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1 Boris Lurie in NO!art Boris Lurie and NO!art Boris Lurie in NO!art Boris Lurie and NO!art Kazalo 4 Boris Lurie Andreja Hribernik 24 Uvod Introduction Ivonna Veiherte 26 Skrivna sestavina umetnosti – pogum 40 The Secret Component of Great Art – Courage Stanley Fisher (1960) 56 Izjava ob Vulgarni razstavi Vulgar Show Statement Boris Lurie (1961) 58 Izjava ob Vključujoči razstavi 59 Involvement Show Statement Stanley Fisher (1961) 62 Izjava ob razstavi Pogube Doom Show Statement Boris Lurie (1964) 66 Spremna beseda k razstavi kipov NO! Sama Goodmana 68 Introduction to Sam Goodman ‘NO-sculptures’ Thomas B. Hess (1964) 70 Spremna beseda k razstavi kipov NO! 71 Introduction to the NO-sculptures show Tom Wolfe (1964) 73 Kiparstvo (Galerija Gertrude Stein) 74 Sculpture (Gallery Gertrude Stein) Dore Ashton (1988) 76 Merde, Alors! 78 Merde, Alors! Harold Rosenberg (1974) 80 Bika za roge 81 Bull by the Horns Contents 84 Boris Lurie 107 Sam Goodman 122 Stanley Fisher 128 Aldo Tambellini 132 John Fischer 134 Dorothy Gillespie 138 Allan D’Arcangelo 142 Erró 148 Harriet Wood (Suzanne Long) 152 Isser Aronovici 154 Yayoi Kusama 158 Jean-Jacques Lebel 164 Rocco Armento 166 Wolf Vostell 172 Michelle Stuart Marko Košan 176 Pričevanje podobe (Lurie, Mušič, Borčić) 184 The Testimony of an Image (Lurie, Mušič, Borčić) 190 Seznam razstavljenih del List of exhibited works BORIS LURIE Portret moje matere pred ustrelitvijo / Portrait of My Mother Before Shooting, 1947, olje na platnu / Oil on canvas, 92,7 x 64,8 cm © Boris Lurie Art Foundation BORIS LURIE Tovorni vagon, asemblaž 1945 Adolfa Hitlerja / Flatcar. Assemblage, 1945 by Adolf Hitler, ok./circa 1962, 40,6 x 61 cm © Boris Lurie Art Foundation BORIS LURIE Železniški kolaž (Železniška proga do Amerike) / Railroad Collage (Railroad to America), ok./circa 1963, papirni kolaž na platnu / Paper collage on canvas, 36,8 x 54 cm © Boris Lurie Art Foundation BORIS LURIE BORIS LURIE Imigrantova NE! škatla / Nasičena slika (Buchenwald) / Immigrant‘s NO!box, Saturation Painting (Buchenwald), 1963, 1960–1964, akril, papirni kolaž na lesenem zaboju / fotografije in papir na platnu / Acrylic, paper collage on wood trunk, Photos and paper on canvas, 63,5 x 61 x 102 cm 91,4 x 91,4 cm © Boris Lurie Art Foundation © Boris Lurie Art Foundation BORIS LURIE BORIS LURIE Za mojo Sheino Gitl – Brez naslova / mojo valentino / Untitled, To my Sheina Gitl – 1960–1974, My Valentine, asemblaž: oljna barva, 1981, papirna masa, kovinska mrežica / barva, papirni kolaž, Assemblage: oil paint, papirni trak / paper plaster, wire mesh, Paint, paper 40,6 x 35,6 cm collage, tape on paper, © Boris Lurie Art Foundation 97 x 75 cm © Boris Lurie Art Foundation 15 BORIS LURIE BORIS LURIE BORIS LURIE Lolita / Lumumba je mrtev NO slika na rdečem in črnem / Lolita, (Zbogom Amerika) / NO Painting with Red and Black, 1962–1963, papirni kolaž Lumumba is Dead (Adieu Amerique), 1963, na platnu / 1959–1961, olje, papir, kolaž, igralne karte, akril na plastiki / Paper collage fotografije, odpadni papir na platnu / Acrylic on plastic, on canvas, Oil, paper, collage, playing cards, photos, 55,9 x 89 cm 142,2 x 102,9 cm wastepaper on canvas, © Boris Lurie Art Foundation © Boris Lurie Art Foundation 181,6 x 197 cm © Boris Lurie Art Foundation BORIS LURIE BORIS LURIE NE s počeno glavo / Brez naslova NO with Split Head, (NE s sprejem) / 1963, Untitled (NO sprayed), barva, prenos, ofsetni tisk na odpadni 1963, papir na platnu / sprej na lesonitu / Paint, transfer, offset print on Spray paint on masonite, wastepaper on canvas, 61 x 76,2 cm 65 x 52 cm © Boris Lurie Art Foundation © Boris Lurie Art Foundation BORIS LURIE BORIS LURIE Pisave: PISS / Sram! / Hard Writings: PISS, Shame!, ok./circa 1972–1973 1963, © Boris Lurie Art Foundation Olje in fotografija na platnu / Oil paint and photo on canvas 81 x 57 cm © Boris Lurie Art Foundation BORIS LURIE Sram! / Shame!, 1963, Olje in fotografija na platnu / Oil paint and photo on canvas 81 x 57 cm © Boris Lurie Art Foundation BORIS LURIE Galerija Gertrude Stein: plakat razstave NO show / Gallery Gertrude Stein: NO show poster, 1963 © Boris Lurie Art Foundation Andreja Hribernik 24 Direktorica Koroške galerije likovnih umetnosti Director of Museum of Modern and Contemporary Art Koroška Uvod Introduction Koroška galerija likovnih umetnosti, muzej za sodobno In 2017, Museum of Modern and Contemporary umetnost, je leta 2017 z veliko mednarodno razstavo z Art Koroška celebrated its 60th anniversary by a major naslovom Vojna praznovala 60-letnico obstoja. Njena international exhibition War. The museum was established ustanovitev ob koncu petdesetih let preteklega stoletja at the end of the 1950s during a period of new hope in the je povezana z dobo nekega novega upanja, ki se je wake of the Second World War and manifested in ideas prebujalo po 2. svetovni vojni in se manifestiralo v idejah, spread by the United Nations Organisation and the Non- ki sta jih širila Organizacija združenih narodov in Gibanje Aligned movement with the former Yugoslavia as an active neuvrščenih, katerega aktivna članica je bila tudi nekdanja member. A series of international exhibitions at the Museum Jugoslavija. Vrsta mednarodnih razstav v Koroški galeriji of Modern and Contemporary Art Koroška devoted to the likovnih umetnosti s tematiko, posvečeno promociji kulture promotion of the culture of peace and values of solidarity, miru in vrednot solidarnosti, humanizma in razumevanja, je humanism and understanding opened space for artistic and takrat ponudila prostor za umetniški in politični diskurz o political discourse about the role of art and art’s potentials vlogi umetnosti v družbi in o možnosti, da lahko umetnost to change the world. spremeni svet. The Museum of Modern and Contemporary Art Koroška Tem programskim zasnovam sledi Koroška galerija has followed these programmatic concepts to the present likovnih umetnosti še danes. Zavedamo se nujnosti day. We are aware of the necessity of comparing exhibition primerjave razstavnih projektov z radikalnim kritičnim projects with a radical critical charge like by Boris Lurie nabojem, med katere sodi tudi pregledna razstava z deli and other NO!artists from more than 50 years ago, with Borisa Lurieja in drugih umetnikov gibanja NO!art izpred the situation that we witness in contemporary times. The več kot 50 let, s situacijo, ki smo ji priča v sodobnem času. topicality of the exhibition’s subjects is evident upon a Aktualnost tematik, ki jo odpira pričujoča razstava, se nam casual glance at the growing intolerance, ethnic and racial predoči že ob bežnem pogledu na vse večjo nestrpnost, discrimination and resulting armed conflicts, economic etnično in rasno diskriminacijo ter posledične oborožene inequality and shameless exploitation of the weak in bouyant spopade, ekonomsko neenakost in brezsramno izkoriščanje capitalism. The messages conveyed by this exhibition are šibkejših v razbohotenem kapitalizmu. Sporočilnost te important not only because they recall utopian ideas of the razstave je pomembna, ne le ker spominja na utopične ideje past or address the ideals of the then society but because preteklosti ali govori o idealih takratne družbe, temveč ker je their content remains a vehicle of this utopian potential until njena vsebina nosilka tega utopičnega potenciala še danes. today. Razstavo je omogočila Fundacija Borisa Lurieja (BLAF: The exhibition was made possible by the Boris Lurie Art Boris Lurie Art Foundation), zato gre v prvi vrsti zahvala Foundation, so we owe our biggest thanks to the Foundation, njim, direktorici Gertrude Stein in predsedniku Anthonyju its President Gertrude Stein and its Chairman Anthony Williamsu. Posebej se za pomoč zahvaljujemo tudi Rafaelu Williams. Particular thanks go to Rafael Vostell, Chris Shultz, Vostellu, Chrisu Shultzu in Jessici Wallen. Zahvala tudi and Jessica Wallen for the help and support offered in the muzeju RIGAS BIRŽA, kustosinji Viti Birzaka ter kustosinji preparation of the exhibition. We would also like to thank razstave Ivonni Veiherte. Razstavo je podprlo Ministrstvo za the RIGA BOURSE Art Museum, curator Vita Birzaka and kulturo Republike Slovenije. exhibition curator Ivonna Veiherte. The exhibition was also supported by the Ministry of Culture of the Republic of Slovenia. Ivonna Veiherte 26 Skrivna sestavina velike umetnosti – pogum NO!art je bil koncept, ki ga je v 50. in 60. letih 20. stoletja udejanjala radikalna umetniška skupina v New Yorku. Glavni predstavnik je bil Boris Lurie, judovski umetnik, rojen v Rusiji, ki je deloval z dvema sodelavcema, Samom Goodmanom in Stanleyjem Fisherjem. Ta koncept pa lahko vidimo tudi kot gibanje ali skupino, ki so se ji priključili drugi umetniki, ki so takrat živeli ali se zadrževali v New Yorku. Razstava osvetljuje obdobje od leta 1959 do 1964, čas začetkov dejavnosti NO!arta, ko so jih izvajali njihovi najpomembnejši predstavniki in ko so imele največjo moč. Ideja NO!arta se je nadaljevala tudi pozneje, vendar pa so se posamezniki, ki so pri njej sodelovali, lotili samostojnih karier, nehali delovati ali umrli. Koncept NO!arta je po svetu dosledno promoviral in se z njim identificiral zlasti Boris Lurie. Lurie je bil na umetnostnem prizorišču v svojem času splošno znan. Bil je dejavna in pomembna osebnost v Skupina umetnikov z 10. ulice v skupnostnem gibanju umetnikov na 10. ulici, ki so središče ateljeju slikarja Miltona Resnicka. New Yorka preobrazili v povojno žarišče alternativne kulture. The 10th Street artists group at New York mu je v svojem času ponudil priložnost in primerno artist Milton Resnick‘s studio. prizorišče za umetniško izražanje. © Foto: James Burke/The LIFE Picture Collection/Getty Images Dejavnosti NO!arta so bile v času Luriejevega življenja dokumentirane v nekaj knjigah, razstavah in spremnem gradivu. Ustanovljena je bila Fundacija Borisa Lurieja, ki je zbirala in skrbela za njegovo delo, rokopise in arhive gradiv NO!arta, pa tudi organizirala razstave Borisa Lurieja in NO!arta v mednarodnih muzejih. Ta razstava obravnava newyorški umetniški svet 50.
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  • Design of Logistic Concepts for Wood Biomass Supply Chains for District Heating Plants in Municipalities of Priboj, Novi Pazar, Bajina Bašta and Nova Varoš

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    Design of logistic concepts for wood biomass supply chains for district heating plants in municipalities of Priboj, Novi Pazar, Bajina Bašta and Nova Varoš prepared for: Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH DKTI- Development of a Sustainable Bioenergy Market in Serbia Bože Jankovića 39 11000 Beograd Prepared by: Damir Đaković, PhD Branka Gvozdenac Urošević, PhD Dragan Urošević, PhD January 2015 DKTI (GIZ) Programme "Development of sustainable bioenergy market in Serbia" Design of logistic concepts for wood biomass supply chains for district heating plants in municipalities of Priboj, Novi Pazar, Bajina Bašta and Nova Varoš TABLE OF CONTENTS LIST OF ABBREVIATIONS .............................................................................................................................................. 4 LIST OF TABLES ............................................................................................................................................................ 5 LIST OF FIGURES .......................................................................................................................................................... 8 1. EXECUTIVE SUMMARY ........................................................................................................................................ 9 2. INTRODUCTION AND OBJECTIVE OF THE STUDY ............................................................................................... 10 2.1 SERBIAN LAW REGARDING THE USE OF BIOMASS ............................................................................................
  • The Tension in Liat Yossifor's Paintings

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  • Un Contexto Para La Instalación Sonora En El Espacio Público

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