The Desert of Wheat
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Winter Journal 2017 – Issue No. 13
GLAZE THREAD MURMUR No. 13 WINTER 2017 3Elements Review Issue No. 13 Winter 2017 3Elements Literary Review Born in 2013 PUBLISHED QUARTERLY Spring, summer, fall, and winter by 3Elements Review Phone: 847-920-7320 www.3ElementsReview.com This issue ©2017 by 3Elements Literary Review Typesetting Layout & Design Marlon Fowler Cover Photo Reflection by Katerina Pravdivaia Back Cover Mercurial Perspective by Brian Alvarado EDITOR-IN-CHIEF Mikaela Shea MANAGING EDITOR Megan Collins Senior Fiction Editor Nonfiction Editor Katherine Davis Kelly Roberts Fiction Editor Fiction Editor Poetry Editor Jen Corrigan Sarah Wylder Deshpande Elizabeth O'Connell-Thompson ©2017 by 3Elements Literary Review. All rights reserved by the respective authors in this publication. No part of this periodical may be reproduced without the consent of 3Elements Literary Review. The journal’s name and logo and the various titles and headings herein are trademarks of 3Elements Literary Review. The short stories and poems in this publication are works of fiction. Names, characters, places, and incidents are either the products of the authors’ imaginations or used ficticiously. Any resemblance to actual events or people, living or dead, is coincidental. Contents Contents Art Poetry 8 Black Boy Dreaming Kiarra Lynn Smith 9 The Gauntlet Devon Balwit 10 Thread, Glaze(d Doughnut), Murmur(ation of Swallows) Nancy Hathaway 11 Rumor of Tornado Susan Pittman 13 Thin Skinned Anita Gangi Balkun 12 My Mountain Laura Schaffer 14 Commonplace Cupboard Anita Gangi Balkun 24 The Hollowness of Breathing Joyce Zhou 29 #4 Ramsay Wise 26 Transformation Cristina Baptista 30 #5 Ramsay Wise 28 Awaiting the Miracle Alison Dyer 34 Reflection Katerina Pravdivaia 31 Neighborhood Watch Bryan Miller 44 Migration Brigitte Aflalo-Calderon 32 Beta Anna Lowe Weber 49 Daedalus Susan Yount 42 Nightwork Judith H. -
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin Text, Study Aids with Vocabulary, and Commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119 Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary Ingo Gildenhard https://www.openbookpublishers.com © 2018 Ingo Gildenhard The text of this work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author(s), but not in any way that suggests that they endorse you or your use of the work. Attribution should include the following information: Ingo Gildenhard, Cicero, Philippic 2, 44–50, 78–92, 100–119. Latin Text, Study Aids with Vocabulary, and Commentary. Cambridge, UK: Open Book Publishers, 2018. https://doi. org/10.11647/OBP.0156 Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/845#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www. -
On Modernity, Identity and White-Collar Boxing. Phd
From Rookie to Rocky? On Modernity, Identity and White-Collar Boxing Edward John Wright, BA (Hons), MSc, MA Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy. September, 2017 Abstract This thesis is the first sociological examination of white-collar boxing in the UK; a form of the sport particular to late modernity. Given this, the first research question asked is: what is white-collar boxing in this context? Further research questions pertain to social divisions and identity. White- collar boxing originally takes its name from the high social class of its practitioners in the USA, something which is not found in this study. White- collar boxing in and through this research is identified as a practice with a highly misleading title, given that those involved are not primarily from white-collar backgrounds. Rather than signifying the social class of practitioner, white-collar boxing is understood to pertain to a form of the sport in which complete beginners participate in an eight-week boxing course, in order to compete in a publicly-held, full-contact boxing match in a glamorous location in front of a large crowd. It is, thus, a condensed reproduction of the long-term career of the professional boxer, commodified for consumption by others. These courses are understood by those involved to be free in monetary terms, and undertaken to raise money for charity. As is evidenced in this research, neither is straightforwardly the case, and white-collar boxing can, instead, be understood as a philanthrocapitalist arrangement. The study involves ethnographic observation and interviews at a boxing club in the Midlands, as well as public weigh-ins and fight nights, to explore the complex interrelationships amongst class, gender and ethnicity to reveal the negotiation of identity in late modernity. -
Scheherazade ISSUE 6 2016
Scheherazade ISSUE 6 2016 Managing Editor Ivan Garcia Readers Mike Beck, Zachary Diaz, Marc Ferris, Justin Huang, Nicholas McCullough, PJ Schmidt, Stacey Tibayan Faculty Advisors Henry Marchand, Michelle Morneau Special Thanks for the Support of Rosa Arroyo Diane Boynton Michele Brock The Creative Writing Club of MPC The MPC Foundation Scheherazade Issue 6 CONTENTS Cover Photograph: Butterfly by Brandy Auel Creative Nonfiction Ghosts, a Memoir by PJ Schmidt ........................................................... 1 The Sleepover by Tanya Fadem ............................................................ 8 Short Fiction Geologic Time by Leslie Little ............................................................ 13 Mythic by Erika Salazar ........................................................................ 21 Renaissance by Emily Migliazzo........................................................ 40 Stir by Pam Schierer .............................................................................. 43 The Flea by Erik Fetler.......................................................................... 58 The Lonesome Death of Luke Davis by Colton Miller ................ 70 The Strange Chronicles of Francis Conney by J.T. Rethke ........ 83 Waiting by Russell Swartz .................................................................. 94 Wandering by Marc Ferris .................................................................. 99 Novel Excerpts Striver by David Olsen ........................................................................ 103 -
5. Calling for International Solidarity: Hanns Eisler’S Mass Songs in the Soviet Union
From Massenlieder to Massovaia Pesnia: Musical Exchanges between Communists and Socialists of Weimar Germany and the Early Soviet Union by Yana Alexandrovna Lowry Department of Music Duke University Date:_______________________ Approved: ___________________________ Bryan Gilliam, Supervisor ___________________________ Edna Andrews ___________________________ John Supko ___________________________ Jacqueline Waeber Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2014 i v ABSTRACT From Massenlieder to Massovaia Pesnia: Musical Exchanges between Communists and Socialists of Weimar Germany and the Early Soviet Union by Yana Alexandrovna Lowry Department of Music Duke University Date:_______________________ Approved: ___________________________ Bryan Gilliam, Supervisor ___________________________ Edna Andrews ___________________________ John Supko ___________________________ Jacqueline Waeber An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2014 Copyright by Yana Alexandrovna Lowry 2014 Abstract Group songs with direct political messages rose to enormous popularity during the interwar period (1918-1939), particularly in recently-defeated Germany and in the newly- established Soviet Union. This dissertation explores the musical relationship between these two troubled countries and aims to explain the similarities and differences in their approaches to collective singing. The discussion of the very complex and problematic relationship between the German left and the Soviet government sets the framework for the analysis of music. Beginning in late 1920s, as a result of Stalin’s abandonment of the international revolutionary cause, the divergences between the policies of the Soviet government and utopian aims of the German communist party can be traced in the musical propaganda of both countries. -
Bloomsbury Adult Catalog Fall 2020
BLOOMSBURY Fall 2020 September – December BLOOMSBURY PUBLISHING SEPTEMBER 2020 The Apology Eve Ensler From the bestselling author of The Vagina Monologues—a powerful, life-changing examination of abuse and atonement. Like millions of women, Eve Ensler has been waiting much of her lifetime for an apology. Sexually and physically abused by her father, Eve has struggled her whole life from this betrayal, longing for an honest reckoning from a man who is long dead. After years of work as an anti-violence activist, she decided she would wait no longer; an apology could be imagined, by her, for her, to her. The Apology, written by Eve from her father’s point of view in the words she longed to hear, attempts to transform the abuse she suffered with unflinching truthfulness, compassion, and an expansive vision for the future. Through The Apology, Eve has set out to provide a new way for herself and a BIOGRAPHY & AUTOBIOGRAPHY possible road for others so that survivors of abuse may finally envision how to / LITERARY be free. She grapples with questions she has sought answers to since she first Bloomsbury Publishing | 9/15/2020 9781635575118 | $16.00 / $22.00 Can. realized the impact of her father’s abuse on her life: How do we offer a doorway Trade Paperback | 128 pages rather than a locked cell? How do we move from humiliation to revelation, from 8.3 in H | 5.5 in W curtailing behavior to changing it, from condemning perpetrators to calling Other Available Formats: them to reckoning? What will it take for abusers to genuinely apologize? Hardcover ISBN: 9781635574388 Remarkable and original, The Apology is an acutely transformational look at how, from the wounds of sexual abuse, we can begin to reemerge and heal. -
The Faerie Queene Study Guide
The Faerie Queene Study Guide © 2018 eNotes.com, Inc. or its Licensors. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. Summary The Faerie Queene is a long epic poem that begins and ends with Christian affirmations. In it, Edmund Spenser draws on both Christian and classical themes, integrating the two traditions with references to contemporary politics and religion. The poem begins with a representation of holiness in book 1, and the Mutabilitie Cantos (first printed with the poem in 1609 after Spenser’s death) conclude with a prayer. Book 1 is identified as the Legend of the Knight of the Red Cross (or Saint George) in canto 2, verses 11-12. Red Cross, as an individual, is the Protestant Everyman, but as Saint George, historically England’s patron saint, he also represents the collective people of England. He is a pilgrim who hopes to achieve the virtue holiness, and for the reader his adventures illustrate the path to holiness. Red Cross’s overarching quest, as an individual, is to behold a vision of the New Jerusalem, but he also is engaged in a holy quest involving the lady Una, who represents the one true faith. To liberate Una’s parents, the king and queen, Adam and Eve, Red Cross must slay the dragon, who holds them prisoner. The dragon represents sin, the Spanish Armada, and the Beast of the Apocalypse, and when Red Cross defeats the dragon he is in effect restoring Eden. -
2011.08.12 Dissertation
Practices of Ecological Citizenship: Global Dreams for a Chinese Village by Shannon Kathleen May A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Anthropology in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Liu Xin, Chair Professor Harrison Fraker Professor Martin Jay Professor Aihwa Ong Professor Paul Rabinow Fall 2011 Copyright by Shannon Kathleen May 2011 Abstract Practices of Ecological Citizenship: Global Dreams for a Chinese Village by Shannon Kathleen May Doctor of Philosophy in Anthropology University of California, Berkeley Professor Liu Xin, Chair In a small rural village in the mountains of Northeastern China, a transnational assemblage is building an internationally lauded eco-city. Examining the global dreams for a green “sustainable community” in Huangbaiyu Village opens up a window on to the science of global warming and the ecological rationality to which it gives rise. Taking the site of Huangbaiyu not as a bounded physical location, but a nodal point through which multiple logics, values, and persons converge, I ask: What type of self and society do the structures of the eco-city shape through its spaces of inhabitance and systems of survival? The construction of an eco-city is itself more than a built environment; it is a physical manifestation of a system of values and a record of power. In the name of a shared community of fate, new assemblages of authority and practices of governance are emerging. As scientific models ground political discourse, the name through which authority to act upon a population is invoked is no longer only the state, but also the planet, in which every person has a vested interest and for which every person is responsible. -
Florida State University Libraries
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2017 The Laws of Fantasy Remix Matthew J. Dauphin Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE LAWS OF FANTASY REMIX By MATTHEW J. DAUPHIN A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2017 Matthew J. Dauphin defended this dissertation on March 29, 2017. The members of the supervisory committee were: Barry Faulk Professor Directing Dissertation Donna Marie Nudd University Representative Trinyan Mariano Committee Member Christina Parker-Flynn Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii To every teacher along my path who believed in me, encouraged me to reach for more, and withheld judgment when I failed, so I would not fear to try again. iii TABLE OF CONTENTS Abstract ............................................................................................................................................ v 1. AN INTRODUCTION TO FANTASY REMIX ...................................................................... 1 Fantasy Remix as a Technique of Resistance, Subversion, and Conformity ......................... 9 Morality, Justice, and the Symbols of Law: Abstract -
CONTEMPORARY COLLECTION Bolero Music by Maurice Ravel Video Link Choreography by Anatoly Emelianov
The Crown of Russian Ballet CONTEMPORARY COLLECTION Bolero Music by Maurice Ravel Video Link Choreography by Anatoly Emelianov. 10-12 dancers The premiere took place on February 10, 2011 in Queretaro (Mexico) And we are born from one, and we are similar to each other, and at first there is no difference between us. But over time, between us their are features of a completely different, incomprehensible nature , which grows into mistrust and irritation, eventually becoming a confrontation that ends in death. And this can all happen again ... Video Link Carmen Music by Bizet – Shchedrin - 40 min. 12-16 dancers Carmen Music by Bizet – Shchedrin - 40 min. 12-16 dancers Video Link “Carmen” by Georges Bizet. For almost a century and a half the image of Carmen irresistibly attracts many artists who embody it in verse and prose, in music and theatre, in painting and cinema. For the first time the plot about the most famous and passionate gypsy became a fact-art in 1845, when the French writer Prosper Merimee wrote his novel. A year later the young choreographer Marius Petipa created a one-act ballet “Carmen and Toreador” on stage at the Madrid Theatre, 29 years later one of the most famous opera masterpieces - “Carmen” of Georges Bizet appears. Since then, the image of the Spanish gypsy is inextricably linked with the music of the great Frenchman. In the XX century ballets using the score of Bizet, appeared regularly. Among the most famous are Carmen by Roland Petit, created by him in 1949 for Zizi Jeanmaire, and a 1971 performance in Stuttgart by John Cranko where Marcia Heide danced. -
The Hero's Adventure
THEHERO'S ADVENTURE Fwtlwrmore,we hauenot evento risk theadcJenture alone, f- tln heroesof all time hnvegone before us. The labyrinth is tharoughlyknown. We have only to follow thethread of the lwro path,and, wllere we had thoughtto find an abomination, we slwllfirrd a god, And wherewe had thoughtto slay another, we shall slay owselvel Where we had thoughtto trauel outwmd,we will cometo thecenter of our own existence.And wlvre we had thoughtrc be alone,we will be withall the twrW. -JosrrH CRNapsrLL MoYERS:\DUhy are there so many storiesof the hero in mythologyl cAMPBELL,Because that's what'sworth writing about. Evenin popular rcls, the main character is a hero or heroine rho h"r found or iorr" beyondthe normal rangeof achievementand experience.A hero who hasgiven his or her life to somethingbigger than oneself. YERS:soin all of thesecultures, whatever the localcostumethe hero be wearing,what is the deed? MPBELL:well, there are rwo typesof deed.one is the physicaldeed, ich the hero performsa courageousact in battle or saves'alife. The kind is the spiritual deed, in which the hero leams to experiencethe prmal range of human spiritual life and rhen comes 6ack with a FACING PAGE: usualhero adventurebegins with someone from whom something Martin L. King, Jr., r taken, or who feels there's something lacking in the .ro*"'i 1963. availableor permittedto the membersof his soCiety.This person off on a seriesof adventuresbeyond the ordinary, Alwo is sonvonewlwhas either to giwn hisarlwkfe what hasbeen lost or n to discoversome life-giving elixir. It's usually somethingbigger tlwn a goingand a retuming. -
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