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1 Revista Atticus TRES Revista Atticus TRES 1 EditorEditoE : Atticus: Nombre del personaje de la novela LuisLuis José Cuadrado Gutiérrez Matar un ruiseñor de la escritora Harper Lee. Fue llevada al cine protagonizada, magnífi camente, por ColaboradoresColab : Gregory Peck. Atticus Finch representa los valores JoséJoosé Miguel Travieso Alonso - Juan de un hombre tolerante, justo, recto que hace lo que DDiegoiego Caballero Oliver - Manolo Ma- debe para mantenerse fi rme en sus convicciones con driddrid - IsaacIsaac Huerga ZotesZo - Gonzalo Durán López - José honradez y valentía. Carlos Nistal Nistal - ManuelManu López Benito - Iñigo Salinas Jesús Trapote - Marina Caballero del Pozo - Noelia To- Atticus: es el acrónimo de las artes liberales: ribio - Berta Cuadrado Mayoral - Mª del Rosario Mar- danzA, arquiTectura, pinTura, lIteratura, Cine, tín Muñoz - Santiago Medina Carrillo - Raúl Henao escultUra y múSica. Esther Bengoechea - Jessica Arias Mingorance - Inés Gutiérrez-Carbajal - José Antonio Sánchez Hernández Cristy González Lozano - Carlos Zeballos - Francisco Atticus: es la morada de los dioses que suele estar Buiza Badás - Arantxa Acosta - Salvador Robles - Gui- ubicada en el último piso de las insulae y que solían lle Silva - Ángela Blanco González - Eloísa Wattenberg disponer de un solarium para el solaz regocijo de su Rubén Gámez - Jaume C. Dos - Enrique Diego Blanco moradores. Marco Temprano - José González Torices - Ángela Hernádez Benito - Chema Concellón Atticus: Revista o punto de encuentro o solarium. Humor gráfi co: Andrés Faro Lalanne - Alfredo Martirena Bienvenido lector. Tienes ante ti el número Fotógrafos colaboradores: Jesús Arenales Rasines - Alicia González - Chema TRES de REVISTA ATTICUS. Concellón - Luis Raimundo García Fernández Jesús González - Rogelio García Alonso - Irene Muñoz - Una revista hecha con mucha dedicación, esmero y ca- Leandro Martínez - Jano Schmitt - Jorge Lázaro Fer- riño. Esperamos que esta publicación sea un víncu- nández - Paula Guillot - Enrique Amigo - Pablo Arena- lo de unión entre personas a las que les - Luis Laforga les gusta disfrutar y promover el arte. Diseño Portada: José Miguel Travieso Alonso Medio Ambiente. Revista Atticus es una publicación impresa y también Ilustración: electrónica. Si estás leyendo la edi- Enrique Diego Blanco - Berta Santos Solé - Alberto ción digital, antes de imprimir TODA Sobrino - Felix Rebollo la revista piensa si es eso lo que quieres, si necesitas leer Webmaster: www.revistaatticus.es todas las páginas. Piensa que puedes seleccionar las ho- Rubén García Gamarra jas que quieras imprimir. Y si encima lo haces por las Impresión: dos caras, mucho mejor. Estarás contribuyendo a hacer CarGraf Valladolid un mundo sostenible, es una responsabilidad de todos. Redacción: Revista Atticus C. Hernando de Acuña, 38 - 7 B 47014 Valladolid - España Teléfono: 983 115762 I.S.S.N Ed. Imp: 2173 - 951 X - Ed. Dig: 2174-1301 Depóstio Legal: VA - 763 - 2010 © Revista Atticus. Contacto: Vista de Ciudad Parquesol, Valladolid, desde donde se elabora REVISTA ATTICUS en un atardecer de un día de septiembre en [email protected] el que se celebraban las fi estas patronales de la ciudad. www.revistaatticus.es 2 Revista Atticus TRES Revista Atticus Número TRES Noviembre 2012 Sumario 3 Sumario El Concurso para el monumento a las 4 Editorial Cortes de Cádiz Gonzalo Durán López 5 Capilla Notre-Dame-Du-Haut Juan Diego Caballero Oliver 23 Ayer y hoy de La Gioconda del Prado Luis José Cuadrado Gutiérrez 26 34 La página de Alfredo Martirena Museo Nacional de Escultura Luis José Cuadrado Gutiérrez 36 El mundo de las marionetas José Miguel Travieso 64 El estandarte de San Mauricio Eloísa Wattenberg 81 El último refugio de Agustín Ibarrola Luis José Cuadrado Juan Antonio Sánchez Hernández 85 Marina Caballero del Pozo Higinio Vázquez García Berta Cuadrado Mayoral Inés Gutiérrez-Carbajal 91 Marco Temprano R.E.M. Principio y fi n Salvador Robles Miras Rubén Gámez y Jaume C. Dos 95 José Carlos Nistal Los dos accidentes de Frida Kahlo Noelia Toribio José González Torices Esther Bengoechea Gutiérrez 102 Santiago Medina Carrillo Parada en El Cementerio de Praga Raúl Henao María del Rosario Martín Muñoz 111 Jessica Arias Mingorance Storyboard. La película en papel Manolo Madrid Enrique Diego Blanco 113 Iñigo Salinas Origen Ángela Hernández Benito Arantxa Acosta Ángela Blanco González Luis José Cuadrado 118 124 Relatos y poesía 157 Opinión - Jesús Trapote Canción de mar Chema Concellón 161 El retrato fotográfi co VV. AA. 169 Valladolid desde el aire Fotografías de Jason Hawkes 179 Exposiciones Bilbao - Madrid - Valladolid 183 199 Humor gráfi co - Andrés Faro 202 Los zapatos de Atticus Revista Atticus TRES 3 REVISTA ATTICUS EDITORIAL TRES MEDIO PAN Y UN LIBRO «No sólo de pan vive el hombre. Yo, si tuviera hambre y estuviera desvalido en la calle no pedi- ría un pan; sino que pediría medio pan y un libro. Y yo ataco desde aquí violentamente a los que sola- mente hablan de reivindicaciones económicas sin nombrar jamás las reivindicaciones culturales que es lo que los pueblos piden a gritos. Bien está que todos los hombres coman, pero que todos los hom- bres sepan. Que gocen todos los frutos del espíritu humano porque lo contrario es convertirlos en máquinas al servicio de Estado, es convertirlos en esclavos de una terrible organización social». Federico García Lorca, septiembre de 1931 Al inaugurar la biblioteca de su pueblo la hora de abordar esta editorial es difícil no sucumbir a la tentación y no aludir por la grave situación eco- nómica y, sobre todo, no hay que olvidarlo, social por la que atraviesa nuestro país. En estos tiempos ¿cómo se puede emprender una aventura cultural? Dan ganas de mandarlo todo a paseo. Pero desde Revista Atticus queremos mandar un mensaje de optimismo. Salimos a la calle con un nuevo número en papel impreso. Más cantidadA y más calidad por el mismo precio. No se puede dar tanto por tan poco. Pero ese poco, para algunos, puede ser mucho. Todo se ha desvirtuado. Revista Atticus Tres es solo posible gracias a todos nuestros colaboradores que aportan su granito de arena para hacer grande nuestro proyecto. Cada vez somos más amigos Atticus. Y por supuesto no me puedo olvidar, y mucho menos ahora, de todos los amigos e instituciones que aportan algo más que buenas palabras. Nos aportan los recursos necesarios para que podamos subsistir. Gracias por su apoyo y por su confi anza. Ha pasado algo más de un año desde nuestro número anterior. Pero al fi nal estamos. Muchos otros se van quedando por el camino. Y no me extraña. La Cultura, en nuestro país, está desprotegida. Ahora se considera un artículo de lujo y es vilipendiada. Y tengo que hacer mías las palabras de Federico García Lorca: « Y yo ataco desde aquí violentamente a los que solamente hablan de reivindicaciones económicas sin nombrar jamás las reivindicaciones culturales que es lo que los pueblos piden a gritos». El Estado tiene que promover, potenciar, proteger y, mimar, proyectos culturales como el nuestro. Tiene que facilitar el acceso gratuito a las bibliotecas, apoyar el cine, fomentar la lectura y, por supuesto el librepensamiento. Tenemos que poder ir al teatro y al cine sin comprometer el presupuesto mensual y tenemos que VIVIR la música. Todo esto, como decía Lorca, para evitar ser esclavos de una terrible organización social. Esperemos que les guste nuestra publicación. Sin lectores no hay proyecto cultural que valga. Nuestros mejores deseos para el próximo año. Optimismo frente a los malos augurios. Luis José Cuadrado Gutiérrez Editor de Revista Atticus [email protected] www.revistaatticus.es 4 Revista Atticus TRES El Concurso para el monumento a las Cortes de Cádiz Gonzalo Durán López Revista Atticus TRES 5 Díaz, el arquitecto mallorquín José Folch, Antonio M. Ro- dríguez, capitán de fragata y profesor de Matemáticas de la Escuela de Guardias Marinas2, y Félix Sagán Dalmau3. Sin embargo, la pronta vuelta al absolutismo con Fernando VII, primero paralizó la iniciativa y, después, la hizo caer en el olvido, hasta que se aproximó la fecha del centenario Las Cortes oyen con particular agrado y mandaron insertar de las Cortes y la Constitución de Cádiz en 1912, en que en este Diario literales con todas sus fi rmas, las dos representaciones vuelve a retomarse la vieja aspiración de la construcción siguientes, accediendo al mismo tiempo á la solicitud que en la primera del monumento. se contiene: La celebración del centenario de las Cortes y la Cons- […] El Ayuntamiento de Cádiz se complace, bendice las ta- titución de 1812, hay que enmarcarla como una más de reas de V.M. y le pide con la mayor sumisión y confi anza se digne las muchas celebraciones y conmemoraciones de aconte- emitir la efusión de estos cordiales sentimientos y aceptar sus votos, cimientos históricos que se dieron por toda España, bus- decretando la erección de un monumento público y magnífi co, que cando en las glorias del pasado, la manera de recuperarse perpetúe la memoria de tan fausto día, en que dio principio la gloriosa del pesimismo en que se sumió el país tras el desastre del libertad e independencia de esta Nación, no menos ilustre que genero- 98 y la pérdida de las últimas colonias. La idea de esta ce- sa e impertérrita a vista de sus feroces opresores. lebración empezó a gestarse por el ayuntamiento gaditano Diario de Sesiones de las Cortes, Sesión del en 1905, que creyó ver en ella la oportunidad de revitalizar 28 de marzo de 1812 la maltrecha economía de la ciudad, aunque no fue hasta 1909 cuando la corporación municipal, presidida por el al- calde Cayetano del Toro, aprobó formalmente la creación de la Comisión del Centenario de la Constitución de 1812 y Sitio de Cádiz4. A través de ella debía prepararse la con- memoración del evento y buscar la fi nanciación necesaria para llevar a cabo los numerosos actos programados, entre los que debía ocupar un lugar destacado la erección del monumento.
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