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Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
University News, November 14 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 11-14-1988 University News, November 14 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. Boise State University JEI..l:O Volume IX Issue 11 Jello Biafra to speak on November 14, 1988 censorship See pages 6 & 7 Shanties become favorite protest t_oolat campuses across U.S. (CPS)-The makeshift "shanty," "Symbols are always fluid," noted -until recently an icon of the campus Todd Gitlin, a University of Califor- anti-apartheid movement, seems to nia at Berkeley professor who have become everybody's favorite authored The Sixties: lears of Hope, symbol this school year. Days of Rage. Indiana University sports an anti- "People are always lldapting a rape shanty and briefly had a shan- symbol with one meaning and giving ty protesting IU's crackdown on stu- it another," Gitlin added. "Thllt's dent alcohol abuse. what happens with flags." In early October, volunteers at an Dr. Ohnuki Tierney of the Center off-campus soup kitchen built a for Advanced Studies in Behavioral shanty on the University of Penn- Sciences near Stanford said, "People sylvania campus because Penn has can read symbols upside down. -
Könnyűzene” Történetéből Sinkó Dániel Tartalomjegyzék
14 kiemelkedő év a „könnyűzene” történetéből Sinkó Dániel Tartalomjegyzék: Előszó ….......................................................................…….. 3 1979-Pink Floyd, The Wall...................................................... 6 1980-Genesis, Duke ............................................................. 17 1981-Szabó Gábor, Femme Fatale........................................... 25 1981- King Crimson, Discipline …………………………….. 30 1982-Miles Davis, We want Miles.......................................... 39 1983-Yes, 90125 ....................................................................... 46 1983- Manfred Mann Earth Band, Somewhere in Africa ….... 53 1984-Pat Metheny, First circle …............................................… 60 1985- Dire Straits, Brothers in Arms …...................................… 67 1986-Peter Gabriel, So …........................................................... 75 1986-Paul Simon Graceland…………………………………….. 85 1987-U2, The Joshua tree.......................................................... 96 1987-Sting, Nothing Like the sun............................................. 105 1988-Pink Floyd, Delicate Sound of thunder............................. 114 1989-Jeff Beck, Guitar shop. …............................................... 123 1990- Phish, Lawn Boy …....................................................... 129 1991- U2, Achtung Baby........................................................ 134 1992- R.E.M., Automatic for the people …............................ 146 1992- Mike Oldfield, Tubular -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
REM Part Lies Part Heart Part Truth Part Garbage 1982
R.E.M. Part Lies Part Heart Part Truth Part Garbage 1982 - 2011 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Part Lies Part Heart Part Truth Part Garbage 1982 - 2011 Country: Europe Released: 2011 Style: Alternative Rock MP3 version RAR size: 1785 mb FLAC version RAR size: 1200 mb WMA version RAR size: 1748 mb Rating: 4.6 Votes: 209 Other Formats: DTS VQF WMA MIDI MMF XM TTA Tracklist Hide Credits Gardening At Night 1-1 3:30 Producer – Mitch Easter, R.E.M. Radio Free Europe 1-2 4:05 Producer – Don Dixon, Mitch Easter Talk About The Passion 1-3 3:24 Producer – Don Dixon, Mitch Easter Sitting Still 1-4 3:19 Producer – Don Dixon, Mitch Easter So. Central Rain 1-5 3:16 Producer – Don Dixon, Mitch Easter (Don't Go Back To) Rockville 1-6 4:33 Producer – Don Dixon, Mitch Easter Driver 8 1-7 3:24 Producer – Joe Boyd Life And How To Live It 1-8 4:08 Producer – Joe Boyd Begin The Begin 1-9 3:28 Producer – Don Gehman Fall On Me 1-10 2:51 Producer – Don Gehman Finest Worksong 1-11 3:50 Producer – R.E.M., Scott Litt It's The End Of The World As We Know It (And I Feel Fine) 1-12 4:07 Producer – R.E.M., Scott Litt The One I Love 1-13 3:17 Producer – R.E.M., Scott Litt Stand 1-14 3:13 Producer – R.E.M., Scott Litt Pop Song 89 1-15 3:05 Producer – R.E.M., Scott Litt Get Up 1-16 2:42 Producer – R.E.M., Scott Litt Orange Crush 1-17 3:52 Producer – R.E.M., Scott Litt Losing My Religion 1-18 4:29 Producer – R.E.M., Scott Litt Country Feedback 1-19 4:10 Producer – R.E.M., Scott Litt Shiny Happy People 1-20 3:46 Producer – R.E.M., Scott Litt The Sidewinder Sleeps Tonite 1-21 4:09 Producer – R.E.M., Scott Litt Everybody Hurts 2-1 5:20 Producer – R.E.M., Scott Litt Man On The Moon 2-2 5:14 Producer – R.E.M., Scott Litt Nightswimming 2-3 4:18 Producer – R.E.M., Scott Litt What's The Frequency, Kenneth? 2-4 4:00 Producer – R.E.M., Scott Litt New Test Leper 2-5 5:27 Producer – R.E.M., Scott Litt Electrolite 2-6 4:05 Producer – R.E.M., Scott Litt At My Most Beautiful 2-7 3:35 Producer – Pat McCarthy, R.E.M. -
Recording Artist Recording Title Price 2Pac Thug Life
Recording Artist Recording Title Price 2pac Thug Life - Vol 1 12" 25th Anniverary 20.99 2pac Me Against The World 12" - 2020 Reissue 24.99 3108 3108 12" 9.99 65daysofstatic Replicr 2019 12" 20.99 A Tribe Called Quest We Got It From Here Thank You 4 Your Service 12" 20.99 A Tribe Called Quest People's Instinctive Travels And The Paths Of Rhythm 12" Reissue 26.99 Abba Live At Wembley Arena 12" - Half Speed Master 3 Lp 32.99 Abba Gold 12" 22.99 Abba Abba - The Album 12" 12.99 AC/DC Highway To Hell 12" 20.99 Ace Frehley Spaceman - 12" 29.99 Acid Mothers Temple Minstrel In The Galaxy 12" 21.99 Adele 25 12" 16.99 Adele 21 12" 16.99 Adele 19- 12" 16.99 Agnes Obel Myopia 12" 21.99 Ags Connolly How About Now 12" 9.99 Air Moon Safari 12" 15.99 Alan Marks Erik Satie - Vexations 12" 19.99 Aldous Harding Party 12" 16.99 Alec Cheer Night Kaleidoscope Ost 12" 14.99 Alex Banks Beneath The Surface 12" 19.99 Alex Lahey The Best Of Luck Club 12" White Vinyl 19.99 Algiers There Is No Year 12" Dinked Edition 26.99 Ali Farka Toure With Ry Cooder Talking Timbuktu 12" 24.99 Alice Coltrane The Ecstatic Music Of... 12" 28.99 Alice Cooper Greatest Hits 12" 16.99 Allah Las Lahs 12" Dinked Edition 19.99 Allah Las Lahs 12" 18.99 Alloy Orchestra Man With A Movie Camera- Live At Third Man Records 12" 12.99 Alt-j An Awesome Wave 12" 16.99 Amazones D'afrique Amazones Power 12" 24.99 American Aquarium Lamentations 12" Colour Vinyl 16.99 Amy Winehouse Frank 12" 19.99 Amy Winehouse Back To Black - 12" 12.99 Anchorsong Cohesion 12" 12.99 Anderson Paak Malibu 12" 21.99 Andrew Bird My Finest Work 12" 22.99 Andrew Combs Worried Man 12" White Vinyl 16.99 Andrew Combs Ideal Man 12" Colour Vinyl 16.99 Andrew W.k I Get Wet 12" 38.99 Angel Olsen All Mirrors 12" Clear Vinyl 22.99 Angelo Badalamenti Twin Peaks - Ost 12" - Ltd Green 20.99 Ann Peebles Greatest Hits 12" 15.99 Anna Calvi Hunted 12" - Ltd Red 24.99 Anna St. -
Elmira Skate Park Sees First Bit of Graffiti
SWIMMING POOLS • PATIOS • DRIVEWAYS STAIRCASES • GARDENS • WATER FEATURES www.bcrecreational.ca TED: 519-505-0073 | [email protected] | BRANDON: 519-897-7707 | EMAIL: [email protected] 03 | 28 | 2015 VOLUME 20 | ISSUE 13 KINGS OFF TO A GOOD START VS. CULLITONS SPORTS PAGE 11 COMMENT PAGE 8 YET MORE REASONS TO CLOSELY MONITOR BUREAUCRATS www.OBSERVERXTRA.com Concerns about Glasgow Street bridge hinder efforts to remove unpopular left-turn median STEVE KANNON There’s no quick solution for a made-in-Woolwich problem at the intersection of Glasgow Street and Millennium Drive in Waterloo, say township officials. A median that prohibits left-hand turns onto Glasgow Street is incon- venient and a longstanding source of grievance for residents of Conestogo, Vandals took advantage of the milder temperatures this the township acknowledges. Reduc- month by spray painting graffiti on the Elmira Skate Park, ing traffic on the Glasgow Street forcing the township to bring in a cleanup crew. bridge, an old single-lane span that [WHITNEY NEILSON / THE OBSERVER] underwent rehabilitation in 2010, takes precedence, says director of engineering and planning Dan Ken- naley. WHITNEY NEILSON “It’s not a victimless He argues that a solution for the crime,” Nuys said. “Look at bridge, already subject to height and Elmira skate As the snow melts we the equipment, look at the weight restrictions, must be found be- find things we haven’t seen guys working. If you don’t fore the intersection at the other end in months, like flowers, stay on top of it then people of Glasgow Street can be addressed. -
Krist Novoselic, Dave Grohl, and Kurt Cobain
f Krist Novoselic, Dave Grohl, and Kurt Cobain (from top) N irvana By David Fricke The Seattle band led and defined the early-nineties alternative-rock uprising, unleashing a generation s pent-up energy and changing the sound and future of rock. THIS IS WHAT NIRVANA SINGER-GUITARIST KURT Cobain thought of institutional honors in rock & roll: When his band was photographed for the cover of Rolling Stone for the first time, in early 1992, he arrived wearing a white T-shirt on which he’d written, c o r p o r a t e m a g a z i n e s s t i l l s u c k in black marker. The slogan was his twist on one coined by the punk-rock label SST: “Corporate Rock Still Sucks.” The hastily arranged photo session, held by the side of a road during a manic tour of Australia, was later recalled by photogra pher Mark Seliger: “I said to Kurt, T think that’s a great shirt... but let’s shoot a couple with and without it.’ Kurt said, ‘No, I’m not going to take my shirt off.’” Rolling Stone ran his Fuck You un-retouched. ^ Cobain was also mocking his own success. At that moment, Nirvana - Cobain, bassist Krist Novoselic, and drummer Dave Grohl - was rock’s biggest new rock band, propelled out of a long-simmering postpunk scene in Seattle by its incendiary second album, N everm ind, and an improbable Top Ten single, “Smells Like Teen Spirit.” Right after New Year’s Day 1992, Nevermind - Nirvana’s first major-label release and a perfect monster of feral-punk challenge and classic-rock magne tism, issued to underground ecstacy just months before - had shoved Michael Jackson’s D angerous out of the Number One spot in B illboard. -
Nightshiftmag.Co.Uk @Nightshiftmag Nightshiftmag Nightshiftmag.Co.Uk Free Every Month NIGHTSHIFT Issue 274 May Oxford’S Music Magazine 2018
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 274 May Oxford’s Music Magazine 2018 “If you are seeking, then Oxford is an inspirational place, conducive to contemplative thought” Oxford’s hip hop collective on collaboration, philosophy & battle raps Also in this issue: Introducing WANDERING WIRES COMMON PEOPLE previewed plus All your Oxford music news, releases and reviews and seven pages of gig listings for May NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk summer. Soul, r’n’b and country rock outfit Deadbeat Apostles, who release their debut album, `Day of the Deadbeats’ this month, as well as playing Common People at the end of May, and reggae faves Zaia, join Ran Kan Kan; Audacity BAS JAN, BELLATRIX AND ALABASTER DEPLUME are among Live; Papa Nui; Heavy Dexters and the acts confirmed for this year’s Irregular Folks Summer Session. Flights of Helios at the inaugural The annual celebration of some of the best leftfield and experimental MSRY release a new EP in July. family festival in Florence Park on th music from around the world as well as locally, takes place over the `Safety First’ is released on the 6 Saturday 16th June. weekend of the 7th-8th July at The Oxford Artisan Distillery (TOAD), July and is the follow-up to the Glofest is the first ticketed live situated at the top of South Park. band’s self-titled debut which was music event in the park and For the first time Irregular Folks are hosting their Summer Session over a Nightshift Demo of the Month follows the annual Flofest daytime two days with the Sunday a day of films and shorts in conjunction with last year. -
Med Reservation För Ändringar
Med reservation för ändringar Utg.dag Artist Titel Svensk Int'l Debutant Genre Label Bolag/Distributör Singel/EP/Album Format Informationstext Kontakt namn Kontakt e-post Kontakt mobil Med en avskalad version av Echo Home som nyligen spelades in på Electric Lady studios, inklusive ’Ash & Ice’, ’That Love’, en cover på Rihanna’s ’Desperado’ och låten ’Wait’ från Black Rooster EP:n, knyter denna samlings-EP 15- 2017-06-02 The Kills Echo Home - Non-Electric X Alternative Domino Records Playground Music EP Digitalt årsjubileet av deras release. Magnus Högmyr hö[email protected] 070-375 50 77 Richard Dawsons tidigare lyssnare vet att han inte saknar artistisk ambition. Det kommande albumet 'Peasant' är ett Digitalt, CD, 2xLP, album som ställer hans tidigare material på ända; en resa 2017-06-02 Richard Dawson Peasant X Alternative Domino Records Playground Music Album 2xlp (Ltd) genom mörka fanfarer till spektakulära klimax. Magnus Högmyr hö[email protected] 070-375 50 77 Producerat av Kwes (Solange, Kano och Loyle Carner) presenterar bandet ett nytt mer angeläget sound som inkluderar psykadelica, krautrock och postpunk i ljudbilden. Det är ett oemotståndligt dansant och samtidigt mörkt album Digitalt, CD, LP, LP som handlar om tiden vi lever i och styrkan i vänskap och 2017-06-09 All We Are Sunny Hills X Alternative Domino Records Playground Music Album (Ltd) gemenskap. Magnus Högmyr hö[email protected] 070-375 50 77 Platinum Tips + Ice Cream är det nya albumet från Royal Trux. Sångerna skrevs över en lång tidsperiod men inspelningarna i sig är nya; de spelades in live under två dagar och framfördes inför flera tusen människor i både 2017-06-16 Royal Trux "Live" Platinum Tips + Ice Cream X Alternative Domino Records Playground Music Album Digitalt, CD, LP Kalifornien och New York. -
Nirvana: the Complete Illustrated History Free
FREE NIRVANA: THE COMPLETE ILLUSTRATED HISTORY PDF Charles Cross,Gillian G. Gaar,Bob Gendron,Mark Yarm,Todd Martens,Andrew Earles,Greg Kot,Jim DeRogatis,Alan di Perma | 192 pages | 15 Nov 2013 | Voyageur Press Inc | 9780760345214 | English | Stillwater, United States NIRVANA-THE COMPLETE ILLUSTRATED HISTORY BOOK EX | RELICS MUSIC Goodreads helps you keep track of Nirvana: The Complete Illustrated History you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Nirvana by Charles R. Cross. Gillian G. Gaar Goodreads Nirvana: The Complete Illustrated History. Bob Gendron. Todd Martens. Andrew Earles. Greg Kot. Jim DeRogatis. Alan di Perna Goodreads Author. Nirvana formed inreleased their first LP inand unintentionally tore the music world asunder two years later with the video and single for "Smells Like Teen Spirit. Nirvana, with their thrift-store clothes and pawnshop guitars, represented a much-needed return to pu Nirvana formed inreleased their first LP inand unintentionally Nirvana: The Complete Illustrated History the music world asunder two years later with the video and single for "Smells Like Teen Spirit. Nirvana, with their thrift-store clothes and pawnshop guitars, represented a much-needed return to punk-inspired rock and at the same time validated the indie rock scene that had failed to breach the mainstream in the previous decade. A meteoric rise followed, attended by all of the predictable professional and personal pitfalls. Two and half years after the release of "Teen Spirit," leader Kurt Cobain, age 27, killed himself and the Nirvana: The Complete Illustrated History was over. -
Embodiment, Phenomenology and Listener Receptivity of Nirvana’S in Utero
‘WE FEED OFF EACH OTHER’: EMBODIMENT, PHENOMENOLOGY AND LISTENER RECEPTIVITY OF NIRVANA’S IN UTERO Christopher Martin A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2006 Committee: Jeremy Wallach Becca Cragin Angela Nelson ii ABSTRACT Jeremy Wallach, Advisor Despite the fact that listening to recorded music is a predominant form of human interaction with music in general, music scholarship often continues to classify listening as a passive form of reception in comparison to the “activity” of actual music performance. This thesis presents the idea that music listening is actually an embodied and agentive form of reception that varies according to different listeners, their listening strategies, and other surrounding contexts. In order to provide detailed analysis of this assertion, Nirvana’s 1993 album In Utero is the primary recording that this thesis examines, arguing that the album contains specific embodied properties that ultimately allow for embodied forms of listening and responses within the musical experience. Phenomenological reasoning and scholarship from popular music studies, history, cultural studies, and other humanities fields contribute to the central argument. iii ACKNOWLEDGEMENTS I owe an oversized thank you to the following friends and family for their support: Pat and Priscilla Martin, Veronica Martin, Linda Coleson, and my colleagues in the Popular Culture department. Aaron Weinacht and Patrick Blythe earn special thanks for their continuing willingness to participate in arguments and theories that, as always, range from prescient to ridiculous. Kandace Virgin also deserves my thanks and love for patiently tolerating my stubbornness and need to constantly work ahead, as well as my other idiosyncrasies.