DOCSLIB.ORG

THE ROCK IS on a ROLL P

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

September 25, 2017 Important to Important People Megyn Kelly has had it with political nastiness By Jeanine Poggi BREAKING WITH THE BELTWAY p. 56 Dwayne Johnson owes his success to manager Dany Garcia. She’s just getting started By Ann-Christine Diaz THE ROCK IS ON A ROLL p. 22 Sheryl Sandberg and her team are betting that video is Facebook’s future. They’re in for a fight By Garett Sloane PRIMAL STREAM p. 40 NEWSPAPER NEWSPAPER $9.99 U.S./CAN. £6.95 U.K. PG001_AA_20170925.indd 1 9/15/17 8:43 PM MASTER September 25, 2017 Important to Important People Megyn Kelly has had it with political nastiness BREAKING WITH By Jeanine Poggi THE BELTWAY p. 56 Dwayne Johnson owes his success to manager Dany Garcia. She’s just getting started By Ann-Christine Diaz THE ROCK IS ON A ROLL p. 22 Sheryl Sandberg and her team are betting that video is Facebook’s future. They’re in for a fight By Garett Sloane PRIMAL STREAM p. 40 NEWSPAPER NEWSPAPER $9.99 U.S./CAN. £6.95 U.K. PG001_AA_20170925.indd 1 9/15/17 8:49 PM September 25, 2017 Important to Important People Megyn Kelly has had it with political nastiness BREAKING WITH By Jeanine Poggi THE BELTWAY p. 56 Dwayne Johnson owes his success to manager Dany Garcia. She’s just getting started By Ann-Christine Diaz THE ROCK IS ON A ROLL p. 22 Sheryl Sandberg and her team are betting that video is Facebook’s future. They’re in for a fight By Garett Sloane PRIMAL STREAM p. 40 NEWSPAPER NEWSPAPER $9.99 U.S./CAN. £6.95 U.K. PG001_AA_20170925.indd 1 9/15/17 8:47 PM @ardentreverie AA013855.indd 1 9/14/17 11:13 AM Content created We’re so confi dent you’ll love us, in 2 hours. we’re giving you $25k on the Social Native platform. Social Native. The Future of Content Advertising. @thenomadicpeople socialnative.com/adage AA013856.indd 2 9/14/17 6:33 PM Content created We’re so confi dent you’ll love us, in 2 hours. we’re giving you $25k on the Social Native platform. Social Native. The Future of Content Advertising. @thenomadicpeople socialnative.com/adage AA013856.indd 3 9/14/17 6:34 PM Creativity Pick Photography by Helmut Stelzenberg Helmut by Photography MIDNIGHT MUNCHIES? A NEW OUTDOOR AD LIGHTS THE WAY TO MCD’S IN THE CITY OF LIGHTS Date September Client McDonald’s Agency TBWA/Paris Important to Important People 1 P001_AA_20170925.indd 1 9/15/17 12:08 PM Inside this Issue “To me, a brand Behind the Headlines 4 was Kellogg’s. New and improved Q&AA Why Ad Age chose to redesign A teˆte-à-tête with Publicis But I have gotten Groupe’s Arthur Sadoun comfortable with Don’t let this happen to you Flipping the bird Fixes and fails: How to right Twitter, the term.” Four brands in crisis in 140 characters or less Outgoing Glamour Editor-in-Chief Cindi Leive, to The New York Times on the Tips for transformation era before magazines were brands Agencies tout their biggest changes Publisher Josh Golden Advertising, Sponsorship Associate Publisher, General & Insights Sales Manager, Marketing & Brand General Manager, Revenue & Creativity 19 Heidi Waldusky Client Partnerships Jackie Ramsey Editors Iconic changes Fitzloff’s next act Senior Manager, Client Famous logos before and after Former W&K creative opens a Editor Brian Braiker Partnerships Alex McGrath Executive Editor Nat Ives Senior Manager, Client Portland shop called Opinionated Deputy Editor Judann Pollack Partnerships Brent Rupp Managing Editor Senior Manager, Client Upon this Rock Credit crazy Roberta Bernstein Partnerships Liz Spitaleri Member & Custom Content Manager, Client Partnerships ‘Ballers’ star Dwayne Johnson Adland is awash in creative credits. Editor Ann Marie Kerwin Danika Felt opens an advertising agency But what do all those people really do? Senior Account Executive, Datacenter Agency Relations Karla Jordan Director, Data Analytics Sales Coordinator Bradley Johnson Alexis Marrero 35 City Spotlight Director, Data Management Kevin Brown Program Management Shanghai Senior Research Editor General Manager, Product Catherine Wolf & Technology Kevin Skaggs Tour Shanghai’s ad industry–and don’t Director, Program Management forget the Avocado Lady Editors at Large Kerri Ross The Media Guy Senior Marketing Programs Simon Dumenco Manager Emily Chiang Personal Products/Research Marketing Programs Manager Feature 40 Jack Neff Eniko Skintej Associate Marketing Producer Diane Firmalino Watch list Accentuate the positive Editorial Beat Sheet Facebook has TV-like ambitions Megyn Kelly on her turn to Digital Content Producer Marketing & Audience Nefertiti Anderson Development for its Watch video service more uplifting news Creativity Editor Ann-Christine Diaz PR & Communications Rachel Sandler Janie’s got a gun A new reality Asia Editor Angela Doland Media Agencies Megan Graham Senior Audience Development Maria Giatrakis Firearms get a big business Female executives battle London Editor Emma Hall Manager boost from women African-American stereotypes Retail, Finance Marketing Coordinator Adrianne Pasquarelli Emma Jarry Media Jeanine Poggi Cover stories Saving grace Conferences & Events Chicago Bureau Chief A retrospective of the biggest How Walmart found its footing E.J. Schultz Senior Director, Conferences & headlines in Ad Age history in a brutal retail environment Ad Tech, Ad Fraud, Search Events, Executive Producer George Slefo Tina Marchisello Tech, Social Garett Sloane Associate Director, Conference It’s a snap (not) Reddit is ready for its close-up Agencies, PR Lindsay Stein & Events Nicole Nelson TV networks learn the hard way The site plans a cleanup and has a Global Editor Laurel Wentz Senior Editor, Events Food Jessica Wohl Anna Sekula how to adapt to Snapchat new video push. Event Content Manager Creative Services Rocquan Lucas Creative Director Events Producer Danielle Deluca Opinion 95 Erik Basil Spooner Director of Video Terry Moseley Advertising Production Can these brands be saved? Political divide Senior Art Directors Prepress/Production Director Simon Dumenco has ideas for Strategists debate how to fix the Jennifer Chiu, Tam Nguyen Simone Pryce Video Producer David Hall reviving a trio of losers Democratic and Republican parties Digital Content Producer Chen Wu Classic ad review How Listerine built an empire Crain Communications Inc on fears of spinsterhood Chairman Keith E. Crain Founder Vice Chairman Mary Kay Crain G.D. Crain Jr. (1885-1973) President KC Crain Chairman Senior Executive Vice President Mrs. G.D. Crain Jr. (1911-1996) Chris Crain Secretary Lexie Crain Armstrong Editor-in-Chief Emeritus Rance Crain Subscriber services: 877-320-1721, fax 212-210-0465, Chief Financial Officer outside U.S.: 313-446-0450, email: [email protected] Printed in the U.S.A. Robert Recchia 2 Ad Age September 25, 2017 P002_AA_20170925.indd 2 9/15/17 9:58 PM Follow the eyeballs. AA013826.indd 1 9/12/17 2:18 PM Behind the Headlines Hello. Welcome to the new Ad Age. we’re here. To defi ne the disruption, better access to and understanding For the past 12 months, while we’ve and guide you through it. of the advertising landscape than INSIDE been diligently putting out our fort- For the new look, we sent out an anyone. Period. But it’s time to widen nightly (yes, that’s a word) magazine, RFP to 10 design agencies. The brief the aperture. Everything is a brand. THENEW we’ve been also been hard at work was to bring us into 2017 in a way Everything is an ad for itself. So our in secret, building something new. that accurately refl ects the goals coverage needs to refl ect the broad- For you! and ambitions of Ad Age as a media er culture beyond the weeds of our ADAGE Ad Age has been around since brand—not just a trade rag. Not that industry. We’ll still get into those 1930. It has a storied and infl uential there’s anything wrong with trade weeds, but we’ll also explore the A year in the making heritage. An early tagline, reclaimed rags. We ended up going with the fl owers. And we’ll do it with a tone and decades in coming in this reboot, was “Important to Original Champions of Design—or that’s inviting, accessible, wry, witty important people.” Since you, dear OCD, which is a perfect name—for its and sharp. By Brian Braiker reader, are important, please know impeccable taste, love of print and Finally, yes, we’re o cially “Ad we did not take lightly the decision to strategic understanding of what it is Age” now. A minor adjustment, rebrand. But the fact is, while our re- to build a multiplatform system. Ach, maybe, but it refl ects a shift that goes porters, editors, designers, publisher buzzwords again, sorry. Translation: deeper. When was the last time you and sales people have remained at the They’re making us look good—wher- called us “Advertising Age,” anyway? cutting edge of marketing, branding ever you fi nd us. For more on our new logo, and messaging trends, the visual And that’s the point. Ad Age is the driver of this new design sys- expression of the Ad Age brand had not just a magazine. It’s not just a tem, check out page 32. Our own become a bit … fusty. website. We’re an idea—whether it’s Ann-Christine Diaz dissects Ad Age Let’s play some buzzword bingo! on a podcast, a video, an Alexa skill, logos past and present, as well as It was time to pivot. This space was in an Instagram Story or whatever the other recent rebrands—some more need of disruption. next vital platform is. Except maybe successful than others.
Recommended publications
  • Vancouver | November 10, 2020

    Vancouver | November 10, 2020

    Vancouver | November 10, 2020 ERIN ANDREWS SOPHIA AMORUSO YASSMIN ABDEL-MAGIED RITU BHASIN DR. KIMBERLEY AMIRAULT-RYAN We cannot change what we are not aware of, and once we are aware, we cannot help but change. SHERYL SANDBERG The Art of Bringing together today's brightest leaders Leadership to shape the future we all want to see. for Women Learned an actionable Women all over the world are no longer accepting 98% insight to become the status quo. They’re rising up, breaking through, a better leader pushing the boundaries and carving their own paths. From glass ceilings and inequality to ‘leaning in’ and work-life balance, today’s women leaders face numerous challenges. As they move up the Would recommend corporate ladder and take on increased responsibilities, having the right 94% The Art of Leadership tools and insights in order to pivot in an evolving corporate landscape has for Women to a colleague never been more essential. In a world of information overload, The Art of Leadership for Women focuses on the topics and trends most critical to leaders. This unique one- day conference features a riveting collection of world leaders, business Plan on attending icons, academics, and bestselling authors who inspire action. 92% again in the future Attendees will have the opportunity to learn improved ways of leveraging their value, elevating their skills, and developing the strategies required to take their leadership and their organizations to the next level. This conference is not just for women, but for anyone who wants to champion change on behalf of women.
  • Read More About Sheryl Sandberg by Jessica Wang

    Read More About Sheryl Sandberg by Jessica Wang

    Jessica Wang on Sheryl Sandberg Sheryl Sandberg is currently the COO of Facebook, one of the first employees at Google, and was ranked in 2011 by Forbes as the 5th Most Powerful Woman in the World. Born in 1969, Sandberg grew up in North Miami Beach and attended Harvard where she majored in Economics. During her time at Harvard, she caught the attention of one of her professors, Larry Summers, who volunteered to serve as her thesis adviser. Sandberg graduated first in the economics department, and eventually went on to work for Summers at the World Bank. After two years there, she went to Harvard Business School, worked at McKinsey for a year, then went back to work as chief of staff for Summers, who was now Deputy Treasury Secretary under the Clinton Administration. In 2001, Sandberg joined Google after being convinced by Eric Schmidt to get on the “rocket ship”. While there, she took over AdWords and AdSense and made both products wildly profitable. She also oversaw AOL’s deal with Google in 2002 to make it AOL’s primary search engine. Eventually, Sandberg tried for the COO position at Google but couldn’t get it, and began talking to Mark Zuckerberg about Facebook. She joined Facebook as COO in 2008. One of the cornerstones of Sandberg’s life and advice to her mentees is Acting with Authenticity when it comes to choosing a profession – doing something you truly love. If this is not in place, then all domains of one’s life will suffer. Sandberg left her job at McKinsey, and then later at Google, when she felt that she was no longer passionate about her work or making an impact.
  • Messe Frankfurt and Crain Communications Inc. Plan To

    Messe Frankfurt and Crain Communications Inc. Plan To

    September 10, 2019 Messe Frankfurt and Crain Communications Kim Porter Tel. +1 770 984 8016 Inc. plan to organize first-ever Festival of [email protected] Motoring USA Messe Frankfurt, the world’s largest trade fair and event organizer with its own exhibition grounds, and Crain Communications, one of the world’s leading business-to-business media companies, will join forces to launch Festival of Motoring USA. A revolutionary event with both static and interactive content from mainstream, exotic and classic cars to off-road vehicles, Festival of Motoring USA will be anchored by leading automakers along with other industry-related companies. Adding to the strength of the event is Kinrara, Goodwood’s international event consultancy. Kinrara brings considerable expertise in creating sold-out motorsport events, such as the annual Festival of Speed in the UK – the benchmark in excellence in motorsport event production. The inaugural Festival of Motoring USA event will take place April 29- May 2, 2021, across the sprawling 750 acres at The Michelin Raceway Road Atlanta in Brasselton, Ga. Road Atlanta is recognized as one of North America’s most dynamic road courses. In the future, Festival of Motoring USA will expand to include additional North America locations. “We are pleased to be working alongside a powerhouse such as Crain Communications to bring this experiential event to the U.S.,” said Messe Frankfurt Inc. President and CEO, Konstantin von Vieregge. “Our combined competencies solidify our path to success and the realization of our vision to provide a high-energy, comprehensive automotive event that appeals to all motoring enthusiasts.” Festival of Motoring USA will be modelled after the highly successful Festival of Motoring Johannesburg in South Africa.
  • 2021 Matrix Awards

    2021 Matrix Awards

    SPONSORSHIP OPPORTUNITIES 2021 MATRIX AWARDS VIRTUAL EVENT | MONDAY, OCTOBER 18, 2021 | 12:00 P.M. ET Combining the success of last year’s virtually produced event with the return to normalcy we’re all feeling, we are thrilled to offer a hybrid awards ceremony this year. A professionally produced event broadcast for all to attend coupled with an invitation-only VIP reception for honorees, their guests, and exclusive sponsors. PRESENTED BY HOSTED BY New York Women in Communications (NYWICI) celebrates the 51st Anniversary of its Matrix Awards in 2021 Since 1971, the Matrix Awards have been given annually to a group of outstanding women leaders who exemplify excellence, the courage to break boundaries and steadfast commitment to champion the next generation of trailblazers, creatives and communicators. But this year will be different, bigger and better. The 2021 Matrix Awards will be delivered as a virtual event, on Monday, October 18 at 12pm ET. This digital presentation offers many new exciting possibilities, breaking down barriers of time and geography to reach a wider audience and new communities. We’ll be able to expand the audience and influence of the usual in-person gathering several-fold. NYWICI will welcome back past winners and presenters, celebrate our scholarship winners and spotlight our longstanding and newly engaged partners who make this all possible. Over the past 50 years, we’ve celebrated some iconic women like Gloria Steinem, Padma Lakshmi, Norah O’Donnell, Halle Berry, Kirsten Gillibrand, Andrea Mitchell, Joanna Coles, Bonnie Hammer, Sheryl Sandberg and Tina Fey, among many more. This event is NYWICI’s largest fundraiser and we invite you to join us as an event sponsor, demonstrating your support of NYWICI, women in the communications field and the incredible class of 2021 Matrix honorees.
  • 64Th Annual Advertising Hall of Fame Induction Ceremony, His Remarks Will Be Directed to Two Young People in the Audience: His Grandchil- Dren, Ages 5 and 10

    64Th Annual Advertising Hall of Fame Induction Ceremony, His Remarks Will Be Directed to Two Young People in the Audience: His Grandchil- Dren, Ages 5 and 10

    SPECIAL ADVERTISING SECTION OF ADVERTISING AGE By Nancy Giges Since its beginning in 1948, the American Advertising Federation’s Advertising Hall of Fame has honored the extraordinary achievements of advertising leaders, their signifi- cant professional contributions to the advertising industry and their personal contri- butions to society. For the 64th year, members of the advertising industry are gathering in New York to honor a class of seven individuals and one corporation being inducted into the pres- tigious Advertising Hall of Fame for their lifetime achievements. The inductees are: Rance Crain, president, Crain Communications Inc., and editor in chief, Advertising Age Bob Giraldi, president, Giraldi Media, and film director Philip H. Knight, co-founder and chairman, NIKE Inc. Shelly Lazarus, chairman emeritus, Ogilvy & Mather Byron E. Lewis Sr., founder and chairman emeritus, UniWorld Group Inc. Gerry Rubin, co-founder, RPA Bob Scarpelli, former chairman and chief creative officer, DDB Worldwide McDonald’s Corporation “It’s an all-star lineup: people who have broken new barriers, forged new ground,” says Draftfcb CEO-President Laurence Boschetto, chairman of this year’s Advertising Hall of Fame. “Everybody is brilliant in their own right.” April 29, 2013 Advertising Hall of Fame C1 Individuals selected have had exceptionally distinguished and extraordinary ca- legend is someone who inspires, who has consistently—year in and year out—dem- reers in the U.S. or for an American company abroad. They must meet four key crite- onstrated an exemplary track record of doing extraordinary things to make the in- ria: to have completed their primary careers or had careers spanning at least 35 years, dustry the best it can be,” he says.
  • Adage's Media

    Adage's Media

    Important to Important People 2019 MEDIA KIT 685 3rd Avenue Floor 10 New York, NY 10017 From the World Wars to the beer wars, advertising has always been the defining landmark of our cultural landscape. And if the economy is the engine of any society, then advertising is its fuel. From their first appearance in 1933 to their enduring presence on the American landscape, the Clydesdales symbolize Budweiser beer and America’s great industrial spirit. For the 2015 Grammys, Deutsch helped Target give more music to fans (instead of more commercials) when Imagine Dragons took the stage on a street in Las Vegas during a single four-minute commercial buy. The strategy was repeated in 2016 with a live music video for Gwen Stefani. Ad Age leads and fuels the industry responsible for shaping culture. Digital 4.5M+ 2M+ 752K page views unique monthly users newsletter registrants Social 968K+ 765K+ 813K+ Twitter followers Facebook followers LinkedIn followers with 181K in group Magazine 58K+ 24 10 subscribers issues per year fact packs and trend reports Events and 2,600+ 3,300+ 220+ honorifics event attendees awards and honorifics people, work and entries companies recognized With a highly qualified audience of industry movers and culture creators, Ad Age is important to important people. 1. Social numbers updated as of March 2019. 2. Average Ad Age magazine circulation (June 2018). 3. Digital metrics based on Omniture SiteCatalyst (2018 averages). Updated March 18, 2019 Editorial Calendar Print Issue Materials Issue Close Due Jan. 7 Dec. 13 Dec. 17 The Best Places to Work Issue Jan.
  • Shortlist (Film Lions)

    Shortlist (Film Lions)

    Shortlist (Film Lions) Cat. No Entry Title Client Product Entrant Company Entrant Country Idea Creation Production No A01 (Savoury Foods) A01/020 02522 REVENGE CAMPOFRÍO SAUSAGES McCANN MADRID SPAIN McCANN MADRID PRIMO Madrid A01/031 00903 GUESS THE PRICE JOHNSONVILLE JOHNSONVILLE DROGA5 New York USA DROGA5 New York / ARTS & SCIENCES Los OF THAT FOOD BY SAUSAGES JOHNSONVILLE Angeles COLE SAUSAGE Sheboygan Falls A01/032 00901 REGULAR SPEED JOHNSONVILLE JOHNSONVILLE DROGA5 New York USA DROGA5 New York / ARTS & SCIENCES Los CHASE BY BRETT SAUSAGES JOHNSONVILLE Angeles SAUSAGE Sheboygan Falls A01/033 00902 JEFF AND HIS JOHNSONVILLE JOHNSONVILLE DROGA5 New York USA DROGA5 New York / ARTS & SCIENCES Los FOREST FRIENDS SAUSAGES JOHNSONVILLE Angeles BY JEFF SAUSAGE Sheboygan Falls A02 (Sweet Foods & Snacks) A02/023 00635 CHASE MARS GALAXY AMVBBDO London UNITED KINGDOM AMVBBDO London MJZ LONDON CONFECTIONERY A02/037 02046 RECOVERY ROOM MARS CHOCOLATE SNICKERS BBDO NEW YORK USA BBDO NEW YORK O POSITIVE New York NORTH AMERICA A02/038 00634 FROM THE MIGHTY PEPSICO QUAKER AMVBBDO London UNITED KINGDOM AMVBBDO London HLA London OAT A03 (Alcoholic Drinks) A03/011 00827 BORN THE HARD ANHEUSER BUSCH BUDWEISER ANOMALY New York USA ANOMALY New York ANONYMOUS CONTENT WAY Culver City A03/014 00618 BRIDE FARNHAM ALE & BEERS LG2 Québec CANADA LG2 Québec NOVA FILM Québec LAGER A03/026 01963 THE ANTIPINKY BARBARIAN BARBARIAN FAHRENHEIT DDB Lima PERU FAHRENHEIT DDB Lima PINT A03/028 02466 JACKIE HEINEKEN BEER PUBLICIS ITALY Milan ITALY PUBLICIS ITALY Milan ANORAK
  • The Boston Bombing Psy-Op

    The Boston Bombing Psy-Op

    Before reading on please read my pdf ‘THE BOSTON BOMBING PSY- OP’. http://sharonkilby.co.uk/site/THE_BOSTON_BOMBING_PSY- OP.php Super shill Chris Spivey [or more accurately the people who write his articles] knows all too well how the general public are prevented from getting anywhere near the real truth, and thus becoming a real threat to the ‘PTB’ [Illuminati/Masonic mafia]. He spells it out in his ‘Debunking Diana’ article http://chrisspivey.org/the-night-of-the-living-dead/ The content of that article BTW takes outrageous bollox to new levels! I’m not even going to go there. I’m only interested in how we are being mind controlled – by the likes of Spiv, and countless other COINTELPRO turds. This is what Spivey says [I’ve changed some of his wording slightly to reflect more of the truth]: “ALL of the many, many conspiracy theories arising from Diana’s death [of which there are far more than your usual psy-op due to how popular she was] was the doing of the Masonic controlled cointelpro agents, thus keeping the pretend investigative-journalists [mainstream and ‘alternative’] working to divert you from ever finding the right rabbit hole to burrow down. And since the huge number of anomalies in the official version of events ensured that enough in- fighting would occur over how the said anomalies were interpreted, the mainstream viewing public [since everyone else is a tin foil hat] were, in general, happy to go along with the official version of events.” “You see, by leaving room for conspiracy theories (which are red herrings designed to send those investigating the official narrative down the wrong path), The-Powers-That-Be are able to keep the vast majority believing their fiction, whilst keeping the rest - the blanket labelled “conspiracy theorists/nutters” away from finding out the real truth.” “..
  • The Signal and the Noise

    The Signal and the Noise

    nieman spring 2013 Vol. 67 no. 1 Nieman Reports The Nieman Foundation for Journalism REPOR Harvard University One Francis Avenue T s Cambridge, Massachusetts 02138 Nieman VOL Reports . 67 67 . To promoTe and elevaTe The sTandards of journalism n o. 1 spring 2013 o. T he signal and T he noise The SigNal aNd The NoiSe hall journalism and the future of crowdsourced reporting Carroll after the Boston marathon murdoch bombings ALSO IN THIS ISSUE Fallout for rupert mudoch from the U.K. tabloid scandal T HE Former U.s. poet laureate NIEMAN donald hall schools journalists FOUNDA Associated press executive editor T Kathleen Carroll on “having it all” ion a T HARVARD PLUS Murrey Marder’s watchdog legacy UNIVERSI Why political cartoonists pick fights Business journalism’s many metaphors TY conTEnts Residents and journalists gather around a police officer after the arrest of the Boston Marathon bombing suspect BIG IDEAS BIG CELEBRATION Please join us to celebrate 75 years of fellowship, share stories, and listen to big thinkers, including Robert Caro, Jill Lepore, Nicco Mele, and Joe Sexton, at the Nieman Foundation for Journalism’s 75th Anniversary Reunion Weekend SEPTEMBER 27–29 niEMan REPorts The Nieman FouNdatioN FoR Journalism at hARvARd UniversiTy voL. 67 No. 1 SPRiNg 2013 www.niemanreports.org PuBliShER Ann Marie Lipinski Copyright 2013 by the President and Fellows of harvard College. Please address all subscription correspondence to: one Francis Avenue, Cambridge, MA 02138-2098 EdiToR James geary Periodicals postage paid at and change of address information to: Boston, Massachusetts and additional entries. SEnioR EdiToR Jan gardner P.o.
  • {PDF EPUB} Pinstriped Summers Memories of Yankee Seasons Past by Dick Lally Lally, Richard

    {PDF EPUB} Pinstriped Summers Memories of Yankee Seasons Past by Dick Lally Lally, Richard

    Read Ebook {PDF EPUB} Pinstriped Summers Memories of Yankee Seasons Past by Dick Lally Lally, Richard. PERSONAL: Married Barbara Bauer (a writer; divorced). ADDRESSES: Agent —c/o Author Mail, Random House/Crown, 1745 Broadway, New York, NY 10019. CAREER: Sportswriter. WRITINGS: (With Bill Lee) The Bartender's Guide to Baseball , Warner Books (New York, NY), 1981. (With Bill Lee) The Wrong Stuff , Viking (New York, NY), 1984. Pinstriped Summers: Memories of Yankee Seasons Past , Arbor House (New York, NY), 1985. Chicago Clubs (collectors edition), Bonanza Books (New York, NY), 1991. Boston Red Sox (collectors edition), Bonanza Books (New York, NY), 1991. (With Joe Morgan) Baseball for Dummies , foreword by Sparky Anderson, IDG Books Worldwide (Foster City, IA), 1998. (With Joe Morgan) Long Balls, No Strikes: What Baseball Must Do to Keep the Good Times Rolling , Crown (New York, NY), 1999. Bombers: An Oral History of the New York Yankees , Crown (New York, NY), 2002. (With Bill Lee) Have Glove, Will Travel: The Adventures of a Baseball Vagabond , Crown (New York, NY), 2005. SIDELIGHTS: Sports writer Richard Lally focusses much of his efforts on his main passion: baseball. After collaborating with former pro player Bill Lee on Lee's autobiography, The Wrong Stuff , Lally wrote Pinstriped Summers: Memories of Yankee Seasons Past , a book that focuses on the team's history from the time the Columbia Broadcasting System (CBS) bought the team in 1965 until the 1982 season. During this period, the Yankees experienced great success, winning four American League pennants and two World Series. They also experience "down" years, including a last-place finish in 1966.
  • THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS for the 45Th ANNUAL DAYTIME EMMY® AWARDS Mario

    THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS for the 45Th ANNUAL DAYTIME EMMY® AWARDS Mario

    P A G E 1 6 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS FOR THE 45th ANNUAL DAYTIME EMMY® AWARDS Mario Lopez & Sheryl Underwood to Host Daytime Emmy Awards to be held on Sunday, April 29 Daytime Creative Arts Emmy® Awards Gala on Friday, April 27 Both Events to Take Place at the Pasadena Civic Auditorium in Southern California New York – March 21, 2018 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 45th Annual Daytime Emmy® Awards. The ceremony will be held at the Pasadena Civic Auditorium on Sunday, April 29, 2018 hosted by Mario Lopez, host and star of the Emmy award-winning syndicated entertainment news show, Extra, and Sheryl Underwood, one of the hosts of the Emmy award-winning, CBS Daytime program, The Talk. The Daytime Creative Arts Emmy Awards will also be held at the Pasadena Civic Auditorium on Friday, April 27, 2018. The 45th Annual Daytime Emmy Award Nominations were revealed today on the Emmy Award-winning show, The Talk, on CBS. “The National Academy of Television Arts & Sciences is excited to be presenting the 45th Annual Daytime Emmy Awards, in the historic Pasadena Civic Auditorium,” said Chuck Dages, Chairman, NATAS. “With an outstanding roster of nominees and two wonderful hosts in Mario Lopez and Sheryl Underwood, we are looking forward to a great event honoring the best that Daytime television delivers everyday to its devoted audience.” “The record-breaking number of entries and the incredible level of talent and craft reflected in this year’s nominees gives us all ample reasons to celebrate,” said David Michaels, SVP, and Executive Producer, Daytime Emmy Awards.
  • Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture

    Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture

    LYCRA, LEGS, AND LEGITIMACY: PERFORMANCES OF FEMININE POWER IN TWENTIETH CENTURY AMERICAN POPULAR CULTURE Quincy Thomas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Jonathan Chambers, Advisor Francisco Cabanillas, Graduate Faculty Representative Bradford Clark Lesa Lockford © 2018 Quincy Thomas All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor As a child, when I consumed fictional narratives that centered on strong female characters, all I noticed was the enviable power that they exhibited. From my point of view, every performance by a powerful character like Wonder Woman, Daisy Duke, or Princess Leia, served to highlight her drive, ability, and intellect in a wholly uncomplicated way. What I did not notice then was the often-problematic performances of female power that accompanied those narratives. As a performance studies and theatre scholar, with a decades’ old love of all things popular culture, I began to ponder the troubling question: Why are there so many popular narratives focused on female characters who are, on a surface level, portrayed as bastions of strength, that fall woefully short of being true representations of empowerment when subjected to close analysis? In an endeavor to answer this question, in this dissertation I examine what I contend are some of the paradoxical performances of female heroism, womanhood, and feminine aggression from the 1960s to the 1990s. To facilitate this investigation, I engage in close readings of several key aesthetic and cultural texts from these decades. While the Wonder Woman comic book universe serves as the centerpiece of this study, I also consider troublesome performances and representations of female power in the television shows Bewitched, I Dream of Jeannie, and Buffy the Vampire Slayer, the film Grease, the stage musical Les Misérables, and the video game Tomb Raider.