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OTTOMAN GREECE and TURKEY Travels with William Page and Lady Ruthven OTTOMAN GREECE and TURKEY Travels with William Page and Lady Ruthven
karen taylor fine art OTTOMAN GREECE AND TURKEY Travels with William Page and Lady Ruthven OTTOMAN GREECE AND TURKEY Travels with William Page and Lady Ruthven Front cover: William Page, Temple of Olympian Zeus, Athens. Catalogue no. 6 Back cover: William Page, Temple of Cybele, Sardis. The drawings are available for viewing by appointment Catalogue no. 12 Inside front cover: William Page, The harbour baths, Ephesus. Catalogue no. 14 Inside back cover: William Page, Thrasyllos monument from the west. Catalogue no. 7 © KAREN TAYLOR FINE ART 2017 karen taylor fine art +44 (0)20 8743 9207 +44 (0)7881 581275 [email protected] www.karentaylorfineart.com KAREN TAYLOR FINE ART I am delighted to present this recently rediscovered group of drawings by William Page, with whose work I first became familiar in the 1980s when I built up the Sotheby’s Greek and Turkish topographical sales. Little is known about Page’s life, but the freshness of his approach impressed me, as did his evident pleasure in drawing ruins. His relationship with his patron and probable pupil, Mary Hamilton Campbell, Lady Ruthven, an amateur archaeologist who appears to have taken him to Greece, was previously unknown, as was Page’s involvement with her brother William Campbell, with whom he travelled to Turkey. There is more work to be done on Page, but in the meantime I hope this catalogue will add a little to our understanding of the Enlightenment fascination with classical Greece. My own longstanding interest in the Ottoman period remains undimmed, and it has been a pleasure to revisit it. -
Parthenon 1 Parthenon
Parthenon 1 Parthenon Parthenon Παρθενών (Greek) The Parthenon Location within Greece Athens central General information Type Greek Temple Architectural style Classical Location Athens, Greece Coordinates 37°58′12.9″N 23°43′20.89″E Current tenants Museum [1] [2] Construction started 447 BC [1] [2] Completed 432 BC Height 13.72 m (45.0 ft) Technical details Size 69.5 by 30.9 m (228 by 101 ft) Other dimensions Cella: 29.8 by 19.2 m (98 by 63 ft) Design and construction Owner Greek government Architect Iktinos, Kallikrates Other designers Phidias (sculptor) The Parthenon (Ancient Greek: Παρθενών) is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their patron. Its construction began in 447 BC and was completed in 438 BC, although decorations of the Parthenon continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an Parthenon 2 enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[3] The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury. -
British Neoclassicism COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
702132/702835 European Architecture B British Neoclassicism COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice authenticity reductionism NEOCLASSICISM sublimity neoclassicism ROMANTIC CLASSICISM innovation/radicalism ARCHAEOLOGYARCHAEOLOGY ARCHAEOLOGICAL PUBLICATIONS Robert Wood, Ruins of Palmyra,1753 Robert Wood, Ruins of Balbec,1757 J D Leroy, Les Ruines des plus Beaux Monuments de la Grèce, 1758 James Stuart & Nicholas Revett, Antiquities of Athens, I, 1762 James Stuart & Nicholas Revett, Antiquities of Athens, II, 1790 Robert Adam, Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalmatia, 1764 Richard Chandler, Ionian Antiquities, I, 1769 Richard Chandler, Ionian Antiquities, II, 1797 Temple of Apollo, Stourhead, by Henry Flitcroft, 1765 the ‘Temple of Venus’ at Baalbek, c AD 273 George Mott & S S Aall, Follies and Pleasure Pavilions (London 1989), p 102; Robert Wood, The Ruins of Balbec, otherwise Heliopolis in Coelosyria (London 1757) THETHE SUBLIMESUBLIME 'The artist moved by the grandeur of giant statue of Ancient Ruins', by Henry Fuseli, 1778-9 Constantine, c 313 Toman, Neoclassicism, p 11 MUAS 12,600 Castel Sant' Angelo, Rome, -
NOTES and DOCUMENTS William Tenns Other Statue
NOTES AND DOCUMENTS William Tenns Other Statue N OCTOBER 2, 1967, Sir Francis Dashwood, Bt. of West Wycombe Park, Buckinghamshire, England, wrote the o following letter to "The Curator/' Philadelphia Museum: There is a statue of William Penn on top of your City Hall. I believe it originally came from the roof of Sawmill House, a building erected in about 1770 in the Park here. The building was probably the work of Nicholas Revett, who was employed by Sir Francis Dashwood, Lord le Despencer. The statue was removed by Repton1 in about 1801, when it went to Stoke Park near Slough. From there, I believe it went to Phila- delphia in 1806. I wonder if you could confirm that this information is correct? In due course this letter was referred to the writer and Sir Francis was informed that Penn's statue on City Hall is the work of Alex- ander Milne Calder, that it measures thirty-seven feet in height and weighs 53,348 pounds, and was raised in sections to its present position in November, 1894, and thus could have nothing to do with Sawmill House at West Wycombe Park. After casting about to locate another statue of William Penn, the one on the grounds of the Pennsylvania Hospital came to mind and this proved to be the statue from Sawmill House. While much infor- mation concerning this statue has been published, certain corrections and additions to its history are in order. John Fanning Watson in his ^Annals of Philadelphia recorded that "The statue of Penn in the Pennsylvania Hospital must be regarded as a very accurate representation. -
For the Georgian Group Journal, Volume 23, 2015 Cavendish
For The Georgian Group Journal, volume 23, 2015 Cavendish Square and Spencer House: Neo-classicism, opportunity and nostalgia by Peter Guillery Survey of London, The Bartlett School of Architecture University College London c/o English Heritage, 1 Waterhouse Square, 138–142 Holborn London EC1N 2ST telephone: 020 7973 3634 or 07990 717503 email: [email protected] Abstract The Society of Dilettanti planned a temple-fronted academy of arts on the north side of Cavendish Square in the early 1750s. It can now be shown that stone bought and cut for this building was used in the Green Park elevation of Spencer House (1756–9), shedding new light on design there. The Cavendish Square site stayed empty until speculative pairs of houses were built in 1768–70. Their temple-fronted stone façades, hitherto explained as incorporating stone from the 1750s, must now be understood not as the result of salvage, but as a conscious echo of the abandoned academy project. 1 Sixty years ago (Sir) John Summerson explained the grandeur of the speculatively built houses of 1768–70 on Cavendish Square’s north side as reflecting the Society of Dilettanti’s plans of the early 1750s for an academy of arts on the site. He suggested that stone intended for the academy was used in the façades, and mentioned this in subsequent editions of Georgian London. He also noticed similarities between the houses and Spencer House (1756–9).1 Research carried out for the Survey of London makes it possible now to recount more fully what happened, and how Spencer House and Cavendish Square are linked. -
Observations on the Intended Reconstruction of the Parthenon on Calton Hill
Marc Fehlmann A Building from which Derived "All that is Good": Observations on the Intended Reconstruction of the Parthenon on Calton Hill Nineteenth-Century Art Worldwide 4, no. 3 (Autumn 2005) Citation: Marc Fehlmann, “A Building from which Derived ‘All that is Good’: Observations on the Intended Reconstruction of the Parthenon on Calton Hill,” Nineteenth-Century Art Worldwide 4, no. 3 (Autumn 2005), http://www.19thc-artworldwide.org/autumn05/207-a- building-from-which-derived-qall-that-is-goodq-observations-on-the-intended-reconstruction- of-the-parthenon-on-calton-hill. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. ©2005 Nineteenth-Century Art Worldwide Fehlmann: A Building from which Derived "All that is Good" Nineteenth-Century Art Worldwide 4, no. 3 (Autumn 2005) A Building from which Derived "All that is Good": Observations on the Intended Reconstruction of the Parthenon on Calton Hill by Marc Fehlmann When, in 1971, the late Sir Nikolaus Pevsner mentioned the uncompleted National Monument at Edinburgh in his seminal work A History of Building Types, he noticed that it had "acquired a power to move which in its complete state it could not have had."[1] In spite of this "moving" quality, this building has as yet not garnered much attention within a wider scholarly debate. Designed by Charles Robert Cockerell in the 1820's on the summit of Calton Hill to house the mortal remains of those who had fallen in the Napoleonic Wars, it ended as an odd ruin with only part of the stylobate, twelve columns and their architrave at the West end completed in its Craigleith stone (fig. -
The Garter Room at Stowe House’, the Georgian Group Journal, Vol
Michael Bevington, ‘The Garter Room at Stowe House’, The Georgian Group Journal, Vol. XV, 2006, pp. 140–158 TEXT © THE AUTHORS 2006 THE GARTER ROOM AT STOWE HOUSE MICHAEL BEVINGTON he Garter Room at Stowe House was described as the Ball Room and subsequently as the large Tby Michael Gibbon as ‘following, or rather Library, which led to a three-room apartment, which blazing, the Neo-classical trail’. This article will show Lady Newdigate noted as all ‘newly built’ in July that its shell was built by Lord Cobham, perhaps to . On the western side the answering gallery was the design of Capability Brown, before , and that known as the State Gallery and subsequently as the the plan itself was unique. It was completed for Earl State Dining Room. Next west was the State Temple, mainly in , to a design by John Hobcraft, Dressing Room, and the State Bedchamber was at perhaps advised by Giovanni-Battista Borra. Its the western end of the main enfilade. In Lady detailed decoration, however, was taken from newly Newdigate was told by ‘the person who shewd the documented Hellenistic buildings in the near east, house’ that this room was to be ‘a prodigious large especially the Temple of the Sun at Palmyra. Borra’s bedchamber … in which the bed is to be raised drawings of this building were published in the first upon steps’, intended ‘for any of the Royal Family, if of Robert Wood’s two famous books, The Ruins of ever they should do my Lord the honour of a visit.’ Palmyra otherwise Tedmor in the Desart , in . -
George Washington Wilson (1823-1893)
George Washington Wilson (1823-1893) Photographically innovative and entrepreneurial in business, Wilson was the most notable, successful and prolific stereo-photographer in Scotland and perhaps the entire UK. Having trained in Edinburgh as an artist, he worked as a miniature portrait painter and art teacher in Aberdeen from 1848. He started experimenting with photography in 1852, probably realising that it could potentially supplant his previous profession. In a short-lived partnership with Hay, he first exhibited stereoviews in 1853 at the Aberdeen Mechanics' Institution. A commission to photograph the construction of Balmoral Castle in 1854-55 led to a long royal association. His photos were used in the form of engravings for Queen Victoria's popular book “My Highland Journal”. His best-selling carte-de-visite of her on a pony held by Brown (judiciously cropped to remove other superfluous retainers) fuelled the gossip surrounding this relationship. His portrait studio in Aberdeen provided steady cashflow and in 1857, to promote his studio, he produced a print grouping together famous Aberdonians, one of the earliest ever examples of a photo-collage. He soon recognised that stereoviews were the key to prosperity and by 1863 had a catalogue of over 400 views from all across the UK, selling them in a wide variety of outlets including railway kiosks and inside cathedrals. His artistic training helped him compose picturesque and beautiful images, but he was also an innovative technician, experimenting on improving photographic techniques, chemistry and apparatus, working closely with camera and lens manufacturers. He was among the very first to publish “instantaneous” views, ranging from a bustling Princes Street, Edinburgh to a charming view of children paddling in the sea, both dating from 1859. -
Royal-High-School-Letter.Pdf
Longmore House Salisbury Place Edinburgh By E-mail EH9 1SH Planning and Building Standards City of Edinburgh Council Direct Line: 0131 668 8089 Waverley Court Switchboard: 0131 668 8600 4 East Market Street [email protected] Edinburgh EH8 8BG Our ref: AMN/16/LA [email protected] Our Case ID: 201503563 Your ref: 15/03989/FUL & 15/03990/LBC & EIA-EDB053 30 September 2015 Dear Ms Parkes Town And Country Planning (Development Management Procedure) (Scotland) Regulations 2013 Proposed Calton Hill Hotel Development - Former Royal High School, 5-7 Regent Road, Edinburgh Thank you for your consultation which we received on 7 September. You have consulted us because you believe the development may affect: Setting of Category A Listed buildings: o Old Royal High School o St Andrew’s House o Regent Terrace o Burns’ Monument o Monuments on Calton Hill Setting of Scheduled Monuments: Holyrood Palace, Abbey and Gardens New Town Gardens – Historic Gardens/ Designed Landscape – Inventory Site (Calton Hill & Holyrood Palace Gardens & Regent Terrace Gardens) Outstanding Universal Value [‘OUV’] of Edinburgh Old and New Towns World Heritage Site [‘WHS’] In addition this letter responds to the associated Listed Building Consent application (15/03990/LBC) and the Environmental Statement (EIA-EDB053). We have previously objected to the planning permission affecting some of the above heritage assets because we do not consider it is possible to deliver a hotel of this scale on the site without unacceptable harm to the historic environment (our letter dated 17 September). This letter expands on that response and confirms both that we object to the planning application and that we cannot support the application for listed building consent. -
Must Visit Attractions in Edinburgh"
"Must Visit Attractions in Edinburgh" Gecreëerd door : Cityseeker 12 Locaties in uw favorieten Royal Mile "The Famous Scots Mile" The core of Edinburgh's historic Old Town, the Royal Mile begins at Edinburgh Castle, making its way down the volcanic hill to the Palace of Holyroodhouse. Along the way are numerous historic icons and modern- day attractions, hidden gems tucked away down narrow closes interlinked with stairways that lead to an underground maze of wonders. From the by liakada-web mysteries of the Real Mary King Close and the panoramic views afforded by the Camera Obscura to the Scottish Whiskey Experience and the Parliament Buildings, both old and new, the Royal Mile encompasses the heritage of Scotland in a single Scots mile. The Royal Mile is actually made up of four successive streets, namely, Castlehill, Lawnmarket, High Street and Cannongate, lined with restaurants and boutiques that offer regional specialties. Other attractions include the People's Story Museum, St. Giles Cathedral and the Museum of Childhood. A visit to Edinburgh is simply incomplete without a walk down the Royal Mile. +44 131 473 3666 (Tourist Information) edinburgh.org/discover/explore- Royal Mile, Edinburg areas/the-royal-mile/ Saint Giles' Cathedral "Ancient Scottish History & Architecture" An outstanding exemplar of Gothic architecture, this cathedral looms large above Edinburgh's Old Town, calling attention with its grand crown steeple. The church is steeped in a long and storied history that began nearly a millennia ago. Although there has been a church on this site since 1854, the earliest remains to be found in St Giles' Cathedral are four pillars by Carlos Delgado which date from about 1120. -
Gennadeion Notes, I
GENNADEION NOTES, I (PLATES 119-124) T nHE Gennadius Library, though it has been an integral part of the American School of Classical Studies since 1926, has too often remained terra incognita, or parum cognita, to many of the School's members and visitors. The reasons are not far to seek. As a collector and bibliophile,John Gennadiustook for his subject Greece, Greece in all its aspects and of all periods, classical, medieval and modern alike. Much of the collection, therefore, lies outside the normal range of classical studies. More- over, the classical section, rich though it is in certain restricted areas, notably in Renaissance editions of Greek authors and in early archaeological publications, is far from adequate for most types of research. By deliberate policy, to avoid unnecessary duplication with the main library of the School, new accessions are made almost en- tirely in the post-classical fields, and the classical portion of Gennadius' collection remains substantially as he left it. Nevertheless, it 'contains many rare items of great value and interest to the student of antiquity, and it seems appropriate, as occasion offers, to call some of these to the attention of classicists through the pages of Hesperia. The followingInote is presented, optimistically, as the first of a proposed series. I. ENGLISH ARCHAEOLOGICAL DRAWINGS OF THE XVIIITmI CENTURY' The Antiquities of Athens, measured and delineated by James Stuart, F.R.S. and F.S.A., and Nicholas Revett, painters and architects: Volume the first was printed in London in 1762. The list of subscribers, headed by the King, is long and impressive, running to five large folio pages in double columns. -
Scottish Ecological Design Association
© Scottish Ecological Design Association - www.seda.uk.net - The Scottish Ecological Design Association is a registered charity: SC020799 Designed by dotrun.co.uk S START WAVERLY STATION Start at Waverley Station and head up Waverley Steps to Princess Street, turn right and head up Calton Hill. 1 CALTON HILL Calton Hill is home the Scottish Government’s offices in St Andrew’s House on the steep southern slope of the hill – the Scottish Parliament Building and other notable buildings (Holyrood Palace) lying near the foot of the hill. The hill is also the location of several iconic monuments and buildings: the National Monument, the Nelson Monument, the Dugald Stewart Monument, the old Royal High School, the Robert Burns Monument, the Political Martyrs’ Monument and the City Observatory. The future of the derelict Old Royal High School is currently under debate. Rival proposals of a hotel by Hoskins Architects and a music school by Richard Murphy Architects have ignited fierce debate. Hopefully one of these proposals will give this impressive building a new lease of life. Collective Architecture has undertaken conservation work on the dome atop Calton Hill, enabling the structure to be opened to the public once again for art exhibitions and performances. The A-listed building is currently home to Collective gallery. From the summit of Calton Hill on a clear day you can see the wind turbines in Fife, contributing to the high percentage of renewable energy generated in Scotland. Also visible is the Scottish Parliament which achieved a BREEAM ‘Excellent’ rating when it was opened. It is heated by a combined heat and power plant and has 40m2 of solar panels.