Program Notes
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Alshire Records Discography
Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M. -
COCKEREL Education Guide DRAFT
VICTOR DeRENZI, Artistic Director RICHARD RUSSELL, Executive Director Exploration in Opera Teacher Resource Guide The Golden Cockerel By Nikolai Rimsky-Korsakov Table of Contents The Opera The Cast ...................................................................................................... 2 The Story ...................................................................................................... 3-4 The Composer ............................................................................................. 5-6 Listening and Viewing .................................................................................. 7 Behind the Scenes Timeline ....................................................................................................... 8-9 The Russian Five .......................................................................................... 10 Satire and Irony ........................................................................................... 11 The Inspiration .............................................................................................. 12-13 Costume Design ........................................................................................... 14 Scenic Design ............................................................................................... 15 Q&A with the Queen of Shemakha ............................................................. 16-17 In The News In The News, 1924 ........................................................................................ 18-19 -
Learning Guide DRAFT
® TROPICAL SWEETS CLASSICAL MUSIC VIDEO ADVENTURE | Lifelong Listening & Learning Guide To Robert Mann, Who Opened My Musical Mind and Heart… And for Little Aramis, Whose Eyes Truly Are a Musical Instrument for His Imagination 1 ® TROPICAL SWEETS CLASSICAL MUSIC VIDEO ADVENTURE | Lifelong Listening & Learning Guide Through the universal language of music and the arts, This guide is also dedicated to any and all who perceive value in: Sharing by teaching one another, Experiencing life as a perpetual opportunity to learn and grow, Seeking collaboration to sustain the wonder of our cultural development, Cultivating a common quest to find beauty within classical music, Nature, humanity, and our planet… 2 ® TROPICAL SWEETS CLASSICAL MUSIC VIDEO ADVENTURE | Lifelong Listening & Learning Guide TABLE OF CONTENTS SUBJECT PAGE Introduction 4 - 11 Brief Synopses of Each Tropical Sweets® Segment 11 - 19 Daybreak - Delius 20 - 32 Florida Daybreak: A Poem, Narration, and Writing Model 33 - 37 The Swan - Saint-Saëns 38 - 48 The Swan...A Read-Aloud Fairy Tale and Writing Model 49 - 52 The Swan - Play-along Arrangement (Rhythmic) 53 The Swan - Play-along Arrangement (Melodic) 54 Calm Sea - Mendelssohn 55 - 64 Calm Sea - Play-along Arrangement (Melodic) 65 Flight of the Bumblebee - Rimsky-Korsakov 66 - 75 Flight of the Bumblebee Play-along Arrangement (Rhythmic) 76 - 77 Flight of the Bumblebee Play-along Arrangement (Melodic) 78 The Dove - Respighi 79 - 88 Aquarium - Saint-Saëns 88 - 95 Aquarium Play-along Arrangement (Rhythmic) 96 Aquarium Play-along Arrangement (Melodic) 97 Sunset - Delius 98 - 108 Moonlight Sonata - Beethoven 108 - 127 Moonlight Sonata Play-along Arrangement (Melodic) 128 - 129 A Personal Note 130 © 2015 Taste of the Classics, Inc. -
Myths, Legends, Fairy Tales and Folk Tales in Music ______
______________________________________________________________________________________________________ Sounds of Enchantment: Myths, Legends, Fairy Tales and Folk Tales in Music ______________________________________________________________________________________________________ Gioacchino ROSSINI Overture from William Tell Felix MENDELSSOHN Scherzo from A Midsummer Night’s Dream Sergei PROKOFIEV Waltz Coda and Midnight from Cinderella, Op. 87 David CROWE How Birds Came Into the World John WILLIAMS Raiders March from Raiders of the Lost Ark Piotr Ilyich TCHAIKOVSKY Scene from Swan Lake Modest MUSSORGSKY / arr. Ravel Baba Yaga and The Great Gate of Kiev from Pictures at an Exhibition HOW TO USE THIS STUDY GUIDE This guide is designed as a curriculum enhancement resource primarily for music teachers, but is also available for use by classroom teachers, parents, and students. The main intent is to aid instructors in their own lesson preparation, so most of the language and information is geared towards the adult, and not the student. It is not expected that all the information given will be used or that all activities are applicable to all settings. Teachers and/or parents can choose the elements that best meet the specific needs of their individual situations. Our hope is that the information will be useful, spark ideas, and make connections. TABLE OF CONTENTS Sounds of Enchantment Overview – Page 4 Program Notes – Page 7 ROSSINI | Overture from William Tell Page 8 MENDELSSOHN | Scherzo from A Midsummer Night’s Dream Page 10 PROKOFIEV | Waltz Coda and Midnight from Cinderella, Op. 87 Page 13 CROWE | How Birds Came Into the World Page 17 WILLIAMS | Raiders March from Raiders of the Lost Ark Page 20 TCHAIKOVSKY | Scene from Swan Lake Page 22 MUSSORGSKY | Baba Yaga and The Great Gate of Kiev from Pictures at an Exhibition Page 24 Activities — Page 27 Student Section— Page 39 CREDITS This guide was originally created for the 2008-2009 Charlotte Symphony Education Concerts by Susan Miville, Chris Stonnell, Anne Stewart, and Jane Orrell. -
The Russian Ritual Year and Folklore Through Tourist Advertising
THE RUSSIAN RITUAL YEAR AND FOLKLORE THROUGH TOURIST ADVERTISING IRINA SEDAKOVA This article analyzes the ritual year in modern Russia as Članek analizira praznično leto v moderni Rusiji, kot ga reflected in tourism spam letters circulated between 2005 odsevajo turistična oglasna sporočila med letoma 2005 in and 2012. These texts are the main source of data for this 2012. Tovrstna besedila so glavni vir podatkov za to študijo, study because they illustrate major tendencies in govern- saj odsevajo pomembnejše tendence vladnih, komercialnih mental, commercial, and individual attitudes towards in individualnih pogledov na ruske tradicionalne šege in Russian traditional customs and official holidays. They also uradne praznike. Prikazujejo tudi, kako se ohranja in demonstrate how local heritage is being maintained and rekonstruira lokalna dediščina in kako se pojavljajo in reconstructed, and how new myths and customs are appear- razvijajo novi miti in rituali, kot jih zahtevajo potrebe ing and developing to suit the needs of domestic tourism, a domačega turizma. special ethnographic calendrical type. Ključne besede: Rusija, praznično leto, pust, oglaševanje, Keywords: Russia, ritual year, carnival, advertising, tour- turistična antropologija, semiotika. ism anthropology, semiotics. INTRODUCTION This article focuses on the revitalization and re-invention of calendrical ritual celebrations in modern Russian provincial cities as a reciprocal process introduced by local authorities and tourist developers to motivate domestic tourists. This study touches on many sub- disciplines within anthropology, folklore, and linguistics. The topic partly fits into the anthropology of tourism, an academic discipline well established in Europe and the U.S. (core works are published in Smith 1989, Nash 1996, and Nash 2007 et al., but not yet presented in Russian academic investigation and teaching1). -
Rimsky-Korsakov Overture and Suites from the Operas
CHAN 10369(2) X RIMSKY-KORSAKOV OVERTURE AND SUITES FROM THE OPERAS Scottish National Orchestra Neeme Järvi 21 CCHANHAN 110369(2)X0369(2)X BBOOK.inddOOK.indd 220-210-21 221/8/061/8/06 110:02:490:02:49 Nikolai Andreyevich Rimsky-Korsakov (1844–1908) COMPACT DISC ONE 1 Overture to ‘May Night’ 9:06 Suite from ‘The Snow Maiden’ 13:16 2 I Beautiful Spring 4:28 Drawing by Ilya Repin /AKG Images 3 II Dance of the Birds 3:18 4 III The Procession of Tsar Berendey 1:49 5 IV Dance of the Tumblers 3:40 Suite from ‘Mlada’ 19:18 6 I Introduction 3:19 7 II Redowa. A Bohemian Dance 3:55 8 III Lithuanian Dance 2:24 9 IV Indian Dance 4:21 10 V Procession of the Nobles 5:18 Suite from ‘Christmas Eve’ 29:18 11 Christmas Night – 6:15 12 Ballet of the Stars – 5:21 13 Witches’ sabbath and ride on the Devil’s back – 5:30 14 Polonaise – 5:47 15 Vakula and the slippers 6:23 TT 71:30 Nikolai Andreyevich Rimsky-Korsakov, 1888 3 CCHANHAN 110369(2)X0369(2)X BBOOK.inddOOK.indd 22-3-3 221/8/061/8/06 110:02:420:02:42 COMPACT DISC TWO Rimsky-Korsakov: Overture and Suites from the Operas Musical Pictures from ‘The Tale of Tsar Saltan’ 21:29 1 I Tsar’s departure and farewell 4:57 2 II Tsarina adrift at sea in a barrel 8:43 Among Russian composers of the same year he was posted to the clipper Almaz on 3 III The three wonders 7:48 generation as Tchaikovsky, who were which he sailed on foreign service for almost prominent in the latter part of the three years, putting in at Gravesend (with a 4 The Flight of the Bumble-bee 3:22 nineteenth century, Nikolai Andreyevich visit to London), cruising the Atlantic coasts Interlude, Act III, from The Tale of Tsar Saltan Rimsky-Korsakov is unrivalled in his of North and South America, the Cape Verde mastery of orchestral resource. -
1. George Dumezil Compared This Figure to the Ossetic Demon Syrdon
2008-2009 NSC-Format Set #2 Round 6 Related Tossups & Bonuses 1. George Dumezil compared this figure to the Ossetic demon Syrdon. This god once impaled an eagle after the eagle ate too much of an ox he was eating; that adventure ended with him transforming Idun into a nut to rescue her from the giant Thiazi. After this god tricked Hodr, Hel offered to let a dead god return if every living thing would mourn, but Thokk, possibly this god in disguise, refused. For 10 points, name this god who until Ragnarok is chained to a rock with a snake dripping venom on him, the trickster of the Norse pantheon. ANSWER: Loki Bonus: He hung from Yggdrasil as an offering to himself. For 10 points each: [10] Name this one-eyed chief god of the Aesir. ANSWER: Odin [10] Odin hung from Yggdrasil pierced by Gungnir, one of these objects. Gungnir was said to always hit its target when Odin threw it. ANSWER: spear s 2. In one meeting held in this city, participants agreed to meet in Geneva to attempt resolutions to conflicts in Korea and Indochina. Another meeting in this city ended in Samoan independence, and a third was called to amend the Treaty of San Stefano. A fourth meeting in this city was called by Otto von Bismarck to set rules on the colonization of Africa. For 10 points, name this German city that after World War II was separated into West and East sections. ANSWER: Berlin Bonus: He met with Attila in 452 and persuaded him not to invade Rome. -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
Flight of the Bumblebee (Nikolai Rimsky-Korsakov) Stephen Reid | Elementary Music (Osceola) | Hickory Tree Elementary Mp3 Available Here
2018 Young People’s Concerts Beyond the Screen! Teacher Guidebook Thank you to our 2018 Sponsors! Daytona Beach Symphony Society Thank you also to our 2018 Partners: Orange County Public Schools School District of Osceola Volusia County Schools United Arts of Central Florida Visit OrlandoPhil.org/family-friendly to find more great offerings for kids and families! Meet our Guidebook Team! Putting together a Young People’s Concert requires hard work and the dedication of dozens of people over many months. Please welcome some of the key individuals who make the Young People’s Concert possible! Meet our Guidebook Team! The guidebook team is comprised of certified, veteran teachers who are passionate about music, the arts, and making learning fun! Christy Garton Cindy Krulick Finale from Firebird (Visual Art) Star Spangled Banner OCPS Resource Teacher Finale from Firebird Visual Art (K-12) Dommerich Elementary Orange County Public Schools [email protected] [email protected] Emily Light Katie Grace Miller In the Hall of the Mountain King Tempus Fugit Champion Elementary Sorcerer's Apprentice Volusia County Schools Mambo from West Side Story [email protected] Lake George Elementary Orange County Public Schools [email protected] Denise Mills Anka Pink Duo des fleurs / Sous le dôme épais Hoedown from Rodeo Lake Whitney Elementary OCPS Resource Teacher Orange County Public Schools (Music K-12) [email protected] Orange County Public Schools [email protected] Stephen Reid Dr. Leia Barrett Flight of the Bumblebee Director of Education Hickory Tree Elementary School Orlando Philharmonic Orchestra School District of Osceola [email protected] [email protected] If you have any questions about particular lessons, please contact the teacher who created the lesson originally. -
Rimsky-Korsakov and His World
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. David Brodbeck The Professor and the Sea Princess: Letters of Nikolai Rimsky-Korsakov and Nadezhda Zabela-Vrubel EDITED BY MARINA FROLOVA-WALKER TRANSLATED BY JONATHAN WALKER I am still filled, my dear, dear friend, Filled with your visage, filled with you! . It is as if a light-winged angel Descended to converse with me. Leaving the angel at the threshold Of holy heaven, now alone, I gather some angelic feathers Shed by rainbow wings . —Apollon Maykov (1852), set by Rimsky-Korsakov as No. 4 of his Opus 50 songs and dedicated to Nadezhda Zabela-Vrubel “I am rather dry by nature,” confessed Rimsky-Korsakov in one of his letters.1 This is indeed the prevailing impression we are likely to draw from his biographies, or even from his own memoirs. We know so much about the externals of his life, and yet the inner man somehow eludes us, obscured by his professorial image: a kindly but reserved man, with a pos- itive outlook on life, dignified and of impeccable morals. The contrast with the wild biographies of Musorgsky and Tchaikovsky allows us to suppose that Rimsky-Korsakov was really rather ordinary, even a little dreary. 1. Maykov’s Russian original of the epigraph above is as follows: Yeshcho ya poln, o drug moy milïy, / Tvoim yavlen'yem, poln toboy!. ./ Kak budto angel legkokrïlïy / Sletal besedovat' so mnoy, / I, provodiv yego v preddver'ye svyatïkh nebes, ya bez nego / Sbirayu vïpavshiye per'ya / Iz krïl'yev raduzhnïkh yego… • 3 • For general queries, contact [email protected] © Copyright, Princeton University Press. -
The Snow Maiden Nikolay Rimsky-Korsakov
The Snow Maiden Nikolay Rimsky-Korsakov Snegurochka was born in times of old in Tsar Berendey’s Opera in a prologue and four acts (1882) 2014 mythical kingdom, the fruit of the union between Spring Music by Nikolay Rimsky‑Korsakov the Beauty and Grandfather Frost. Protected by her Libretto by Nikolay Rimsky‑Korsakov parents from the jealousy of the Sun god Yarilo who After Alexandre Ostrovski has vowed to warm her heart when she gets older and Tilda (Skyline), falls in love, Snegurochka the snow maiden is entrusted Conductor: Mikhail Tatarnikov to the wood sprite… Particularly attached to the opera Director, sets and costumes designs: Dmitri Tcherniakov which he himself considered to be a work of maturity, Lighting design: Gleb Filshtinsky Rimsky‑Korsakov would write ten years after its creation Chorus master: José Luis Basso Photo: Chad Moore, Chad Moore, Photo: that: “anyone who fails to love The Snow Maiden understands nothing of my works nor of myself”. A Snegourotchka, Aida Garifullina masterpiece of popular Slavic literature, The Snow Maiden Lel, Yuriy Mynenko brings to the stage a magical fantasy enriched by the Kupava, Martina Serafin rigours of the weather. Aida Garifullina sings the role of Le Tzar Berendei, Ramón Vargas Snegurochka whilst the production and musical direction Mizguir, Thomas Johannes Mayer have been left in the capable hands of two other Russian La Fée Printemps, Ekaterina Semenchuk artists: the young conductor Mikhail Tatarnikov and Le Bonhomme Hiver, Vladimir Ognovenko director Dmitri Tcherniakov. Bermiata, Franz Hawlata Bobyl Bakula, Vasily Gorshkov Presented by Alain Duault Bobylicka, Carole Wilson L’Esprit des bois, Vasily Efimov Premier Héraut, Vincent Morell Deuxième Héraut, Pierpaolo Palloni Un Page, Olga Oussova Paris Opera Orchestra and Chorus Duration: 3hrs 25mins approx. -
Snegurochka the Snow Maiden
TCHAIKOVSKY SNEGUROCHKA THE SNOW MAIDEN VSEVOLOD GRIVNOV ANNELY PEEBO MDR LEIPZIG RADIO SYMPHONY ORCHESTRA MDR LEIPZIG RADIO CHOIR KRISTJAN JÄRVI G010003432597T PETER TCHAIKOVSKY (1840-1893) “SNEGUROCHKA”, Op. 12 THE SNOW MAIDEN / SCHNEEFLÖCKCHEN 1 I. Introduction 4:14 Introduktion 2 II. Dance and Chorus of the Birds 6:12 Tanz und Chor der Vögel 3 III. Monologue of Frost 3:22 Monolog des Frostes 4 IV. Carnival Procession 6:40 Chor des Fastnachtsgeleites 5 Va. Melodrama 1:51 6 Vb. Entr’acte 1:01 7 VI. Lel’s First Song 2:49 Erstes Lied des Lel 8 VII. Lel’s Second Song 1:18 Zweites Lied des Lel 9 VIII. Entr’acte 2:39 10 IX. Chant of the Blind Bards 4:22 Chor der blinden Gussli-Spieler 11 X. Melodrama 5:00 12 XI. Chorus of the People and the Courtiers 1:33 Chor des Volkes und der Höflinge des Zaren Annely Peebo, Mezzo-soprano / Mezzosopran (7, 8, 15, 16, 22) 13 XII. Round of the Young Maidens 4:33 Vsevolod Grivnov, Tenor (3, 4, 10, 17, 22) Reigen der Mädchen 14 XIII. Dance of the Tumblers 4:35 MDR Leipzig Radio Symphony Orchestra / MDR Sinfonieorchester Narrentanz MDR Leipzig Radio Choir / MDR Rundfunkchor 15 XIVa. Lel’s Third Song (1.) 5:38 Drittes Lied des Lel (1.) Pavel Brochin, Chorus Master / Choreinstudierer (2, 4, 10, 12, 13, 20, 21, 22) 16 XIVb. Lel’s Third Song (2.) 4:22 Drittes Lied des Lel (2.) KRISTJAN JÄRVI, Conductor / Dirigent 17 XV. Brussilo’s Song 1:59 Lied des Brussilo 18 XVI.