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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Legislative Reports for Career and College Promise and Cooperative Innovative High Schools
Attachment PROG 01 STATE BOARD OF COMMUNITY COLLEGES Legislative Reports for Career and College Promise and Cooperative Innovative High Schools Request: At the request of staff, the State Board of Community Colleges is asked to approve the Cooperative Innovative High Schools (CIHS) Annual Report and Career and College Promise (CCP) Annual Report for the 2017‐2018 school year. Background: The General Assembly established the following criteria to evaluate Cooperative Innovative High Schools and Career and College Promise: 115C‐238.55. Evaluation of Cooperative Innovative High Schools and 115D‐5(x) Evaluation of Career and College Promise State Board of Community Colleges, in conjunction with the State Board of Education and the Board of Governors of The University of North Carolina, shall evaluate the success of students participating in the Career and College Promise Program, including Cooperative Innovative High Schools, College Transfer pathway and Career and Technical Education pathway. Success shall be measured by high school retention rates, high school completion rates, high school dropout rates, certification and associate degree completion, admission to four‐year institutions, post‐graduation employment in career or study‐related fields, and employer satisfaction of employees who participated in and graduated from the schools. Rationale: Review and evaluation of Career and College Promise and Cooperative Innovative High Schools ensures continued program success. Contact(s): Dr. Lisa Eads Director SBCC 02/14/2019 Attachment PROG 01 CCP/CIHS REPORTING REQUIREMENTS Due March 15, 2019 (Annually) CCP G.S. 115D‐5(x) as enacted by SL 2017‐57, Sec. 7.22(g) Evaluation of success of students participating in CCP, including College Transfer and CTE. -
Carol Raskin
Carol Raskin Artistic Images Make-Up and Hair Artists, Inc. Miami – Office: (305) 216-4985 Miami - Cell: (305) 216-4985 Los Angeles - Office: (310) 597-1801 FILMS DATE FILM DIRECTOR PRODUCTION ROLE 2019 Fear of Rain Castille Landon Pinstripe Productions Department Head Hair (Kathrine Heigl, Madison Iseman, Israel Broussard, Harry Connick Jr.) 2018 Critical Thinking John Leguizamo Critical Thinking LLC Department Head Hair (John Leguizamo, Michael Williams, Corwin Tuggles, Zora Casebere, Ramses Jimenez, William Hochman) The Last Thing He Wanted Dee Rees Elena McMahon Productions Additional Hair (Miami) (Anne Hathaway, Ben Affleck, Willem Dafoe, Toby Jones, Rosie Perez) Waves Trey Edward Shults Ultralight Beam LLC Key Hair (Sterling K. Brown, Kevin Harrison, Jr., Alexa Demie, Renee Goldsberry) The One and Only Ivan Thea Sharrock Big Time Mall Productions/Headliner Additional Hair (Bryan Cranston, Ariana Greenblatt, Ramon Rodriguez) (U. S. unit) 2017 The Florida Project Sean Baker The Florida Project, Inc. Department Head Hair (Willem Dafoe, Bria Vinaite, Mela Murder, Brooklynn Prince) Untitled Detroit City Yann Demange Detroit City Productions, LLC Additional Hair (Miami) (Richie Merritt Jr., Matthew McConaughey, Taylour Paige, Eddie Marsan, Alan Bomar Jones) 2016 Baywatch Seth Gordon Paramount Worldwide Additional Hair (Florida) (Dwayne Johnson, Zac Efron, Alexandra Daddario, David Hasselhoff) Production, Inc. 2015 The Infiltrator Brad Furman Good Films Production Department Head Hair (Bryan Cranston, John Leguizamo, Benjamin Bratt, Olympia -
Parade Rewind with Al Roker: His Idea of Perfect Weather and How Oversleeping Inspired His First App MAY 2, 2014
Parade Rewind with Al Roker: His Idea of Perfect Weather and How Oversleeping Inspired His First App MAY 2, 2014 By ERIN HILL @ErinHillNY America’s favorite weatherman, Al Roker, stopped by to chat with Paradeabout his brand new app, Al’s Weather Rokies (available on iTunes), his early morning routine, growing up in Queens, New York, and having a spouse in the same industry. Check AlRoker.com for all the latest! Tell us about your new app, Al’s Weather Rokies. “Al’s Weather Rokies is unlike anything out there. There are gaming apps, there are weather apps, but there isn’t anything that puts the two together. So you get a forecast, you get information you need to know, but there’s a little game involved. Of course I do early morning TV, both Wake Up with Al and the Todayshow, and there was a little episode last year when I overslept for the first time. There’s a game that involves these cute little weather characters that you have to use to wake me up and help me get to the studio. So it’s both a game and a weather app.” And it incorporates your love of animation. “Yeah, I have loved animation ever since I was a little kid. I wanted to be an animator. What’s been great is that I’ve been able to use some of that in designing these apps and working with the programmers to get the animation right. It’s kind of addictive’ it’s fun. I think each of these little weather icons, these Rokies, whether it’s a cloud or a sun or a windstorm, all have their own little personality.” What were some of your favorite cartoons as a kid? “The classics, Tom and Jerry, The Roadrunner, Bugs Bunny, all the classic Disney feature animations, and then even as I got older, I still loved animation, The Animaniacs, and you move forward into Batman and Batman Beyond. -
The Tony Award-Winning Best Musical Revival
FOR IMMEDIATE RELEASE CONTACT: Rachel Bliss, Starlight Theatre [email protected] 816-997-1151-office 785-259-3039-cell The Tony Award-Winning Best Musical Revival Will Begin Performances September 25 at Starlight Theatre “THE BEST SHOW OF THE “THIS ‘DOLLY!’ IS CLASSIC “IT IS, IN A WORD, YEAR. ‘HELLO, DOLLY!’ BROADWAY AT ITS BEST.” PERFECTION.” MUST NOT BE MISSED.” - ENTERTAINMENT WEEKLY, - TIME OUT NEW YORK, - NPR, DAVID RICHARDSON MAYA STANTON ADAM FELDMAN KANSAS CITY, Mo. – The producers of HELLO, DOLLY!, the Tony Award-winning Best Musical Revival, and Starlight Theatre are excited to announce that single tickets for the National Tour starring Carolee Carmello are on sale now. Tickets are available at the Starlight Theatre box office (4700 Starlight Road, Kansas City, MO, 64132), by visiting kcstarlight.com, or by calling 816-363-STAR (7827). Group orders of 10 or more may be placed by calling 816-997-1137. “This production of Hello, Dolly! is bigger and better than it’s ever been,” Rich Baker, President and CEO of Starlight, said. “This tour is everything that I love about Broadway—and spares no extravagance. It celebrates the iconic moments of this larger-than-life musical with incredible sets and costumes, phenomenal dancing, and big-talent that has what it takes to champion these iconic roles. What could be better than Hello, Dolly! to complete our 2019 AdventHealth Broadway Series?” Winner of four Tony Awards including Best Musical Revival, HELLO, DOLLY! is the universally acclaimed smash that NPR calls “the best show of the year!” and the Los Angeles Times says “distills the mood-elevating properties of the American musical at its giddy best.” Director Jerry Zaks’ “gorgeous” new production (Vogue) is “making people crazy happy!” (The Washington Post). -
DRAMATURGY GUIDE School of Rock: the Musical the National Theatre January 16-27, 2019
DRAMATURGY GUIDE School of Rock: The Musical The National Theatre January 16-27, 2019 Music by Andrew Lloyd Webber Book by Julian Fellowes Lyrics by Glenn Slater Based on the Paramount Film Written by Mike White Featuring 14 new songs from Andrew Lloyd Webber and all the original songs from the movie Packet prepared by Dramaturg Linda Lombardi Sources: School of Rock: The Musical, The Washington Post ABOUT THE SHOW Based on the hit film, this hilarious new musical follows Dewey Finn, a failed, wannabe rock star who poses as a substitute teacher at a prestigious prep school to earn a few extra bucks. To live out his dream of winning the Battle of the Bands, he turns a class of straight-A students into a guitar-shredding, bass-slapping, mind-blowing rock band. While teaching the students what it means to truly rock, something happens Dewey didn’t expect... they teach him what it means to care about something other than yourself. For almost 200 years, The National Theatre has occupied a prominent position on Pennsylvania Avenue – “America’s Main Street” – and played a central role in the cultural and civic life of Washington, DC. Located a stone’s throw from the White House and having the Pennsylvania Avenue National Historic Site as it’s “front yard,” The National Theatre is a historic, cultural presence in our Nation’s Capital and the oldest continuously operating enterprise on Pennsylvania Avenue. The non-profit National Theatre Corporation oversees the historic theatre and serves the DC community through three free outreach programs, Saturday Morning at The National, Community Stage Connections, and the High School Ticket Program. -
SMASH: Synchronized Many-Sided Rowhammer Attacks from Javascript
SMASH: Synchronized Many-sided Rowhammer Attacks from JavaScript Finn de Ridder Pietro Frigo Emanuele Vannacci Herbert Bos ETH Zurich VU Amsterdam VU Amsterdam VU Amsterdam VU Amsterdam Cristiano Giuffrida Kaveh Razavi VU Amsterdam ETH Zurich Abstract has instead been lagging behind. In particular, rather than Despite their in-DRAM Target Row Refresh (TRR) mitiga- addressing the root cause of the Rowhammer bug, DDR4 in- tions, some of the most recent DDR4 modules are still vul- troduced a mitigation known as Target Row Refresh (TRR). nerable to many-sided Rowhammer bit flips. While these TRR, however, has already been shown to be ineffective bit flips are exploitable from native code, triggering them against many-sided Rowhammer attacks from native code, in the browser from JavaScript faces three nontrivial chal- at least in its current in-DRAM form [12]. However, it is lenges. First, given the lack of cache flushing instructions in unclear whether TRR’s failing also re-exposes end users to JavaScript, existing eviction-based Rowhammer attacks are TRR-aware, JavaScript-based Rowhammer attacks from the already slow for the older single- or double-sided variants browser. In fact, existing many-sided Rowhammer attacks and thus not always effective. With many-sided Rowhammer, require frequent cache flushes, large physically-contiguous mounting effective attacks is even more challenging, as it re- regions, and certain access patterns to bypass in-DRAM TRR, quires the eviction of many different aggressor addresses from all challenging in JavaScript. the CPU caches. Second, the most effective many-sided vari- In this paper, we show that under realistic assumptions, it ants, known as n-sided, require large physically-contiguous is indeed possible to bypass TRR directly from JavaScript, memory regions which are not available in JavaScript. -
Air Line Pilots Page 5 Association, International Our Skies
March 2015 ALSO IN THIS ISSUE: » Landing Your » Known Crewmember » Sleep Apnea Air Dream Job page 20 page 29 Update page 28 Line PilOt Safeguarding Official Journal of the Air Line Pilots page 5 Association, International Our Skies Follow us on Twitter PRINTED IN THE U.S.A. @wearealpa Sponsored Airline- Career Track ATP offers the airline pilot career training solution with a career track from zero time to 1500 hours sponsored by ATP’s airline alliances. Airline Career month FAST TRACK Demand for airline pilots and ATP graduates is soaring, Pilot Program with the “1500 hour rule” and retirements at the majors. AIRLINES Airlines have selected ATP as a preferred training provider to build their pilot pipelines Private, Instrument, Commercial Multi Also available with... & Certified Flight Instructor (Single, Multi 100 Hours Multi-Engine Experience with the best training in the fastest & Instrument) time frame possible. 225 Hours Flight Time / 100 Multi 230 Hours Flight Time / 40 Multi In the Airline Career Pilot Program, your airline Gain Access to More Corporate, Guaranteed Flight Instructor Job Charter, & Multi-Engine Instructor interview takes place during the commercial phase Job Opportunities of training. Successful applicants will receive a Airline conditional offer of employment at commercial phase of training, based on building Fly Farther & Faster with Multi- conditional offer of employment from one or more of flight experience to 1500 hours in your guaranteed Engine Crew Cross-Country ATP’s airline alliances, plus a guaranteed instructor CFI job. See website for participating airlines, Experience job with ATP or a designated flight school to build admissions, eligibility, and performance requirements. -
Jeremy Jordan
Jeremy Jordan Jeremy Jordan was born and raised in Corpus Christi, Texas. He was always a singer, but at the age of 17, he accidentally fell in love with acting when cast as The Mute in the musical, The Fantasticks. After high school, Jeremy went on to study drama at Ithaca College and moved to New York City after graduating in 2007. After about a year of catering and waiting tables, he began to book some regional theatre work, and in early 2009, landed his first Broadway show, Rock of Ages. He was a swing, understudying several roles including the lead. In December of 2009, he left Rock of Ages to play Tony in Broadway's West Side Story. After West Side Story, Jeremy traveled to Sarasota, Florida to play Clyde Barrow opposite Laura Osnes in Bonnie & Clyde. He then headed to Atlanta, Georgia to shoot his first feature film, “Joyful Noise,” opposite Dolly Parton and Queen Latifah. Todd Graff, who wrote and directed the film, decided to cast him in the movie after coincidentally attending Jeremy's very first performance as the lead in Rock of Ages. In the fall of 2011, Jeremy fulfilled a childhood dream when he was cast as Jack Kelly in Disney's world premiere production of Newsies at Paper Mill Playhouse in New Jersey. He played Jack at night, and during the day rehearsed Bonnie & Clyde, which was coming to Broadway shortly after Newsies finished its regional run. Bonnie & Clyde opened on Broadway in November, 2011 but sadly would close after only 69 performances. -
Nbc Smash & the Voice
NBC SMASH & THE VOICE Problem: How does a network drive viewership in a highly competitive time slot? Solution: Use digital OOH formats to blanket the market on the air date to keep the shows top of mind. BACKGROUND NBC wanted to ensure high viewer rates for the second season of The Voice and the debut of its new show Smash. OBJECTIVE The planning agency was tasked with creating an out of home campaign to publicize the second season of The Voice, and the premiere of newcomer Smash, which would both debut on the Monday following Super Bowl Sunday. STRATEGY To ensure NBC dominated the Monday after the Super Bowl, the planning agency blanketed the full day Monday February 6, with Smash and The Voice tune- in messaging across out of home, supplementing the print, broadcast, radio, and digital efforts from agency partners. The planning agency, working with the client and digital specialists, identified 300+ digital OOH screens across 12 markets to supplement the existing efforts across print, broadcast, radio, and digital. The result was NBC’s “Day of Digital,” a national campaign that gave the network share of voice domination across all me- dia. On Monday, February 6, digital OOH advertisements for Smash and The Voice went live across the selected markets. PLAN DETAILS Markets: Los Angeles, New York, Chicago, Philadelphia, Atlanta, Boston, Minneapolis, Sacramento, Detroit, Phoenix, Dallas, Seattle Flighting Dates: January - February 2012 Out of Home Formats: New York and Los Angeles were the markets of primary focus and where the traditional OOH mostly ran: taxi tops, station dominations, wrapped double- decker buses, and a Times Square Spectacular in New York, while engaging a media mix of bus shelters, bulletins, and wrapped double-decker buses in Los Angeles. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Stephen Colbert Obama Decree
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