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Plusinside Senti18 Cmufilmfest15
Pittsburgh Opera stages one of the great war horses 12 PLUSINSIDE SENTI 18 CMU FILM FEST 15 ‘BLOODLINE’ 23 WE-2 +=??B/<C(@ +,B?*(2.)??) & THURSDAY, MARCH 19, 2015 & WWW.POST-GAZETTE.COM Weekend Editor: Scott Mervis How to get listed in the Weekend Guide: Information should be sent to us two weeks prior to publication. [email protected] Send a press release, letter or flier that includes the type of event, date, address, time and phone num- Associate Editor: Karen Carlin ber of venue to: Weekend Guide, Pittsburgh Post-Gazette, 34 Blvd. of the Allies, Pittsburgh 15222. Or fax THE HOT LIST [email protected] to: 412-263-1313. Sorry, we can’t take listings by phone. Email: [email protected] If you cannot send your event two weeks before publication or have late material to submit, you can post Cover design by Dan Marsula your information directly to the Post-Gazette website at http://events.post-gazette.com. » 10 Music » 14 On the Stage » 15 On Film » 18 On the Table » 23 On the Tube Jeff Mattson of Dark Star City Theatre presents the Review of “Master Review of Senti; Munch Rob Owen reviews the new Orchestra gets on board for comedy “Oblivion” by Carly Builder,”opening CMU’s film goes to Circolo. Netflix drama “Bloodline.” the annual D-Jam show. Mensch. festival; festival schedule. ALL WEEKEND SUNDAY Baroque Coffee House Big Trace Johann Sebastian Bach used to spend his Friday evenings Trace Adkins, who has done many a gig opening for Toby at Zimmermann’s Coffee House in Leipzig, Germany, where he Keith, headlines the Palace Theatre in Greensburg Sunday. -
Mike Mangini
/.%/&4(2%% 02):%3&2/- -".#0'(0%4$)3*4"%-&34&55*/(4*()54 7). 9!-!(!$25-3 VALUED ATOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 0/5)& '0$64)*)"5 "$)*&7&5)&$-"44*$ 48*/(406/% "35#-",&: 5)&.&/503 50%%46$)&3."/ 45:-&"/%"/"-:4*4 $2%!-4(%!4%23 Ê / Ê" Ê," Ê/"Ê"6 , /Ê-1 -- (3&(03:)65$)*/40/ 8)&3&+";;41"45"/%'6563&.&&5 #6*-%:06308/ .6-5*1&%"-4&561 -ODERN$RUMMERCOM 3&7*&8&% 5"."4*-7&345"33&.0108&34530,&130-6%8*("5-"4130)"3%8"3&3*.4)05-0$."55/0-"/$:.#"-4 Volume 36, Number 3 • Cover photo by Paul La Raia CONTENTS Paul La Raia Courtesy of Mapex 40 SETTING SIGHTS: CHRIS ADLER Lamb of God’s tireless sticksman embraces his natural lefty tendencies. by Ken Micallef Timothy Saccenti 54 MIKE MANGINI By creating layers of complex rhythms that complement Dream Theater’s epic arrangements, “the new guy” is ushering in a bold and exciting era for the band, its fans, and progressive rock music itself. by Mike Haid 44 GREGORY HUTCHINSON Hutch might just be the jazz drummer’s jazz drummer— historically astute and futuristically minded, with the kind 12 UPDATE of technique, soul, and sophistication that today’s most important artists treasure. • Manraze’s PAUL COOK by Ken Micallef • Jazz Vet JOEL TAYLOR • NRBQ’s CONRAD CHOUCROUN • Rebel Rocker HANK WILLIAMS III Chuck Parker 32 SHOP TALK Create a Stable Multi-Pedal Setup 36 PORTRAITS NYC Pocket Master TONY MASON 98 WHAT DO YOU KNOW ABOUT...? Faust’s WERNER “ZAPPI” DIERMAIER One of Three Incredible 70 INFLUENCES: ART BLAKEY Prizes From Yamaha Drums Enter to Win We all know those iconic black-and-white images: Blakey at the Valued $ kit, sweat beads on his forehead, a flash in the eyes, and that at Over 5,700 pg 85 mouth agape—sometimes with the tongue flat out—in pure elation. -
MCA-500 Reissue Series
MCA 500 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-500 Reissue Series: MCA 500 - Uncle Pen - Bill Monroe [1974] Reissue of Decca DL 7 5348. Jenny Lynn/Methodist Preacher/Goin' Up Caney/Dead March/Lee Weddin Tune/Poor White Folks//Candy Gal/Texas Gallop/Old Grey Mare Came Tearing Out Of The Wilderness/Heel And Toe Polka/Kiss Me Waltz MCA 501 - Sincerely - Kitty Wells [1974] Reissue of Decca DL 7 5350. Sincerely/All His Children/Bedtime Story/Reno Airport- Nashville Plane/A Bridge I Just Can't Burn/Love Is The Answer//My Hang Up Is You/Just For What I Am/It's Four In The Morning/Everybody's Reaching Out For Someone/J.J. Sneed MCA 502 - Bobby & Sonny - Osborne Brothers [1974] Reissue of Decca DL 7 5356. Today I Started Loving You Again/Ballad Of Forty Dollars/Stand Beside Me, Behind Me/Wash My Face In The Morning/Windy City/Eight More Miles To Louisville//Fireball Mail/Knoxville Girl/I Wonder Why You Said Goodbye/Arkansas/Love's Gonna Live Here MCA 503 - Love Me - Jeannie Pruett [1974] Reissue of Decca DL 7 5360. Love Me/Hold To My Unchanging Love/Call On Me/Lost Forever In Your Kiss/Darlin'/The Happiest Girl In The Whole U.S.A.//To Get To You/My Eyes Could Only See As Far As You/Stay On His Mind/I Forgot More Than You'll Ever Know (About Her)/Nothin' But The Love You Give Me MCA 504 - Where is the Love? - Lenny Dee [1974] Reissue of Decca DL 7 5366. -
Gypsum in California
TN 2.4 C3 A3 i<o3 HK STATE OP CAlIFOa!lTA DEPARTMENT OF NATURAL RESOURCES msmtBmmmmmmmmmaam GYPSUM IN CALIFORNIA BULLETIN 163 1952 aou DIVl^ON OF MNES fZBar SDODSia sxh lasncisco ^"^^^^^nBM^^MMa^HBi«iaMa«NnMaMHBaaHB^HaHaa^^HHMi«nfl^HaMHiBHHHMauuHJin««aHiav^aMaHHaHHB«auKaiaMi^^M«ni^Maai^iMMWi^iM^ THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA DAVIS STATE OF CALIFORNIA EARL WARREN, Governor DEPARTMENT OF NATURAL RESOURCES WARREN T. HANNUM, Director DIVISION OF MINES FERRY BUILDING, SAN FRANCISCO 11 OLAF P. JENKINS, Chief San Francisco BULLETIN 163 September 1952 GYPSUM IN CALIFORNIA By WILLIAM E. VER PLANCK LIBRARY UNTXERollY OF CAUFC^NIA DAVIS LETTER OF TRANSMITTAL To IIlS EXCELLKNCY, TlIK IIONORAHLE EauL AVaRREN Governor of the State of California Dear Sir: I have the lionor to transmit herewitli liuUetiii 163, Gyj)- sinn in California, prepared under tlie direetion of Ohif P. Jenkins, Chief of the Division of ]\Iines. Gypsum represents one of the important non- metallic mineral commodities of California. It serves particularly two of California's most important industries, aprieulture and construction. In Bulletin 163 the author, W. p]. Xev Phinek, a member of the staff of the Division of Mines, has prepared a comprehensive treatise cover- ing all phases of the subject : history of the industry, geologic occurrence and origin of tlie minoi-al, mining, i)rocessing and marketing of the com- modity. Specific g3'psum i)roperties Avere examined and mapped. The report is profusely illustrated by maps, charts and photographs. In the preparation of the report it was necessary for the author to make field investigations, laboratory and library studies, and to determine how the mineral is used in industry as Avell as how it occurs in nature and how it is mined. -
Description, Narrative, and Reflection
EmpoWord: A Student-Centered Anthology & Handbook for College Writers Part One: Description, Narrative, and Reflection Author: Shane Abrams, Portland State University This chapter is licensed with a Creative Commons Attribution-NonCommercial 4.0 International License Download this book free at: https://pdxscholar.library.pdx.edu/pdxopen/20/ Part One: Description, Narration, and Reflection 55 Section Introduction: Description, Narration, and Reflection Chapter Vocabulary Vocabulary Definition a rhetorical mode that emphasizes eye-catching, specific, and vivid description portrayal of a subject. Often integrates imagery and thick description to this end. a rhetorical mode involving the construction and relation of stories. narration Typically integrates description as a technique. a rhetorical gesture by which an author looks back, through the diegetic gap, to demonstrate knowledge or understanding gained from the subject on which they are reflecting. May also include consideration of reflection the impact of that past subject on the author’s future—“Looking back in order to look forward.” the circumstances in which rhetoric is produced, understood using the constituent elements of subject, occasion, audience, and purpose. Each element of the rhetorical situation carries assumptions and imperatives rhetorical situation about the kind of rhetoric that will be well received. Rhetorical situation will also influence mode and medium. Storytelling is one of few rituals that permeates all cultures. Indeed, there’s nothing quite as satisfying as a well-told story. But what exactly makes for a well-told story? Of course, the answer to that question depends on your rhetorical situation: your audience, your sociohistorical position, and your purpose will determine how you tell your story. -
In 193X, Constance Rourke's Book American Humor Was Reviewed In
OUR LIVELY ARTS: AMERICAN CULTURE AS THEATRICAL CULTURE, 1922-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Schlueter, M.A. ***** The Ohio State University 2007 Dissertation Committee: Approved by Professor Thomas Postlewait, Adviser Professor Lesley Ferris Adviser Associate Professor Alan Woods Graduate Program in Theatre Copyright by Jennifer Schlueter c. 2007 ABSTRACT In the first decades of the twentieth century, critics like H.L. Mencken and Van Wyck Brooks vociferously expounded a deep and profound disenchantment with American art and culture. At a time when American popular entertainments were expanding exponentially, and at a time when European high modernism was in full flower, American culture appeared to these critics to be at best a quagmire of philistinism and at worst an oxymoron. Today there is still general agreement that American arts “came of age” or “arrived” in the 1920s, thanks in part to this flogging criticism, but also because of the powerful influence of European modernism. Yet, this assessment was not, at the time, unanimous, and its conclusions should not, I argue, be taken as foregone. In this dissertation, I present crucial case studies of Constance Rourke (1885-1941) and Gilbert Seldes (1893-1970), two astute but understudied cultural critics who saw the same popular culture denigrated by Brooks or Mencken as vibrant evidence of exactly the modern American culture they were seeking. In their writings of the 1920s and 1930s, Rourke and Seldes argued that our “lively arts” (Seldes’ formulation) of performance—vaudeville, minstrelsy, burlesque, jazz, radio, and film—contained both the roots of our own unique culture as well as the seeds of a burgeoning modernism. -
Class-12-English.Pdf
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The Eagle 1950 (Lent)
-� 390 THE EAGLE Ward, D. C. , Kingston Grammar School, for History (Mullinger Exhibition). Bacliliouse, D. R., Blackburn Grammar School, for Modern Languages. Morris, G., Manchester Grammar School, for Modern Languages. Dodds, R. H., Sedbergh School, for Modern Languages. Bray, D. Stockport Grammar School, for English. THE EAGLE Hallam, A., Gateway ].,Secondary School, Leicester, for Geography. Gurney, H. A., Yeovil School, for the General Examination. Major Scholarship fo r Music: � :;Wagazine Gwilt, D. W., Sedbergh School. SUPPORTED BY MEMBERS OF CLOSE EXHIBITIONS AND CHORAL STUDENTSHIPS, John's College 1951 Sf Close Exhibitions: Baker: Lowe, D., Durham School. Dolman: Muir, R. K., Pocklington School. Lupton and Hebblethwaite: Bromley, W. J., Sedbergh School. Munsteven: Crisp, R., The King's School, Peterborough. Somerset (March): Dunn, G. D., Hereford Cathedral School. Somerset (Wootton Rivers): Shelley, B. L., Marlborough Grammar School. Vidal: Wilson, J. M., Exeter School. Choral Studentships: Harman, M. P., Fitzwilliam House. Perry, D. J., Cranbrook School. Prince, J., Queen Elizabeth's School, Crediton. Scott, C. G., Haileybury College. St. Joh. St;, Joh. Coil. Goll. Llb. Lib, Carob. Camb, VOLUME LIV, No. 236 PRINTED AT THE UNIVERSITY PRESS • FOR SUBS CRIBERS ONLY MCMXLIX -to,.,' ',L" ... " CONTENTS Henry Jessey PAGE I ikfater 1)010rosa 7 Psalm . 7 The Professor 8 Little Poem 8 Nashe's Verses from Ecclesiastt'cus 9 On Writing an Essay . 15 Some Neglected Johnian Poets 17 All contributions should be sent to the Editors of The Eagle, In a Strange Land 22 clo The College Office, 8t John's College. Light . 27 The Editors will welcome assistance in making the College On First Coming to England 30 Notes as complete a record as possible of the careers of Four Poems 35 members of the College. -
Engineers Throughout Jazz History
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 5-2017 Engineers Throughout Jazz History Alex Declet California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Recommended Citation Declet, Alex, "Engineers Throughout Jazz History" (2017). Capstone Projects and Master's Theses. 101. https://digitalcommons.csumb.edu/caps_thes_all/101 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Declet 1 Alex Declet Prof. Sammons MPA 475: Capstone Engineers in Jazz Most of the general public do not know how much goes into the music making process as an engineer. Historically, with devices such as the phonograph, gramophone and early analog tape there was a push to get more audio out to the masses and engineers went from a documentary state of recording to a qualitative state. With technology like the record player, audiences had easy ways of accessing and listening to music in their own homes. The public even today buys physical or digital albums without taking a good look at who or what was involved in the process of making the album complete and ready to sell. The innovative minds in the recording industry, hidden in the liner notes of the albums, were engineers like Rudy Van Gelder, Frank Laico, and Tom Dowd just to name a few. -
Breezy Johnson's Path to the Olympics, P.14
THE GRISTLE, P.06 + FUZZ BUZZ, P.11 + BODIES OF WORK, P.16 c a s c a d i a REPORTING FROM THE HEART OF CASCADIA WHATCOM SKAGIT ISLAND COUNTIES 02-07-2018* • ISSUE:*06 • V.13 UP IN THE AIR My Circus Valentine, P.15 STEEP BLUE WALL Saying no to drilling, P.08 COMPETITION LAURA LOVE Breezy Johnson's path to A night to the Olympics, P.14 remember, P.18 MUSIC 30 A brief overview of this Swing Connection: 2-5pm, Leopold Crystal Ballroom Lucas Hicks Celebration: 7pm, Wild Buffalo FOOD week’s happenings Howard Rains, Trisha Spencer: 7pm, YWCA THISWEEK Ballroom We Banjo 3: 7:30pm, Mount Baker Theatre 24 Greg Ruby, Nuages: 7:30pm, Unity Spiritual Center Pearl Django: 7:30pm, Jansen Art Center, Lynden African Strings Project: 7:30pm, McIntyre Hall, B-BOARD Mount Vernon Curtis Salgado: 7:30pm, Lincoln Theatre Laura Love: 8pm, Bellingham Unitarian Fellowship 22 COMMUNITY FILM Cupid’s Folly: 3-5pm, Bloedel Donovan Think and Drink: 7-pm, Van Zandt Community Hall 18 GET OUT Legendary Banked Slalom: Through Sunday, Mt. MUSIC Baker Ski Area Swan Watch: 7-10am, Tennant Lake, Ferndale 16 Two for the Road: 10am, Whatcom Falls Park Hearty Party 5K: 11am, Max Higbee Center ART Roller Derby: 5:30pm, Lynden Skateway Rough Stock Rodeo: 7pm, NW Washington Fair- 15 grounds, Lynden STAGE FOOD Anacortes Winter Farmers Market: 9am-2pm, Depot Arts Center 14 Enjoy a sexy and sassy evening of Feast for the Senses: 5:30-8:30pm, Lairmont Manor VISUAL GET OUT dance, music and stories when Upcycled Valentines: 10am-12pm, Ragfinery Birds of Winter Art Walk: 2-5pm, downtown Mount ”Sugar: A Valentine’s Cabaret” Vernon 12 Winter Show: 2-9pm, FishBoy Gallery takes the stage Feb. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
COMPETITION ISSUE Award-Winning Short Stories and Poems by Australian Writers
ESTERLY COMPETITION ISSUE Award-Winning Short Stories and Poems by Australian Writers Interviews with George MacBeth and Denise Levertov on British and American poetry .... "1 . a quarterly review price two dollars registered at gpo perth for transmission by post as a periodical Category'S' WESTERLY a quarterly review EDITORS: Bruce Bennett and Peter Cowan EDITORIAL ADVISORS: Margot Luke, Susan Kobulniczky, Fay Zwicky CONSULTANTS: Alan Alexander, Sw. Anand Haridas Westet-ly is published. quarterly by the English Deparbnent. University of Western Australia. with assistance from the Literature Board of the Australia Council and the Western Australian Literary Fund. The opinions expressed in Westerly are those of individual contributors and not of the Editors or Editorial Advisors. Correspondence should be addressed to the Editors, Westerly. Department of English. University of Western Australia, Nedlands, Western Australia 6009 (telephone 380 3838). Unsolicited manuscripts not accompanied by a stamped self-addressed envelope will not be returned. All manuscripts must show the name and address of the sender and should be typed (double-spaced) on one side of the paper only. Whilst every care is taken of manuscripts. the editors can take no final responsibility for their return; contributors are consequently urged to retain copies of all work submitted. Minimum rates for contribution!J-poems $7.00; prose pieces $7.00; reviews. articles. $15.00; short stories $30.00. It is stressed that these are minimum rates. based on the fact that very brief contributions in any field are acceptable. In practice the editors aim to pay more, and will discuss payment where required. Recommended sale price: $2.00 per copy (W.A.).