Lower East Side Third Thursday Night – March 18, 2021, 4-8 Pm
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Right of Passage
Right of Passage: Reducing Barriers to the Use of Public Transportation in the MTA Region Joshua L. Schank Transportation Planner April 2001 Permanent Citizens Advisory Committee to the MTA 347 Madison Avenue, New York, NY 10017 (212) 878-7087 · www.pcac.org ã PCAC 2001 Acknowledgements The author wishes to thank the following people: Beverly Dolinsky and Mike Doyle of the PCAC staff, who provided extensive direction, input, and much needed help in researching this paper. They also helped to read and re-read several drafts, helped me to flush out arguments, and contributed in countless other ways to the final product. Stephen Dobrow of the New York City Transit Riders Council for his ideas and editorial assistance. Kate Schmidt, formerly of the PCAC staff, for some preliminary research for this paper. Barbara Spencer of New York City Transit, Christopher Boylan of the MTA, Brian Coons of Metro-North, and Yannis Takos of the Long Island Rail Road for their aid in providing data and information. The Permanent Citizens Advisory Committee and its component Councils–the Metro-North Railroad Commuter Council, the Long Island Rail Road Commuters Council, and the New York City Transit Riders Council–are the legislatively mandated representatives of the ridership of MTA bus, subway, and commuter-rail services. Our 38 volunteer members are regular users of the MTA system and are appointed by the Governor upon the recommendation of County officials and, within New York City, of the Mayor, Public Advocate, and Borough Presidents. For more information on the PCAC and Councils, please visit our website: www.pcac.org. -
PARK at PIER 61 VALET DIRECTIONS to SKY RINK/SUNSET TERRACE Park at Pier 61 and Walk West to West 23Rd Street & the Hudson River
W. 25th St. W. 25th St. ve. ve. 11th A 10th A W. 24th St. W. 23rd St. M23 DROP OFF W. 22nd St. PICK-UP PIER 61 Field House W. 21st St. Sky Rink PIER 61 Sunset Terrace PARKING W. 20th St. PIER 60 Sports Center PIER 60 Health Club PARKING W. 19th St. PICK-UP est Side Highway W. 25th St. W PIER 59 300 New York M14 The Golf Club Ryder Cup Room W. 18th St. THE PLAYERS Room W. 25th St. PIER 59 PARK AT PIER 61 VALET DIRECTIONS TO SKY RINK/SUNSET TERRACE Park at Pier 61 and walk west to West 23rd Street & the Hudson River Sky Rink, located on the second 11th Ave. 10th Ave. floor of Pier 61. W. 24th St. From Long Island/Queens PUBLIC TRANSPORTATION • Queens Midtown Tunnel/ W. 17th St. The M23 bus crosses Manhattan on West Queensboro Bridge (59th St. Bridge) Guest Pick-Up/ 23rd Street and stops directly in front of the northern entrance to Chelsea Piers. The Continue South to 23rd Street. Refer to Drop-Off Areas M14D bus crosses Manhattan on 14th Street FDR Drive directions from this point. W. 23rd St. and stops at 18th Street in front of the southern M23 From Lower Manhattan/ Taxi Stands entrance to Chelsea Piers. The M23 and M14D buses connect with all of Manhattan’s Brooklyn/Staten Island north-south bus routes and subway lines. • Brooklyn Bridge/Manhattan Bridge/ DROP OFF (A, C, E, 1, 2, 3, 4, 5, 6, N, Q, R, PATH) Williamsburg Bridge Follow FDR Drive North to East 23rd Street W. -
October 5, 2016 Veronique Hakim President, New York City Transit
UNITED STATES HOUSE THE NEW YORK THE NEW YORK THE COUNCIL OF THE OF REPRESENTATIVES STATE SENATE STATE ASSEMBLY CITY OF NEW YORK October 5, 2016 Veronique Hakim President, New York City Transit Metropolitan Transportation Authority 2 Broadway New York, NY 1004 Dear President Hakim, Please restore the M15 Select Bus Service at 72nd Street. The M15 Limited stopped at 72nd Street until it was phased out in favor of M15 Select Bus Service. With high bus-dependent populations, infrequent local service, crosstown bus service, hospitals, community support and opening of the Second Avenue Subway with a station at 72nd Street, now is the perfect opportunity to increase ridership by restoring M15 Select Bus Service at 72nd Street. 72nd Street Only Location Omitted from Select Bus Service When Select Bus Service was introduced to First and Second Avenues on the M15 route, Select Bus Stations replaced Limited Service stops in every location above Houston Street other than East 72nd Street. Since October 2010, residents living in the East 72nd Street area, for example at 73rd off York Avenue, now must choose between walking three avenues and six blocks, more than half a mile, to a Select Bus Service bus station at 67th or 79th Streets and Second Avenue, versus half that distance to 72nd Street. Walking more than half a mile in both directions is simply too far for many residents. High Concentration of Seniors and Children Need Select Bus Service at 72nd Street The neighborhood that would be served by a Select Bus Service station at 72nd Street includes Census Tracts in Manhattan number 124, 126, 132, and 134 spanning from 69th to 79th between 3rd Avenue and the East River with a population of 44,756, one of the highest near any Select Bus station: 8,679 or 32.7% of households include children (under 18) or seniors (65 and over) who may rely on bus service due to age: o 3,326 or 12.5% of households have children under 18 years-old. -
The Tension in Liat Yossifor's Paintings
The Tension in Liat Yossifor’s Paintings In Yossifor’s work, connections between the imagination and the ordinary world are made not through the pictorial, but through the paint itself. By John Yau Liat Yossifor, Three Women, 2020, Oil on linen, 81 x 78 inches, Courtesy the artist and Miles McEnery Gallery, New York, NY My interest in the paintings of Liat Yossifor is multifold, stemming in part from the way she collapses alla prima painting and figure-ground relationships into something unique. By doing so, she has opened up a distinct space for herself within a domain many thought was no longer possible to work in: drawing in paint on canvas. In her work, Yossifor rejects the formal claim that drawing in paint (as in Willem de Kooning) evolved into the non-ex- pressionistic use of paint-as-paint (Jackson Pollock). Rather than embracing this view of materiality, she seems to be interested in the connotative possibilities of paint’s materiality when it is explored through alla prima painting and a rethinking of the figure-ground relationship. Her works suggest figural abstractions in which no figure is visible, a preoccupation that was apparent in her early “Portraits” (2005), for which she first gained attention after receiving her MFA from the University of California, Irvine, in 2002. 1 In an interview with the London-based abstract artist Erin Lawlor, Yossifor, who lives and works in Los Angeles, made this observation about the built-up, impenetrable paintings of the Abstract Expressionist artist Milton Resnick: “It seems he is seeing something we cannot see. -
723-14 M34 M34a Sbs M&S Layout 1
Bus Timetable Effective as of August 31, 2014 M34/ M34A Via 34 St M34 – between Javits Convention Center and Eastside Ferry Terminal M34A – between Waterside Plaza and Port Authority Bus Terminal If you think your bus operator deserves an Apple Award – our special recognition for service, courtesy and professionalism – call 511 and give us the badge or bus number. ¯˘¿ Fares – MetroCard® is accepted for all MTA New York City trains (including Staten Island Railway - SIR), and, local, Limited-Stop and +SelectBusService buses (at MetroCard fare collection machines). Express buses only accept 7-Day Express Bus Plus MetroCard or Pay-Per-Ride MetroCard. All of our buses and +SelectBusService Coin Fare Collector machines accept exact fare in coins. Dollar bills, pennies, and half-dollar coins are not accepted. Free Transfers – Unlimited Ride MetroCard permits free transfers to all but our express buses (between subway and local bus, local bus and local bus etc.) Pay-Per-Ride MetroCard allows one free transfer of equal or lesser value if you complete your transfer within two hours of the time you pay your full fare with the same MetroCard. If you pay your local bus fare with coins, ask for a free electronic paper transfer to use on another local bus. Reduced-Fare Benefits – You are eligible for reduced-fare benefits if you are at least 65 years of age or have a qualifying disability. Benefits are available (except on peak-hour express buses) with proper identification, including Reduced-Fare MetroCard or Medicare card (Medicaid cards do not qualify). Children – The subway, SIR, local, Limited-Stop, and +SelectBusService buses permit up to three children, 44 inches tall and under to ride free when accompanied by an adult paying full fare. -
Name Website Address Email Telephone 11R Www
A B C D E F 1 Name Website Address Email Telephone 2 11R www.11rgallery.com 195 Chrystie Street, New York, NY 10002 [email protected] 212 982 1930 Gallery 14th St. Y https://www.14streety.org/ 344 East 14th St, New York, NY 10003 [email protected] 212-780-0800 Community 3 4 A Gathering of the Tribes tribes.org 745 East 6th St Apt.1A, New York, NY 10009 [email protected] 212-777-2038 Cultural 5 ABC No Rio abcnorio.org 156 Rivington Street , New York, NY 10002 [email protected] 212-254-3697 Cultural 6 Abrons Arts Center abronsartscenter.org 456 Grand Street 10002 [email protected] 212-598-0400 Cultural 7 Allied Productions http://alliedproductions.org/ PO Box 20260, New York, NY 10009 [email protected] 212-529-8815 Cultural Alpha Omega Theatrical Dance Company, http://alphaomegadance.org/ 70 East 4th Street, New York, NY 10003 [email protected] Cultural 8 Inc. 9 Amerinda Inc. (American Indian Artists) amerinda.org 288 E. 10th Street New York, NY 10009 [email protected] 212-598-0968 Cultural 10 Anastasia Photo anastasia-photo.com 166 Orchard Street 10002(@ Stanton) [email protected] 212-677-9725 Gallery 11 Angel Orensanz Foundation orensanz.org 172 Norfolk Street, NY, NY 10002 [email protected] 212-529-7194 Cultural 12 Anthology Film Archives anthologyfilmarchives.org 32 2nd Avenue, NY, NY 10003 [email protected] 212-505-5181 Cultural 13 ART Loisaida / Caroline Ratcliffe http://www.artistasdeloisiada.org 608 East 9th St. #15, NYC 10009 [email protected] 212-674-4057 Cultural 14 ARTIFACT http://artifactnyc.net/ 84 Orchard Street [email protected] Gallery 15 Artist Alliance Inc. -
Postwar Abstraction in the Hamptons August 4 - September 23, 2018 Opening Reception: Saturday, August 4, 5-8Pm 4 Newtown Lane East Hampton, New York 11937
FOR IMMEDIATE RELEASE Montauk Highway II: Postwar Abstraction in the Hamptons August 4 - September 23, 2018 Opening Reception: Saturday, August 4, 5-8pm 4 Newtown Lane East Hampton, New York 11937 Panel Discussion: Saturday, August 11th, 4 PM with Barbara Rose, Lana Jokel, and Gail Levin; moderated by Jennifer Samet Mary Abbott | Stephen Antonakos | Lee Bontecou | James Brooks | Nicolas Carone | Giorgio Cavallon Elaine de Kooning | Willem de Kooning | Fridel Dzubas | Herbert Ferber | Al Held | Perle Fine Paul Jenkins | Howard Kanovitz | Lee Krasner | Ibram Lassaw | Michael Lekakis | Conrad Marca-Relli Peter Moore |Robert Motherwell | Costantino Nivola | Alfonso Ossorio | Ray Parker | Philip Pavia Milton Resnick | James Rosati | Miriam Schapiro | Alan Shields | David Slivka | Saul Steinberg Jack Tworkov | Tony Vaccaro | Esteban Vicente | Wilfrid Zogbaum EAST HAMPTON, NY: Eric Firestone Gallery is pleased to announce the exhibition Montauk Highway II: Postwar Abstraction in the Hamptons, opening August 4th, and on view through September 23, 2018. In the 1950s and 1960s, the Hamptons became one of the most significant meeting grounds of like-minded artists, who gathered on the beach, in local bars, and at the artist-run Signa Gallery in East Hampton (active from 1957-60). It was an extension of the vanguard artistic activity happening in New York City around abstraction, which constituted a radical re-definition of art. But the East End was also a place where artists were freer to experiment. For the second time, Eric Firestone Gallery pays homage to this rich Lee Krasner, Present Conditional, 1976 collage on canvas, 72 x 108 inches and layered history in Montauk Highway II. -
Art Boris Lurie and NO!Art
1 Boris Lurie in NO!art Boris Lurie and NO!art Boris Lurie in NO!art Boris Lurie and NO!art Kazalo 4 Boris Lurie Andreja Hribernik 24 Uvod Introduction Ivonna Veiherte 26 Skrivna sestavina umetnosti – pogum 40 The Secret Component of Great Art – Courage Stanley Fisher (1960) 56 Izjava ob Vulgarni razstavi Vulgar Show Statement Boris Lurie (1961) 58 Izjava ob Vključujoči razstavi 59 Involvement Show Statement Stanley Fisher (1961) 62 Izjava ob razstavi Pogube Doom Show Statement Boris Lurie (1964) 66 Spremna beseda k razstavi kipov NO! Sama Goodmana 68 Introduction to Sam Goodman ‘NO-sculptures’ Thomas B. Hess (1964) 70 Spremna beseda k razstavi kipov NO! 71 Introduction to the NO-sculptures show Tom Wolfe (1964) 73 Kiparstvo (Galerija Gertrude Stein) 74 Sculpture (Gallery Gertrude Stein) Dore Ashton (1988) 76 Merde, Alors! 78 Merde, Alors! Harold Rosenberg (1974) 80 Bika za roge 81 Bull by the Horns Contents 84 Boris Lurie 107 Sam Goodman 122 Stanley Fisher 128 Aldo Tambellini 132 John Fischer 134 Dorothy Gillespie 138 Allan D’Arcangelo 142 Erró 148 Harriet Wood (Suzanne Long) 152 Isser Aronovici 154 Yayoi Kusama 158 Jean-Jacques Lebel 164 Rocco Armento 166 Wolf Vostell 172 Michelle Stuart Marko Košan 176 Pričevanje podobe (Lurie, Mušič, Borčić) 184 The Testimony of an Image (Lurie, Mušič, Borčić) 190 Seznam razstavljenih del List of exhibited works BORIS LURIE Portret moje matere pred ustrelitvijo / Portrait of My Mother Before Shooting, 1947, olje na platnu / Oil on canvas, 92,7 x 64,8 cm © Boris Lurie Art Foundation BORIS LURIE Tovorni vagon, asemblaž 1945 Adolfa Hitlerja / Flatcar. -
Milton Resnick (1917-2004)
MILTON RESNICK (1917-2004) New York did not become the center of the art world overnight, nor did Paris lose its grip so easily. During the mid-20 th century the French artists hailed as kings of Modernism, Pablor Picasso, Georges Braque, Henri Matisse, and Joan Miró, watched their artistic empires crumble as they went from famed to revered within their lifetimes; a sign that their “demi-god” status lurked in their past instead of guiding their future. The future was, instead, the New York artists. Bored of the aesthetics which dominated the art market, these artists began creating a new ‘Modernist” art, one which combined the tenets of Cubism, Fauvism, Dadaism and Surrealism. With the birth of Abstract Expressionism, the Americans upstaged their French heroes. Artists during the late 1940s and 1950s were notoriously known for their subconscious personal involvement with their art. By definition, it required them to purge their souls onto their canvases. It was hate. It was love. It was anger. It was passion. But above and beyond – it was electric. Milton Resnick was one of the many artists in this group, labeled the first-generation Abstract Expressionists. Coming from a cultured and well-educated Russian-immigrant background, Resnick defied his family’s career expectations and instead began his life as a starving artist in New York City in the late 1930s; shortly thereafter he was drafted for war. Upon his return from the service, Resnick returned to painting and began studying under renowned teacher and painter Hans Hofmann. Although Resnick refutes any influence Hofmann had on his work, historian Linda Cathart suggests that in Resnick’s and Hofman’s later works they both begin to create monochromatic, heavily laden paintings, with just a glimpse or “key” of contrasting color. -
P H O T O N E W S L E T T
The PHOTO REVIEW NEWSLETTER July / August 2017 Michael Nichols Charger, Bandhavgarh National Park, India, 1996, inkjet print mounted on Dibond (© Michael Nichols/National Geographic) From “Wild” at the Philadelphia Museum of Art Exhibitions PHILADELPHIA AREA T. R. Ericsson The Print Center, 1614 Latimer St., Philadel- phia, PA 19103, 215/735-6090, www.printcenter.org, T–Sat 11–6, Annual Alumni Exhibition The Galleries at Moore, Moore through August 6. College of Art and Design, 20th St. & the Parkway, Philadelphia, PA 19103, 215/965-4027, www.moore.edu, M–Sat 11–5, through Judy Gelles “Fourth Grade Project in Yakima, Washington,” August 19. The Center for Emerging Visual Artists, Bebe Benoliel Gallery at the Barclay, 237 S. 18th St., Suite 3A, Philadelphia, PA 19103, Another Way of Telling: Women Photographers from the Col- 215/546-7775, www.cfeva.org, M–F 11–4, through July 28. lection The Philadelphia Museum of Art, Perelman Building, Julien Levy Gallery, 2525 Pennsylvania Ave., Philadelphia, PA Christopher Kennedy “Re-Imagined,” The Studio Gallery, 19130, 215/684-7695, www.philamuseum.org, T–Sun 10–5, W & 19 W. Mechanic St., New Hope, PA 18930, 215/738-1005, thestu- F 10–8:45, through July 16. dionewhope.com, W–Sun 11–6, through July 30. A Romantic Youth: Advanced Teen Photo Philadelphia Photo Arts Center, 1400 N. American St., Ste. 103, Philadelphia, PA 19122, 215/232-5678, www.philaphotoarts.org, T–Sat 10–6, through July 8. Christopher Kennedy: A Vision of Cubicity, from Impalpable Light at the Bazemore Gallery, Manayunk, PA Christopher Kennedy “Impalpable Light,” The Bazmore Gal- lery, 4339 Main St., Manayunk, PA 19127, 215/482-1119, www. -
PRESS RELEASE MILTON RESNICK the Elephant in the Room
PRESS RELEASE MILTON RESNICK The Elephant in the Room Reception Thursday September 22 from 6 to 8 pm Exhibition continues through October 29, 2011 Cheim & Read is pleased to announce an exhibition of paintings by the late Milton Resnick. The gallery has been the exclusive representative of the artist’s estate since 2006. Cheim & Read’s previous exhibition of Resnick’s paintings was in 2008 and fo- cused on works from 1959-1963. This show looks to later works from the 1960s to the 80s. It is accompanied by a full color catalogue with an essay by Philip Larratt- Smith. The essay, “Play Dead,” combines art historical analysis with juxtapositions of texts and images from film, literature, and history. Born in Bratslav, Ukraine in 1917, Milton Resnick immigrated to the United States with Straws 1981 oil on canvas his family in 1922, escaping the civil war of his homeland. In 1933, he left his studies 80 x 60 in 203.2 x 152.4 cm in commercial art at Pratt Institute and transferred to the American Artists School in order to focus on painting; he graduated in 1937. From 1940 -1945, Resnick served in the US Army, returning to New York at the rise of Abstract Expressionism. As part of the first generation of the New York School, Resnick has long been admired as a “painter’s painter,” his thickly layered canvases originating from a purist notion of paint itself. Upon his death in 2004, Resnick was qualified as the “last Abstract Expressionist painter” (Roberta Smith). Though his later work eclipsed more traditional notions of Abstract Expressionism, he remained fiercely com- mitted to the tenets of non-representational painting. -
L.E.S. Gallery Evening Thursday, November 19, 4-8 Pm
L.E.S. Gallery Evening Thursday, November 19, 4-8 pm This coming Thursday, over 40 galleries on the Lower East Side will be open later to celebrate current exhibitions throughout the neighborhood. An interactive map is available here. 1969 Gallery frosch&portmann Off Paradise 56 HENRY GRIMM Pablo’s Birthday Andrew Edlin Gallery Helena Anrather Perrotin Arsenal Contemporary Art New James Cohan Peter Freeman, Inc. York James Fuentes LLC Pierogi ASHES/ASHES Kai Matsumiya Rachel Uffner Gallery ATM gallery NYC Klaus von Nichtssagend Gallery RICHARD TAITTINGER GALLERY Bridget Donahue Krause Gallery Sargent’s Daughters Bureau LICHTUNDFIRE Shin Gallery carriage trade Lubov SHRINE Cristin Tierney Gallery M 2 3 signs and symbols David Lewis Magenta Plains Simone Subal Gallery DEREK ELLER GALLERY MARC STRAUS GALLERY Sperone Westwater Equity Gallery Martos Gallery The Hole FIERMAN McKenzie Fine Art Thomas Nickles Project Foxy Production Miguel Abreu Gallery Tibor de Nagy Gallery Freight+Volume Nathalie Karg Gallery Ulterior Gallery Front Room Gallery No Gallery Zürcher Gallery 1969 Gallery http://www.1969gallery.com 103 Allen Street INTERIORS: hello from the living room Amanda Barker, Johnny DeFeo, Lois Dodd, Gabrielle Garland, JJ Manford, John McAllister, Quentin James McCaffrey, Gretchen Scherer, Adrienne Elise Tarver, Ann Toebbe, Sophie Treppendahl, Brandi Twilley, Anna Valdez, Darryl Westly, Guy Yanai and Aaron Zulpo November 1 – November 29 56 HENRY https://56henry.nyc/ 56 Henry Street Richard Tinkler / Seven Paintings October 15 - November 25, 2020 56 HENRY shows seven paintings by Richard Tinkler. As if seen through a kaleidoscope or under the spell of deep meditation, the works often begin with a shared process before iterative reimagining delivers each to a novel conclusion.