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The Semiotics of Internet Celebrity: Gangnam Style Case
Paper The Semiotics of Internet Celebrity: Gangnam Style Case by © Mingyi Hou (Tilburg University) [email protected] © November 2013 The Semiotics of Internet Celebrity: Gangnam Style Case Mingyi Hou Abstract: In academia, celebrity study remains an ever growing interest, especially in media and culture studies. However, few researchers have expanded their scope of exploration to the celebrities who gain stardom across national and cultural borders. The current study considers Psy and his music video Gangnam Style as a site for examining globalized language and cultural contacts. Its primary concern is to investigate Internet celebrity in the context of multimodal media representation and superdiverse semiotic repertoires. The study identified lyrics, beats, dance gestures, characters, objects and places as the major semiotic modes of expression in the video. More meanings are added while they are produced into the materialized forms. Guided by the audiences’ replies to the journalistic commentaries on Gangnam Style, the study found that the music video is a heterogeneous construct, whose semiotic resources are ordered polycentricically to resonate with different audiences. Key words: Gangnam Style, Internet celebrity, semiotic resources, multimodal discourse analysis, online ethnography 1. Introduction The current research considers “Internet celebrity” as a site for studying globalized language and culture contact. Its primary concern is to investigate Internet celebrity from the perspective of superdiverse semiotic repertoire (Blommaert and Rampton, 2011). The first purpose of the research is to identify the various modes such as lyrics and place references employed in the music video. The second purpose is to discern the audiences’ interpretations of the contents of the video ethnographically. -
University News, November 14 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 11-14-1988 University News, November 14 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. Boise State University JEI..l:O Volume IX Issue 11 Jello Biafra to speak on November 14, 1988 censorship See pages 6 & 7 Shanties become favorite protest t_oolat campuses across U.S. (CPS)-The makeshift "shanty," "Symbols are always fluid," noted -until recently an icon of the campus Todd Gitlin, a University of Califor- anti-apartheid movement, seems to nia at Berkeley professor who have become everybody's favorite authored The Sixties: lears of Hope, symbol this school year. Days of Rage. Indiana University sports an anti- "People are always lldapting a rape shanty and briefly had a shan- symbol with one meaning and giving ty protesting IU's crackdown on stu- it another," Gitlin added. "Thllt's dent alcohol abuse. what happens with flags." In early October, volunteers at an Dr. Ohnuki Tierney of the Center off-campus soup kitchen built a for Advanced Studies in Behavioral shanty on the University of Penn- Sciences near Stanford said, "People sylvania campus because Penn has can read symbols upside down. -
Dance Megamix 2018/2
Dance Megamix 2 2018 Mixed By Dj Boss 1- intro 2- Order 2 dance - Turn Me Again 3- The Jokers - Cowboy (Club Mix) 4- Max'n'Frank Minoia - Rumors 5- Trance X-Press - Turn Up The Power 6- Chase - Love For The Future (Original Version) 7- CORONA -TRY ME OUT 8- Sold Out - Hey Hoh (12'' Eurodance Mix) 9- Fargetta - Your Love (Extended Mix) 10- Da Blitz - Let Me Be (Original Version) 11- Blue Beat - Everybody Look At Me 12- Jefferson Project - You Got Me (Euro Mix) 13- Clock - Whoomph! (There It Is) 14- Pandora - Don't You Know 15- 2 Boys - Don't You Know 16- House Control - Calling The Night (Power Mix) 17- Magic Affair - Give Me All Your Love (Maxi Cut) 18- Housecream Feat. Jo - Get Me Into Your Heart (Club Mix) 19- Direct 2 Dance-Burning Up (Club Mix) 20- P.M. Sampson - Ain't Over Now (Freestyle Mix) 21- The Outhere Brothers - Don't Stop 22- Me & My Dub-I-Dub-I 23- Le Click - Call Me (Dance Mix) 24- Orlando - I'm Dreaming 25- Nevada - Take Me To Heaven (Club Mix) 26- corona - the rhythm of the night duet with ice mc 27- Love Message - Love Message (Dub Mix) 28- Swing Feat. Dr. Alban - Sweet Dreams (Extended) 29- Culture Beat - Crying In The Rain (Extended Version) 30- EuroDACER - Dancing with the fire (Extended mix) 31- Tenessee - Tell Me (Mix Version) 32- Speakerblow - Get This Party Slammin 33- Antares - Ride On A Meteorite (Extended Mix) 34- Zowie - All the Time (Radio Mix) 35- Echo Bass - Givin' It Up (Extended Mix) 36- Teleport Eurodance Forever - Can You Touch Me 37- Masterboy - Is This The Love (Album Version) 38- 2 Unlimited - Here I Go (X-Out In Club) 39- Alexia - Summer Is Crazy (Classic Euro Mix) 40- Double You - Because Loving You (Euro Mix) 41- Rotation - Let The Music Play 42- Poco Loco - I'm The One (Italo Mix) 43- Ice Mc - Take Away The Colour 44- rmb-Redemption (1994 Original) 45- Scooter-Friends (Original Mix) 46- Catchy tune - Generation of love 47- outro. -
Könnyűzene” Történetéből Sinkó Dániel Tartalomjegyzék
14 kiemelkedő év a „könnyűzene” történetéből Sinkó Dániel Tartalomjegyzék: Előszó ….......................................................................…….. 3 1979-Pink Floyd, The Wall...................................................... 6 1980-Genesis, Duke ............................................................. 17 1981-Szabó Gábor, Femme Fatale........................................... 25 1981- King Crimson, Discipline …………………………….. 30 1982-Miles Davis, We want Miles.......................................... 39 1983-Yes, 90125 ....................................................................... 46 1983- Manfred Mann Earth Band, Somewhere in Africa ….... 53 1984-Pat Metheny, First circle …............................................… 60 1985- Dire Straits, Brothers in Arms …...................................… 67 1986-Peter Gabriel, So …........................................................... 75 1986-Paul Simon Graceland…………………………………….. 85 1987-U2, The Joshua tree.......................................................... 96 1987-Sting, Nothing Like the sun............................................. 105 1988-Pink Floyd, Delicate Sound of thunder............................. 114 1989-Jeff Beck, Guitar shop. …............................................... 123 1990- Phish, Lawn Boy …....................................................... 129 1991- U2, Achtung Baby........................................................ 134 1992- R.E.M., Automatic for the people …............................ 146 1992- Mike Oldfield, Tubular -
REM Part Lies Part Heart Part Truth Part Garbage 1982
R.E.M. Part Lies Part Heart Part Truth Part Garbage 1982 - 2011 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Part Lies Part Heart Part Truth Part Garbage 1982 - 2011 Country: Europe Released: 2011 Style: Alternative Rock MP3 version RAR size: 1785 mb FLAC version RAR size: 1200 mb WMA version RAR size: 1748 mb Rating: 4.6 Votes: 209 Other Formats: DTS VQF WMA MIDI MMF XM TTA Tracklist Hide Credits Gardening At Night 1-1 3:30 Producer – Mitch Easter, R.E.M. Radio Free Europe 1-2 4:05 Producer – Don Dixon, Mitch Easter Talk About The Passion 1-3 3:24 Producer – Don Dixon, Mitch Easter Sitting Still 1-4 3:19 Producer – Don Dixon, Mitch Easter So. Central Rain 1-5 3:16 Producer – Don Dixon, Mitch Easter (Don't Go Back To) Rockville 1-6 4:33 Producer – Don Dixon, Mitch Easter Driver 8 1-7 3:24 Producer – Joe Boyd Life And How To Live It 1-8 4:08 Producer – Joe Boyd Begin The Begin 1-9 3:28 Producer – Don Gehman Fall On Me 1-10 2:51 Producer – Don Gehman Finest Worksong 1-11 3:50 Producer – R.E.M., Scott Litt It's The End Of The World As We Know It (And I Feel Fine) 1-12 4:07 Producer – R.E.M., Scott Litt The One I Love 1-13 3:17 Producer – R.E.M., Scott Litt Stand 1-14 3:13 Producer – R.E.M., Scott Litt Pop Song 89 1-15 3:05 Producer – R.E.M., Scott Litt Get Up 1-16 2:42 Producer – R.E.M., Scott Litt Orange Crush 1-17 3:52 Producer – R.E.M., Scott Litt Losing My Religion 1-18 4:29 Producer – R.E.M., Scott Litt Country Feedback 1-19 4:10 Producer – R.E.M., Scott Litt Shiny Happy People 1-20 3:46 Producer – R.E.M., Scott Litt The Sidewinder Sleeps Tonite 1-21 4:09 Producer – R.E.M., Scott Litt Everybody Hurts 2-1 5:20 Producer – R.E.M., Scott Litt Man On The Moon 2-2 5:14 Producer – R.E.M., Scott Litt Nightswimming 2-3 4:18 Producer – R.E.M., Scott Litt What's The Frequency, Kenneth? 2-4 4:00 Producer – R.E.M., Scott Litt New Test Leper 2-5 5:27 Producer – R.E.M., Scott Litt Electrolite 2-6 4:05 Producer – R.E.M., Scott Litt At My Most Beautiful 2-7 3:35 Producer – Pat McCarthy, R.E.M. -
Venturing in the Slipstream
VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts. -
Pdf, 328.17 KB
00:00:00 Music Music Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:12 Jesse Host I’m Jesse Thorn. It’s Bullseye. Thorn 00:00:14 Music Music “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team plays. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:21 Jesse Host It’s a cliché, but it’s also true: Randy Newman doesn’t really need an introduction. [Music begins to fade out to be replaced with “You’ve Got a Friend in Me”.] I mean, I can say Randy Newman to you and you’ll probably start thinking about this. 00:00:31 Music Music “You’ve Got a Friend in Me” by Randy Newman from the movie Toy Story. Sweet, gentle music. You’ve got a friend in me You’ve got a friend in me When the road looks rough ahead And you’re miles and miles… [Music fades into “Short People”] 00:00:44 Jesse Host Or this. 00:00:45 Music Music “Short People” by Randy Newman. Upbeat, fun music. Short people got no reason Short people got no reason Short people got no reason To live… [Music fades into “I Love L.A.”] 00:01:00 Jesse Host Or maybe this. 00:01:02 Music Music “I Love L.A.” by Randy Newman. I love L.A. -
Elmira Skate Park Sees First Bit of Graffiti
SWIMMING POOLS • PATIOS • DRIVEWAYS STAIRCASES • GARDENS • WATER FEATURES www.bcrecreational.ca TED: 519-505-0073 | [email protected] | BRANDON: 519-897-7707 | EMAIL: [email protected] 03 | 28 | 2015 VOLUME 20 | ISSUE 13 KINGS OFF TO A GOOD START VS. CULLITONS SPORTS PAGE 11 COMMENT PAGE 8 YET MORE REASONS TO CLOSELY MONITOR BUREAUCRATS www.OBSERVERXTRA.com Concerns about Glasgow Street bridge hinder efforts to remove unpopular left-turn median STEVE KANNON There’s no quick solution for a made-in-Woolwich problem at the intersection of Glasgow Street and Millennium Drive in Waterloo, say township officials. A median that prohibits left-hand turns onto Glasgow Street is incon- venient and a longstanding source of grievance for residents of Conestogo, Vandals took advantage of the milder temperatures this the township acknowledges. Reduc- month by spray painting graffiti on the Elmira Skate Park, ing traffic on the Glasgow Street forcing the township to bring in a cleanup crew. bridge, an old single-lane span that [WHITNEY NEILSON / THE OBSERVER] underwent rehabilitation in 2010, takes precedence, says director of engineering and planning Dan Ken- naley. WHITNEY NEILSON “It’s not a victimless He argues that a solution for the crime,” Nuys said. “Look at bridge, already subject to height and Elmira skate As the snow melts we the equipment, look at the weight restrictions, must be found be- find things we haven’t seen guys working. If you don’t fore the intersection at the other end in months, like flowers, stay on top of it then people of Glasgow Street can be addressed. -
Krist Novoselic, Dave Grohl, and Kurt Cobain
f Krist Novoselic, Dave Grohl, and Kurt Cobain (from top) N irvana By David Fricke The Seattle band led and defined the early-nineties alternative-rock uprising, unleashing a generation s pent-up energy and changing the sound and future of rock. THIS IS WHAT NIRVANA SINGER-GUITARIST KURT Cobain thought of institutional honors in rock & roll: When his band was photographed for the cover of Rolling Stone for the first time, in early 1992, he arrived wearing a white T-shirt on which he’d written, c o r p o r a t e m a g a z i n e s s t i l l s u c k in black marker. The slogan was his twist on one coined by the punk-rock label SST: “Corporate Rock Still Sucks.” The hastily arranged photo session, held by the side of a road during a manic tour of Australia, was later recalled by photogra pher Mark Seliger: “I said to Kurt, T think that’s a great shirt... but let’s shoot a couple with and without it.’ Kurt said, ‘No, I’m not going to take my shirt off.’” Rolling Stone ran his Fuck You un-retouched. ^ Cobain was also mocking his own success. At that moment, Nirvana - Cobain, bassist Krist Novoselic, and drummer Dave Grohl - was rock’s biggest new rock band, propelled out of a long-simmering postpunk scene in Seattle by its incendiary second album, N everm ind, and an improbable Top Ten single, “Smells Like Teen Spirit.” Right after New Year’s Day 1992, Nevermind - Nirvana’s first major-label release and a perfect monster of feral-punk challenge and classic-rock magne tism, issued to underground ecstacy just months before - had shoved Michael Jackson’s D angerous out of the Number One spot in B illboard. -
Download the Lookbook
WE FEEL YOUR INFLUENCE SPRING SUMMER 18 THE WORLD NEEDS ORIGINALS SS18 “IT DOESN'T MATTER WHAT COLOUR YOU ARE OR WHAT KIND OF CULTURE YOU'RE IN, IF YOU REALLY WANT TO MEAN SOMETHING, YOU HAVE TO DO IT RIGHT AND DO IT HONESTLY.” WHEELERCARON ON CREATIVITY It usually starts from me, from a feeling of something, either to put into musical form. That’s how I usually make my discontent or something I want to fix. I turned to songwriting songs. I have to feel what the story is. I always try and make because I like writing down ideas. Sometimes I don’t completely stories sit well, and also uplift people a bit, because the whole finish songs, but if I keep going I might get the real thing. world is going crazy! It’s not until you’ve actually tweaked it enough to the point If you feel it’s not working, lay back and sometimes it just where it sounds like something that somebody would want comes to you all at once. I can’t explain it exactly but it just to listen to. starts to happen, and when it does happen and it feels right, I like doing music that can be very, not cathartic, but like it’s time to jump on that feeling and move with it. emotions that you can’t see but you feel. That’s what you’re trying Try to, basically, infuse the air with what you’re feeling. CARON WHEELER ON WRITING HIT SONGS ON FAME At first I didn’t know I’d make a hit, ever. -
Nirvana: the Complete Illustrated History Free
FREE NIRVANA: THE COMPLETE ILLUSTRATED HISTORY PDF Charles Cross,Gillian G. Gaar,Bob Gendron,Mark Yarm,Todd Martens,Andrew Earles,Greg Kot,Jim DeRogatis,Alan di Perma | 192 pages | 15 Nov 2013 | Voyageur Press Inc | 9780760345214 | English | Stillwater, United States NIRVANA-THE COMPLETE ILLUSTRATED HISTORY BOOK EX | RELICS MUSIC Goodreads helps you keep track of Nirvana: The Complete Illustrated History you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Nirvana by Charles R. Cross. Gillian G. Gaar Goodreads Nirvana: The Complete Illustrated History. Bob Gendron. Todd Martens. Andrew Earles. Greg Kot. Jim DeRogatis. Alan di Perna Goodreads Author. Nirvana formed inreleased their first LP inand unintentionally tore the music world asunder two years later with the video and single for "Smells Like Teen Spirit. Nirvana, with their thrift-store clothes and pawnshop guitars, represented a much-needed return to pu Nirvana formed inreleased their first LP inand unintentionally Nirvana: The Complete Illustrated History the music world asunder two years later with the video and single for "Smells Like Teen Spirit. Nirvana, with their thrift-store clothes and pawnshop guitars, represented a much-needed return to punk-inspired rock and at the same time validated the indie rock scene that had failed to breach the mainstream in the previous decade. A meteoric rise followed, attended by all of the predictable professional and personal pitfalls. Two and half years after the release of "Teen Spirit," leader Kurt Cobain, age 27, killed himself and the Nirvana: The Complete Illustrated History was over. -
Embodiment, Phenomenology and Listener Receptivity of Nirvana’S in Utero
‘WE FEED OFF EACH OTHER’: EMBODIMENT, PHENOMENOLOGY AND LISTENER RECEPTIVITY OF NIRVANA’S IN UTERO Christopher Martin A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2006 Committee: Jeremy Wallach Becca Cragin Angela Nelson ii ABSTRACT Jeremy Wallach, Advisor Despite the fact that listening to recorded music is a predominant form of human interaction with music in general, music scholarship often continues to classify listening as a passive form of reception in comparison to the “activity” of actual music performance. This thesis presents the idea that music listening is actually an embodied and agentive form of reception that varies according to different listeners, their listening strategies, and other surrounding contexts. In order to provide detailed analysis of this assertion, Nirvana’s 1993 album In Utero is the primary recording that this thesis examines, arguing that the album contains specific embodied properties that ultimately allow for embodied forms of listening and responses within the musical experience. Phenomenological reasoning and scholarship from popular music studies, history, cultural studies, and other humanities fields contribute to the central argument. iii ACKNOWLEDGEMENTS I owe an oversized thank you to the following friends and family for their support: Pat and Priscilla Martin, Veronica Martin, Linda Coleson, and my colleagues in the Popular Culture department. Aaron Weinacht and Patrick Blythe earn special thanks for their continuing willingness to participate in arguments and theories that, as always, range from prescient to ridiculous. Kandace Virgin also deserves my thanks and love for patiently tolerating my stubbornness and need to constantly work ahead, as well as my other idiosyncrasies.