July 14–19, 2019 on the Campus of Belmont University at Austin Peay State University
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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
Brian Stokes Mitchell Outside at the Colonial
Press Contacts: Katie B. Watts Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For immediate release, please: Monday, July 20 at 10am Berkshire Theatre Group Announces An Intimate Performance with Two-time Tony Award-winner Brian Stokes Mitchell to Benefit Berkshire Theatre Group and a Portion of Sales to go to The Actors Fund and Black Theatre United Pittsfield, MA – Berkshire Theatre Group (BTG) and Kate Maguire (Artistic Director, CEO) are excited to announce two-time Tony Award-winner Brian Stokes Mitchell in an intimate performance and fundraiser to benefit Berkshire Theatre Group. In this very special one-night-only concert, Brian Stokes Mitchell will deliver an unforgettable performance to an audience of less than 100 people, outside under a tent at The Colonial Theatre on Labor Day Weekend, September 5 at 8pm. Dubbed “the last leading man” by The New York Times, Tony Award-winner Brian Stokes Mitchell has enjoyed a career that spans Broadway, television, film, and concert appearances with the country’s finest conductors and orchestras. He received Tony, Drama Desk, and Outer Critics Circle awards for his star turn in Kiss Me, Kate. He also gave Tony-nominated performances in Man of La Mancha, August Wilson’s King Hedley II, and Ragtime. Other notable Broadway shows include: Kiss of the Spider Woman, Jelly’s Last Jam, Women on the Verge of a Nervous Breakdown and Shuffle Along. In 2016 he was awarded his second Tony Award, the prestigious Isabelle Stevenson Tony for his Charitable work with The Actors Fund. -
Examining the Use of Theatre Among Children and Youth in U.S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School November 2019 Mini-Actors, Mega-Stages: Examining the Use of Theatre among Children and Youth in U.S. Evangelical Megachurches Carla Elisha Lahey Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Dramatic Literature, Criticism and Theory Commons, and the Other Theatre and Performance Studies Commons Recommended Citation Lahey, Carla Elisha, "Mini-Actors, Mega-Stages: Examining the Use of Theatre among Children and Youth in U.S. Evangelical Megachurches" (2019). LSU Doctoral Dissertations. 5101. https://digitalcommons.lsu.edu/gradschool_dissertations/5101 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. MINI-ACTORS, MEGA-STAGES: EXAMINING THE USE OF THEATRE AMONG CHILDREN AND YOUTH IN U.S. EVANGELICAL MEGACHURCHES A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Theatre by Carla Elisha Lahey B.A., Samford University, 2000 M.S., Florida State University, 2012 December 2019 Acknowledgements For the past three years of this project, I have been dreaming of writing this page. Graduate school has not the easiest path, but many people walked along the road with me. I have looked forward to completing this project so I could thank them within the pages they helped to make possible. -
<I>Spring Awakening</I>
The Journal of American Drama and Theatre (JADT) https://jadtjournal.org Silence, Gesture, and Deaf Identity in Deaf West Theatre's Spring Awakening by Stephanie Lim The Journal of American Drama and Theatre Volume 33, Number 1 (Fall 2020) ISNN 2376-4236 ©2020 by Martin E. Segal Theatre Center For a woman to bear a child, she must . in her own personal way, she must . love her husband. Love him, as she can love only him. Only him . she must love—with her whole . heart. There. Now, you know everything.[1] Frau Bergman, Spring Awakening In the opening scene of Spring Awakening, Wendla begs her mother to explain where babies come from, to which her mother bemoans, “Wendla, child, you cannot imagine—.” In Deaf West Theatre’s version of the show, Frau Bergman speaks this line while bringing her pinky finger up to her head, palm outward, but Wendla quickly corrects the gesture, indicating that her mother has actually inverted the American Sign Language (ASL) for “imagine,” a word signed with palm facing inward.[2] As part of a larger dialogue that closes with the epigraph above, Bergman’s struggle to communicate about sexual intercourse in both ASL and English is one of many exchanges in which adults find themselves unable to communicate effectively with teenagers. The theme of (mis)communication is also evoked through characters’ refusal to communicate with each other at all, as in the musical number “Totally Fucked.” When Melchior’s teachers demand he confess to having authored the obscene 10-page document, “The Art of Sleeping With” (which they claim hastened the suicide of his best friend Moritz), they reject his attempts to explain. -
2013 Skyhawk Volleyball 3 HHEADEAD CCOACHOACH DDARRINARRIN Mmcclurecclure
UT MARTIN SKYHAWKS 2013 VOLLEYBALL 22013013 SSkyhawkkyhawk VVolleyballolleyball 22013013 UUTT MMARTINARTIN SSKYHAWKKYHAWK VVOLLEYBALLOLLEYBALL ##11 LynseyLynsey HazelwoodHazelwood ##22 CColleenolleen LLarsonarson ##33 EEmilymily KeatonKeaton ##44 CChelseahelsea BBowlesowles OOHH • 55-10-10 • SSophomoreophomore LL/DS/DS • 55-5-5 • FreshmanFreshman OOHH • 66-1-1 • JJuniorunior LL/DS/DS • 55-4-4 • SSophomoreophomore LLouisville,ouisville, KKy.y. NNaperville,aperville, IIll.ll. SSt.t. CCharles,harles, MMo.o. LLouisville,ouisville, KKy.y. ((HolyHoly CrossCross HS)HS) ((NapervilleNaperville NNorthorth HHS)S) ((IncarnateIncarnate WWordord AAcademy)cademy) ((AssumptionAssumption HS)HS) ##55 AAlishalisha EErvesrves ##66 SShelbyhelby HHoskinsoskins ##99 JJuliaulia DDevinneyevinney ##1111 AAlliellie WWhimpeyhimpey MMBB • 55-11-11 • FreshmanFreshman MMBB • 66-0-0 • SSophomoreophomore MMBB • 66-2-2 • FreshmanFreshman OOHH • 66-0-0 • JJuniorunior TTyrone,yrone, GGa.a. NNewew AAlbany,lbany, IInd.nd. PPlano,lano, TTexasexas CCary,ary, IIll.ll. ((SandySandy CCreekreek HHS)S) ((NewNew AAlbanylbany HHS)S) ((PlanoPlano WWestest SSeniorenior HHS)S) ((Cary-GroveCary-Grove HHS)S) ##1414 AAmandamanda CCraskrask ##1818 MMichelleichelle MMcLaughlincLaughlin ##2121 KKellyelly HHoganogan ##3535 MMadisonadison WWesslingessling S • 55-7-7 • SSophomoreophomore OOHH • 5-105-10 • FreshmanFreshman OOHH • 55-9-9 • RR-Senior-Senior OOHH • 5-105-10 • FreshmanFreshman LLouisville,ouisville, KKy.y. BBartlett,artlett, IIll.ll. SSt.t. CCharles,harles, IIll.ll. LLouisville,ouisville, -
2016-17 Ut Martin Skyhawk Men's Basketball
UT MARTIN SKYHAWKS 2016-17 MEN’S BASKETBALL 22016-17016-17 UUTT MMARTINARTIN SSKYHAWKKYHAWK MMEN’SEN’S BBASKETASKETBBALLALL ##00 JALENJALEN JJACKSONACKSON ##11 MMATTHEWATTHEW BBUTLERUTLER ##22 JJACOLBYACOLBY MMOBLEYOBLEY ##33 DDANTEANTE BAILEYBAILEY ##44 KKEDAREDAR EDWARDSEDWARDS ##55 MMIKEIKE FFOFANAOFANA G • 66-1-1 • 160160 • Jr.Jr. G • 66-2-2 • 118585 • R-Jr.R-Jr. G • 66-0-0 • 116060 • R-Sr.R-Sr. F • 66-6-6 • 220220 • Jr.Jr. F • 66-5-5 • 200200 • R-Sr.R-Sr. F • 66-8-8 • 190190 • Fr.Fr. CCleveland,leveland, OOhiohio MMemphis,emphis, TTenn.enn. SStarkville,tarkville, MMiss.iss. CChicago,hicago, Ill.Ill. BBrooklyn,rooklyn, NNYY MMemphis,emphis, TTenn.enn. ##1010 CCHANDLERHANDLER RROWEOWE ##1111 AAJJ NNYWESHYWESH ##1212 FFATODDATODD LEWISLEWIS ##1313 MMALIKALIK PUGHPUGH ##1414 TTRAVAUNRAVAUN COADCOAD F • 66-7-7 • 205205 • Sr.Sr. G • 66-4-4 • 175175 • Jr.Jr. F • 66-8-8 • 215215 • R-So.R-So. G • 66-1-1 • 165165 • R-So.R-So. G • 66-1-1 • 170170 • JJr.r. AAtlanta,tlanta, GGa.a. AAustin,ustin, MMinn.inn. MMemphis,emphis, TTenn.enn. DDyersburg,yersburg, TTenn.enn. WWestest LLawn,awn, PPa.a. ##2121 MMALIKALIK LLONDONONDON ##2222 KKAHARIAHARI BBEAUFORTEAUFORT ##2525 JJAVIERAVIER MMARTINEZARTINEZ ##3333 NNEHEMIAHEHEMIAH MMABSONABSON ##4444 NNICKICK DDETLEVETLEV F • 66-8-8 • 190190 • R-Sr.R-Sr. G • 66-4-4 • 185185 • JJr.r. F • 66-7-7 • 210210 • Sr.Sr. F • 6-66-6 • 250250 • Jr.Jr. C • 77-2-2 • 222525 • R-So.R-So. JJacksonackson HHamlet,amlet, NNCC HHartford,artford, CConn.onn. SSt.t. CCroix,roix, VVirginirgin IIslandsslands LLexington,exington, KKy.y. EEuclid,uclid, OhioOhio AANTHONYNTHONY SSTEWARTTEWART JJERMAINEERMAINE JJOHNSONOHNSON AALEXLEX IRELANDIRELAND DDeANDREeANDRE WALKERWALKER AALILI PPARVAZARVAZ GGREGREG MMAJCHRZAKAJCHRZAK HHeadead CCoachoach • 11stst YYr.r. -
32103371-0-AFA2017-Program.Pdf
A WORD FROM THE PRODUCERS Michael Holzer Jacque Carnahan One year ago, we came together at the Gershwin Theatre for the very first Arts for Autism concert. Dozens of Broadway actors joined more than 150 young performers to take part in a show that inspired, educated and entertained us. It was uplifting to see so many passionate artists collaborate to raise awareness, encourage acceptance and to celebrate the power of the arts. We also witnessed the Broadway debut of Gina Hitsos, a young singer with autism who found her voice through the magic of music. There was an infectious feeling of love, excitement and optimism as everyone left the theatre that night. After a year of planning and projects we are back! We have many new and exciting developments since last June. After debuting a special arrangement of “Defying Gravity” in last year’s concert, we released a music video to share the beautiful message with an even wider audience. In February, we ventured out to the Ice Plant Recording studios in Queens with three former Broadway Elphabas from Wicked to reimagine the song we know and love. You can find the video on our website at ArtsForAutism.net. In May, we joined Autism Speaks at MetLife Stadium for the Northern New Jersey Walk. We were thrilled to be there and show our support. Jacque and our talented musicians serenaded and entertained the walkers; it was wonderful to see firsthand the positive impact that music can have. Now it’s June, and here we are again at the Gershwin Theatre. -
LIVE from LINCOLN CENTER “Falsettos” TCA Biographies ANDREW C. WILK Andrew C. Wilk Is a Multiple Emmy Award-Winning Producer
LIVE FROM LINCOLN CENTER “Falsettos” TCA Biographies ANDREW C. WILK Andrew C. Wilk is a multiple Emmy Award-winning producer and director whose career has encompassed leading roles in many areas of commercial and educational content. Since his arrival at Lincoln Center in 2011, he has served as executive producer of Live From Lincoln Center episodes ranging from classical music to dance to theatre. Prior to his work at Lincoln Center, Wilk served as Chief Creative Officer at Sony Music Entertainment, where he oversaw all visual content for Sony’s label groups and spearheaded Sony’s digital expansion. He also served as Founding Programmer and Executive Vice President of Programming and Production for the National Geographic Channel, where he launched the channel and developed its initial programming and scheduled and commissioned new programs, including specials with PBS and NBC. Wilk has won five Emmy Awards and received 15 nominations. Over the course of his career, he has produced or directed more than 1,000 television shows, ranging from children’s programming to news to commercial entertainment, in addition to continuing his work as a conductor of live music concerts. JAMES LAPINE James Lapine collaborated with Stephen Sondheim as author and director for Sunday in the Park With George; Into the Woods; Passion; and the multi-media revue Sondheim on Sondheim. He also directed Merrily We Roll Along as part of Encores at New York City Center. With William Finn, he has collaborated on March of the Falsettos and Falsettoland, later presented on Broadway as Falsettos and recently revived in 2016; A New Brain; Muscle; and Little Miss Sunshine. -
Edward Albee's at Home at The
CAST OF CHARACTERS TROY KOTSUR*............................................................................................................................PETER Paul Crewes Rachel Fine Artistic Director Managing Director RUSSELL HARVARD*, TYRONE GIORDANO..........................................................................................JERRY AND AMBER ZION*.................................................................................................................................ANN JAKE EBERLE*...............................................................................................................VOICE OF PETER JEFF ALAN-LEE*..............................................................................................................VOICE OF JERRY PAIGE LINDSEY WHITE*........................................................................................................VOICE OF ANN *Indicates a member of Actors’ Equity Association, the Union of David J. Kurs Professional Actors and Stage Managers in the United States. Artistic Director Production of ACT ONE: HOMELIFE ACT TWO: THE ZOO STORY Peter and Ann’s living room; Central Park, New York City. EDWARD ALBEE’S New York City, East Side, Seventies. Sunday. Later that same day. AT HOME AT THE ZOO ADDITIONAL PRODUCTION STAFF STARRING COSTUME AND PROPERTIES REHEARSAL STAGE Jeff Alan-Lee, Jack Eberle, Tyrone Giordano, Russell Harvard, Troy Kotsur, WARDROBE SUPERVISOR SUPERVISOR INTERPRETER COMBAT Paige Lindsey White, Amber Zion Deborah Hartwell Courtney Dusenberry Alek Lev -
Tommy Tune Still Dancing to Those Fascinating Rhythms
PRESENTED BY RETURN TO TOMMY TUNE STILL DANCING TO THOSE FASCINATING RHYTHMS HEDY WEISS on July 29, 2015 Tommy Tune will be the headliner in the Chicago Human Rhythm Project's 25th anniversary Jubalee celebration on July 30. When Tommy Tune – the dancer, actor, singer, choreographer, theater director and producer was awarded his 10th Tony Award in June – a Special Tony for Lifetime Achievement in the Theater – he playfully quipped: “Right now I’m thinking of Texas in the 1950s. You see, my father’s great dream for me was the same as every Texas father’s dream for their first born son – they wanted us all to leave Texas, go to New York, and dance in the chorus of a Broadway show. And I did it, and I loved every single time step.” The man who, early in his career, would tell directors who asked him his height that he was “5 feet 17 and 1/2 inches tall,” continues to love performing, and to work hard at it. In fact, when we chatted earlier this week by phone he had just gotten out of rehearsal for “Taps, Tunes and Tall Tales,” the one-man show he will perform as the headliner at Chicago Human Rhythm Project’s 25th anniversary Jubalee Gala, to be held July 30 at the Museum of Contemporary Art. “I was born to rehearse,” said ever-fleet Tune, now 76, who will receive yet another tribute at the gala – CHRP’s 25th Anniversary JUBA! Award for Extraordinary Lifetime Achievement. “My knees and hips are okay, and no one has said ‘Stop’.” According to the performer, “Taps, Tunes and Tall Tales” is “an autobiographical stroll celebrating 50-plus years of big-time showmanship,” and, since its debut in 2008, it has been in a constant state of revision (“I keep adding and subtracting”). -
Queering William Finn's a New Brain
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2019 Trouble in His Brain: Queering William FNicihnolnas 'Ksri satof eNr Reichward sBonrain Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF FINE ARTS “TROUBLE IN HIS BRAIN”: QUEERING WILLIAM FINN’S A NEW BRAIN By NICHOLAS KRISTOFER RICHARDSON A Thesis submitted to the School of Theatre in partial fulfillment of the requirements for the degree of Master of Arts 2019 © 2019 Nicholas Kristofer Richardson Nicholas Kristofer Richardson defended this thesis on April 16, 2019. The members of the supervisory committee were: Aaron C. Thomas Professor Directing Thesis Mary Karen Dahl Committee Member Chari Arespacochaga Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii ACKNOWLEDGMENTS I have so much for which to be thankful and I am indebted to a great number of people. I will try my best to limit this section to those who helped me specifically with this thesis and these past two years of graduate school. First, I offer heartfelt thanks to my most admirable chair, Dr. Aaron C. Thomas. Thank you for guiding me through this thesis regardless of my many insecurities. Thank you for demanding rigor from me and my work. Thank you for your patience. Thank you for your faith in me. It’s been a pleasure to learn from you and work with you. -
Art Boris Lurie and NO!Art
1 Boris Lurie in NO!art Boris Lurie and NO!art Boris Lurie in NO!art Boris Lurie and NO!art Kazalo 4 Boris Lurie Andreja Hribernik 24 Uvod Introduction Ivonna Veiherte 26 Skrivna sestavina umetnosti – pogum 40 The Secret Component of Great Art – Courage Stanley Fisher (1960) 56 Izjava ob Vulgarni razstavi Vulgar Show Statement Boris Lurie (1961) 58 Izjava ob Vključujoči razstavi 59 Involvement Show Statement Stanley Fisher (1961) 62 Izjava ob razstavi Pogube Doom Show Statement Boris Lurie (1964) 66 Spremna beseda k razstavi kipov NO! Sama Goodmana 68 Introduction to Sam Goodman ‘NO-sculptures’ Thomas B. Hess (1964) 70 Spremna beseda k razstavi kipov NO! 71 Introduction to the NO-sculptures show Tom Wolfe (1964) 73 Kiparstvo (Galerija Gertrude Stein) 74 Sculpture (Gallery Gertrude Stein) Dore Ashton (1988) 76 Merde, Alors! 78 Merde, Alors! Harold Rosenberg (1974) 80 Bika za roge 81 Bull by the Horns Contents 84 Boris Lurie 107 Sam Goodman 122 Stanley Fisher 128 Aldo Tambellini 132 John Fischer 134 Dorothy Gillespie 138 Allan D’Arcangelo 142 Erró 148 Harriet Wood (Suzanne Long) 152 Isser Aronovici 154 Yayoi Kusama 158 Jean-Jacques Lebel 164 Rocco Armento 166 Wolf Vostell 172 Michelle Stuart Marko Košan 176 Pričevanje podobe (Lurie, Mušič, Borčić) 184 The Testimony of an Image (Lurie, Mušič, Borčić) 190 Seznam razstavljenih del List of exhibited works BORIS LURIE Portret moje matere pred ustrelitvijo / Portrait of My Mother Before Shooting, 1947, olje na platnu / Oil on canvas, 92,7 x 64,8 cm © Boris Lurie Art Foundation BORIS LURIE Tovorni vagon, asemblaž 1945 Adolfa Hitlerja / Flatcar.