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Spectacular New Retail/Restaurant Opportunity
SPECTACULAR NEW www.newwaverley.com RETAIL/RESTAURANT OPPORTUNITY THE PAVILION BUILDING SUITABLE FOR A WIDE VARIETY OF USES INCLUDING BAR/RESTAURANT | MICROBREWERY | ART GALLERY AND MANY MORE THE BOOMING EPICENTRE OF EDINBURGH’S EASTERN QUARTER Located in the Old Town the Pavilion Building & Kiosk/Terrace will form the most western part of New Waverley, a signature mixed use development and vibrant new destination. – Prominent corner location – Adjacent to 19 historic arches converted to retail/leisure use available for occupation from October 2015 – Just off the Royal Mile, which attracts over 4 million people annually – Close to Waverley Station with over 26 million passengers annually – I mmediately adjacent edinburgh city council headquarter offices A BRILLIANT, VIBRANT AND BUSTLING NEIGHBOURHOOD In an area awash with life and colour there really is something unexpected and interesting around every corner. Historic sites, visitor attractions, museums and art galleries abound and the Royal Mile and its wynds and closes are peppered with cafés, restaurants, bars and specialty shops. The area is a magnet for tourists and visitors alike and is about to become even better with the arrival of New Waverley, Edinburgh’s exciting new destination. Elevational Treatment © Zone Architects 2013 THE PAVILION BUILDING, ONCE COMPLETE, WILL PROVIDE A GLAZED BUILDING OF MODERN ARCHITECTURAL DESIGN INSPIRATIONAL ARRANGED OVER GROUND AND MEZZANINE LEVELS, PROVIDING A FANTASTIC “FLAGSHIP” OPPORTUNITY FOR THE APPROPRIATE OCCUPIER. THE UPPER LEVEL OF THE PAVILION WILL HOUSE A ONE OFF RETAIL KIOSK WITH TERRACE LOCATED OFF JEFFREY STREET WITH A / LEISURE SPACE VIEWING PLATFORM OVERLOOKING THE CITY TO THE NORTH. PAVILION BUILDING SPECIFICATION GROUND FLOOR (EAST MARKET STREET) 9,235 Sq ft 856 Sq m The design of the pavilion building is flexible at this stage and specific occupational requirements may be able to be incorporated into the building as part of the MEZZANINE / 1ST FLOOR 4,520 Sq ft 420 Sq m construction process. -
Scottish Art: Then and Now
Scottish Art: Then and Now by Clarisse Godard-Desmarest “Ages of Wonder: Scotland’s Art 1540 to Now”, an exhibition presented in Edinburgh by the Royal Scottish Academy of Painting, Sculpture and Architecture tells the story of collecting Scottish art. Mixing historic and contemporary works, it reveals the role played by the Academy in championing the cause of visual arts in Scotland. Reviewed: Tom Normand, ed., Ages of Wonder: Scotland’s Art 1540 to Now Collected by the Royal Scottish Academy of Art and Architecture, Edinburgh, The Royal Scottish Academy, 2017, 248 p. The Royal Scottish Academy (RSA) and the National Galleries of Scotland (NGS) have collaborated to present a survey of collecting by the academy since its formation in 1826 as the Scottish Academy of Painting, Sculpture and Architecture. Ages of Wonder: Scotland’s Art 1540 to Now (4 November 2017-7 January 2018) is curated by RSA President Arthur Watson, RSA Collections Curator Sandy Wood and Honorary Academician Tom Normand. It has spawned a catalogue as well as a volume of fourteen essays, both bearing the same title as the exhibition. The essay collection, edited by Tom Normand, includes chapters on the history of the RSA collections, the buildings on the Mound, artistic discourse in the nineteenth century, teaching at the academy, and Normand’s “James Guthrie and the Invention of the Modern Academy” (pp. 117–34), on the early, complex history of the RSA. Contributors include Duncan Macmillan, John Lowrey, William Brotherston, John Morrison, Helen Smailes, James Holloway, Joanna Soden, Alexander Moffat, Iain Gale, Sandy Wood, and Arthur Watson. -
Big City: Civic Symbolism and Scottish Nationalism’
Edinburgh Research Explorer ‘Big City: Civic Symbolism and Scottish Nationalism’ Citation for published version: Hearn, J 2003, '‘Big City: Civic Symbolism and Scottish Nationalism’', Scottish Affairs, vol. 42, pp. 57-82. Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Scottish Affairs Publisher Rights Statement: © Hearn, J. (2003). ‘Big City: Civic Symbolism and Scottish Nationalism’. Scottish Affairs, 42, 57-82. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 30. Sep. 2021 1 BIG CITY: CIVIC SYMBOLISM AND SCOTTISH NATIONALISMi Jonathan Hearn, University of Edinburgh Published in: Scottish Affairs 42: 57-82, 2003 INTRODUCTION The stock symbols of Scotland and Scottishness are all too familiar. Living in Scotland one becomes almost numb to the drone of bagpipes and kilts, heather and kailyards, Nessie and Braveheart--the low hum of ‘cultural sub-nationalism’ that has so perturbed Tom Nairn (1977) and others over the years. As an American with an academic interest in Scotland and nationalismii I have often found myself straining to draw peoples’ attention away from these symbols and towards others I have found more telling for understanding contemporary nationalist demands in Scotland, such as Covenants and Claims of Right (Hearn 1998; 2000). -
Development Brief Princes Street Block 10 Approved by the Planning Commitee 15 May 2008 DEVELOPMENT BRIEF BLOCK 10
Development Brief Princes Street Block 10 Approved by the Planning Commitee 15 May 2008 DEVELOPMENT BRIEF BLOCK 10 Contents Page 1.0 Introduction 2 2.0 Site and context 2 3.0 Planning Policy Context 4 4.0 Considerations 6 4.1 Architectural Interest 4.2 Land uses 4.4 Setting 4.5 Transport and Movement 4.12 Nature Conservation/Historic Gardens and Designed Landscapes 4.16 Archaeological Interests 4.17 Contaminated land 4.18 Sustainability 5.0 Development Principles 12 6.0 Implementation 16 1 1.0 Introduction 1.1 Following the Planning Committee approval of the City Centre Princes Street Development Framework (CCPSDF) on 4 October 2007, the Council have been progressing discussions on the individual development blocks contained within the Framework area. The CCPSDF set out three key development principles based on reconciling the needs of the historic environment with contemporary users, optimising the site’s potential through retail-led mixed uses and creating a high quality built environment and public realm. It is not for this development brief to repeat these principles but to further develop them to respond to this area of the framework, known as Block 10. 1.2 The purpose of the development brief is to set out the main planning and development principles on which development proposals for the area should be based. The development brief will be a material consideration in the determination of planning applications that come forward for the area. 2.0 Site and context The Site 2.1 The development brief area is situated at the eastern end of the city centre and is the least typical of all the development blocks within the CCPSDF area. -
Conservation Plan - December 2015
Royal High School Regent Road, Edinburgh Conservation Plan - December 2015 Simpson & Brown Contents Page 1.0 EXECUTIVE SUMMARY 3 2.0 INTRODUCTION 7 2.1 Objectives of the Conservation Plan 7 2.2 Study Area 8 2.3 Heritage Designations 9 2.4 Structure of the Report 11 2.5 Adoption & Review 12 2.6 Other Studies 12 2.7 Limitations 12 2.8 Orientation 12 2.9 Project Team 12 2.10 Acknowledgements 12 2.11 Abbreviations 13 2.14 Building Names 13 3.0 UNDERSTANDING THE ROYAL HIGH SCHOOL 17 3.1 Introduction 17 3.2 Historical Background 17 3.3 The Royal High School – History and Meaning 25 3.4 Later Developments & Alterations 37 3.5 From School to Scottish Assembly 49 3.6 Summary Historical Development 63 3.7 Architects’ Biographies 65 3.8 Timeline of the Greek Revival 67 4.0 ASSESSMENT OF SIGNIFICANCE 70 4.1 Introduction 70 4.2 Historical Significance 70 4.3 Architectural, Aesthetic and Artistic Significance 71 4.4 Social Significance 72 5.0 SUMMARY STATEMENT OF SIGNIFICANCE 73 6.0 GRADING OF SIGNIFICANCE 74 6.1 Introduction 74 6.2 Graded Elements 78 7.0 CONSERVATION ISSUES & POLICIES 80 7.1 Introduction 80 7.2 Base Policies 81 7.3 Conservation Philosophy 81 7.4 Use of Surrounding Land 84 7.5 Specific Policies 85 7.6 Workmanship & Conservation Planning 86 7.7 Access & Interpretation 87 7.8 Recording & Research 88 7.9 Priority Repair Works & Maintenance 89 Royal High School, Edinburgh – Conservation Plan 1 8.0 APPENDICES 92 APPENDIX I - Listed Building Reports & Inventory Record 92 APPENDIX II - Illustrations at A3 100 2 Royal High School, Edinburgh – Conservation Plan 1.0 EXECUTIVE SUMMARY Thomas Hamiltons’ Royal High School has been described as “arguably the most significant and accomplished Greek Revival building in the UK, it has claims to be amongst the finest on a worldwide stage.”1 This conservation plan for Thomas Hamilton’s Royal High School site is the third such report in ten years. -
National Strategy for Scotland's Museums and Galleries
GOING TheNationalStrategyfor Scotland’sMuseumsandGalleries fURTHER To SUccEEd aNd floURiSH we wILL aLL Need tO pLay Our part ScoTTiSH NaTioNal PoRTRaiT GallERy National Galleries of Scotland TheScottishNationalPortraitGalleryre-opened on1December2011,followingatwoandahalfyear closureandanambitious£17.6mrestorationproject. Asaresult,amuchgreaterproportionofthe collectionwillbeonshow,bringingtolightawealth Theproject–thefirstmajorrefurbishmentinthe ofartworksthathasbeen,untilnow,largelyhidden Gallery’s120-yearhistory–hasrestoredmuchof fromview. thearchitect’soriginalvision,openinguppreviously inaccessiblepartsofthebuildingandincreasing Reviewsandfeedbackhavebeenoverwhelmingly thepublicspacebymorethan60%.Accesstothe positivewithmorethan52,000visitorsgoing exhibitionspacesonallthreelevelshasbeenopened totheGalleryduringthefirstmonthofopening. up,whiletherestorationofthemagnificentsuiteof top-litgalleriesontheupperfloorhascreatedoneof themostimpressivedisplayspacesinScotland. www.nationalgalleries.org TheNationalStrategyfor Scotland’sMuseumsandGalleries Images courtesy of the National Galleries of Scotland © Chris Watt The National Strategy for Scotland’s Museums and Galleries gOINg The National Strategy for Scotland’s Museums and Galleries further Acknowledgements contents The development of this National Strategy for Scotland’s Museums and Galleries would not have 5 FOREWORD 34 AIm fIve -
George Washington Wilson (1823-1893)
George Washington Wilson (1823-1893) Photographically innovative and entrepreneurial in business, Wilson was the most notable, successful and prolific stereo-photographer in Scotland and perhaps the entire UK. Having trained in Edinburgh as an artist, he worked as a miniature portrait painter and art teacher in Aberdeen from 1848. He started experimenting with photography in 1852, probably realising that it could potentially supplant his previous profession. In a short-lived partnership with Hay, he first exhibited stereoviews in 1853 at the Aberdeen Mechanics' Institution. A commission to photograph the construction of Balmoral Castle in 1854-55 led to a long royal association. His photos were used in the form of engravings for Queen Victoria's popular book “My Highland Journal”. His best-selling carte-de-visite of her on a pony held by Brown (judiciously cropped to remove other superfluous retainers) fuelled the gossip surrounding this relationship. His portrait studio in Aberdeen provided steady cashflow and in 1857, to promote his studio, he produced a print grouping together famous Aberdonians, one of the earliest ever examples of a photo-collage. He soon recognised that stereoviews were the key to prosperity and by 1863 had a catalogue of over 400 views from all across the UK, selling them in a wide variety of outlets including railway kiosks and inside cathedrals. His artistic training helped him compose picturesque and beautiful images, but he was also an innovative technician, experimenting on improving photographic techniques, chemistry and apparatus, working closely with camera and lens manufacturers. He was among the very first to publish “instantaneous” views, ranging from a bustling Princes Street, Edinburgh to a charming view of children paddling in the sea, both dating from 1859. -
Royal-High-School-Letter.Pdf
Longmore House Salisbury Place Edinburgh By E-mail EH9 1SH Planning and Building Standards City of Edinburgh Council Direct Line: 0131 668 8089 Waverley Court Switchboard: 0131 668 8600 4 East Market Street [email protected] Edinburgh EH8 8BG Our ref: AMN/16/LA [email protected] Our Case ID: 201503563 Your ref: 15/03989/FUL & 15/03990/LBC & EIA-EDB053 30 September 2015 Dear Ms Parkes Town And Country Planning (Development Management Procedure) (Scotland) Regulations 2013 Proposed Calton Hill Hotel Development - Former Royal High School, 5-7 Regent Road, Edinburgh Thank you for your consultation which we received on 7 September. You have consulted us because you believe the development may affect: Setting of Category A Listed buildings: o Old Royal High School o St Andrew’s House o Regent Terrace o Burns’ Monument o Monuments on Calton Hill Setting of Scheduled Monuments: Holyrood Palace, Abbey and Gardens New Town Gardens – Historic Gardens/ Designed Landscape – Inventory Site (Calton Hill & Holyrood Palace Gardens & Regent Terrace Gardens) Outstanding Universal Value [‘OUV’] of Edinburgh Old and New Towns World Heritage Site [‘WHS’] In addition this letter responds to the associated Listed Building Consent application (15/03990/LBC) and the Environmental Statement (EIA-EDB053). We have previously objected to the planning permission affecting some of the above heritage assets because we do not consider it is possible to deliver a hotel of this scale on the site without unacceptable harm to the historic environment (our letter dated 17 September). This letter expands on that response and confirms both that we object to the planning application and that we cannot support the application for listed building consent. -
Must Visit Attractions in Edinburgh"
"Must Visit Attractions in Edinburgh" Gecreëerd door : Cityseeker 12 Locaties in uw favorieten Royal Mile "The Famous Scots Mile" The core of Edinburgh's historic Old Town, the Royal Mile begins at Edinburgh Castle, making its way down the volcanic hill to the Palace of Holyroodhouse. Along the way are numerous historic icons and modern- day attractions, hidden gems tucked away down narrow closes interlinked with stairways that lead to an underground maze of wonders. From the by liakada-web mysteries of the Real Mary King Close and the panoramic views afforded by the Camera Obscura to the Scottish Whiskey Experience and the Parliament Buildings, both old and new, the Royal Mile encompasses the heritage of Scotland in a single Scots mile. The Royal Mile is actually made up of four successive streets, namely, Castlehill, Lawnmarket, High Street and Cannongate, lined with restaurants and boutiques that offer regional specialties. Other attractions include the People's Story Museum, St. Giles Cathedral and the Museum of Childhood. A visit to Edinburgh is simply incomplete without a walk down the Royal Mile. +44 131 473 3666 (Tourist Information) edinburgh.org/discover/explore- Royal Mile, Edinburg areas/the-royal-mile/ Saint Giles' Cathedral "Ancient Scottish History & Architecture" An outstanding exemplar of Gothic architecture, this cathedral looms large above Edinburgh's Old Town, calling attention with its grand crown steeple. The church is steeped in a long and storied history that began nearly a millennia ago. Although there has been a church on this site since 1854, the earliest remains to be found in St Giles' Cathedral are four pillars by Carlos Delgado which date from about 1120. -
29 July–29 August 2021 Edinburghartfestival.Com #Edartf
Platform: 2021 Art Across the Capital Commissions Programme Art is Back Explore Platform: 2021, our exhibition for early As galleries reopen after many months of closure, Our 2021 programme features new commissions We are so delighted to return this year, to work career artists, with new work from Jessica Higgins, this year, more than any, we are proud to cast a and UK premieres by leading international artists, with partners across the city, to showcase the work Danny Pagarani, Kirsty Russell and Isabella Widger spotlight on the uniquely ambitious, inventive and including new work by Sean Lynch co-commissioned of artists from Scotland, the UK and around the world. presented at our festival home in the Institut français thoughtful programming produced each year by with Edinburgh Sculpture Workshop and by Emeka Some exhibitions are newly made in response to the d’Ecosse. While visiting you can also browse festival Edinburgh’s visual art community. Ogboh with Talbot Rice Gallery; alongside the UK seismic shifts of the past year; others have been many merchandise and find out more about the exhibitions premiere of Isaac Julien’s Lessons of the Hour, presented years in the planning; but all are the unique, authentic, and events taking place across the city at our With over 20 partner galleries across the capital, in partnership with National Galleries of Scotland. and thoughtful products of our city’s extraordinarily Festival Kiosk. we encourage you to explore the programme and We are also proud to collaborate with Associate Artist, rich visual art scene. support the incredible visual art organisations that Tako Taal, on her programme What happens to desire… Festival Kiosk the city has to offer. -
UNIVERSITY of CALIFORNIA, IRVINE Tracing A
UNIVERSITY OF CALIFORNIA, IRVINE Tracing a Monument: Creating Spaces THESIS Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS In Art History By Danielle Elizabeth Ortiz Thesis Committee Professor Margaret M. Miles Associate Professor Roland Betancourt Associate Professor Andromache Karanika 2019 ©2019 Danielle Elizabeth Ortiz Dedication To Mom and Dad, for your endless support and love ii Table of Contents Page List of Figures iv Acknowledgements v Abstract of Thesis vi Introduction 1 Background 2 The Interpretation of the Frieze 3 Confronting the Lysikrates Monument 5 Memorials in Scotland 8 The Monument in Religious Context: Scotland 10 The Lysikrates Monument in England 11 An English Attraction 13 The Monument in Religious Context: England 14 The Lysikrates Monument in America 15 An Altered Form 17 Memorials in America 19 A Miniature Monument 21 Greek Revival 22 Uses of Greek Revival in the United States 23 The Vandalized Monument 24 The Persistence of the Form of the Lysikrates Monument 25 Conclusion 26 Images 27 Bibliography 32 iii List of Figures Page Figure 1 Lysikrates Monument in Athens, Greece 27 Figure 2 Stuart and Revett, Monument of Lysikrates, engraving 27 Figure 3 Stuart and Revett, Frieze of Lysikrates Monument, engraving 27 Figure 4 Dugald Stewart Monument, Calton Hill, Scotland 28 Figure 5 Robert Burns Monument, Calton Hill, Scotland 28 Figure 6 North Kirk Tower, Aberdeen, Scotland 28 Figure 7 St. Giles Church, Elgin, Scotland 28 Figure 8 Lysikrates Replica at the Gardens of Shugborough, Staffordshire, 29 England Figure 9 Charles Talbot (Alton Towers) Monument, Staffordshire, England 29 Figure 10 St. -
This Is Edinburgh Information Pack Summer 2017
1 This is Edinburgh Information Pack Summer 2017 edinburgh.org /Edinburgh @edinburgh thisisedinburgh 2 · This is Edinburgh 3 “ The city whispers: come Edinburgh’s beauty is both staggering and Look at me, listen to the beating of my heart inimitable. But, the city is far more than just I am the place you have seen in dreams a pretty face. Take a closer look and there’s I am a stage for you to play upon much more to discover. I am Edinburgh” Our shopping ranges from the world’s best luxury names, to local, independent talent Alexander McCall Smith just waiting to be discovered. Our food, be it Michelin-starred, or pop-up street-food with award-winning chefs, is mouthwateringly delicious. From the rich – sometimes hidden – history that surrounds your every step, to the wealth of lush, green spaces peppered around the city centre, Edinburgh continually surprises, delights and inspires. Join us and find out why there’s nowhere in the world quite like Scotland’s capital city. Contents Heritage 4 Culture and events 8 Attractions 14 Food and drink 18 Shopping 22 Stay 26 Awards 28 Fast facts 30 10 things 31 Social media 32 4 · This is Edinburgh 5 Edinburgh’s Heritage Royal Mile Calton Hill The Royal Mile is at the centre of Edinburgh’s Old Town Of all places for a view, this Calton Hill is perhaps the best Edinburgh has been inhabited since the and as its name suggests, the thoroughfare is one mile – Robert Louis Stevenson, 1889. long. With Edinburgh Castle at its head and the Palace of Bronze Age; its first settlement can be traced Holyroodhouse at its foot, The Royal Mile features many Home to some of Edinburgh’s most iconic monuments and historic buildings; Gladstone’s Land, The Real Mary King’s one of the city’s most picturesque locations, Calton Hill to a hillfort established in the area, most likely Close and John Knox House to name but a few.