.org/10.1017/s0018246x19000037 Published in: The Historical Journal Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:07. Oct. 2021 WOMEN INVESTORS AND THE VIRGINIA COMPANY IN THE EARLY SEVENTEENTH CENTURY* MISHA EWEN University of Manchester WOMEN INVESTORS Abstract. This article explores the role of women investors in the Virginia Company during the early seventeenth century, arguing that women determined the success of English overseas expansion not just by ‘adventuring’ their person, but their purse. -
My Lady Castlemaine
3XCY LjlDY CASTLEMJIINE <J c& Lady Castlemaine Being a Life of {Barbara 'Uilliers Countess of Castlemaine, afterwards Duchess of Cleveland :: By Philip W Sergeant, B.jl., Author of "The Empress Josephine, Napoleon's Enchantress," "'She Courtships of Catherine the Great," &c. With 19 Illustrations including a Photogravure Frontispiece DANA ESTES & CO. BOSTON Printed in Great Britain 5134844 PREFACE TT may perhaps be maintained that, if Barbara Villiers, Countess of Castlemaine and Duchess of Cleveland, has not been written about in many books, it is for a good and sufficient reason, that she is not worth writing about. That is not an argument to be lightly decided. But certainly less interesting women have been the subjects of numerous books, worse women, less influential and less beautiful than this lady of the dark auburn hair and deep blue eyes. We know that Mr. G. K. Chesterton says that Charles II attracts him morally. (His words are " attracts us," but this must be the semi-editorial " we.") If King Charles can attract morally Mr. Chesterton, may not his favourite attract others ? Or let us be repelled, and as we view the lady acting " her part at Whitehall let us exclaim, How differ- ent from the Court of ... good King William III," if we like. Undoubtedly the career of Barbara Villiers furnishes a picture of one side at least of life in the Caroline of the life of unfalter- period ; pleasure unrestrained, ing unless through lack of cash and unrepentant. For Barbara did not die, like her great rival Louise de " Keroualle (according to Saint-Simon), very old, V 2082433 vi PREFACE " and like very penitent, very poor ; or, another rival, Hortense Mancini (according to Saint-Evre- " mond), seriously, with Christian indifference toward life." On the principle bumani nil a me alienum puto even the Duchess of Cleveland cannot be con- sidered of attention as unworthy ; but, being more extreme in type, therefore more interesting than the competing beauties of her day. -
London and Middlesex in the 1660S Introduction: the Early Modern
London and Middlesex in the 1660s Introduction: The early modern metropolis first comes into sharp visual focus in the middle of the seventeenth century, for a number of reasons. Most obviously this is the period when Wenceslas Hollar was depicting the capital and its inhabitants, with views of Covent Garden, the Royal Exchange, London women, his great panoramic view from Milbank to Greenwich, and his vignettes of palaces and country-houses in the environs. His oblique birds-eye map- view of Drury Lane and Covent Garden around 1660 offers an extraordinary level of detail of the streetscape and architectural texture of the area, from great mansions to modest cottages, while the map of the burnt city he issued shortly after the Fire of 1666 preserves a record of the medieval street-plan, dotted with churches and public buildings, as well as giving a glimpse of the unburned areas.1 Although the Fire destroyed most of the historic core of London, the need to rebuild the burnt city generated numerous surveys, plans, and written accounts of individual properties, and stimulated the production of a new and large-scale map of the city in 1676.2 Late-seventeenth-century maps of London included more of the spreading suburbs, east and west, while outer Middlesex was covered in rather less detail by county maps such as that of 1667, published by Richard Blome [Fig. 5]. In addition to the visual representations of mid-seventeenth-century London, a wider range of documentary sources for the city and its people becomes available to the historian. -
Kingston Lacy Illustrated List of Pictures K Introduction the Restoration
Kingston Lacy Illustrated list of pictures Introduction ingston Lacy has the distinction of being the however, is a set of portraits by Lely, painted at K gentry collection with the earliest recorded still the apogee of his ability, that is without surviving surviving nucleus – something that few collections rival anywhere outside the Royal Collection. Chiefly of any kind in the United Kingdom can boast. When of members of his own family, but also including Ralph – later Sir Ralph – Bankes (?1631–1677) first relations (No.16; Charles Brune of Athelhampton jotted down in his commonplace book, between (1630/1–?1703)), friends (No.2, Edmund Stafford May 1656 and the end of 1658, a note of ‘Pictures in of Buckinghamshire), and beauties of equivocal my Chamber att Grayes Inne’, consisting of a mere reputation (No.4, Elizabeth Trentham, Viscountess 15 of them, he can have had little idea that they Cullen (1640–1713)), they induced Sir Joshua would swell to the roughly 200 paintings that are Reynolds to declare, when he visited Kingston Hall at Kingston Lacy today. in 1762, that: ‘I never had fully appreciated Sir Peter That they have done so is due, above all, to two Lely till I had seen these portraits’. later collectors, Henry Bankes II, MP (1757–1834), Although Sir Ralph evidently collected other – and his son William John Bankes, MP (1786–1855), but largely minor pictures – as did his successors, and to the piety of successive members of the it was not until Henry Bankes II (1757–1834), who Bankes family in preserving these collections made the Grand Tour in 1778–80, and paid a further virtually intact, and ultimately leaving them, in the visit to Rome in 1782, that the family produced astonishingly munificent bequest by (Henry John) another true collector. -
THE POWER of BEAUTY in RESTORATION ENGLAND Dr
THE POWER OF BEAUTY IN RESTORATION ENGLAND Dr. Laurence Shafe [email protected] THE WINDSOR BEAUTIES www.shafe.uk • It is 1660, the English Civil War is over and the experiment with the Commonwealth has left the country disorientated. When Charles II was invited back to England as King he brought new French styles and sexual conduct with him. In particular, he introduced the French idea of the publically accepted mistress. Beautiful women who could catch the King’s eye and become his mistress found that this brought great wealth, titles and power. Some historians think their power has been exaggerated but everyone agrees they could influence appointments at Court and at least proposition the King for political change. • The new freedoms introduced by the Reformation Court spread through society. Women could appear on stage for the first time, write books and Margaret Cavendish was the first British scientist. However, it was a totally male dominated society and so these heroic women had to fight against established norms and laws. Notes • The Restoration followed a turbulent twenty years that included three English Civil Wars (1642-46, 1648-9 and 1649-51), the execution of Charles I in 1649, the Commonwealth of England (1649-53) and the Protectorate (1653-59) under Oliver Cromwell’s (1599-1658) personal rule. • Following the Restoration of the Stuarts, a small number of court mistresses and beauties are renowned for their influence over Charles II and his courtiers. They were immortalised by Sir Peter Lely as the ‘Windsor Beauties’. Today, I will talk about Charles II and his mistresses, Peter Lely and those portraits as well as another set of portraits known as the ‘Hampton Court Beauties’ which were painted by Godfrey Kneller (1646-1723) during the reign of William III and Mary II. -
Kings and Courtesans: a Study of the Pictorial Representation of French Royal Mistresses
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2008 Kings and Courtesans: A Study of the Pictorial Representation of French Royal Mistresses Shandy April Lemperle The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Lemperle, Shandy April, "Kings and Courtesans: A Study of the Pictorial Representation of French Royal Mistresses" (2008). Graduate Student Theses, Dissertations, & Professional Papers. 1258. https://scholarworks.umt.edu/etd/1258 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. KINGS AND COURTESANS: A STUDY OF THE PICTORIAL REPRESENTATION OF FRENCH ROYAL MISTRESSES By Shandy April Lemperlé B.A. The American University of Paris, Paris, France, 2006 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in Fine Arts, Art History Option The University of Montana Missoula, MT Spring 2008 Approved by: Dr. David A. Strobel, Dean Graduate School H. Rafael Chacón, Ph.D., Committee Chair Department of Art Valerie Hedquist, Ph.D., Committee Member Department of Art Ione Crummy, Ph.D., Committee Member Department of Modern and Classical Languages and Literatures Lemperlé, Shandy, M.A., Spring 2008 Art History Kings and Courtesans: A Study of the Pictorial Representation of French Royal Mistresses Chairperson: H. -
Darnley Portraits
DARNLEY FINE ART DARNLEY FINE ART PresentingPresenting anan Exhibition of of Portraits for Sale Portraits for Sale EXHIBITING A SELECTION OF PORTRAITS FOR SALE DATING FROM THE MID 16TH TO EARLY 19TH CENTURY On view for sale at 18 Milner Street CHELSEA, London, SW3 2PU tel: +44 (0) 1932 976206 www.darnleyfineart.com 3 4 CONTENTS Artist Title English School, (Mid 16th C.) Captain John Hyfield English School (Late 16th C.) A Merchant English School, (Early 17th C.) A Melancholic Gentleman English School, (Early 17th C.) A Lady Wearing a Garland of Roses Continental School, (Early 17th C.) A Gentleman with a Crossbow Winder Flemish School, (Early 17th C.) A Boy in a Black Tunic Gilbert Jackson A Girl Cornelius Johnson A Gentleman in a Slashed Black Doublet English School, (Mid 17th C.) A Naval Officer Mary Beale A Gentleman Circle of Mary Beale, Late 17th C.) A Gentleman Continental School, (Early 19th C.) Self-Portrait Circle of Gerard van Honthorst, (Mid 17th C.) A Gentleman in Armour Circle of Pieter Harmensz Verelst, (Late 17th C.) A Young Man Hendrick van Somer St. Jerome Jacob Huysmans A Lady by a Fountain After Sir Peter Paul Rubens, (Late 17th C.) Thomas Howard, Earl of Arundel After Sir Peter Lely, (Late 17th C.) The Duke and Duchess of York After Hans Holbein the Younger, (Early 17th to Mid 18th C.) William Warham Follower of Sir Godfrey Kneller, (Early 18th C.) Head of a Gentleman English School, (Mid 18th C.) Self-Portrait Circle of Hycinthe Rigaud, (Early 18th C.) A Gentleman in a Fur Hat Arthur Pond A Gentleman in a Blue Coat -
MINUTES of the 69 MEETING of AYNHO HISTORY SOCIETY HELD at the VILLAGE HALL, AYNHO on WEDNESDAY 25 JUNE 2014 Present
MINUTES OF THE 69th MEETING OF AYNHO HISTORY SOCIETY HELD AT THE VILLAGE HALL, AYNHO ON WEDNESDAY 25th JUNE 2014 Present: - Peter Cole - Secretary. There were apologies from Rupert Clark due to work commitments 1. Chairman and Treasurer's Report In Rupert’s absence Peter reported that Middleton Cheney is holding a photographic exhibition on Saturday 19th July from 2pm to 4.30pm in All Saints Church, entitled “The Village – Then and Now”. There will be about 50 photos of Middleton Cheney taken between 1900 and 1930, accompanied by photos of the same view taken today. 2. Royal Mistresses Roger Powell The talk covers the period from 1509 to the present day, and concentrates on people who were royal mistresses for at least ten years. Indeed one was a mistress for 36 years. In many cases from a psychological point of view she was not just an object of desire but she more or less became a second wife, and sometimes even a mother to the king. The origin of the role in the early days of the Middle Ages derives from the many loveless royal marriages, as for kings the main reason for a marriage was to secure or maintain an alliance to build his empire or strengthen his position against enemies. Once a queen had given the king one or two heirs, he would forget or even abandon her and take a mistress. In England a royal mistress did not become a feature of court society until the 17th century. In France they had been around in the mid-1600s, but it took a while before England followed suit. -
The Politics of Architecture in Tudor and Stuart London Transcript
The Politics of Architecture in Tudor and Stuart London Transcript Date: Thursday, 11 February 2010 - 12:00AM Location: Museum of London The Politics of Architecture in Tudor and Stuart London Professor Simon Thurley Visiting Gresham Professor of the Built Environment 11/12/2010 Tonight, and again on the 11 March, I will be looking at the interrelation of architecture and power. The power of kings and the power of government and how that power has affected London. On the 11th I will be looking at Victorian and Edwardian London but tonight I'm going to concentrate on the sixteenth and seventeenth century and show how Tudor and Stuart Monarchs used, with varying degrees of success, the great buildings of the City of London to bolster their power. The story of royal buildings in the City starts with the Saxons. Before 1052 English Kings had had a palace in London at Aldermanbury, but principally to avoid the instability, turbulence and violence of the populace Edward the Confessor, the penultimate English King, had moved his royal palace one and a half miles west to an Island called Thorney. On Thorney Island the Confessor built the great royal abbey and palace of Westminster. And it was here, that William the Conqueror chose to be crowned on Christmas day 1066, safely away from the still hostile inhabitants of the city. London was too big, powerful and independent to be much influenced by the Norman Conquest. Business continued unabated under a deal done between the city rulers and their new king. However William left a major legacy by establishing the metropolitan geography of the English monarchy - the subject of my talk this evening. -
London: Biography of a City
1 SYLLABUS LONDON: BIOGRAPHY OF A CITY Instructor: Dr Keith Surridge Contact Hrs: 45 Language of Instruction: English COURSE DESCRIPTION This course traces the growth and development of the city of London from its founding by the Romans to the end of the twentieth-century, and encompasses nearly 2000 years of history. Beginning with the city’s foundation by the Romans, the course will look at how London developed following the end of the Roman Empire, through its abandonment and revival under the Anglo-Saxons, its growing importance as a manufacturing and trading centre during the long medieval period; the changes wrought by the Reformation and fire during the reigns of the Tudors and Stuarts; the city’s massive growth during the eighteenth and nineteenth-centuries; and lastly, the effects of war, the loss of empire, and the post-war world during the twentieth-century. This course will outline the city’s expansion and its increasing significance in first England’s, and then Britain’s affairs. The themes of economic, social, cultural, political, military and religious life will be considered throughout. To complement the class lectures and discussions field trips will be made almost every week. COURSE OBJECTIVES By the end of the course students are expected to: • Know the main social and political aspects and chronology of London’s history. • Have developed an understanding of how London, its people and government have responded to both internal and external pressures. • Have demonstrated knowledge, analytical skills, and communication through essays, multiple-choice tests, an exam and a presentation. INSTRUCTIONAL METHODOLOGY The course will be taught through informal lectures/seminars during which students are invited to comment on, debate and discuss any aspects of the general lecture as I proceed.