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The Russian Ritual Year and Folklore Through Tourist Advertising
THE RUSSIAN RITUAL YEAR AND FOLKLORE THROUGH TOURIST ADVERTISING IRINA SEDAKOVA This article analyzes the ritual year in modern Russia as Članek analizira praznično leto v moderni Rusiji, kot ga reflected in tourism spam letters circulated between 2005 odsevajo turistična oglasna sporočila med letoma 2005 in and 2012. These texts are the main source of data for this 2012. Tovrstna besedila so glavni vir podatkov za to študijo, study because they illustrate major tendencies in govern- saj odsevajo pomembnejše tendence vladnih, komercialnih mental, commercial, and individual attitudes towards in individualnih pogledov na ruske tradicionalne šege in Russian traditional customs and official holidays. They also uradne praznike. Prikazujejo tudi, kako se ohranja in demonstrate how local heritage is being maintained and rekonstruira lokalna dediščina in kako se pojavljajo in reconstructed, and how new myths and customs are appear- razvijajo novi miti in rituali, kot jih zahtevajo potrebe ing and developing to suit the needs of domestic tourism, a domačega turizma. special ethnographic calendrical type. Ključne besede: Rusija, praznično leto, pust, oglaševanje, Keywords: Russia, ritual year, carnival, advertising, tour- turistična antropologija, semiotika. ism anthropology, semiotics. INTRODUCTION This article focuses on the revitalization and re-invention of calendrical ritual celebrations in modern Russian provincial cities as a reciprocal process introduced by local authorities and tourist developers to motivate domestic tourists. This study touches on many sub- disciplines within anthropology, folklore, and linguistics. The topic partly fits into the anthropology of tourism, an academic discipline well established in Europe and the U.S. (core works are published in Smith 1989, Nash 1996, and Nash 2007 et al., but not yet presented in Russian academic investigation and teaching1). -
Úvod ...4. 1 . Slované ...7. 2. Rozdělení Bohů
Obsah: Úvod . 4. 1. Slované . 7. 1.1 Příchod Slovanů . 7. 1.1 Slované a jejich víra v božstvo ( polyteizmus) . 7. 1.2 Kult uctívání božstva . 9. 2. Rozdělení bohů podle významu lidstva . 11. 2.1 Hlavní bohové . 11. Svarog . 12. Svarožic – Dažbog. 12. Perun . 12. Veles . 13. 2.2 Ruský okruh – bohové východních Slovanů. 14. Stribog . 15. Chors . 15. Simargl . 15. Mokoš . 16. Trojan . 16. 2.3 Polabsko pobaltský okruh – západní Slované . 17. Svarožic – Radogost . 17. Svantovít . 18. Triglav . 19. 2.4 Další božstvo uctívané Polabany a Pobalťany . 20. Prove . 20. Podala . 20. Živa . 20. Černoboh . 20. Pripegala . 20. 1 Rugievit . 21. Polevit . 21. Porenutius . 21. Gerovit . 21. Morana . 21. 2.5 Nepodložení bohové . 22. Lada . 22. Baba . 22. Děvana . 22. 3. Duchovno starých Slovanů . 23. 3.1 Kult uctívání zvířat, rostlin a věcí . 23. 3.2 Oslavy roku . 23. 3.3 Duchové a démoni . 24. 3.4 Lesní bytosti . 26. 3.5 Polní bytosti . 27. 3.6 Duchové času . 27. 4. Báje, balady, pověsti a pověry . 28. 4.1 Báje o Svarogovi . 28. 4.2 Báje o Svarožicovi . 28. 4.3 Báje o Radegastovi . 29. 4.4 Zrození Dažboga . 30. 4.5 Mokoš . 31. 4.6 Balady – Polednice, Vodník (Karel Jaromír Erben) . 33. 4.7 Pověry – Světlonoši, Zlatobaba . 36. 5. Vlastní tvorba . 39. 5.1 Zobrazování božstva . 39. 2 5.2 Pohled na svět Slovanských Bohů ve výtvarné výchově . 40. 5.3 Vlastní tvorba . 41. 6. Slovanství a Bohové očima dnešních umělců . 44. 6.1 Jak vidí Slovanské bohy Oldřich Unar . 44. 6.2 Smysl Slovanství pro Lojzu Baránka . -
Faerie Is a Complete Guide to the Other Folk, Be Used with Any Game System
They lie, steal, kidnap, maim, and kill . and we put them in nurseries. They have been described as gods, demons, fallen angels, and ghosts – even aliens – but no one truly knows what they are. All through history, all around the world, they have been in the shadows, behind the trees, beneath the hills – and yes, even under the bed. Some are pretty, delicate little people with gossamer wings. But others are ten feet tall with a taste for human GURPS Basic Set, Third flesh, or wizened horrors with blue skins and claws of Edition Revised and GURPS iron. Some strike down those who unwittingly break Compendium I are required to use this supplement in a their laws. Others kill just for fun. GURPS campaign. The information in this book can GURPS Faerie is a complete guide to the Other Folk, be used with any game system. covering traditions from around the world. It describes their magic and worlds, and provides templates for THE STORYTELLERS: different faerie types and for the mortals who know them. You can incorporate the beautiful and sinister Fair Written by Ones into almost any existing game setting, or create a Graeme Davis new campaign set in the Unseelie Realms and beyond. Edited by Kimara Bernard Just keep cold iron and scripture close to hand, believe the opposite of what you hear, and don’t trust anything Illustrated by you see. Alex Fernandez And whatever you do, FIRST EDITION,FIRST PRINTING don’t eat their food. PUBLISHED OCTOBER 2003 ISBN9!BMF@JA:RSURQRoY`Z]ZgZnZ` 1-55634-632-8 Printed in SJG02295 6043 the USA By Graeme Davis Edited by Kimara Bernard Illustrated by Alex Fernandez Additional material by James L. -
Pagan Beliefs in Ancient Russia. by Luceta Di Cosimo, Barony Marche of the Debatable Lands, Aethelmearc
1 Pagan Beliefs in Ancient Russia. By Luceta di Cosimo, Barony Marche of the Debatable Lands, Aethelmearc. [email protected] ©2006-2017 Slavic mythology is a difficult subject. The historical evidence is fragmented, with many conflicting sources and multiple later literary inventions. This is a brief reconstruction of ancient Russian mythology. The first archaeological findings that can be attributed to Slavs date to approximately 6th c. AD. The origins of Slavs are still debated. The pagan Slavic society was an oral society. Christianity, which introduced writing, was more concerned with eradication rather than preservation of pagan beliefs. No one really tried to preserve and record whatever remained, until late period. Then, there is some evidence recorded from the Germans who visited Russia in 18th c., but a lot of it is based on the written 15thc. sources, rather than eyewitness accounts. The 19th c. Europe saw renewed interest in folklore, and combined with rise of nationalism and need for developed mythos, a lot of what was left was recorded, but a lot was altered to make it more palatable, and questionable things (especially with fertility rituals) were edited out as not to besmirch the emerging national character. During the Soviet time, the study of any religion was problematic, due to mandatory atheism. Eventually, the study of the early Slavic traditions was permitted, and even encouraged, but, everything had to pass stringent censorship rules, and could not contradict Marxist-Leninist philosophy. So, people who had the material (in the USSR) could not publish, and people who actually could publish (in the West) did not have access to the materials. -
Slavic Pagan World
Slavic Pagan World 1 Slavic Pagan World Compilation by Garry Green Welcome to Slavic Pagan World: Slavic Pagan Beliefs, Gods, Myths, Recipes, Magic, Spells, Divinations, Remedies, Songs. 2 Table of Content Slavic Pagan Beliefs 5 Slavic neighbors. 5 Dualism & The Origins of Slavic Belief 6 The Elements 6 Totems 7 Creation Myths 8 The World Tree. 10 Origin of Witchcraft - a story 11 Slavic pagan calendar and festivals 11 A small dictionary of slavic pagan gods & goddesses 15 Slavic Ritual Recipes 20 An Ancient Slavic Herbal 23 Slavic Magick & Folk Medicine 29 Divinations 34 Remedies 39 Slavic Pagan Holidays 45 Slavic Gods & Goddesses 58 Slavic Pagan Songs 82 Organised pagan cult in Kievan Rus' 89 Introduction 89 Selected deities and concepts in slavic religion 92 Personification and anthropomorphisation 108 "Core" concepts and gods in slavonic cosmology 110 3 Evolution of the eastern slavic beliefs 111 Foreign influence on slavic religion 112 Conclusion 119 Pagan ages in Poland 120 Polish Supernatural Spirits 120 Polish Folk Magic 125 Polish Pagan Pantheon 131 4 Slavic Pagan Beliefs The Slavic peoples are not a "race". Like the Romance and Germanic peoples, they are related by area and culture, not so much by blood. Today there are thirteen different Slavic groups divided into three blocs, Eastern, Southern and Western. These include the Russians, Poles, Czechs, Ukrainians, Byelorussians, Serbians,Croatians, Macedonians, Slovenians, Bulgarians, Kashubians, Albanians and Slovakians. Although the Lithuanians, Estonians and Latvians are of Baltic tribes, we are including some of their customs as they are similar to those of their Slavic neighbors. Slavic Runes were called "Runitsa", "Cherty y Rezy" ("Strokes and Cuts") and later, "Vlesovitsa". -
Kelliwig Ke Akua
Ke Akua Kelliwig It takes eight men above and eight this black warrior, with one leg Kekri2 Baltic below to pull his eyelids apart so that and one eye in the middle of his a Finnish festival in honour of the he can see. forehead, guarded the property of the god Kekri Ke Akua (see Akua) Black Knight and put those seeking kekri3 Baltic Keagyihl Depguesk North American adventure on the road to meeting the a Finnish ghost or spirit a whirlpool Black Knight in combat. kekritar Baltic This whirlpool had claimed the lives Keevan (see Ciabhan) masks, or the people wearing them, in of many young men so the tree-spirit, Keh Egyptian the Kekri festival Hanging Hair, called a meeting in a primordial god portrayed as having Kekrops (see Cecrops) Festival House of all the river-spirits the head of a frog Keku (see Kekui) who agreed to curb its power. The Kehama Hindu Kekui Egyptian storm-spirit blew part of a cliff into a prince [Emen.Kek(u).Kuk] the river, so diverting the flow of He drank some amrita but failed to a primaeval god water and reducing the whirlpool to a achieve immortality. Instead, he found consort of Kekuit gentle eddy. himself acting as one of the four With Kekuit he represented the Keats, John English supporting the throne of Yama, the darkness of the primordial chaos. (1795–1821) god of the dead. He is depicted sometimes with a a poet Kehtahn North American frog’s head, sometimes as a baboon. He was author of several works an offering to the gods of the Navajo, Kekuit Egyptian on mythological themes including a reed filled with tobacco etc. -
The Bear and the Nightingale Is a Work of Fiction
The Bear and the Nightingale is a work of fiction. Names, characters, places, and incidents are the products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental. Copyright © 2017 by Katherine Arden All rights reserved. Published in the United States by Del Rey, an imprint of Random House, a division of Penguin Random House LLC, New York. DEL REY and the HOUSE colophon are registered trademarks of Penguin Random House LLC. LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA NAMES: Arden, Katherine, author. TITLE: The bear and the nightingale: a novel / Katherine Arden. DESCRIPTION: New York: Del Rey, 2017. IDENTIFIERS: LCCN 2016011345 (print) | LCCN 2016022241 (ebook) | ISBN 9781101885932 (hardback) | ISBN 9781101885949 (ebook) SUBJECTS: LCSH: Young women—Fiction. | Villages—Fiction. | Good and evil—Fiction. | Spirits—Fiction. | Magic—Fiction. | Russia—Fiction. | BISAC: FICTION / Fantasy / General. | FICTION / Literary. | GSAFD: Fantasy fiction. CLASSIFICATION: LCC PS3601.R42 B43 2017 (print) | LCC PS3601. R42 (ebook) | DDC 813/.6—dc23 LC record available at https://lccn.loc.gov/2016011345 Hardcover ISBN 9781101885932 International edition ISBN 9780399593284 Ebook ISBN 9781101885949 randomhousebooks.com Book design by Barbara M. Bachman, adapted for ebook Cover design: David G. Stevenson Cover illustration: © Robert Hunt v4.1 ep Contents Cover Title Page Copyright Epigraph Part One Chapter 1: Frost Chapter 2: The Witch-Woman’s Granddaughter -
El Héroe De Las Mil Caras. Psicoanálisis Del Mito
JOSEPH CAMPBELL El héroe de las mil caras Psicoanálisis del mito HUNAB KU PROYECTO BAKTUN JOSEPH CAMPBELL El héroe de las mil caras Psicoanálisis del mito FONDO DE CULTURA ECONÓMICA MÉXICO—BUENOS AIRES EL HÉROE DE LAS MIL CARAS Psicoanálisis del mito En esta notable obra, Joseph Campbell intenta aplicar los postulados del psicoanálisis —especialmente de la escuela de C. G. Jung— al estudio de las mitologías. Después de señalar las significativas coincidencias que se han observado entre el simbolismo de los sueños y ciertos elementos característicos de los mitos, el autor inicia la ex- posición ordenada de dichos elementos, que ilustra mediante profusas referencias a las mitologías de los grupos culturales más diversos. La partida, la iniciación, la apoteosis y el re- greso son componentes esenciales de la aventura del héroe y se identifican una y otra vez en leyendas, tradiciones y rituales de todos los pueblos del mundo: en los mitos poli- nesios o griegos, en las leyendas africanas, en los cuentos de hadas y aun en ciertos símbolos de las grandes religiones actuales. El autor indica la posibilidad de que estos sistemas sim- bólicos representen creaciones naturales de la mente humana —de ahí su difusión— y señala que la situación perturbada de la sociedad occidental en los últimos tiempos bien pudie- ra deberse al descrédito progresivo en que han caído las mitologías y a la racionalización sufrida por ellas, con lo cual las imágenes simbólicas se refugian en su lugar de ori- gen —el inconsciente— y el individuo aislado ha de enfren- tarse a los dilemas que en un tiempo resolvían satisfactoria- mente los sistemas mitológicos colectivos. -
Otherness and Intertextuality in the Witcher. the Duality of Experiencing
Anna Michalska 6875769 Otherness and Intertextuality in The Witcher. The Duality of Experiencing Andrzej Sapkowski’s Universe Utrecht University Literature Today: English and Comparative Literature Supervisor: Frank Brandsma Second evaluator: Jeroen Salman July 2020, Utrecht Michalska 2 Table of Contents Abstract................................................................................................................. 4 Introduction..........................................................................................................5 I. A Hero, an Anti-hero, a No-hero. The Witcher As a Misfit.......................14 Misfit, or Description of a Witcher..........................................15 Literary Background..................................................................16 Hero, or Description of Geralt.................................................19 Monstrum, or Description of a Witcher.................................23 The Professional, or Description of Geralt............................26 II. Slavic-ness and Intertextuality in The Witcher..........................................30 Cultural Background: The Mythology Which Is Not.............31 Literary Background: Polish Ghosts of The Past..................32 The Witcher’s Slavic Demonology, Legends and Customs..35 Author’s View: Trifling Slavic-ness..........................................37 Western Fairy Tales vs Anti-Fairy Tales..................................39 The Implied Author, the Storyteller, the Erudite. Three Levels of Reading.......................................................................44 -
SLAI TABLE Others.Indd 2 10/19/05 11:14:41 AM
Title Name Chip Name Chip Type Prize (x10) Lv. Base Exp. Body Lv. Leg Lv. Right Arm Lv. Left Arm Lv. Right Shoulder Lv. Left Shoulder Lv. World 1st Ranker Bogeyman JOL Special-World 1 45000 90 5000 ELINT-Re-K9E2 Body 0 ELINT-Re-4Wheels 0 T71 Pulse Laser 0 T68 Gatling Gun 0 T60 35mm Chain Gun 0 T64 Anti-SV CKEM 0 World 2nd Ranker Lynx Helix Special-World 2 30000 80 3500 MOLNIYA-O.476 Body 0 MOLNIYA-Hover Jet 0 SV71-2 “Leonov” 0 LPt70 “Tarkovsky” 0 PRK69-6 “Minsk” 0 KPa68 “Artemyev” 0 World 3rd Ranker Lucas Chani Special-World 3 22500 75 3000 HARTMAN-IP1 Body 50 HARTMAN-4Wheels 84 M-32 Assault Rifle -99 M113 ETC Cannon -25 FAE5 “Daisy Bell” -99 M-9 ASV TP-Missile -50 Enemy Embryo Anima Special-Anima 360 20 700 CARRO-H8/6 Body -16 CARRO-2Wheels 41 FA12 “Favilla” -5 LC15 “Tifone” -15 LM15 “Rondine-3” -30 CA22 “Grandine” -40 Enemy Embryo Anima Special-Anima 810 30 800 CARRO-H8/6 Body 14 CARRO-4Wheels 35 FA12 “Favilla” 25 LM10 “Sagittario” -60 SM26 “Temporale” -15 CA22 “Grandine” -75 Enemy Embryo Anima Special-Anima 1620 40 900 CARRO-H8/6 Body 40 CARRO-4Wheels 90 LA52 “Giavellotto” -15 LM10 “Sagittario” -90 SM26 “Temporale” -15 CA22 “Grandine” -99 Enemy Sin Iskur Special-Iskur 1620 40 900 KHT-O.279 Body -9 KHT-Single Baller 25 SV68 “Nikolayev” 33 KPk54 “Kuznetsov” -21 AGK70 “Dogoda” -60 EB71 “Sicksa” -59 Enemy Flint Rock Special-Rock 810 20 800 KHT-O.279 Body -3 KHT-Road Roller -20 KUV66 “Rousalka” -26 APG65 “Perun” 43 PRK57-1 “Ovinnik” 46 PRK57-1 “Ovinnik” -16 Enemy Skeln Sergeant Special-Sergeant 1620 40 900 ZWERG-EV.3 Body -30 ZWERG-4Legs -
{Download PDF} Around the World Tales
AROUND THE WORLD TALES PDF, EPUB, EBOOK Carol Huey-Gatewood | 32 pages | 15 Oct 2019 | TEACHER CREATED MATERIALS | 9781644913208 | English | none Around the World Tales PDF Book Project MUSE Mission Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. The Princess in the Tower Israel : King Solomon locks his daughter in a tower to prevent her from marrying a poor man. School Counseling. Aligned to the Common Core standards,. Case Study Designs in Music Therapy. Please help improve this article by adding citations to reliable sources. In this story the reader learns about the food and culture of East India. Jan 24, Kate rated it really liked it. The mythical creature known as Tokoloshe is said to be short, but the Zulu tribes of South Africa are still afraid of it. Sort order. This creature is said to foreshadow death. Truthfully, I only read a small selection of these stories and would have said they were just ok. Each volume features authoritative texts by the world's greatest authors in an exquisitely designed bonded-leather binding, with distinctive gilt edging and a silk-ribbon bookmark. You might just have to visit a few ponds in Finland to find out! Other editions. I can still see myself as a kid, exploring the wonderful world of the German masterpiece The Never Ending Story and trying to recreate all those adventures in my head. Balanced Literacy. Examinations - Quizzes. There are no discussion topics on this book yet. Retrieved Google Apps. -
Jogar,Jogo E Sociedade Play,Game,And Society
JOGAR, JOGO E SOCIEDADE PLAY, GAME, AND SOCIETY CÁTIA FERREIRA | ROGER TAVARES (EDS.) // 2 VIDEOJOGOS 2012 5ª CONFERÊNCIA ANUAL EM CIÊNCIA E ARTE DOS VIDEOJOGOS JOGAR, JOGO E SOCIEDADE PLAY, GAME, AND SOCIETY CÁTIA FERREIRA | ROGER TAVARES (EDS.) // 3 © Videojogos 2012 | CECC | SPCV Centro de Estudos de Comunicação e Cultura Faculdade de Ciências Humanas | Universidade Católica Portuguesa Julho de 2013 ISBN 978-989-98248-0-5 // 4 ÍNDICE | TABLE OF CONTENTS Prefácio | Preface……………….………………………………………………………..7 DEMOS Beatzzle……………………………………………….……………………………..13 Bitzz!.………………………………………………………………………….…….17 Clean World…………………………………………………………………………21 Crystallia…………………………………………………………………………….25 Darwin’s Adventure: Playing with Evolution………………………………………29 Eco-Marino: A Cooperative Video Game for Promoting Clean Ocean………….…33 The Quick Brown Fox………………………………………………………………37 ARTIGOS EM PORTUGUÊS (PAPERS IN PORTUGUESE) A Atividade Física e os Videojogos: Um Estudo de Caso……………………….…43 Criando Videogame na Escola………………………………………………………51 EXPLOGADOR: Serious Games e Design Colaborativo…………………………..63 Gestor de Narrativas para Jogos de Ficção Interactiva……………………………...79 Jogos Digitais e a Constituição de Saberes: Tensões e Imbricamentos na Construção do Currículo Multirreferencial………………………………………………………91 Jogos Digitais e suas Potencialidades para o Processo de Ensino-aprendizagem de História………………………………………………………………………………97 MindGym: Jogos para Doentes com Alzeimer?.......................................................109 O Contributo da Animação nos Videojogos para