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The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
Translation and the Authorial Image: Reception of Latife Tekin's Literary Works Within the Source and the Target Culture(
TRANSLATION AND THE AUTHORIAL IMAGE: RECEPTION OF LATİFE TEKİN’S LITERARY WORKS WITHIN THE SOURCE AND THE TARGET CULTURE(S) AYŞE AYHAN BOĞAZİÇİ UNIVERSITY 2005 Translation and the Authorial Image: Reception of Latife Tekin’s Literary Works within the Source and Target Culture(s) Thesis submitted to the Institute of Social Sciences in partial satisfaction of the requirements for the degree of Master of Arts in Translation Studies by Ayşe Ayhan Boğaziçi University 2005 Acknowledgments I would first like to express my deepest gratitude to Prof. Dr. Saliha Paker for Silinmiş: continuous her unique perspectives, encouragement, patience and support. This thesis owes its existence to her invaluable guidance. I would also like to thank her for sharing information and for opening up her Latife Tekin archive to me. My sincere thanks to Latife Tekin who generously answered my questions and provided me with information for my study. I am very privileged to have known her. I am grateful to the members of the thesis committee, Prof. Dr. Suat Karantay, Prof. Dr. Nazan Aksoy, Prof. Dr. Nedret Kuran Burçoğlu and Asst. Silinmiş: careful Prof. Jonathan M. Ross for their meticulous reading and valuable suggestions. I Silinmiş: would also like am also thankful to Asst. Prof. Mediha Göbenli for her comments. I would also Silinmiş: thank like to thank to Stephen Wadey for his careful reading. Silinmiş: p I feel happy that the Translation Studies MA Programme introduced me Silinmiş: , to wonderful people Fatma İdin, Arzu Akbatur and Şule Demirkol. I am thankful Silinmiş: and moral support for their friendship. I would also like to express my special thanks to my friends Silinmiş: , Silinmiş: and Banu Özel, Emine Baş and Güneş Kömürcüler for their all kinds of help but Silinmiş: any Ekli: any kind above all for sharing the ups and downs. -
The Stanford Journal on Muslim Affairs 1 the STANFORD JOURNAL on MUSLIM AFFAIRS Avicenna the STANFORD JOURNAL on MUSLIM AFFAIRS
fall 2014 vol 5 no 1 avicennathe stanford journal on muslim affairs 1 THE STANFORD JOURNAL ON MUSLIM AFFAIRS avicenna THE STANFORD JOURNAL ON MUSLIM AFFAIRS FALL 2014 VOL 5 NO 1 EDITOR-IN-CHIEF Sevde Kaldiroglu ’17 ASSOCIATE EDITORS Ayesha Rasheed ’14 Hana Al-Henaid ’14 Afia Khan ’16 Osama El-Gabalawy ‘15 Samra Adeni ‘14 FINANCIAL OFFICER Samuel Jacobo ’17 Avicenna—The Stanford Journal on Muslim Affairs would like to thank the ASSU Publications Board for their support. All images in this journal are in the public domain with Creative Commons copyright licenses unless otherwise noted. More information about these licences can be found at http://creativecommons.org/licenses/. Front cover image by Dr. Waqas Mustafeez ‘12 Back cover image by Johnny Winston ‘15 2 avicenna CONTENTS Editorial Note 4 SEVDE KALDIROGLU and AYESHA RASHEED Islamic Manuscripts and Rare Books at Lane Medical Library, Stanford University Medical Center 6 SAMEER ALI Sacred and Secular in Traditional Egyptian Soundscapes: A False Dichotomy? 9 FATIMA LAHHAM The Poet of Turkish Cinema, Nuri Bilge Ceylan, and Melancholic Questions of Distance and Gender 12 PERI UNVER A Winter in India 18 Photos by JOHNNY WINSTON An Interview with author Farha Ghannam on Gender Dynamics in Urban Egypt 22 SAVANNAH HAYNES Reflections on Islamic Law and Translation in Early Modern Iberia 26 VINCENT BARLETTA Profiling of Arabs and Muslims: Intolerable and Ineffective 30 OSAMA EL-GABALAWY the stanford journal on muslim affairs 3 Editorial Note The piece below belongs to Ayesha Rasheed ‘14, the previous editor of Avicenna, who graduated last year. Due to some technical problems, the issue was not published last spring. -
Guardians, Start of a Light Novel Series
Bowling Green State University ScholarWorks@BGSU Honors Projects Honors College Fall 2012 Guardians, Start of a Light Novel Series Gary Tsun Tsin Follow this and additional works at: https://scholarworks.bgsu.edu/honorsprojects Repository Citation Tsin, Gary Tsun, "Guardians, Start of a Light Novel Series" (2012). Honors Projects. 71. https://scholarworks.bgsu.edu/honorsprojects/71 This work is brought to you for free and open access by the Honors College at ScholarWorks@BGSU. It has been accepted for inclusion in Honors Projects by an authorized administrator of ScholarWorks@BGSU. Guardians Volume One The Phantom A story by Gary Tsun Tsin Leung Edited by Katie Duncan Victoria S Fenton Bao Luong Kenneth Rutski Brittany Sniegowski Lauren Veith 0 Prologue I swear to protect all that I hold dear. I will protect all humans of Earth, my family, my friends, even my enemies. I will serve Earth with best of my abilities. Humanity’s innocence is secured by me. My duty is my best kept secret until humanity reaches puberty. I will consider the value of my life as secondary, under any circumstances, compared to those whom I swear to protect. Earth’s humanity, not one nation or ethnicity, is my only allegiance. I will obey my duty, my order, and my oath to humanity. My life selflessly belongs to Earth’s humanity. Prologue: The Oath 1 Chapter Zero Meet Edward Alfred, age fourteen, a squad leader of the James Lawrence Franklin Semi- Charter/Private High School Tiger Marching Band Trombone. He is an average fourteen year old sophomore. Oh, okay, slightly above average. -
Carson- Newman Studies Vol
Carson- Newman Studies Vol. X, No. 1 Fall 2002 ISSN 1081-7727 Don H. Olive, Sr. Dean of Humanities and Professor of Philosophy Editor Michael E. Arrington Provost and Vice President for Academic Affairs Managing Editor Carson-Newman Studies is published annually by the office of the Vice President for Academic Affairs at Carson-Newman College, Jefferson City, Tennessee. Correspondence should be addressed to the Editor, P.O. Box 71938, Carson-Newman College, Jefferson City, TN 37760. Opinions expressed in the articles are those of the authors and not necessarily those of the editors or of Carson-Newman College. Statements fo fact are the responsibility of the individual contributors. Contents A Word from the Editors . iii Excellence Doesn’t Happen by Accident [Distinguished Faculty Award Address, August 17, 2001] James A. Coppock. 1 The Decline and Fall of the Supernatural: Peirce, Design and the Distinction between Natural and Supernatural D. Brian Austin . 11 Study of the Discrimination of Same and Different in Musical Statements Marshall P. Forrester . 22 “Tell me some such fiction . shew me examples ”: The Protestant “Word” and Saving Fictions Jennifer Wallace Hall . 30 True to Twelfth-Century Form: Gautier d’Arras’s Eracle David S. King . 52 Will There Always Be a South? Tradition, Modernity, and Memory [Carlyle Marney Lecture, Nov. 12, 2001] Wayne Flynt . 76 "Mossy Creek Missionary Baptist Seminary Revisited" [The Carlyle Marney Lecture, Sept. 13, 2001] Walter B. Shurden . 90 The Feminine Potential Calvin S. Metcalf . 102 From DNA to DEAN [Address at Carson-Newman College, Nov. 1, 2001] Arthur Peacocke . 107 i Distinguished Alumni 2001-02 Martha Cortner Pixley (C-N ’31) . -
Enviro-Toons
UNIVERSITY OF NEVADA, RENO Enviro-toons: How Animated Media Communicate Environmental Themes A DISSERTATION For partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in ENGLISH: LITERATURE & ENVIRONMENT By Deidre M. Pike Dr. Scott Slovic, Thesis Advisor August 2010 THE GRADUATE SCHOOL We recommend that the dissertation prepared under our supervision by DEIDRE M. PIKE entitled Enviro-toons How Animated Media Communicate Environmental Themes be accepted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Dr. Scott Slovic, Advisor Dr. Cheryll Glotfelty, Committee Member Dr. Jane Detweiler, Committee Member Dr. Michael Edward Lenert, Committee Member Dr. Donica Mensing, Graduate School Representative Marsha H. Read, Ph. D., Associate Dean, Graduate School August, 2010 Copyright by Deidre M. Pike 2010 All Rights Reserved i Abstract Enviro-toons: How Animated Media Communicate Environmental Themes adopts an ecocritical approach to exploring environmental themes in contemporary U.S. animation. As such, it exemplifies a newly emerging strain of green cultural criticism that considers the texts of popular culture while rooting itself in ecocritical literary theory. Animations geared for adult or mixed audiences are examined in light of Joseph Meeker’s considerations of tragic and comic discourse modes and Mikhail Bakhtin’s folk culture, carnivalesque, and distinctions between the epic (a fixed monologue) and the novel (an open dialogic exploration). This study proposes a loose taxonomy of animation with environmental themes—enviro-toons—situating these texts along a continuum between the monologic and dialogic texts, to borrow Bakhtin’s terms. The term monologic as used here indicates animated texts with dualistic social or political agendas evidently intended to indoctrinate the masses. -
Le Programme February – March 2018 02 Contents/Highlights
Le Programme February – March 2018 02 Contents/Highlights Ciné Lumière 3–15 Talks 16–17 Performances & Music 18 The Sound of Music & Focus on Focus on Belgian Cinema Cinema Made in Italy Kids & Families 19 Alexandre Desplat 22 – 25 Feb 7 – 11 Mar 4 – 25 Feb p.9 p.10 pp.11-13 We Support 20 We Recommend 20–21 La Médiathèque / Culturethèque 22 French Courses 24 © Erik Damiano César & Her Le Roi qui n'aimait pas la Yto Barrada: Agadir Projet Lumière(s) 26 4 – 31 Mar musique 7 Feb – 5 May pp. 14-15 23 Mar p.20 p.18 General Information 27–31 Barbican Centre front cover image: Fortunata by Sergio Castellitto as part of Cinema Made in Italy Programme design by dothtm Ciné Lumière New Releases Makala Loveless The Shape of Water FRA | 2017 | 96 mins | dir. Emmanuel Gras, with Kabwita Nelyubov USA/CAN | 2017 | 123 mins | dir. Guillermo del Toro, with Sally Kasongo, Lydie Kasongo | cert. U | doc | in Swahili & French RUS/FRA/GER/BEL | 2017 | 127 mins | Andrey Zvyagintsev, Hawkins, Octavia Spencer, Michael Shannon | cert. 15 with EN subs with Maryana Spivak, Aleksey Rozin, Matvey Novikov, Marina in English and Russian with EN subs Vasilyeva, Andris Keiss | cert. 15 | in Russian with EN subs In this existential documentary, French director During the Cold War, in the hidden US high-security Emmanuel Gras follows the steps of a young charcoal- Zhenya and Boris are going through a vicious divorce laboratory where she works as a cleaner, Elisa is trapped maker as he struggles to offer a better future for his marked by resentment, frustration and recriminations. -
Choose the Word Or Phrase That Best Completes Each Sentence. the Teacher
Choose the word or phrase that best completes 7. The moment he__________ this message , he must each sentence. call me. A) received B) will receive 1. The teacher _______________ attendance when I arrived. C) receives D) is receiving A) was taken B) was taking C) has taken D) were taking 8. Alice ________in musical shows hundreds of times up till now. 2. Jane is a fashion designer, but currently she ___________shoes. A) has danced B)has been dancing C) had danced D) danced A) sold B) is selling C) was selling D) will sell 9. It’s the first time I ________ Brazilian food. 3. 3.She prefers a place of her own; for the time being, however, she ________with her aunt. A) eat B) have eaten C) am eating D) ate A) stayed B) has stayed C) was staying D) is staying 10. He _________ me twice since he went to England. 4. No wonder Mary is cross with you. You _________ to her for quite a long time. A) has called B) has been calling C) has been called D) called A) hadn’t written B) didn’t write C) haven’t written D) aren’t writing 11. When I went to London, I stayed at the same hotel 5. I became concerned when he _______ home by where I ________ five years earlier. midnight. A) had stayed B) have been staying A) wasn’t coming B) hasn’t come C) have stayed D) stayed C) hadn’t come D) doesn’t come 6. I hope you _________ the elections to be held soon. -
Revisioning Europe: the Films of John Berger and Alain Tanner
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2011 Revisioning Europe: the films of John Berger and Alain Tanner White, Jerry University of Calgary Press White, Jerry. "Revisioning Europe: the films of John Berger and Alain Tanner". Series: Cinemas off centre series; 3, University of Calgary Press, Calgary, Alberta, 2011. http://hdl.handle.net/1880/48867 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com REVISIONING EUROPE: THE FILMS OF JOHN BERGER AND ALAIN TANNER by Jerry White ISBN 978-1-55238-552-4 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. -
Ramblings 2014 Glenbard East High School Lombard, Illinois
Printed by: Gabe Gancarz March 23, 2018 1651625 PM Title: 03_B_01_Ramblings_2014 / Glenbard East - Students - Links -… Page 2 of 60 Ramblings 2014 Glenbard East High School Lombard, Illinois Co-Editors: Emily Hagan Marisa Judd Eeman Nadeem Brianne Okayama Namra Panawala Kelly Womack Advisor: Mr. Bill Littell Acknowledgements: A huge thanks goes to Ms. Wink and Mr. Cho who provided all of the art for Ramblings. Another massive thank you to Mr. Gancarz, technical wizard and layout guru. Jenna Winiarczyk - Hide and Seek CONTENTS Printed by: Gabe Gancarz March 23, 2018 1651625 PM Title: 03_B_01_Ramblings_2014 / Glenbard East - Students - Links -… Page 3 of 60 Allison Achenbaugh - Cruelty Christian Johnson - Haiku Allison Achenbaugh - Who Will I Marisa Judd - Haiku Be? Amber Llorens - Confrontation Mary Anderson - Red Dirt Sammy Macrito - Shyness Tyler Behrendt - So We can Patrick Morris - Remembering Just... Yourself Crystal Calderon - Recess Ray Nance - This Is How Lina Camacho - Help Me Lonesome Feels Understand Krystal Ng - There Was Lina Camacho - How You Made Something... Me Feel Duyan Nguyen - Family Meal Cynthia Campos - Failure Jonathan Nitsh - Memories Hurt Anitra Davis - Love At First Sight Jonathan Nitsh - We Are Not All Kayla Diggs - Stranger White Casey Erickson - Stars Angelika Nowasadko - Flawless Casey Erickson - Thick as Mud Angel Alley Garrity - Capture a Scene Brianne Okayama - Haiku Jackie Gomez - Hate for the Alex Ostrowski - Tattoos Splits Namra Panawala - The Start of a Ashley Gonzalez - Prison New Night Ashley Gonzalez -
Current Affairs May 2018 PDF Capsule
Current Affairs Study PDF Current Affairs May 2018 PDF Capsule CCent Affairs for Competitive Exam 1 | Page Follow Us - FB.com/AffairsCloudOfficialPage Copyright 2018 @ AffairsCloud.Com Current Affairs Study PDF Current Affairs for Competitive Exam Contents INDIAN AFFAIRS ............................................................................................................................................ 3 Cabinet Approvals ......................................................................................................................................... 3 Schemes ......................................................................................................................................................... 9 Launches & Inaugurations ........................................................................................................................... 12 Festivals ....................................................................................................................................................... 23 Festivals ....................................................................................................................................................... 33 Other News Related to Indian Affairs ......................................................................................................... 33 INTERNATIONAL AFFAIRS ........................................................................................................................ 64 VISITS ............................................................................................................