Elmira Skate Park Sees First Bit of Graffiti
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
University News, November 14 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 11-14-1988 University News, November 14 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. Boise State University JEI..l:O Volume IX Issue 11 Jello Biafra to speak on November 14, 1988 censorship See pages 6 & 7 Shanties become favorite protest t_oolat campuses across U.S. (CPS)-The makeshift "shanty," "Symbols are always fluid," noted -until recently an icon of the campus Todd Gitlin, a University of Califor- anti-apartheid movement, seems to nia at Berkeley professor who have become everybody's favorite authored The Sixties: lears of Hope, symbol this school year. Days of Rage. Indiana University sports an anti- "People are always lldapting a rape shanty and briefly had a shan- symbol with one meaning and giving ty protesting IU's crackdown on stu- it another," Gitlin added. "Thllt's dent alcohol abuse. what happens with flags." In early October, volunteers at an Dr. Ohnuki Tierney of the Center off-campus soup kitchen built a for Advanced Studies in Behavioral shanty on the University of Penn- Sciences near Stanford said, "People sylvania campus because Penn has can read symbols upside down. -
Könnyűzene” Történetéből Sinkó Dániel Tartalomjegyzék
14 kiemelkedő év a „könnyűzene” történetéből Sinkó Dániel Tartalomjegyzék: Előszó ….......................................................................…….. 3 1979-Pink Floyd, The Wall...................................................... 6 1980-Genesis, Duke ............................................................. 17 1981-Szabó Gábor, Femme Fatale........................................... 25 1981- King Crimson, Discipline …………………………….. 30 1982-Miles Davis, We want Miles.......................................... 39 1983-Yes, 90125 ....................................................................... 46 1983- Manfred Mann Earth Band, Somewhere in Africa ….... 53 1984-Pat Metheny, First circle …............................................… 60 1985- Dire Straits, Brothers in Arms …...................................… 67 1986-Peter Gabriel, So …........................................................... 75 1986-Paul Simon Graceland…………………………………….. 85 1987-U2, The Joshua tree.......................................................... 96 1987-Sting, Nothing Like the sun............................................. 105 1988-Pink Floyd, Delicate Sound of thunder............................. 114 1989-Jeff Beck, Guitar shop. …............................................... 123 1990- Phish, Lawn Boy …....................................................... 129 1991- U2, Achtung Baby........................................................ 134 1992- R.E.M., Automatic for the people …............................ 146 1992- Mike Oldfield, Tubular -
REM Part Lies Part Heart Part Truth Part Garbage 1982
R.E.M. Part Lies Part Heart Part Truth Part Garbage 1982 - 2011 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Part Lies Part Heart Part Truth Part Garbage 1982 - 2011 Country: Europe Released: 2011 Style: Alternative Rock MP3 version RAR size: 1785 mb FLAC version RAR size: 1200 mb WMA version RAR size: 1748 mb Rating: 4.6 Votes: 209 Other Formats: DTS VQF WMA MIDI MMF XM TTA Tracklist Hide Credits Gardening At Night 1-1 3:30 Producer – Mitch Easter, R.E.M. Radio Free Europe 1-2 4:05 Producer – Don Dixon, Mitch Easter Talk About The Passion 1-3 3:24 Producer – Don Dixon, Mitch Easter Sitting Still 1-4 3:19 Producer – Don Dixon, Mitch Easter So. Central Rain 1-5 3:16 Producer – Don Dixon, Mitch Easter (Don't Go Back To) Rockville 1-6 4:33 Producer – Don Dixon, Mitch Easter Driver 8 1-7 3:24 Producer – Joe Boyd Life And How To Live It 1-8 4:08 Producer – Joe Boyd Begin The Begin 1-9 3:28 Producer – Don Gehman Fall On Me 1-10 2:51 Producer – Don Gehman Finest Worksong 1-11 3:50 Producer – R.E.M., Scott Litt It's The End Of The World As We Know It (And I Feel Fine) 1-12 4:07 Producer – R.E.M., Scott Litt The One I Love 1-13 3:17 Producer – R.E.M., Scott Litt Stand 1-14 3:13 Producer – R.E.M., Scott Litt Pop Song 89 1-15 3:05 Producer – R.E.M., Scott Litt Get Up 1-16 2:42 Producer – R.E.M., Scott Litt Orange Crush 1-17 3:52 Producer – R.E.M., Scott Litt Losing My Religion 1-18 4:29 Producer – R.E.M., Scott Litt Country Feedback 1-19 4:10 Producer – R.E.M., Scott Litt Shiny Happy People 1-20 3:46 Producer – R.E.M., Scott Litt The Sidewinder Sleeps Tonite 1-21 4:09 Producer – R.E.M., Scott Litt Everybody Hurts 2-1 5:20 Producer – R.E.M., Scott Litt Man On The Moon 2-2 5:14 Producer – R.E.M., Scott Litt Nightswimming 2-3 4:18 Producer – R.E.M., Scott Litt What's The Frequency, Kenneth? 2-4 4:00 Producer – R.E.M., Scott Litt New Test Leper 2-5 5:27 Producer – R.E.M., Scott Litt Electrolite 2-6 4:05 Producer – R.E.M., Scott Litt At My Most Beautiful 2-7 3:35 Producer – Pat McCarthy, R.E.M. -
Krist Novoselic, Dave Grohl, and Kurt Cobain
f Krist Novoselic, Dave Grohl, and Kurt Cobain (from top) N irvana By David Fricke The Seattle band led and defined the early-nineties alternative-rock uprising, unleashing a generation s pent-up energy and changing the sound and future of rock. THIS IS WHAT NIRVANA SINGER-GUITARIST KURT Cobain thought of institutional honors in rock & roll: When his band was photographed for the cover of Rolling Stone for the first time, in early 1992, he arrived wearing a white T-shirt on which he’d written, c o r p o r a t e m a g a z i n e s s t i l l s u c k in black marker. The slogan was his twist on one coined by the punk-rock label SST: “Corporate Rock Still Sucks.” The hastily arranged photo session, held by the side of a road during a manic tour of Australia, was later recalled by photogra pher Mark Seliger: “I said to Kurt, T think that’s a great shirt... but let’s shoot a couple with and without it.’ Kurt said, ‘No, I’m not going to take my shirt off.’” Rolling Stone ran his Fuck You un-retouched. ^ Cobain was also mocking his own success. At that moment, Nirvana - Cobain, bassist Krist Novoselic, and drummer Dave Grohl - was rock’s biggest new rock band, propelled out of a long-simmering postpunk scene in Seattle by its incendiary second album, N everm ind, and an improbable Top Ten single, “Smells Like Teen Spirit.” Right after New Year’s Day 1992, Nevermind - Nirvana’s first major-label release and a perfect monster of feral-punk challenge and classic-rock magne tism, issued to underground ecstacy just months before - had shoved Michael Jackson’s D angerous out of the Number One spot in B illboard. -
Nirvana: the Complete Illustrated History Free
FREE NIRVANA: THE COMPLETE ILLUSTRATED HISTORY PDF Charles Cross,Gillian G. Gaar,Bob Gendron,Mark Yarm,Todd Martens,Andrew Earles,Greg Kot,Jim DeRogatis,Alan di Perma | 192 pages | 15 Nov 2013 | Voyageur Press Inc | 9780760345214 | English | Stillwater, United States NIRVANA-THE COMPLETE ILLUSTRATED HISTORY BOOK EX | RELICS MUSIC Goodreads helps you keep track of Nirvana: The Complete Illustrated History you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Nirvana by Charles R. Cross. Gillian G. Gaar Goodreads Nirvana: The Complete Illustrated History. Bob Gendron. Todd Martens. Andrew Earles. Greg Kot. Jim DeRogatis. Alan di Perna Goodreads Author. Nirvana formed inreleased their first LP inand unintentionally tore the music world asunder two years later with the video and single for "Smells Like Teen Spirit. Nirvana, with their thrift-store clothes and pawnshop guitars, represented a much-needed return to pu Nirvana formed inreleased their first LP inand unintentionally Nirvana: The Complete Illustrated History the music world asunder two years later with the video and single for "Smells Like Teen Spirit. Nirvana, with their thrift-store clothes and pawnshop guitars, represented a much-needed return to punk-inspired rock and at the same time validated the indie rock scene that had failed to breach the mainstream in the previous decade. A meteoric rise followed, attended by all of the predictable professional and personal pitfalls. Two and half years after the release of "Teen Spirit," leader Kurt Cobain, age 27, killed himself and the Nirvana: The Complete Illustrated History was over. -
Embodiment, Phenomenology and Listener Receptivity of Nirvana’S in Utero
‘WE FEED OFF EACH OTHER’: EMBODIMENT, PHENOMENOLOGY AND LISTENER RECEPTIVITY OF NIRVANA’S IN UTERO Christopher Martin A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2006 Committee: Jeremy Wallach Becca Cragin Angela Nelson ii ABSTRACT Jeremy Wallach, Advisor Despite the fact that listening to recorded music is a predominant form of human interaction with music in general, music scholarship often continues to classify listening as a passive form of reception in comparison to the “activity” of actual music performance. This thesis presents the idea that music listening is actually an embodied and agentive form of reception that varies according to different listeners, their listening strategies, and other surrounding contexts. In order to provide detailed analysis of this assertion, Nirvana’s 1993 album In Utero is the primary recording that this thesis examines, arguing that the album contains specific embodied properties that ultimately allow for embodied forms of listening and responses within the musical experience. Phenomenological reasoning and scholarship from popular music studies, history, cultural studies, and other humanities fields contribute to the central argument. iii ACKNOWLEDGEMENTS I owe an oversized thank you to the following friends and family for their support: Pat and Priscilla Martin, Veronica Martin, Linda Coleson, and my colleagues in the Popular Culture department. Aaron Weinacht and Patrick Blythe earn special thanks for their continuing willingness to participate in arguments and theories that, as always, range from prescient to ridiculous. Kandace Virgin also deserves my thanks and love for patiently tolerating my stubbornness and need to constantly work ahead, as well as my other idiosyncrasies. -
Psaudio Copper
Issue 76 JANUARY 14TH, 2019 Welcome to Copper #76! ---here we are, halfway through January already, and I guess I'll find out if January actually exists without the mania of CES. I've attended since 1989, I'm done. My favorite newsflash so far has been that an autonomous car ran over an autonomous robot.... But we're here, and blessedly flu-free...so: Larry Schenbeck continues his look at musical storytellers---vocal ones, this time; we're revisiting Dan Schwartz's piece on Steve Reich; Richard Murison tries his hand at haiku---and some ku are hai-er than others; Jay Jay French brings us the second of two stories about meeting John & Yoko; Roy Hall tells his uncommonly-touching story of citizenship; Anne E. Johnson does double duty, with a look at lesser-known cuts from Richie Havens, as well as a Something Old/Something New review of new recordings of not one but two composers named Praetorius; Christian James Hand deconstructs REM's "It's the End of the World..."; and I obsess yet again about CES, and continue with a look at the audio segment of the amazing business empire of Sherman Fairchild. Industry News continues the never-ending story of---well, guess who. No, it's a different guess who than last issue's guess who. Sheesh! Our friend Fred Schwartz wonders what we'd hear in a certain situation; and we're pleased to have the first contribution from Jeremy Kipnis, writing about his illustrious ancestor, operatic bass Alexander Kipnis. Copper #76 wraps up with a scratchy sound from Charles Rodrigues, and a Parting Shot all the way from Argentina. -
R.E.M. Eponymous Mp3, Flac, Wma
R.E.M. Eponymous mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Eponymous Country: Europe Style: Alternative Rock MP3 version RAR size: 1547 mb FLAC version RAR size: 1640 mb WMA version RAR size: 1128 mb Rating: 4.6 Votes: 174 Other Formats: VOX WAV AC3 MP4 APE RA DXD Tracklist Hide Credits Radio Free Europe (Original Hib-Tone Single) A1 3:46 Producer – Mitch Easter, R.E.M. Gardening At Night (Different Vocal Mix) A2 3:31 Producer – Mitch Easter, R.E.M. Talk About The Passion A3 3:20 Producer – Don Dixon, Mitch Easter So. Central Rain A4 3:14 Producer – Don Dixon, Mitch Easter (Don't Go Back To) Rockville A5 4:31 Producer – Don Dixon, Mitch Easter Can't Get There From Here A6 3:37 Producer – Joe Boyd Driver 8 B1 3:23 Producer – Joe Boyd Romance B2 3:24 Producer – R.E.M., Scott Litt Fall On Me B3 2:51 Producer – Don Gehman The One I Love B4 3:16 Producer – R.E.M., Scott Litt Finest Worksong (Mutual Drum Horn Mix) B5 3:49 Producer – R.E.M., Scott Litt It's The End Of The World As We Know It (And I Feel Fine) B6 4:06 Producer – R.E.M., Scott Litt Companies, etc. Licensed To – MCA Records Ltd. Marketed By – MCA Records Ltd. Distributed By – MCA Records Ltd. Phonographic Copyright (p) – I.R.S. Records, Inc. Phonographic Copyright (p) – International Record Syndicate, Inc. Copyright (c) – International Record Syndicate, Inc. Copyright (c) – I.R.S. Records, Inc. Pressed By – EMI Records Published By – Chappell Music Ltd. -
Download – Hifimedia Br. 104 (PDF, 8
#104 PATHOS INPOL HERITAGE InPol tehnologija u najboljem izdanju MUSICSTYLE Gregory Porter, razgovor s najboljim jazz i soul pjevačem današnjice The War on Drugs, Husker Du, + The Replacements, R.E.M., Damir Halilić Hal... FILM Stranger Things - Netflix ponovno osvaja TV gledatelje, Excalibur - Neshvaćeni filmski klasik AUDIOVECTOR QR3 DAVIS ACOUSTICS BALTHUS 50 Dva zvučnika različite koncepcije i dobrog zvuka dostupan u crnoj i srebrnoj boji MREŽA DIGITALNE ZABAVE - NEOGRANIČENE MOGUĆNOSTI TESTIRALI MAGNAT MR 780 SMO Hibridni stereo receiver za najviše ocjene Upoznajte raznovrsnost, funkcionalnost i kvalitetu Hi-Res audio zapisa. S uređajem NC-50DAB Pioneer donosi kombinaciju Onkyo CP-1050, pojačala, CD playera, mrežnog playera, digitalnog i internetskog radija po prvi puta u klasičnom HiFi formatu. Korisnicima je Rega MINI A2D, na raspolaganju niz streaming servisa poput Tidala, Deezera i Spotifyja, kao i tisuće radio-stanica putem TuneIna. Uživajte Naim Uniti Atom, u fantastičnoj kvaliteti zvuka uz DAB+, CD, USB i glazbene servise putem WiFi-a/WLAN-a ili jednostavno povežite svoj Electron Audio Red Head, smartphone s uređajem putem Bluetootha. Uređajem se može jednostavno upravljati putem aplikacije koja se instalira na Magnat MCD 750, druge uređaje. Nova multi-room funkcija FireConnect omogućuje vam streamanje sadržaja u bilo kojoj prostoriji vašeg doma Bose Solo 5, unutar kućne mreže, a ne samo u dnevnom boravku. "Sve-u-jednom" HiFi sustav NC-50DAB - neograničene mogućnosti, Denon Heos Bar autentična HiFi zabava. www.helikop.hr Printed in Croatia - www.hifimedia.hr www.pioneer-audiovisual.eu 30 KN 3.76 EUR #104 / 2017. UREDNIK / IZDAVAČ Andrija Ćurković - [email protected] PO(D)VLAČENJE CRTE Krajem godine svi podvlačimo crtu zbrajajući pozitivne i negativne stvari koje su nam se desile TEHNIČKI UREDNIK kako bi, bar vizualno, ocijenili našu uspješnost u godini koja je na izmaku. -
R.E.M. Crush with Eyeliner Mp3, Flac, Wma
R.E.M. Crush With Eyeliner mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Crush With Eyeliner Country: UK Released: 1995 Style: Alternative Rock MP3 version RAR size: 1808 mb FLAC version RAR size: 1229 mb WMA version RAR size: 1438 mb Rating: 4.6 Votes: 679 Other Formats: ADX APE MP2 DXD AU XM MP1 Tracklist A Crush With Eyeliner 4:39 B Crush With Eyeliner (Instrumental Version) 4:39 Companies, etc. Phonographic Copyright (p) – R.E.M./Athens Ltd Copyright (c) – R.E.M./Athens Ltd Published By – Night Garden Music Credits Composed By – Berry*, Stipe*, Mills*, Buck* Engineer – Pat McCarthy Producer – R.E.M., Scott Litt Notes Released in limited edition, numbered 'calendar bag' with 12-page 1995 R.E.M. calendar. Sealed with a blue sticker on front stating "Official 1995 R.E.M. calendar - 12 page colour wall calendar with 7" orange vinyl single". Licensed by GEMA "Crush With Eyeliner" taken from the album "Monster" Night Garden Music. (Admin. by Warner-Tamerlane Pub. Corp BMI) Side A: ℗ 1994 Side B: ℗ 1995 R.E.M./Athens, Ltd. © 1995 R.E.M./Athens, Ltd. The copyright in this sound recording is owned by Warner Bros. Records Inc. in the United States and WEA International Inc. in the world outside of the United States. Barcode and Other Identifiers Barcode (Text): 0 5439-17951-7 5 Barcode (Scanned): 054391795175 Matrix / Runout (Side A): W 0281 XA-2-1-Q1 Matrix / Runout (Side B): W 0281 XB-1-1-Q1 Other versions Category Artist Title (Format) Label Category Country Year Crush With Warner Bros. -
REM Automatic for the People Mp3, Flac
R.E.M. Automatic For The People mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Automatic For The People Country: US Style: Alternative Rock MP3 version RAR size: 1609 mb FLAC version RAR size: 1412 mb WMA version RAR size: 1628 mb Rating: 4.3 Votes: 406 Other Formats: AU FLAC AAC XM DTS MP1 RA Tracklist Hide Credits Drive 1 4:30 Arranged By [Orchestral Arrangements By] – John Paul Jones 2 Try Not To Breathe 3:49 The Sidewinder Sleeps Tonite 3 4:06 Arranged By [Orchestral Arrangements By] – John Paul Jones Everybody Hurts 4 5:17 Arranged By [Orchestral Arrangements By] – John Paul Jones 5 New Orleans Instrumental No. 1 2:12 Sweetness Follows 6 4:19 Cello [Additional Musician] – Knox Chandler Monty Got A Raw Deal 7 3:16 Cello [Additional Musician] – Knox Chandler Ignoreland 8 4:24 Harmonica [Additional Musician], Clavinet [Additional Musician] – Scott Litt 9 Star Me Kitten 3:15 10 Man On The Moon 5:12 Nightswimming 11 4:16 Arranged By [Orchestral Arrangements By] – John Paul Jones 12 Find The River 3:49 Companies, etc. Copyright (c) – R.E.M./Athens Ltd Phonographic Copyright (p) – R.E.M./Athens Ltd Manufactured By – Microservice - Microfilmagens e Reproduções Técnicas Ltda. Distributed By – BMG Ariola Discos Ltda. Licensed From – WARNER MUSIC BRASIL LTDA. Recorded At – Bearsville Studios Recorded At – Criteria Recording Studios Recorded At – John Keane Studios Recorded At – Kingsway Studios, New Orleans Recorded At – Bosstown Recording Studios Mixed At – Bad Animals Mastered At – Precision Mastering Published By – Night Garden Music Published By – Unichappell Music, Inc. -
I REM Senza Bill Berry
06VAR01A0611 ZALLCALL 12 23:08:57 11/05/97 LINEE eSUONI l’Unità2 9 Giovedì 6 novembre 1997 La band, compreso il batterista che ha scelto di lasciare la musica, si confessa ai microfoni di Mtv La Emi ristampa gli album dall’85 all’87 I R.E.M. senza Bill Berry: «È la fine Michael Stipe & co. dai garage di Athens di un’era, ma noi andiamo avanti» al romanticismo rock «Non è stata la malattia che mi ha colpito nel ‘95 durante il tour - ha spiegato il batterista - a farmi lasciare il gruppo, mala voglia di una vita più semplice». La band intanto continua a registrare il nuovo disco, che uscirà nel ‘99. sofferto e consapevole «Per noi è la fine di un’era»: così Pfeiffer), mentre Pete Buck ha la- Michael Stipe aveva ancora i ric- compagni incrociano Echo & the Michael Stipe aveva commentato vorato parecchio con Mark Eitzel cioli e un aria di giovane appena Bunnymen con il urore del punk qualche giorno fa la scelta del bat- (ex American Music Club), coin- uscito dal campus universitario, co- americano, è subito chiaro che in terista Bill Berry di lasciare i Rem volgendolo anche nel suo proget- me mille altri suoi coetanei del Sud questo lavoro ci sono già quegli ele- dopo quasi diciotto anni spesi in- to Tuatara. E Michael Stipe ha segnato da un’aria ingenua e orse menti che si svilupperanno nella sieme. «Quanto a me, a Mike e Pe- completato e pubblicato il suo li- un po‘ provinciale. Eppure nel maturità di fine ‘80.