Gennadeion Notes, I
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OTTOMAN GREECE and TURKEY Travels with William Page and Lady Ruthven OTTOMAN GREECE and TURKEY Travels with William Page and Lady Ruthven
karen taylor fine art OTTOMAN GREECE AND TURKEY Travels with William Page and Lady Ruthven OTTOMAN GREECE AND TURKEY Travels with William Page and Lady Ruthven Front cover: William Page, Temple of Olympian Zeus, Athens. Catalogue no. 6 Back cover: William Page, Temple of Cybele, Sardis. The drawings are available for viewing by appointment Catalogue no. 12 Inside front cover: William Page, The harbour baths, Ephesus. Catalogue no. 14 Inside back cover: William Page, Thrasyllos monument from the west. Catalogue no. 7 © KAREN TAYLOR FINE ART 2017 karen taylor fine art +44 (0)20 8743 9207 +44 (0)7881 581275 [email protected] www.karentaylorfineart.com KAREN TAYLOR FINE ART I am delighted to present this recently rediscovered group of drawings by William Page, with whose work I first became familiar in the 1980s when I built up the Sotheby’s Greek and Turkish topographical sales. Little is known about Page’s life, but the freshness of his approach impressed me, as did his evident pleasure in drawing ruins. His relationship with his patron and probable pupil, Mary Hamilton Campbell, Lady Ruthven, an amateur archaeologist who appears to have taken him to Greece, was previously unknown, as was Page’s involvement with her brother William Campbell, with whom he travelled to Turkey. There is more work to be done on Page, but in the meantime I hope this catalogue will add a little to our understanding of the Enlightenment fascination with classical Greece. My own longstanding interest in the Ottoman period remains undimmed, and it has been a pleasure to revisit it. -
Parthenon 1 Parthenon
Parthenon 1 Parthenon Parthenon Παρθενών (Greek) The Parthenon Location within Greece Athens central General information Type Greek Temple Architectural style Classical Location Athens, Greece Coordinates 37°58′12.9″N 23°43′20.89″E Current tenants Museum [1] [2] Construction started 447 BC [1] [2] Completed 432 BC Height 13.72 m (45.0 ft) Technical details Size 69.5 by 30.9 m (228 by 101 ft) Other dimensions Cella: 29.8 by 19.2 m (98 by 63 ft) Design and construction Owner Greek government Architect Iktinos, Kallikrates Other designers Phidias (sculptor) The Parthenon (Ancient Greek: Παρθενών) is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their patron. Its construction began in 447 BC and was completed in 438 BC, although decorations of the Parthenon continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered to be the culmination of the development of the Doric order. Its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an Parthenon 2 enduring symbol of Ancient Greece and of Athenian democracy and one of the world's greatest cultural monuments. The Greek Ministry of Culture is currently carrying out a program of selective restoration and reconstruction to ensure the stability of the partially ruined structure.[3] The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC. Like most Greek temples, the Parthenon was used as a treasury. -
HCS — History of Classical Scholarship
ISSN: 2632-4091 History of Classical Scholarship www.hcsjournal.org ISSUE 1 (2019) Dedication page for the Historiae by Herodotus, printed at Venice, 1494 The publication of this journal has been co-funded by the Department of Humanities of Ca’ Foscari University of Venice and the School of History, Classics and Archaeology of Newcastle University Editors Lorenzo CALVELLI Federico SANTANGELO (Venezia) (Newcastle) Editorial Board Luciano CANFORA Marc MAYER (Bari) (Barcelona) Jo-Marie CLAASSEN Laura MECELLA (Stellenbosch) (Milano) Massimiliano DI FAZIO Leandro POLVERINI (Pavia) (Roma) Patricia FORTINI BROWN Stefan REBENICH (Princeton) (Bern) Helena GIMENO PASCUAL Ronald RIDLEY (Alcalá de Henares) (Melbourne) Anthony GRAFTON Michael SQUIRE (Princeton) (London) Judith P. HALLETT William STENHOUSE (College Park, Maryland) (New York) Katherine HARLOE Christopher STRAY (Reading) (Swansea) Jill KRAYE Daniela SUMMA (London) (Berlin) Arnaldo MARCONE Ginette VAGENHEIM (Roma) (Rouen) Copy-editing & Design Thilo RISING (Newcastle) History of Classical Scholarship Issue () TABLE OF CONTENTS LORENZO CALVELLI, FEDERICO SANTANGELO A New Journal: Contents, Methods, Perspectives i–iv GERARD GONZÁLEZ GERMAIN Conrad Peutinger, Reader of Inscriptions: A Note on the Rediscovery of His Copy of the Epigrammata Antiquae Urbis (Rome, ) – GINETTE VAGENHEIM L’épitaphe comme exemplum virtutis dans les macrobies des Antichi eroi et huomini illustri de Pirro Ligorio ( c.–) – MASSIMILIANO DI FAZIO Gli Etruschi nella cultura popolare italiana del XIX secolo. Le indagini di Charles G. Leland – JUDITH P. HALLETT The Legacy of the Drunken Duchess: Grace Harriet Macurdy, Barbara McManus and Classics at Vassar College, – – LUCIANO CANFORA La lettera di Catilina: Norden, Marchesi, Syme – CHRISTOPHER STRAY The Glory and the Grandeur: John Clarke Stobart and the Defence of High Culture in a Democratic Age – ILSE HILBOLD Jules Marouzeau and L’Année philologique: The Genesis of a Reform in Classical Bibliography – BEN CARTLIDGE E.R. -
Sum04 News FINAL.Indd
N E W S L E T T E R O F T H E A M E R I C A N S C H O O L O F C L A S S I C A L S T U D I E S AT AT H E N S ákoueákoueSummer 2004, No. 52 The Olympic Torch passes through the Agora Excavations, page 2 Photo by Craig Mauzy. IN THIS ISSUE: Corinth Set for a Facelift 3 Acropolis Photos Exhibited 4 New Appointments, Members Announced 4 Thessaloniki Conference 5 Nelson Joins Staff 5 Student Reports: Theater in Byzantium, Foundation Rituals, and the Greek Stoa 6 Cotsen Hall Near Ready 7 Wiener Lab: Shorelines of the Greek Islands, Phytolith Analysis, Animal Bones from Limenaria 14 Archaeo- logical Clippings Archive Revived 18 INSERT: Gennadeion Launches Medieval Greek Program G1 New Acquisition on Astronomy G1 Kapetanakis Archive G2 “Boegehold Pipeline” Completed G3 Kalligas Leaves Director’s Post G3 Fermor Honored G4 ákoue! Photo: Catherine deG. Vanderpool Clockwise from top: Plain of Marathon, August 27, 2004: Men’s canoeing singles final in the Schinias Rowing Center; Cyclists lean into the turn from Souidias to Gennadeion Streets, Men’s Road Race, August 14; Olympic Stadium architect Santiago Calatrava’s pedestrian bridge at Katehaki; Statue of Photo: James Sickinger “The Runner” by sculptor Kostas Varotsos gets a thorough cleaning. Photo: Loeta Tyree Photo: Loeta Tyree AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS The Olympics Come, and Go 54 Souidias Street, GR-106 76 Athens, Greece 6–8 Charlton Street, Princeton, NJ 08540-5232 Student Associate Members Samantha and modernized public transportation sys- Martin and Antonia Stamos donned blue, tem—seemed very ancient, and very Greek. -
British Neoclassicism COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
702132/702835 European Architecture B British Neoclassicism COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice authenticity reductionism NEOCLASSICISM sublimity neoclassicism ROMANTIC CLASSICISM innovation/radicalism ARCHAEOLOGYARCHAEOLOGY ARCHAEOLOGICAL PUBLICATIONS Robert Wood, Ruins of Palmyra,1753 Robert Wood, Ruins of Balbec,1757 J D Leroy, Les Ruines des plus Beaux Monuments de la Grèce, 1758 James Stuart & Nicholas Revett, Antiquities of Athens, I, 1762 James Stuart & Nicholas Revett, Antiquities of Athens, II, 1790 Robert Adam, Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalmatia, 1764 Richard Chandler, Ionian Antiquities, I, 1769 Richard Chandler, Ionian Antiquities, II, 1797 Temple of Apollo, Stourhead, by Henry Flitcroft, 1765 the ‘Temple of Venus’ at Baalbek, c AD 273 George Mott & S S Aall, Follies and Pleasure Pavilions (London 1989), p 102; Robert Wood, The Ruins of Balbec, otherwise Heliopolis in Coelosyria (London 1757) THETHE SUBLIMESUBLIME 'The artist moved by the grandeur of giant statue of Ancient Ruins', by Henry Fuseli, 1778-9 Constantine, c 313 Toman, Neoclassicism, p 11 MUAS 12,600 Castel Sant' Angelo, Rome, -
Ascsa Ar 56 (1936-1937)
11f AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS Fifty-Sixth Annual Report 1936-1937 Fifty-Seventh Annual Report 1937·1938 Fifty-Eighth Annual Report 1938-1939 AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS FOUNDED 1881 Incorporated under the Laws of Massachusetts, 1886 I I, Fifty-Sixth Annual Report 1936-1937 Fifty-Seventh Annual Report 1937-1938 Fifty-Eighth Annual Report 1938-1939 t' ARTICLES OF INCORPORATION PREFACE COMMONWEALTH OF MASSACHUSETTS BE IT KNOWN THAT WHEREAS James R. Lowell, T. D. Woolsey, Charles Eliot The Annual Reports of the Managing Committee of the American School of Norton, William M. Sloane, B. L. Gildersleeve, William W. Goodwin, Henry Drisler, Classical Studies at Athens have been published as follows: Frederic J. de Peyster, John Williams White, Henry G. Marquand and Martin Brim Reports 1 (1881-1882) -15 (1895-1896) were published by the Managing mer, have associated themselves with the intention of forming a corporation under Committee of the School. (The first, second, and third annual reports were re the name of the printed in 1886 and published in one pamphlet.) Reports 16 (1896-1897) -27 (1907-1908) were printed in the American journal of Archaeology, 2nd series, Vols. I-XII; usually, but not always, as part of TRUSTEES OF THE AMERICAN SCHOOL OF CLASSICAL STUDIES a supplement. AT ATHENS, Reports 28 ( 1908-1909) -47 ( 1927-1928) were printed in the Bulletins of The for the purpose of the establishment and maintenance of a school of classical studies Archaeological Institute of America, Vols. I-XIX (Vol. II contains no report). at Athens, in Greece, for American students, and have complied with the provisions In 1928 the Institute ceased to publish these Bulletins and for eleven years, of the Statutes of this Commonwealth in such case made and provided, as appears 1928-1938, there were no published reports of the Managing Committee. -
The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): an Exploration Into the Masonic and Occult Imagination of the Late Enlightenment
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2003 The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Terrance Gerard Galvin University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Architecture Commons, European History Commons, Social and Behavioral Sciences Commons, and the Theory and Criticism Commons Recommended Citation Galvin, Terrance Gerard, "The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment" (2003). Publicly Accessible Penn Dissertations. 996. https://repository.upenn.edu/edissertations/996 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/996 For more information, please contact [email protected]. The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Abstract In examining select works of English architects Joseph Michael Gandy and Sir John Soane, this dissertation is intended to bring to light several important parallels between architectural theory and freemasonry during the late Enlightenment. Both architects developed architectural theories regarding the universal origins of architecture in an attempt to establish order as well as transcend the emerging historicism of the early nineteenth century. There are strong parallels between Soane's use of architectural narrative and his discussion of architectural 'model' in relation to Gandy's understanding of 'trans-historical' architecture. The primary textual sources discussed in this thesis include Soane's Lectures on Architecture, delivered at the Royal Academy from 1809 to 1836, and Gandy's unpublished treatise entitled the Art, Philosophy, and Science of Architecture, circa 1826. -
NOTES and DOCUMENTS William Tenns Other Statue
NOTES AND DOCUMENTS William Tenns Other Statue N OCTOBER 2, 1967, Sir Francis Dashwood, Bt. of West Wycombe Park, Buckinghamshire, England, wrote the o following letter to "The Curator/' Philadelphia Museum: There is a statue of William Penn on top of your City Hall. I believe it originally came from the roof of Sawmill House, a building erected in about 1770 in the Park here. The building was probably the work of Nicholas Revett, who was employed by Sir Francis Dashwood, Lord le Despencer. The statue was removed by Repton1 in about 1801, when it went to Stoke Park near Slough. From there, I believe it went to Phila- delphia in 1806. I wonder if you could confirm that this information is correct? In due course this letter was referred to the writer and Sir Francis was informed that Penn's statue on City Hall is the work of Alex- ander Milne Calder, that it measures thirty-seven feet in height and weighs 53,348 pounds, and was raised in sections to its present position in November, 1894, and thus could have nothing to do with Sawmill House at West Wycombe Park. After casting about to locate another statue of William Penn, the one on the grounds of the Pennsylvania Hospital came to mind and this proved to be the statue from Sawmill House. While much infor- mation concerning this statue has been published, certain corrections and additions to its history are in order. John Fanning Watson in his ^Annals of Philadelphia recorded that "The statue of Penn in the Pennsylvania Hospital must be regarded as a very accurate representation. -
American School of Classical Studies at Athens Newsletter Index 1977-2012 the Index Is Geared Toward Subjects, Sites, and Major
American School of Classical Studies at Athens Newsletter Index 1977-2012 The index is geared toward subjects, sites, and major figures in the history of the School, and only the major subject of an article. Not every individual has a cross-entry: look for subject and site, first—entries that will tend to be more complete. Note: The symbol (F) next to an entry signifies the presence of a photograph of the subject. S = Spring [occasionally, Summer] Issue; F = Fall Issue; and W= Winter Issue, followed by the year and page number. Parentheses within subentries surround subsubentries, which would otherwise be indented and consume more space; this level of entry is separated by commas rather than semi-colons. When in doubt in a jungle of parentheses, refer to the right of the last semi-colon for the relevant subhead. Where this method becomes less effective, e.g., at “mega”-entries like the Gennadeion, typesetting devices like boldface and indentation have been added. Abbe, Mark (Wiener Travel Grant recipient): on roman sculpture in Corinth F10- 24 (F) Academy of Athens: admits H. Thompson F80-1 (F); gold medal to ASCSA S87- 4 (F) Acrocorinth: annual meeting report (R. Stroud) S88-5; sanctuary of Demeter and Persephone S88-5 (F). See also Corinth Acropolis (Athens): anniversary (300th) of bombardment observed F87-12; conservation measures, Erechtheion and Parthenon F84-1 (F), F88-7 (F), F91- 5 (F); exploration work of J.C. Wright S79-14 (F); Propylaia study, publication of S92-3 (F); reconstruction efforts, Parthenon (K.A. Schwab) S93-5 (F); restoration photos displayed at Fairfield University S04-4 (F);Temple of Athena Nike S99-5 (F) Adkins, Evelyn (Jameson Fellow): on school experience F11-13 Adossides, Alexander: tribute to S84-13 Aegean Fellows program (ARIT-ASCSA) S02-12 (F) Aesop’s Fables postcards: F87-15 After-Tea-Talks: description and ‘79 schedule F79-5; ‘80-‘81 report (P. -
Constructions of Childhood on the Funerary Monuments of Roman Athens Grizelda Mcclelland Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Summer 8-26-2013 Constructions of Childhood on the Funerary Monuments of Roman Athens Grizelda McClelland Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation McClelland, Grizelda, "Constructions of Childhood on the Funerary Monuments of Roman Athens" (2013). All Theses and Dissertations (ETDs). 1150. https://openscholarship.wustl.edu/etd/1150 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Classics Department of Art History and Archaeology Dissertation Examination Committee: Susan I. Rotroff, Chair Wendy Love Anderson William Bubelis Robert D. Lamberton George Pepe Sarantis Symeonoglou Constructions of Childhood on the Funerary Monuments of Roman Athens by Grizelda D. McClelland A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 2013 St. Louis, Missouri © 2013, Grizelda Dunn McClelland Table of Contents Figures ............................................................................................................................... -
Ascsa Ar 58 (1938-1939)
~- - ~, ,I AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS I I Fifty-Sixth Annual Report 1936-1937 Fifty-Seventh Annual R eport 1937-1938 Fifty-Eighth Annual Report 1938-1939 ~'========-!~ AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS FOUNDED 1881 Incorporated under the Laws of Massachusetts, 1886 Fifty-Sixth Annual Report 1936-1937 Fifty-Seventh Annual Report 1937-1938 Fifty-Eighth Annual Report 1938-1939 ARTICLES OF INCORPORATION PREFACE COMMONWEALTH OF MASSACHUSETTS BE IT KNowN THAT WHEREAS James R. Lowell, T. D. Woolsey, Charles Eliot The Annual Reporcs of the Managing Committee of the American School of Norton, William M. Sloane, B. L. Gildersleeve, William W. Goodwin, Henry Drisler, Classical Studies at Athens have been published as follows: Frederic J. de Peyster, John Williams White, Henry G. Marquand and Martin Brim Reports 1 (1881-1882) -15 (1895-1896) were published by the Managing mer, have associated themselves with the intention of forming a corporation under Committee of the School. (The first, second, and third annual reports were re the name of the printed in 1886 and published in one pamphlet.) Reports 16 (1896-1897) -27 (1907-1908) were printed in the American Journal of Archaeology, 2nd series, Vols. I-XII; usually, but not always, as part of TRUSTEES OF THE AMERICAN SCHOOL OF CLASSICAL STUDIES a supplement. AT ATHENS, Reports 28 ( 1908-1909) -47 ( 1927-1928) were printed in the Bulletins of The for the purpose of the establishment and maintenance of a school of classical studies Archaeological Institute of America, Vols. I-XIX (Vol. II contains no report). at Athens, in Greece, for American students, and have complied with the provisions In 1928 the Institute ceased to publish these Bulletins and for eleven years, of the Statutes of this Commonwealth in such case made and provided, as appears 1928-1938, there were no publishe.d reports of the Managing Committee. -
For the Georgian Group Journal, Volume 23, 2015 Cavendish
For The Georgian Group Journal, volume 23, 2015 Cavendish Square and Spencer House: Neo-classicism, opportunity and nostalgia by Peter Guillery Survey of London, The Bartlett School of Architecture University College London c/o English Heritage, 1 Waterhouse Square, 138–142 Holborn London EC1N 2ST telephone: 020 7973 3634 or 07990 717503 email: [email protected] Abstract The Society of Dilettanti planned a temple-fronted academy of arts on the north side of Cavendish Square in the early 1750s. It can now be shown that stone bought and cut for this building was used in the Green Park elevation of Spencer House (1756–9), shedding new light on design there. The Cavendish Square site stayed empty until speculative pairs of houses were built in 1768–70. Their temple-fronted stone façades, hitherto explained as incorporating stone from the 1750s, must now be understood not as the result of salvage, but as a conscious echo of the abandoned academy project. 1 Sixty years ago (Sir) John Summerson explained the grandeur of the speculatively built houses of 1768–70 on Cavendish Square’s north side as reflecting the Society of Dilettanti’s plans of the early 1750s for an academy of arts on the site. He suggested that stone intended for the academy was used in the façades, and mentioned this in subsequent editions of Georgian London. He also noticed similarities between the houses and Spencer House (1756–9).1 Research carried out for the Survey of London makes it possible now to recount more fully what happened, and how Spencer House and Cavendish Square are linked.