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Plusinside Senti18 Cmufilmfest15
Pittsburgh Opera stages one of the great war horses 12 PLUSINSIDE SENTI 18 CMU FILM FEST 15 ‘BLOODLINE’ 23 WE-2 +=??B/<C(@ +,B?*(2.)??) & THURSDAY, MARCH 19, 2015 & WWW.POST-GAZETTE.COM Weekend Editor: Scott Mervis How to get listed in the Weekend Guide: Information should be sent to us two weeks prior to publication. [email protected] Send a press release, letter or flier that includes the type of event, date, address, time and phone num- Associate Editor: Karen Carlin ber of venue to: Weekend Guide, Pittsburgh Post-Gazette, 34 Blvd. of the Allies, Pittsburgh 15222. Or fax THE HOT LIST [email protected] to: 412-263-1313. Sorry, we can’t take listings by phone. Email: [email protected] If you cannot send your event two weeks before publication or have late material to submit, you can post Cover design by Dan Marsula your information directly to the Post-Gazette website at http://events.post-gazette.com. » 10 Music » 14 On the Stage » 15 On Film » 18 On the Table » 23 On the Tube Jeff Mattson of Dark Star City Theatre presents the Review of “Master Review of Senti; Munch Rob Owen reviews the new Orchestra gets on board for comedy “Oblivion” by Carly Builder,”opening CMU’s film goes to Circolo. Netflix drama “Bloodline.” the annual D-Jam show. Mensch. festival; festival schedule. ALL WEEKEND SUNDAY Baroque Coffee House Big Trace Johann Sebastian Bach used to spend his Friday evenings Trace Adkins, who has done many a gig opening for Toby at Zimmermann’s Coffee House in Leipzig, Germany, where he Keith, headlines the Palace Theatre in Greensburg Sunday. -
Gypsum in California
TN 2.4 C3 A3 i<o3 HK STATE OP CAlIFOa!lTA DEPARTMENT OF NATURAL RESOURCES msmtBmmmmmmmmmaam GYPSUM IN CALIFORNIA BULLETIN 163 1952 aou DIVl^ON OF MNES fZBar SDODSia sxh lasncisco ^"^^^^^nBM^^MMa^HBi«iaMa«NnMaMHBaaHB^HaHaa^^HHMi«nfl^HaMHiBHHHMauuHJin««aHiav^aMaHHaHHB«auKaiaMi^^M«ni^Maai^iMMWi^iM^ THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA DAVIS STATE OF CALIFORNIA EARL WARREN, Governor DEPARTMENT OF NATURAL RESOURCES WARREN T. HANNUM, Director DIVISION OF MINES FERRY BUILDING, SAN FRANCISCO 11 OLAF P. JENKINS, Chief San Francisco BULLETIN 163 September 1952 GYPSUM IN CALIFORNIA By WILLIAM E. VER PLANCK LIBRARY UNTXERollY OF CAUFC^NIA DAVIS LETTER OF TRANSMITTAL To IIlS EXCELLKNCY, TlIK IIONORAHLE EauL AVaRREN Governor of the State of California Dear Sir: I have the lionor to transmit herewitli liuUetiii 163, Gyj)- sinn in California, prepared under tlie direetion of Ohif P. Jenkins, Chief of the Division of ]\Iines. Gypsum represents one of the important non- metallic mineral commodities of California. It serves particularly two of California's most important industries, aprieulture and construction. In Bulletin 163 the author, W. p]. Xev Phinek, a member of the staff of the Division of Mines, has prepared a comprehensive treatise cover- ing all phases of the subject : history of the industry, geologic occurrence and origin of tlie minoi-al, mining, i)rocessing and marketing of the com- modity. Specific g3'psum i)roperties Avere examined and mapped. The report is profusely illustrated by maps, charts and photographs. In the preparation of the report it was necessary for the author to make field investigations, laboratory and library studies, and to determine how the mineral is used in industry as Avell as how it occurs in nature and how it is mined. -
Description, Narrative, and Reflection
EmpoWord: A Student-Centered Anthology & Handbook for College Writers Part One: Description, Narrative, and Reflection Author: Shane Abrams, Portland State University This chapter is licensed with a Creative Commons Attribution-NonCommercial 4.0 International License Download this book free at: https://pdxscholar.library.pdx.edu/pdxopen/20/ Part One: Description, Narration, and Reflection 55 Section Introduction: Description, Narration, and Reflection Chapter Vocabulary Vocabulary Definition a rhetorical mode that emphasizes eye-catching, specific, and vivid description portrayal of a subject. Often integrates imagery and thick description to this end. a rhetorical mode involving the construction and relation of stories. narration Typically integrates description as a technique. a rhetorical gesture by which an author looks back, through the diegetic gap, to demonstrate knowledge or understanding gained from the subject on which they are reflecting. May also include consideration of reflection the impact of that past subject on the author’s future—“Looking back in order to look forward.” the circumstances in which rhetoric is produced, understood using the constituent elements of subject, occasion, audience, and purpose. Each element of the rhetorical situation carries assumptions and imperatives rhetorical situation about the kind of rhetoric that will be well received. Rhetorical situation will also influence mode and medium. Storytelling is one of few rituals that permeates all cultures. Indeed, there’s nothing quite as satisfying as a well-told story. But what exactly makes for a well-told story? Of course, the answer to that question depends on your rhetorical situation: your audience, your sociohistorical position, and your purpose will determine how you tell your story. -
In 193X, Constance Rourke's Book American Humor Was Reviewed In
OUR LIVELY ARTS: AMERICAN CULTURE AS THEATRICAL CULTURE, 1922-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Schlueter, M.A. ***** The Ohio State University 2007 Dissertation Committee: Approved by Professor Thomas Postlewait, Adviser Professor Lesley Ferris Adviser Associate Professor Alan Woods Graduate Program in Theatre Copyright by Jennifer Schlueter c. 2007 ABSTRACT In the first decades of the twentieth century, critics like H.L. Mencken and Van Wyck Brooks vociferously expounded a deep and profound disenchantment with American art and culture. At a time when American popular entertainments were expanding exponentially, and at a time when European high modernism was in full flower, American culture appeared to these critics to be at best a quagmire of philistinism and at worst an oxymoron. Today there is still general agreement that American arts “came of age” or “arrived” in the 1920s, thanks in part to this flogging criticism, but also because of the powerful influence of European modernism. Yet, this assessment was not, at the time, unanimous, and its conclusions should not, I argue, be taken as foregone. In this dissertation, I present crucial case studies of Constance Rourke (1885-1941) and Gilbert Seldes (1893-1970), two astute but understudied cultural critics who saw the same popular culture denigrated by Brooks or Mencken as vibrant evidence of exactly the modern American culture they were seeking. In their writings of the 1920s and 1930s, Rourke and Seldes argued that our “lively arts” (Seldes’ formulation) of performance—vaudeville, minstrelsy, burlesque, jazz, radio, and film—contained both the roots of our own unique culture as well as the seeds of a burgeoning modernism. -
Class-12-English.Pdf
❈❖ ✁ ✂ ✁✄ ❋ ☎ ✆ ✝ ✞☎ ✆ ✟ ✐ ✐ ✐ ❆ ✠ ☎✡✝ ☛☎✆ ✡☞✝ ✌✝ ✍ ✎☞✝✆ ✈ ❙ ❍✏✑✒ ❙✒✏✑❚✓✔ ✥ ✕◆ ✒✑✏✖✗✘✒❚ ✏◆ ✶✙✚✛ ✜✳ ■ ✢✣✤✤ ✦✧ ★✩✣✪✦✫ ●✬✭✮✯✰✱ ●✬✮✲✯✬ ✴✬✮✵✷✰✸ ✹ ✹✳ ✣ ✤ ✣ ✬ ✰ ✲✰ ✜ ✹ ❊✺ ✻✼ ❏ ✽ ✾ ❏✿❀ ✳ ✣ ✩ ✫ ✤✤✣ ✬✬✲ ✬ ✰ ✯ ✯ ✰ ✮ ✹ ✜ ❁ ❂ ❃ ❡❡✻ ✼❄ ✻ ✼ ❅ ❇ ❉✼ ✺✻ ❑✾ ▲ ✾ ▼ P ✾ ◗ ❘❯ ❱✳ ❲ ✦ ✩✩ ✰ ❳ ❨ ✮ ✬❩ ❬ ❇ ❇ ❇ ❉ ❏✿✾ ▼ ✿ ❘ ❁ ❭✳ ❪ ✣ ❫✣ ❴ ✦✣❴✩✣ ✯ ✷❵ ✯ ❛ ❜ ✼ ✼ ✻ ▲ ◗ ▼ ✽ ❘ ❝ ✏✓✒✑❞ ✥ ✕◆✒✑✏✖✗✘✒❚✏◆ ✛❢✙✶✶❣ ✜✳ ✣ ❴ ✩✣ ❴ ✣ ✢ ✪ ✰ ❬ ✜ ❂ ❤ ❥ ❦ ❧♠❇✼ ♥ ♥ ❡❇❉ ❏✿▼ ❘ ♦✿ ❘❘ ✹✳ ♣ ✣✦ ✫ q✧ r ✤❴ ✴✯ ✱ s ❬❱ ❇ ✻ ❇ ✼ ❏✿▼ ❘ ✿ ❘ ✳ ♣ ✣✦ ✫ q✧ ✤ ✪t✣ ✉ ✯ ✱ ✱✯✬ ✱ ✬✇✰ ❬ ① ❁ ❇ ❅ ✽ ▲ ❱✳ q ✤✪ ✪ ✌ ❨ ✱✰ ✮✯ ❩ ✰ ✜ ② ❦ ② ♥ ✼ ◗ ③ ③ ✿ ❯ ④ ❁ ❭✳ ❲ ✩✣✣ ✫ ✯ ✱ ✯✲✇✯ ✜ ① ⑤✽ ❀ ♦ ❘✾✿ ❘ ④ ⑥✳ ❲ ✣ ✤ ✢ ✪ ✫ ⑦ ❫ ✤✣ ✉ ⑧✰ ✬s ✜ ❬ ♥ ❃✻ ❡ ❉ ✼ ❇ ❇❇ ③▲③ ✾ ④ ①✳ ❲ ✦✣ ✪ ❲ ✦ ✣ ✪ ❆ ⑨ ⑩ ✬ ✬ ✷❶ ✬ ✜ ✜ ✜ ✻ ✼❡ ✻ ❂❄ ✻ ✼ ③ ③ ✽ ❘ ❘ ✳ ✤ ⑨ ✬ ✬ ✱✬ ✬ ✜ ✜ ❷ ❅ ❇❇❡ ✽ ♦ ✾ ❁ ◆ ❖ ✲❋✁✂✄✁ ❖ ✥ ☎✄ ✆❖✝✞✂✄✁❖ ✶✶✟✠✡☛✡ ☞✌ ✍✎✏✏✑✒✓ ● ✔ ✕ ✔✖❍✗❲ ☞ ☞ ✘ ✷ ❚✙ ✚✛ ✜ ✢ ✣✙ ✤✛❛❛ ❱■✦✧ ■★■ ✩✪✪✫✬ ✭ ✮ ✌ ✏ ✎ ✒ ✏ ✗ ☞ ✭ ✯❛ ✰ ✛✜✯✢ ✱ ✳★✧ ✴ ✦ ❊✦✧ ✴ ★ ✵ ✌ ✍ ✓ ✓ ✗ ✕ ✗ ☞ ✘ ✵ ✤ ✙ ✣✙ ❛ ✚✛✣✣ ✦ ❊★ ❊ ✮ ✌ ✸ ✏ ✹✒✺ ✏ ✏ ✎✻ ❉ ✔✼✔ ✽✗❲ ✾ ☞ ✿ ❚✙ ✱ ✢✣ ✛✣✯ ✢ ✯ ✛✢ ✴ ✦ ❊★ ✮ ✿✌ ✏ ❀ ✎ ❁✓ ✏ ✺ ✏ ❂ ✑ ❆ ✗ ❃ ❄✗ ✖ ☞ ❅ ✮ ❇✢ ❈❏✯ ✢❏ ✯❏✣✯ ✢ ✳❙ ❙ ■✴✪❑ ✌ ✏ ✏ ✍ ✒ ✗✗ ✾ ❆ ☞ ✘ ☞ ▲✆❘▼❘ ✲ ☎ ✄ ✆❖✝✞✂✄✁ ❖ ✡☛P✠✡P✟ ◗✙ ✛✢ ✛❛✯✜ ✛ ❯ ❳■ ★❨✦ ★ ❩ ✧✪✦ ❊ ✷ ❬ ✵ ☞✌ ✑ ✗ ✗ ✗❃❍ ✗ ✷ ❭ ✜ ✢ ✛✱ ■✦ ■❙ ❪ ✦ ★ ❨ ✷ ✷ ✵ ✌ ✎✒ ✏ ❂✓ ✏✻ ● ❍ ✗ ✗ ❫❴❵ ❙ ✁✂✄s✄✁✂☎✆s INTRODUCTION A short story is a prose narrative of limited length. It organises the action and thoughts of its characters into the pattern of a plot. The plot form may be comic, tragic, romantic or satiric. The central incident is selected to manifest, as much as possible, the protagonist’s life and -
The Eagle 1950 (Lent)
-� 390 THE EAGLE Ward, D. C. , Kingston Grammar School, for History (Mullinger Exhibition). Bacliliouse, D. R., Blackburn Grammar School, for Modern Languages. Morris, G., Manchester Grammar School, for Modern Languages. Dodds, R. H., Sedbergh School, for Modern Languages. Bray, D. Stockport Grammar School, for English. THE EAGLE Hallam, A., Gateway ].,Secondary School, Leicester, for Geography. Gurney, H. A., Yeovil School, for the General Examination. Major Scholarship fo r Music: � :;Wagazine Gwilt, D. W., Sedbergh School. SUPPORTED BY MEMBERS OF CLOSE EXHIBITIONS AND CHORAL STUDENTSHIPS, John's College 1951 Sf Close Exhibitions: Baker: Lowe, D., Durham School. Dolman: Muir, R. K., Pocklington School. Lupton and Hebblethwaite: Bromley, W. J., Sedbergh School. Munsteven: Crisp, R., The King's School, Peterborough. Somerset (March): Dunn, G. D., Hereford Cathedral School. Somerset (Wootton Rivers): Shelley, B. L., Marlborough Grammar School. Vidal: Wilson, J. M., Exeter School. Choral Studentships: Harman, M. P., Fitzwilliam House. Perry, D. J., Cranbrook School. Prince, J., Queen Elizabeth's School, Crediton. Scott, C. G., Haileybury College. St. Joh. St;, Joh. Coil. Goll. Llb. Lib, Carob. Camb, VOLUME LIV, No. 236 PRINTED AT THE UNIVERSITY PRESS • FOR SUBS CRIBERS ONLY MCMXLIX -to,.,' ',L" ... " CONTENTS Henry Jessey PAGE I ikfater 1)010rosa 7 Psalm . 7 The Professor 8 Little Poem 8 Nashe's Verses from Ecclesiastt'cus 9 On Writing an Essay . 15 Some Neglected Johnian Poets 17 All contributions should be sent to the Editors of The Eagle, In a Strange Land 22 clo The College Office, 8t John's College. Light . 27 The Editors will welcome assistance in making the College On First Coming to England 30 Notes as complete a record as possible of the careers of Four Poems 35 members of the College. -
Breezy Johnson's Path to the Olympics, P.14
THE GRISTLE, P.06 + FUZZ BUZZ, P.11 + BODIES OF WORK, P.16 c a s c a d i a REPORTING FROM THE HEART OF CASCADIA WHATCOM SKAGIT ISLAND COUNTIES 02-07-2018* • ISSUE:*06 • V.13 UP IN THE AIR My Circus Valentine, P.15 STEEP BLUE WALL Saying no to drilling, P.08 COMPETITION LAURA LOVE Breezy Johnson's path to A night to the Olympics, P.14 remember, P.18 MUSIC 30 A brief overview of this Swing Connection: 2-5pm, Leopold Crystal Ballroom Lucas Hicks Celebration: 7pm, Wild Buffalo FOOD week’s happenings Howard Rains, Trisha Spencer: 7pm, YWCA THISWEEK Ballroom We Banjo 3: 7:30pm, Mount Baker Theatre 24 Greg Ruby, Nuages: 7:30pm, Unity Spiritual Center Pearl Django: 7:30pm, Jansen Art Center, Lynden African Strings Project: 7:30pm, McIntyre Hall, B-BOARD Mount Vernon Curtis Salgado: 7:30pm, Lincoln Theatre Laura Love: 8pm, Bellingham Unitarian Fellowship 22 COMMUNITY FILM Cupid’s Folly: 3-5pm, Bloedel Donovan Think and Drink: 7-pm, Van Zandt Community Hall 18 GET OUT Legendary Banked Slalom: Through Sunday, Mt. MUSIC Baker Ski Area Swan Watch: 7-10am, Tennant Lake, Ferndale 16 Two for the Road: 10am, Whatcom Falls Park Hearty Party 5K: 11am, Max Higbee Center ART Roller Derby: 5:30pm, Lynden Skateway Rough Stock Rodeo: 7pm, NW Washington Fair- 15 grounds, Lynden STAGE FOOD Anacortes Winter Farmers Market: 9am-2pm, Depot Arts Center 14 Enjoy a sexy and sassy evening of Feast for the Senses: 5:30-8:30pm, Lairmont Manor VISUAL GET OUT dance, music and stories when Upcycled Valentines: 10am-12pm, Ragfinery Birds of Winter Art Walk: 2-5pm, downtown Mount ”Sugar: A Valentine’s Cabaret” Vernon 12 Winter Show: 2-9pm, FishBoy Gallery takes the stage Feb. -
COMPETITION ISSUE Award-Winning Short Stories and Poems by Australian Writers
ESTERLY COMPETITION ISSUE Award-Winning Short Stories and Poems by Australian Writers Interviews with George MacBeth and Denise Levertov on British and American poetry .... "1 . a quarterly review price two dollars registered at gpo perth for transmission by post as a periodical Category'S' WESTERLY a quarterly review EDITORS: Bruce Bennett and Peter Cowan EDITORIAL ADVISORS: Margot Luke, Susan Kobulniczky, Fay Zwicky CONSULTANTS: Alan Alexander, Sw. Anand Haridas Westet-ly is published. quarterly by the English Deparbnent. University of Western Australia. with assistance from the Literature Board of the Australia Council and the Western Australian Literary Fund. The opinions expressed in Westerly are those of individual contributors and not of the Editors or Editorial Advisors. Correspondence should be addressed to the Editors, Westerly. Department of English. University of Western Australia, Nedlands, Western Australia 6009 (telephone 380 3838). Unsolicited manuscripts not accompanied by a stamped self-addressed envelope will not be returned. All manuscripts must show the name and address of the sender and should be typed (double-spaced) on one side of the paper only. Whilst every care is taken of manuscripts. the editors can take no final responsibility for their return; contributors are consequently urged to retain copies of all work submitted. Minimum rates for contribution!J-poems $7.00; prose pieces $7.00; reviews. articles. $15.00; short stories $30.00. It is stressed that these are minimum rates. based on the fact that very brief contributions in any field are acceptable. In practice the editors aim to pay more, and will discuss payment where required. Recommended sale price: $2.00 per copy (W.A.). -
Favorite B K O Our E T Om Welc
Taste Favorite b k o our e t om Welc Today’s specials are five novels that explore cultural and sexual identity, history, family, war, and more. Take a look at the menu to see what you may be in the mood for, dip into the first few chapters, and feel free to take notes on what you liked! Share your thoughts with us on social with #PenguinBookTasting! Ciao! Penguin Young Readers The Stars and the Blackness Between Them by Junauda Petrus ......................................... 4 Told in two distinct and irresistible voices, Junauda Petrus’s bold and lyrical debut is the story of two black girls from very different backgrounds finding love and happiness in a world that seems determined to deny them both. Patron Saints of Nothing by Randy Ribay ... 34 A powerful coming-of-age story about grief, guilt, and the risks a Filipino-American teenager takes to uncover the truth about his cousin’s murder. Lovely War by Julie Berry ........................... 69 A sweeping, multilayered romance set in the perilous days of World Wars I and II, where gods hold the fates—and the hearts—of four mortals in their hands. Frankly in Love by David Yoon ............. 105 Two friends. One fake dating scheme. What could possibly go wrong? The Fountains of Silence by Ruta Sepetys ... 152 A gripping, extraordinary portrait of love, silence, and secrets under a Spanish dictatorship. The Stars and the Blackness Between Them LGBTQIA Romance | ISBN: 978-0-525-55549-0 Sixteen-year-old Mabel is lying on her bed, staring at the ceiling and trying to figure out why she feels the way she feels—about her ex Terrell, about her girl Jada and that moment they had in the woods, and about the vague feeling of illness that’s plagued her all summer. -
The Hitman's Bodyguard
THE HITMAN’S BODYGUARD ABOUT THE PRODUCTION “I have a job for you …” -- Agent Amelia Roussel Nearly everybody the notoriously lethal hitman Darius Kincaid (Samuel L. Jackson) has ever met across the globe want him dead – but that’s only if Michael Bryce (Ryan Reynolds), the vigilant bodyguard recruited to protect him at all costs, doesn’t shoot him out of sheer infuriation first. The hair-triggering rivalry and potential joining of forces between a high-flying, Triple-A rated hired gun and a protection specialist results in an outrageous, fast-paced action comedy that twists and twines the hitman thriller, the bodyguard romance and the odd-couple buddy comedy into one irreverently fun ride. Featuring a hilarious “bromance” between blockbuster stars Ryan Reynolds and Samuel L. Jackson, creatively choreographed fight scenes and exhilarating high-speed chases THE HITMAN’S BODYGUARD offers a non-stop mashup of laughs and outrageous action. The wild chase begins when Interpol strikes a risky deal with a newly captured Kincaid: if he agrees to be a star witness against the bloodthirsty Belarusian tyrant Vladislav Dukhovich (Gary Oldman) in the International Criminal Court, they’ll free Kincaid’s cherished, and not-to-be-trifled with, wife Sonia (Salma Hayek) from jail. There’s just one problem: Interpol has only 24 hours to transport Kincaid from the North of England to The Hague – knowing full well that cutthroats and assassins will be lying in wait to hit the hitman the entire way to Holland. Things go wrong right off the bat, as Interpol Agent Amelia Roussel (Elodie Yung) leads the prison convoy transporting Kincaid into an ambush. -
GIRLS5EVA “Pilot”
Episode #101 Script #101 Production #01001 GIRLS5EVA “Pilot” Written by Meredith Scardino Directed by Kat Coiro PRE-PRODUCTION DRAFT - 10/8/20 WHITE SHOOTING DRAFT - 10/14/20 BLUE REVISED - 10/21/20 PINK REVISED - 10/23/20 YELLOW REVISED - 11/16/20 © 2020 Universal Television LLC ALL RIGHTS RESERVED. NOT TO BE DUPLICATED WITHOUT PERMISSION. This material is the property of Universal Television LLC and is intended solely for use by its personnel. The sale, copying, reproduction or exploitation of this material, in any form is prohibited. Distribution or disclosure of this material to unauthorized persons is also prohibited. GIRLS5EVA 101: "PILOT" YELLOW REVISED 11/16/20 CAST LIST DAWN.............................................................................................................................SARA BAREILLES WICKIE.......................................................................................................RENÉE ELISE GOLDSBERRY GLORIA ..................................................................................................................................PAULA PELL SUMMER ..........................................................................................................................BUSY PHILIPPS LARRY......................................................................................................................JONATHAN HADARY SCOTT...........................................................................................................................DANIEL BREAKER NICK..................................................................................................................................DEAN -
The Formal Social World of British Egg-Collecting
n Cole, Edward (2016) Handle with care: historical geographies and difficult cultural legacies of egg-collecting. PhD thesis. http://theses.gla.ac.uk/7800/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Handle With Care: Historical Geographies and Difficult Cultural Legacies of Egg-Collecting Edward Cole Submitted for the requirements for the Degree of Doctor of Philosophy (PhD) School of Geographical and Earth Sciences College of Science and Engineering University of Glasgow Abstract This thesis offers an examination of egg-collecting, which was a very popular pastime in Britain from the Victorian era well into the twentieth century. Collectors, both young and old, would often spend whole days and sometimes longer trips in a wide variety of different habitats, from sea shores to moorlands, wetlands to craggy mountainsides, searching for birds’ nests and the bounty to be found within them. Once collectors had found and taken eggs, they emptied out the contents; hence, they were really egg shell collectors. Some egg collectors claimed that egg-collecting was not just a hobby but a science, going by the name of oology, and seeking to establish oology as a recognised sub- discipline of ornithology, these collectors or oologists established formal institutions such as associations and societies, attended meetings where they exhibited unusual finds, and also contributed to specialist publications dedicated to oology.