Jay-Z Or Paul Mccartney? It's No 'Hard Knock Life' 'A Day in the Life:' Why Being Shawn Carter I'd Be Paul Mccartney

Total Page:16

File Type:pdf, Size:1020Kb

Jay-Z Or Paul Mccartney? It's No 'Hard Knock Life' 'A Day in the Life:' Why Being Shawn Carter I'd Be Paul Mccartney VerThe Vanderbilt Hustler’s Arts su & Entertainment Magazine s FEBRUARY 17—FEBRUARY 23, 2010 VOL. 48, NO. 5 of Montreal James Huggins of the psychedelic indie rock group on putting on a show, working double time and going solo. PLACES TO GO, PEOPLE TO SEE THURSDAY, FEBRUARY 18 FRIDAY, FEBRUARY 19 SATURDAY, FEBRUARY 20 The Regulars Cedric Burnside, Lightning Malcolm, Black Joe Lewis & The We Were Promised Jetpacks — The End Mulholland Drive — The Belcourt THE RUTLEDGE Honeybears — The Basement Edinburgh, Scotland’s foremost alternative rockers We Were Promised Looking for a more relaxing evening this Saturday night? Head into 410 Fourth Ave. South 37201 Blues artists Cedric Burnside and Lightning Malcolm take the stage Jetpacks will be fl ying into the End this Friday. This band from across Hillsboro Village to The Belcourt and check out David Lynch’s cinematic 782-6858 tonight at Nashville’s The Basement. Also playing tonight are Black the pond formed in 2003 as part of a local battle of the bands contest psychological thriller Mulholland Drive, starring Naomi Watts and Laura THE MERCY LOUNGE/CANNERY Joe Lewis & The Honeybears, who are fast becoming one of the biggest —fl ash forward seven years: with the adoration of the UK under the Harring. As IMDB summarizes, the fi lm follows an “amnesic woman and BALLROOM up-and-coming bands in blues. As writer Barton King explained in belts, they released their fi rst studio album, “These Four Walls,” stateside a perky Hollywood-hopeful [as they] search for clues and answers across 1 Cannery Row 37203 his recent article for Versus, “Take one part James Brown, one part in June. Exciting and fresh, this band is worth every penny, and if that’s Los Angeles in a twisting venture beyond dreams and reality.” At times 251-3020 Howlin’ Wolf, one part swinging big band, fi nally adding eight parts not enough to get you in the door, lead vocalist Adam Thompson has one ambiguous but wholly entertaining, don’t be shy about taking a “drive” soul and you’ve got Black Joe Lewis & The Honeybears.” Interested killer Scottish accent. to the your local independent theater this weekend. BLUEBIRD CAFE in some sticky sweet blues and soul? Don’t miss this show. ($10, 9 p.m., 2219 Elliston Place) ($8.50, 12 a.m., 2102 Belcourt Ave.) 4104 Hillsboro Road 37215 (TBA, 9 p.m., 1604 8th Ave. South) 383-1461 Unknown Hinson — Exit/In Toubab Krewe w/ Arpetrio — Exit/In Stuart Daniel Baker, aka Unknown Hinson, is known for his unique brand A band that has infused infl uences from American and West African music, EXIT/IN Scott Miller & The Commonwealth — The Mercy Lounge 2208 Elliston Place 37203 of psychobilly rock. A manifestation of Baker’s subconscious, Unknown Toubab Krewe has, according to Afropop Worldwide, set “a new standard Join Virginian Scott Miller with his band The Commonwealth as 321-3340 the perform tonight at the Mercy Lounge. In his own words, Miller Hinson is a carefully crafted stage persona, an alter ego. With an outfi t for fusions of rock ‘n’ roll and West African music.” Formed in 2005, “blends folk and rock like there ain’t no words for.” Furthermore, that screams of 1920s country and a hair-do like a the vampirish grandpa this instrumental quintet combines the best elements of African culture STATION INN “unlike most of the faux-simplifi ed-effete-elite-Americana/Alt- from The Munsters, this “country vampire” is sure to rock the house with the sounds of their American hometowns. An interesting musical 402 12th Ave. South 37203 Country world, Miller was actually raised on a working farm. His down with his penchant for face melting riffs. Drawing on elements from experiment, audiences should expect original percussion and exhilarating 255-3307 parents were a WWII generation couple that carried on the Spartan the darkest reaches of redneck culture, Hinson is spooky-scary good. instrumentation. Also performing will be Arpetrio, a band that boasts its lifestyle of their Scots-Irish forefathers. Miller has described the ($7, 8 p.m., 2208 Elliston Place) “new funky livetronica sound” as captivating and creative. THE BASEMENT lifestyle as ‘Amish that drink.’” Miller is sure to put on one hell of ($12, 9 p.m., 2208 Elliston Place) 1604 Eighth Ave. South 37203 254-1604 an authentic show. Keb’Mo — Ryman Auditorium ($10 in advance, $12 day of, 9 p.m., 1 Cannery Row) Raised in South Central LA on gospel and blues, guitarist/vocalist Kevin The Seagull — Neely Auditorium Moore loves to play the blues the way that it is meant to be played: Come support your peers as they perform Russian playwright Anton F. SCOTT’S RESTAURANT AND JAZZ BAR Sonia Leigh and Levi Lowrey — Exit/In with lots of heart and soul. A Grammy Award-winning artist, Keb’Mo has Chekhov’s 1896 comedy The Seagull. Often compared to Shakespeare’s 2210 Crestmoor Road 37215 Returning to Music City tonight is Atlanta country/rock singer- earned the praise of such notables as Jackson Browne and Bonnie Raitt. Hamlet, this play has intriguing love triangles, individual treachery, bouts 269-5861 songwriter Sonia Leigh. Joining her is fellow Georgian Levi Lowrey, The quintessential musician, Keb’Mo channels the spirits of past blues of insanity and numerous instances of character frustrations, anger and also a country/rock musician who is fast becoming a household icons, performing with an unparalleled passion and command. Do not passion. Chekhov’s work is critically acclaimed and showing right here SCHERMERHORN SYMPHONY name (both acts have toured with Zac Brown). Levi and Sonia miss this performance Friday at the Ryman. on campus! CENTER are two of the industry’s fastest-rising stars and are sure to wow ($24.50 - $42.50, 8 p.m., 116 5th Ave. N.) ($10 general admission, $7 for grad students, free for undergrads, 1 Symphony Place 37201 687-6500 audiences night after night. Neely Auditorium Theatre Room 106) ($10 in advance, $12 day of, 8 p.m., 2208 Elliston Place) Dierks Bentley, Montgomery Gentry, Craig Morgan & more — Grand Ole Opry Benefit for the John Jarrard Foundation feat. Walt 3RD AND LINDSLEY A veritable who’s-who of country superstars will be rocking the Grand Aldridge & Bob DiPiero — Bluebird Cafe 818 Third Ave. South 37210 The El Dorados — 2nd Avenue Live Ole Opry as if it were a barn party this Friday night. Dierks Bentley As described on the Bluebird Cafe’s website, John Jarrard was “a well- 259-9891 Returning to the stage at 2nd Avenue Live this Thursday night is is guaranteed to give country fans all they can handle with hits from known Nashville songwriter who penned hits for a number of country Vanderbilt’s favorite party band, the El Dorados. After making CAFE COCO his new album, “Feel That Fire.” Also performing are Lexington, KY’s music stars.” In 2001 he lost his battle with diabetes. In his memory, a their 2010 debut just under a month ago at the same venue, the El 210 Louise Ave. 37203 own “rowdy redneck rebels,” Montgomery Gentry. Not to be outdone, group of friends led by well-respected songwriter Bruce Burch, organized Dorados (or the El D’s for short) have continued to hone their live 321-2626 Craig Morgan will be initiating members to the “Redneck Yacht Club,” the John Jarrard Foundation. Proceeds from the concert go to benefi t show, perfecting their covers of sing-along classics. Expect plenty of capping off a star-studded night of cowboy boots and brass buckles. Also local community organizations in North Georgia. Performers include crowd participation as well as surprise guest artists — drop on by for performing will be Diamond Rio, The Del McCoury Band, Riders in the Walt Aldridge, Bob Dipiero, Rory Bourke and Kendall Marvel. the perfect dose of Thursday night debauchery. Sky, Bobby Osborne and the Rocky Top X-Press. ($15, 6:30 p.m., 4104 Hillsboro Pike) ($5, 10:30 p.m., 154 2nd Avenue) ($26 - $51, 7 p.m., 2804 Opryland Drive) Versus FEBRUARY 17—FEBRUARY 23, 2010 VOL. 48, NO. 5 From the Editor Versus I’ve never understood the fascination people seem to hold with girls being, Magazine by requirement and necessity, shorter than guys. Sure, women as a gender are generally shorter than men, but I don’t know why this became required EDITORIAL BOARD to play out in the dating world at any cost. To be the same height as or taller than your boyfriend (or boy du jour) is considered so abhorrent that my Editor-in-Chief friends (and my mother) constantly caution me against dating below my Avery Spofford station … in height. According to this (skewed) logic, the only men available Life Editor to me are those who exceed the 5’10” mark. “A pretty average height for a Chris McDonald college-aged male,” you might say, “What’s the problem?” Aside from the obvious issue of principle, I like high heels. Really, really high heels that Culture Editor Matt Shelton often put my height at and above 5’11” or 6’0”. So, at this point, according to a random chart I found online, we’ve ruled out 75% of the male population 1. Entertainment Editor based solely on the fact that by some freak of genetics I am 5’9” and have a Charlie Kesslering 5’2” girl’s shoe preferences. Music Editor Yet I continue to be harassed when I choose to date someone my height Grant Darwin or shorter. Friends make jokes, my mother says I’m ruining the gene pool, guys tell me to wear fl ats.
Recommended publications
  • In Plain Sight: Aspects of Developmental Process in Sally Beamish’S Seafarer Trilogy
    In Plain Sight: Aspects of Developmental Process in Sally Beamish’s Seafarer Trilogy Richard E. McGregor University of Cumbria For a composer who has been described as being ‘at the top of her game and the pinnacle of her profession’, there is currently a complete lack of critical anal- ysis of Sally Beamish’s compositional style and technique.1 Interviews and re- views content themselves with a more or less descriptive approach, while prais- ing her ear for orchestral colour, particularly her affinity with string instruments or with voices. The former is usually explained by reference to her years as an ensemble player with, for example, Lontano and the Raphael Ensemble, while the latter is related back to the fact that her father was an amateur singer, and an aunt had a number of professional singing engagements. There are only so many times that a biography can be repeated, and Beamish is in good company with other well-respected composers such as James MacMillan who suffered for many years from the curse of the biography without analytical content. Interviewed by the author on two occasions, Beamish gave some tentative clues as to the origins of her compositional technique. In 2000 she responded to a question about pre-planning of composition with a hint of late-Stravinskian procedure: I do use [motifs] in a serial type of way with a series of transpositions so that I do make a note square with a 5 note motif and I transpose it and put them all on top of each other and then I have harmonies as well going down.2 Interviewed again during the 2012 Musica Scotica conference in Glasgow, she was somewhat more forthcoming as to the origin and nature of this working method: [Oliver Knussen] showed me a way of manipulating notes.
    [Show full text]
  • Race, Markets, and Hollywood's Perpetual Antitrust Dilemma
    Michigan Journal of Race and Law Volume 18 2012 Race, Markets, and Hollywood's Perpetual Antitrust Dilemma Hosea H. Harvey Temple University, James E. Beasley School of Law Follow this and additional works at: https://repository.law.umich.edu/mjrl Part of the Antitrust and Trade Regulation Commons, Civil Rights and Discrimination Commons, Entertainment, Arts, and Sports Law Commons, and the Law and Race Commons Recommended Citation Hosea H. Harvey, Race, Markets, and Hollywood's Perpetual Antitrust Dilemma, 18 MICH. J. RACE & L. 1 (2012). Available at: https://repository.law.umich.edu/mjrl/vol18/iss1/1 This Article is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Journal of Race and Law by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. RACE, MARKETS, AND HOLLYWOOD'S PERPETUAL ANTITRUST DILEMMA Hosea H. Harvey* This Article focuses on the oft-neglected intersection of racially skewed outcomes and anti-competitive markets. Through historical, contextual, and empirical analysis, the Article describes the state of Hollywood motion-picture distributionfrom its anti- competitive beginnings through the industry's role in creating an anti-competitive, racially divided market at the end of the last century. The Article's evidence suggests that race-based inefficiencies have plagued the film distribution process and such inefficiencies might likely be caused by the anti-competitive structure of the market itself, and not merely by overt or intentional racial-discrimination.After explaining why traditional anti-discrimination laws are ineffective remedies for such inefficiencies, the Article asks whether antitrust remedies and market mechanisms mght provide more robust solutions.
    [Show full text]
  • 1933 Brown and Gold Vol 16 No 05 December 1, 1933
    Regis University ePublications at Regis University Brown and Gold Archives and Special Collections 12-1-1933 1933 Brown and Gold Vol 16 No 05 December 1, 1933 Follow this and additional works at: https://epublications.regis.edu/brownandgold Part of the Catholic Studies Commons, and the Education Commons Recommended Citation "1933 Brown and Gold Vol 16 No 05 December 1, 1933" (1933). Brown and Gold. 142. https://epublications.regis.edu/brownandgold/142 This Book is brought to you for free and open access by the Archives and Special Collections at ePublications at Regis University. It has been accepted for inclusion in Brown and Gold by an authorized administrator of ePublications at Regis University. For more information, please contact [email protected]. ·CANDIDATES PATRONIZE REPORT FOR OUR BASKETBALL GOhD ADVERTISERS Vol. XVI, No.4 REGIS COLLEGE, DENVER, COLORADO December 1, 1933 Catholic Literature Congress Closes Dramatics Are ;~~i~f~; HisToRY oF Intelligentsia of Denver Field Day Successful r.......... ..............1 The predicted financial and ar· Winner a tistic success of the three one-act i :.:::;-~~· .::w~ I M.~~ng ~·Te~.·IIl~:, .. Attend Conferences . plays given by the Loretto and Re­ gis dramatic clubs on Nov. 17, at i Mystery the East Denver High · School audi· loyalty!:~ ~::i.!::~h~an:~~=~ and cooperation dur. 0~ I known~:: o~~~=~Q:s as the o~at~e:Catholic ~~;~m:~~Students At B.rown Palace torium was affirmed by the large ing the · Firat Quarter of thia Mission Crusade. This movement audience that attended these pro­ acholastic year. The reaulta was brought about· by Mr. King The freshmen have discarded ductions.
    [Show full text]
  • At Bluebird Café Show
    Wednesday, April 2, 2008 WIN FREE Vol. 32 No. 14 MOVIE TICKETS See the Where’s Wally ad for details on how to win FREE Movie Passes to Bellevue Regal 12! Songwriters “Nashville ECLECTIC Service” at Bluebird Café show Songwriters Les Kerr, Bryan Cumming, Allison Kerr and Everette Brown will com- bine their unique individual Highway styles to create the “Nashville ECLECTIC Service” for a con- cert April 17, 2008 at the 70 Wreck Bluebird Café, 4104 Hillsboro Road, Nashville, Tennessee at 6:00 p.m. Reservations are Causes strongly recommended and can be obtained online at Concern www.bluebirdcafe.com (pre- ferred method) or by phone at 615-383-1461. Drivers who saw blue The songwriters chose the lights of police cars on name of their collaboration Highway 70 near the 70-70 because of the variety of styles split and Huntwick Trail they all perform. All are Monday night, March 31, singers and musicians and three are multi-instrumentalists. were concerned that a pedes- They who are known for writ- trian had been hit by a car. ing music ranging from blues Everette Brown, Bryan Cumming, Allison Kerr and Les Kerr are Nashville ECLECTIC Service That was not the case. and swing to Cajun and folk. Mississippi Gulf Coast official theme songs for include “Allison Kerr” and “Sit It seems that two people Les Kerr is known for the native Les Kerr incorporates Cookeville, Tennessee and the on the Front Porch and Swing.” in a vehicle got into an argu- unusual style he calls “Hillbilly blues; New Orleans-influenced University of Mississippi’s The author of Easy Right ment and one decided to exit Blues Caribbean Rock & Roll,” music; bluegrass and Caribbean MomentUM scholarship and Hand Guitar Styles, a guitar the moving vehicle.
    [Show full text]
  • First-Run Smoking Presentations in U.S. Movies 1999-2006
    First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform.
    [Show full text]
  • October 2017
    DELIVERING BUSINESS ESSENTIALS TO NTA MEMBERS OCTOBER 2017 MUSIC DESTINATIONS PAGE 25 NASHVILLE: EVERYBODY PLAYS PAGE 29 Noted! GUIDE TO THEATERS, PERFORMANCE VENUES PAGE 41 TWO TAKES ON CANADA PAGE 21 TRAVEL EXCHANGE BFFS PAGE 56 Songwriters at Nashville’s Bluebird Café THE VOICE MUST BE HEARD An Unforgettable New York Experience Don’t miss extraordinary Met productions, including such classics as Turandot, La Bohème, Madama Butterfl y, and The Magic Flute. Tickets start at $25 metopera.org Photo: Jonathan Tichler/Metropolitan Opera October 2017 JACOBSPILLOW.ORG Not your typical barn dance: Jacob’s Pillow Dance Festival takes place each summer in western Massachusetts’ Berkshires region. This celebration of dance and movement includes hundreds of free performances and master classes that showcase the talents of world-class performers. Turn to page 37 to read about the event, as well as other tour options in the New England states. Features 21 25 29 Two takes on Canada Move to the music City Spotlight: Nashville Courier’s Gabe Webb and Pat Henderson Travelers journey to destinations across Visitors to this Tennessee town have as offer their thoughts on their respective the U.S. to experience the music they much fun with music’s past as they do recent trips to Ottawa and Winnipeg. love; see what’s there to greet them. with its present—and presence. Compass 34 Great Plains 37 New England 40 China A heap of history in North Dakota All about the arts in the Berkshires On the UNESCO trail in Beijing Good things in the Badlands Seafood tops
    [Show full text]
  • KLOS March 30Th 2014 Denny Laine
    1 1 2 2 3 9AM I’m sad to say that I’m dedicating this first couple of songs here to our dear friend Stan …you know him as Stan the Hot Sauce Man….whose Mom Marion passed away yesterday…Now we got to know Marion here on BWTB quite well…as she came hung out with us more than a few times She also made me that British Flag quilt blanket And BWTB pillow…that we often talked about…she came down to all the events at Capitol Records…Just Imagine shows…everyone loved her…and she will certainly be missed…and here is Marion’s favorite Beatles song. 3 4 The Beatles - If I Fell - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John and Paul John Lennon’s stunning ballad “If I Fell” was by far the most complex song he had written to date. It could be considered a progression from “This Boy” with its similar chord structure and intricate harmonies by John and Paul, recorded – at their request – together on one microphone. Performed live on their world tour throughout the summer of 1964. Completed in 15 takes on February 27, 1964. Flip side of “And I Love Her” in the U.S. On U.S. album: A Hard Day’s Night - United Artists LP Something New - Capitol LP The Beatles - In My Life - Rubber Soul (Lennon-McCartney) Lead vocals: John with Paul Recorded October 18, 1965 and written primarily by John, who called it his “first real major piece of work.” Of all the Lennon-McCartney collaborations only two songs have really been disputed by John and Paul themselves -- “Eleanor Rigby” and “In My Life.” Both agree that the lyrics are 100% Lennon, but John says Paul helped on the musical bridge, while Paul recalls writing the entire melody on John’s Mellotron.
    [Show full text]
  • Grammar & Reading Section
    JUNIOR HIGH SCHOOL ENTRANCE EXAMINATION 2021 SCHOOL YEAR KANSAI GRAMMAR & READING SECTION Student Name: ______________________________________________ Applicant Number: ______________________________________________ 1 CONTENTS This booklet contains the following sections: Section 1 Error identification 15 Questions Section 2 Choosing the appropriate words 15 Questions Choosing the best response to the Section 3 10 Questions 40 minutes prompt Reading A 5 Questions Reading Comprehension Reading B 5 Questions If anything is missing, please inform the examiner immediately. 2 THIS PAGE INTENTIONALLY LEFT BLANK 3 Section 1: Error identification INSTRUCTIONS Find the mistakes in the following sentences. If there is no mistake, choose option d), (no mistake). Only ONE answer will be accepted. If two or more answers are chosen for a question, ZERO points will be given for that question. e.g. ‘Everyone knows that Osaka is more smaller than Tokyo.’ a) Everyone knows b) more smaller c) than Tokyo d) no mistake The answer is b (more smaller). Mark your answer on the sheet provided as indicated below (on the left). Section 1 Section 1 1. (a) (b) (c) (d) 1. (a) (b) (c) (d) THE CORRECT WAY THE INCORRECT WAY FULL points ZERO points If you have a problem, please ask for help. 4 1) What part of Japan is your family from? a) What part b) is c) family from d) no mistake 2) I’m not use to speaking so much English at school. a) use to b) so much c) at school d) no mistake 3) I’m sorry for being lately to class. a) for b) lately c) to d) no mistake 4) Could you speak more slow please? a) Could b) speak c) slow d) no mistake 5) You haven’t seen this movie before, did you? a) haven’t b) before c) did you d) no mistake 5 Section 1: Error identification 6) Your not going home after school, are you? a) Your b) going home after c) are you d) no mistake 7) I think geography class is more harder than history class.
    [Show full text]
  • Raising Money for Mason
    THURSDAY INSIDE April 14, 2011 New Ithaca band: News..........1-4 Mutron Warriors Opinions......5-8 LIFESTYLES PG 12 Lifestyles..9-12 INDEX Do college students drink Sports.....13-16 more than they learn? Vol. LXXXVIII No. 18 OPINIONS PG 5 State University of New York College at Cortland Students March Against Sexual Assault Students unite against sexual assault by spreading awareness By Jessica Downer Cooy Editor Candles illuminated the many faces of faculty, staff and students who gathered on the steps of Corey Union. It was a cold night for April, but they were all there for one reason: to have their voices heard against sexual assault and Take Back the Night. The Take Back the Night event, sponsored by Cort- land Against Another Rape (C.A.A.R.), was held last Tues- day, April 5, on the Corey Union steps. The event is held once every semester to raise aware- ness about sexual assault on the campus and throughout the Cort- land community. 60 percent of rapes go unreported, and one in four women and one in six men are sexual assaulted. This event brings these statistics to light. The event started with a welcome, followed by a speech photo by Todd Curtis Students march up Neubig road in the cold and chant anti-sexual assault slogans to raise awareness about sexual assualt in the community See C.A.A.R , page 3 Raising Money for Mason Athletes run 5k to raise money for 2-year- old Mason Koval By Dan Harding Jr. Editor-in-Chief Some 50 Cortland students last Saturday ran in the first ever Dragon Dash, a 5k race around lower campus sponsored by the sports management club to ben- efit Mason Koval.
    [Show full text]
  • 630.353.4434 [email protected]
    Contact: Courtney Brown Marketing & PR Last Fling 2012 Direct: 630.353.4434 [email protected] Tickets Now Available for Naperville Jaycees Last Fling & Saturday Night Headliner Announced Naperville, IL – Tickets for the Naperville Jaycees 2012 Last Fling, held over Labor Day Weekend (Aug 31‐Sept 3) are available for purchase online, over the phone and in stores. Tickets may be purchased online at http://www.tickets.noctrl.edu and printed from home, or via phone by calling the North Central College Box Office at 630‐637‐7469 Monday – Friday, 10 AM – 6 PM. Tickets may also be purchased (cash or check only) at Oswald’s Pharmacy, located at 88 W. Gartner Road in Naperville or the North Central College Box Office located at the Wentz Concert Hall at 171 E. Chicago Avenue in Naperville. More information regarding ticket sales including Will Call and on‐premise ticket sales can be found at www.lastfling.org. Additionally, the Naperville Jaycees are pleased to announce the much‐anticipated Saturday night headliner, country star Craig Morgan. Morgan recently released a new album, “This Ole Boy” in June of this year, which debuted in the top 5 on the Country Charts. “We are excited to be bringing two big country acts this year,” said Brian Scott, Co‐Executive Director of the Last Fling. “Craig Morgan’s songs are a staple on the country charts, and with the release of his new album, this is sure to be a crowd pleaser.” The full evening lineups and Main Stage ticket price for each day are as follows: Friday, August 31st – Tickets are $10, children under 11 are free with paying adult 8:00 – 10:00 PM: Ides of March with Jim Peterik Chicago’s own, Ides of March are best known for hits such as “Vehicle,” have had hits in every decade since forming in 1966.
    [Show full text]
  • “Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
    ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ...................................................................................................................................
    [Show full text]
  • Of Montreal James Minchin of Montreal Getting Away from Home for a While, Thanks to a Serious Case of the Funk Flu
    SEPT/OCT 2010 ISSUE MMUSICMAG.COM SPOTLIGHT Patrick Heagney Patrick Kevin Barnes (top row, far right) and Of Montreal James Minchin of montreal Getting away from home for a while, thanks to a serious case of the funk flu Of MOntreal MasterMind Kevin and provocative stage shows. “i was really Barnes recorded the group’s previous self-conscious–i couldn’t even find the albums at his home studio in Georgia. But pitch. it totally destroyed my mojo,” he says. for the act’s new effort, False Priest, he “it’s like writing a diary while it’s getting elected to work with producer Jon Brion projected onto a screen that everyone is (rufus Wainwright, aimee Mann, fiona reading. it’s awkward. that’s what i like apple) in a professional studio. “it was about cutting my vocals at home: it’s four really just a desire to do something different, in the morning and no one’s around. i’m able because i’d been doing it this way for so to get really free.” long,” Barnes says. “it seemed like a really free, in this case, meant channeling AS SEEN IN: SEPT/OCT good opportunity for me to get an education, the feel of the music that inspired the to see how people who make radio sound of False Priest: funk. “i think i caught 2010 M MUSIC & records—but not in a cheesy way, good this strange funk flu, as if it was a virus or MUSICIANS MAGAZINE radio records—work.” something,” Barnes says with a laugh.
    [Show full text]