In the World of Music and Art Litchfield Choral Union IGOR STRAVINSKY CLAUDE DEBUSSY GUSTAVE MAHLER Goldman Concerts Current Art Notes Holds Annual Festival At Columbia Begin To-morrow Evening The American Painters, Sculptors and Gravers Parker Honorcd Performance of "Hora No- To-morrow evening, at 8:15 o'clock, New Staten Island Ex- by the third season of free concerts under Adopt Name; American Com- the auspices of Columbia Universitv, hibit Last Week vissinia"; Novelty by on the Green, at 120th Street, will be- Opened gin. The concerts on the university poser Another Feature ground will be given each Monday, Wednesday and Fi'iday evening until A rechriftttiiing of tho American Trench, Mrs. C. E. Tefft, Miss Annie P. September 3. The same polieies of the Painters, Scu.'^tors and Grayers was Wood, Mrs. Samuel Theobeld jr. and By H. E. Krehbicl told in years gone by. The complete two former seasons will be rtdhered to announced following the annual meet- Mrs. H. C. Bugbird. absence of this but all To a conccrt-weary metropolitan re- all sordid commercial in- year, the plans have been ing of the organization. Henceforth it The exhibit opened riewer fluences, their devotion to the onlarged upQn. Saturday and the spring music festivals offor single The Goldman Concert Band. under will be known as the New Society of will remain open daily except Sundavs no allurement. If any of them bo at¬ promotion of artistic righteousness, the personal direction of Edwin Franko Artists. from 10 o'clock in the their and influenca morning until 5 tended it is with a consciousness that refining uplifting Goldman, will again be the main at- These officers were elected: Gari in the afternon throughout the sum¬ the are traction, but soloists will also they will bring but added wcariness to upon communities which trib- appear. Melchers, chairman; Gifford Beal, viee- mer. The Staten Island Public to Mr. Goldman, who organized these con- Mu- the flesh and po_ibly vexation to the utary them and which enjoy their eerts ehairman; Leon John seum is at Wall Street and the fraterni- and takes complete charge of Kroll, secretary; Stuyvo- spirit. Yet the middle of May found ministrations, delightful them, will present many novelties, par- Flanagan, treasurer; members of ex- sant Place, St. George, Staten Island. the writcr listening to the zation of devotees to the art, amateur ticularly the works of deserving Ameri¬ ccutive Bellows, A. concluding can committee, George The School of concerts of the twenty-fourth biennial as well as professional, which they composers, Stirling Calder, Paul Dougherty, Robcrt Design and Liberai bring about, their of The soloist at the first concert will Arts, 212 West Fifty-ninth festival in Cincinnati and the first three pcrpetuation be Ernest S. Williams, cornetist. On Henri and Joseph Pennell. Street, held choral music.a form which is all but June an exhibition of students' work last days of June in attendance at the an¬ Friday, 11, Harriet McConnell, Announcement was made that the moribund in the large cities through- the popular young , will sing. second annual exhibition of the Now Tuesday and Wednesday afternoons, nual meeting of the Litchficld County of out the land.and the encouragement Gladya Axman, soprano, the Metro- Society of Artists would be held from An exhibition of special f'horal Union in Norfolk, Conn. Under which offer to politan Opera Company, will appear on piecej they composers, in hap- June Iti, and November 8 to 27, 1920. at the Gimpel French and of the the circumstanccs, perhaps, confession of late Percy Grainger will con- English, eighteenth pier days international, years duct two of his own compositions on !& Wildenstein gallerv. 617 Fifth century. Is being shown to he made that there were other of by Elsie dc ought necessity national.all these things June 18. Other soloists will include Avenue. Wolfe at 2 West than merely professional motivea that have been described and lauded in the Alma .soprano; Fqrty-seventh Street. Clayburgh, Marguerite The of the as it A of prompted the visits to the of earlier Ringo, soprano; Meta Schumann, membershij) society pair marble tablos, plinth block widely 6epa- rcports meetings. American soprano and now stands includes Boardman Rob- and classic of rated musicai centcrs. In the first case composer, and pcdestal white veined Tribute to Horatio Parker Marie Tiffany, of the Metropolitan inson, C. C. Rumsey, Palmer Schofield, marble, with circular tops mlaid the prompting was largely personal. An Three composers included in Paul Rosenfeld's "Musical Portraits" Opera Company. with John Sloan, Eugene Speicher, Maurice checkerboard are in the association of more than This year there was an additional This week's program will be as design, collec- twoscorc years lows: fol¬ Sterne, Albert Sterner, Edmund Tar- tion. A tugged at the writer's heart ari-j cloment whosc fundamentally mourn- tution. His compositlon is entitled large paintcd eighteenth century stringa, MONDAY l:ell, Gertrude V. Whitney, Irving R. sixfold screcn decorated mixed with the affection for an old home ful aspect was chastened and made "Prelude to 'The Trojan Women'" and Sw.-rii.sh with a land- Rosenfeld Frees His Mind Coronatlon March.Svendsen Mahonri Paul Bartlett. with was a radiant with comfort and cheer the was inspired, we Overture, Wiles, Youn_, scape niinaret towers and desire to hcar again a masterpiecc by believe, by Mr. Gran- "Mlgnon".Thomas Ghester Gifford palm whose splendor of the muaical The ville Barker's production of tho Beach, Beal, Reynold; trees and some fine pieces of Fnglish against beauty all other musicai offering. trag¬ BoWV.V.V.V/.V.V.V..__c. Bca!, Bellows, Bur- second was devoted to a ser¬ edy by Euripides. George Bryson needlework in chair covers are also institutions of America have been kept evening In "Musical Portraits" A. Emil C.ul- vice in of Horatio an ''¦sh roughs. Stirling Calder, shown. strangrly but obstinatcly closed. There memory Parker, Prelude to . H»,llo-. member of the Litchfield "The Trojan Women" Cornet solo, "Inflammatus". Rossini son, Robert Chanler, Timothy Cole, is not enough idcalism in the manage- honorary Ernest S. Williams A sclection of Poillon j» on After Waltz,,,. "Girls of Paul Dougherty, Hunt Dietrich, Ran- poitery ment of the Metropolitan .Opera House County Choral Union, whose activities three hearings of the work Writer Ornstein in Volume of Vienna". Ziehrer VI ( w at the Willow Brook 9 in its behalf covered and Champions Essays American Fantasie.Victor Herbert dall Davey, Guy Pene DuBois, John Company, to grant tho boon of Berlioz's "Trojans many years (two at a rehearsal) we are, to put it WEDXESDAT James E. West Forty-seventh Street. IMrs. Poil- some of the most With Flanagan, Fraser, William in Carthage," though the performances filled resplendent Dealing Mod¬ March ot the .'3 . .Menclelssohn lon's work has in frankly, somewhat at a loss as to how Chiefly Overture, "Masanlello" Glackcns, Charles Graflev, Walter Grif- distinction. that she be Mme. pages of its history. The memorial ser¬ .Anh-v make.; her own might gloriticd by Matzenauer's to estimate- it. The fault is, perhaps, ern Coinet solo, "The Volunteer". Rogors iin. Samuel Halpcrt, Childe Hassam, colors and does her Dido and, Caruso's and vices were purcly musical, unalloyed! Composers Ernest S. Williams own possibly, /Eneas, largely due to a widcr divergence in Waltn, "Blue Robert Henri, Rockwell Kent, Leon glazing. so one who loves by ceremony or oratory. The music Danube".Strauss the work and believes the opinion of the composer and his Excerpts rrom 'The Master3lnger". Kroll, Gaston La Chaise, Alh.>". of "Hora Dr. Parker's iin- ,, it to be a masterpicce in the presencc Novissima," reviewers as to the Katharine appreciation of Erncst Bloch is ( Wagner est achievement in the field kind of musical By Wright pitched ommunlty slnging Laessle, Haylcy Lever, Jonas Lie, Er- of which half of the operas given by of composi- material offered Certain articles in tho key of his Ornstein rhapsody, &Vfl by the Euripidean by Paul Rosenfeld but he I li" Evolution*Iar,fa.Gounoddi nest Lawson, George Luke, Paul Man- Mr. Gatti would over like card tion and, as we believe, the most com- berates Mahler's music as a Dixte.Lake topple poem. Drama "The Trojan Women" that first appeared in "The Dial," "The "doubtful and bastard KIUDA V ship, Henry Lee McFee, Gari Melchers, ILLSi Galleries houses built children had to make manding and enduring work which can thing," pre- by be called. It is New and "The Seven Arts" because the man March, "Columbia" . American has was scarcely rather Republic" sumably saw fit to Goldman Jerome Myers, Dodge MacKi.vight, Elie the to Cincinnati to hear genius yet produced, turn Overture, "Rleiizi" . Wagner SPECIAL journey the what Dean Milman called it: "A sories magazines have been recast, amplified Catholie. Aragonaise, "Le Cld".Massenet Xadelman, Andrew O'Conncr, Joseph in he performed. And on the performance music is our own. All Mlsa opera, which, moreover, has the of pathetic speeches and exquisito with new material and gathered into a Debussy's McConnell Pennell, Van D. Perrine, Maurice Pren- SUMMER EXHIBITION and lovelineas rested like a artistic forms lie dormant Excerpts from "." . special interest that he has in the new strength odes on the in the soul, Peer Verdi fall of Troy." Mr. volume. "Musical Po»traits" (Harcourt, and there is no Gynt . t;r|P. and Edmund The late of A benediction. No doubt the occasion Hill, work of art actually Thy Beaming Eyes dergast Quinn. "." frank confession this, we fancy, conceived his Brace & Howc). The book is dedi- to us; nor can a one .MacDowell with it a sort piece as a foreign such ap- Rachem .Manna-Zucca J. Alden Wcir was a member of the which we hope will neither be misunder- brought of Pentecostal musical cated to Arthur Moore Williamson. The pear in all the 'future Mlsa commentary on the sack of the ages of the . ., McConnell inspiration. Dr. Arthur Mees, who con- composers discussed are Berlioz, Bloch. world. But the music of nfeditatlon from "Thajs" Ma«senet society. stood nor misconstrued. Homeric picture. It is a delineation Loef- Debussy is Excerpts from seemed to feel Florence Borodin, Debussy, Franck, Liszt, proper to us in our dav as is no "Plnafore".Sulllvan The*e was no wearisomc labor in- ducted, it; of war fler, Mahlcr. other, Ino first of the extra concerts The art loan committee of with its consequcnt destruc- Moussorgsky, Ornstein, and stand before all time as our will Ihe bv LEADING in Hinkle, Merle Alcock, Orville Harrold Re- might bo given on the of the volved the visits to Cincinnati and tion and desolation of matter and of RachmaninoiT, Rimsky-Korsakoff, symbol, for it lived in us before it was steps City Hall Women's Auxiliary of the Staten Island but and Clarence Whitehill, who sang the ger, Schoenbcrg, Scriabin, Sibelius and born and aftew on luesdav, June 8. at 12 o'clock'noon. AMERICAN Norfolk, intellcctual and spiritual mind; its suffering, horrors and woe. birth rnturned to us *-~-.- Institute of Arts and Sciences has refreshment. solos, seemed to be under its spell; it Stravinsky. like a release. This is the somewhut ARTISTS Especially is this true To us the poem suggested magnificent Most of the portraits are full length, opcned a summer exhibit at tJie Staten of the three fired the tongues of the 425 choristers the of honor high-flown beginning of the chapter Summer day?, Tuesday, Wednes- opportunities for characteristic instru- place in the gallery being devoted to And with his de- Courses for Island Museum. Twenty picturea se- 108 West 57th Street and of last of the union and possessed the seventy- mental occupied by Master Leo Ornstein. This Debussy. day Thursday week, spent five fine lyricism; moral and intellectual alone would light in extreme opinions the writer Iected from the last exhibition of the in sweet communion with nature and orchestral musicians, chosen stamp Mr. Rosenfeld's hastens to add: "The Musical a! from proclamations; hymnings of the musical sanity as When three little Studeiits National Association of Women Faint- the Philbarmonic Society and questionable. pieces that comprise the first set of music in the town which nestles among strongly contrasted souls of the great describing his favorite minstrel the ers and Sculptors and a group of Motropolitan Opera Company, whom Mr writer is not 'Images' for piano will probably out- the foothills of the Berkshire Moun- women whom the Greek triumph hand- far behind the mood of last half of what has ColumbiaUiiiversitv miniatures and sculptures from the Henry P. Schmitt had selected and .lames Gibbons Huneker's on Liszt written for tains. Of the unique nobility and love- ed over to ignominious rhapsody tho instrument." A rash staieirient same exhibit are befrig shown through brought from New York. We have slavery. a Garden theme in "Bedouins." Ae- John J. Cross, nnnounces liness of these meetings, which owe to the Rosenfeld for a virtuoso could ill do without the director, the cooperation of Mrs. Benjamin Mor- hcard .many performances of the work Hecuba, whose ceaaeless lamentation jcording pa?an, Master iireworks of that courses ranging from the begin¬ their existence to the munificence of Ornstein is in turn "a mirror held up glittering Liszt, although ning.-? of music to the ol ton, president of the association, and in many places since the first given by over the fate of Priam's proud is to the ho might never acquirc the special presenting Mr. and Mrs. Carl Stoeckel, Ihe Trib- city world of the modern city," "the technic and choral music in a series of festival Mrs. Samuel Theobald jr., chairman of the Church .Choral Union nearly thirty the voice of the city itself, spring as it comes up through the pave- understanding to be an concerts will Appropriate Wedding Gifta une's rcadcrs have frequently been wrathful, inspircd intcrpreter of Claude Aehil- be given in this year's publicity. A group of statuettes from years ago, but none quite so uniformly hopeless, impotent. Andromache, be- ments, the aebing green sap," "Lazarus les's veiled summer session al Columbia Uni¬ PAINTINGS b\f emerging in his grave clothes into the and mystic tones. Professor the Gorham gallery is also on display, admirable as this. It was a noble tfib- wailing her individual sorrows, the And in what are versity. Rossetter G. Cole George Inness A. H. MUS1CAL INSTRUCTION new world," "the resurrection of the o ,1, partmental the courtesv of W. Frank Wyant ute to a noble man and musician, one death of Hector, the almost sacrificial most entombed of tion of "L'Apres midi d'un Paurte" and representative in through R. A. Bfakelcck spirits, that of the the general charge ot" the courses, which and a number of who as coraposer and teacher strove renunciation of her child, whose death outlaw European Jew," "the breaking mcdieval enchantment of "Pelleas," begin fi. Prudy, pictures by J. "Infallible Method of Memorizing" with its July Staten Island artists are Francis Murphy and to was commanded the down of the walls with which the Jew tapestry figures, puppets of The basis for an also in the T. ANTOINETTE persistently consistently put by Greeks lest in fate. to a intelligent apprecia- and other American akd Fortig* under musical culture manhood he has blotted out a hateful world." proper dav of eugenics, tion of musical compositions from the exhibit. props in Amer¬ should wreak vengeance Master Ornstein's music is "a moviea and prohibiiion? of PIANO Ul 1 n ffl HARMONY ica which and upon stricken thing standpoint the listerner will be The Women's Auxiliary of the Insti- might endure withstand them; to submission to gcrmane to all beings born into tiie Having learned his opinion of Orn¬ studied in a course with the CONCENTRATION fate. stein, it i3 no treating tute, of which Mrs. James R. Walsh is DEVELOPED the buffetings of false taste and fleet- Contrasted with these.and what. age of steel"; "the expression of all surprise to find Mr. history of the art of music and of =45^44thk'Brt^,;th^i."« and variable aesthetic doctrine. a contrast!.the men who have tried to ombrace and Rosenfeld, ecstatic about Scriabin, con- music as an element of liberal president and Mrs. M. E. Stone vice- ir.g frenzied hymeneal love the temptuous of Liszt. He culture, REAL MIND TRAINING hymn of towering piles." And as if Mr. earlier prefers the Professor Cole will give his course, presiden^, appointed an art loan com¬ RE5VSBRANDT The Cassandra, apostrophizing the Rosenfeld felt the need of a Strauss to the later, the Strausa I'or POWER to MEVORIZE and READ Mmlc Rapldly Purposes of the Festival torches prop for of "Don which. no previous knowledge of mittee which made arrai _ements for P01SE and CONTROL in PUBLIC PLAYINO which are to light her to the. his he states that an Quixote" and "Till music is The fundamental opinions, 'such to Eulenspic- required. the summer exhibit. TONE.TECHNIC. INTERPRETATION purpose of Mr. and bed of Agamemnon; the seeress, mad- authority as Ernest Bloeh has deelared gel" the Strauss of the "Alpensvm- Courses in elementary harmony, ad- Mrs. Robert W. ia a Mrs. Stoeckel in the and dened Ornstein to be the in phonie." It is a pity that his onthu- vanced and musical Gardner is chairman of this committee, ANY HAND "PIANO HAND" founding by Apollo and, for a moment, los- single composer siasm for the ultra harmony forni. ele- maintenance of the America who displays of leads him to under- mentary orcheslration and vocal train- and the members are Mrs. F. Winthron THAT HAS A TRAINED MIND TO GU'DE IT festivals was to pro- ing herself in the woman of positive signs estimate Mr. Bmockfi, VII < mote dreaming genius. ln certain respects, if the quo- Rachmaninoff. As a bit ing will also be given. Lessons in Mrs. Styleg, olors, Mi,.., Studio Recltab Frldayj at 3. Publle Invited appreciation of good music in the a murderous-vengeance. This, with the tation be it of writing the chapter on vocal White, William G. Willcox, Mrs. accurate, disposes of Mr. is Moussorgsky training which will include SPECIAL DISCOUNTS communities of Litchfield County by the chorus of lamentation and fall- Bloch and proclaims Messrs. the finest in the book. Yet there is natural to the func- A. Allbright Wieand, Mrs. Henry M. .&3T Van Studios rising Hadley, no breathing adapted TO Dyck *£& presentation of it through fine artists ing from to the Griffes, Locffler, Chadwick, Converse, denying that, whether in praise or tions of the vocal apparatus, rules for ARTISTS beginning end, Trojan blame, the volume as a whole Mr. and as well as the best of all which and poor jackanapes! is effec- the natural production and develop¬ Mme. .Mrs. means, element; agaln the Greek Helen, Mr. Rosenfeld tive writing. All tho portraits will ment of vocal Bernhardt ts acting or Mr. is to them to with complains with petu- bear at sounds and their qualifi- Kreisler is violin these .John encourage make it for plea of justiflcation and the su- lance that the complete works of Mas¬ least a casual glance, if not cations for tonal effeets, coordination playing his Colony Art EHAN careful faults as a foil the Supply Shop Drrnil" themselves. In addition to this method perhuman charm of her ter Ornstein have not had a serutiny. The writer has the of the action to appear for supreme TFACHFRS OF MAKV .IOROAN, MAR1F beauty, turn- hearing, of his speaking the function beauty of the performance rather than 165 Sixth Ave. Be* "ih* ivh for a that preference has been courage opinions, but ho is of the and ,,. ota., Now Vork MORRISFV. FVAN WILLIAMS, IIAKRV long time they have given per¬ ing the wrath and threatened ven¬ riven to the rather sounding resounding organs a The . '.l^i>lion<- JOHN BARNES WKI.LN. "foolish" war too much inclined to assert and suggestions for blemish. opposite ia true of Chelsru ri«.*> McOLASKKY, formances every year to one or more geance of Menclaus symphony by d'lndy. as practical cxpres- Heifetz. There were moments KOHERT PARKER, ELIZABETH RHYS into dubiosity and The Frenchman will no doubt consider opinions facts. Outside of a record sion thiough music sentiment will be Mr, yes¬ ANP H\ IllMlKhl) ANl) FIFTY ART- new compositions, which the composers impotency. himself ol Mr. Rosenfeld's personal views, the Parisotti. terday afternoon when, to be brutally BY SMITH'S I>TS NOW IN RESPONSIBLE I'OSI- properly punished when he book laught by Signor Luigi one a are invited to for which finds himself excludcd from has one valuable feature- an ap- Individual work in voice and frank, felt little bored by his conduct, they Surely music, even wordless music, the Rosen- pendix thumbnail placing flawless technique and his but TERM. are recompensed and the feld portrait gallery. giving biographical song interprctation will bo studied in perfect KNICKERBOCKER SUMMER *&$.$$* property rights might have celebrated utterances and It sketches of the composers a course R. instruc- not always well-timed tone crt'ects. Yet ig 'f& that ;i discussed, by Norman Jolliffe, FOR AL L PARTNTLARS. APPLY 70 in which are seems, also, "scarcely critic with a list of aa a sai.t-si:.ra 5 tto they permitted to retain. meods so pregnnnt and But has been able to what it is their principal composi- tor in music at Teachers College. The demonstration of violin playing] W$- $'!'f inc.. fARNKdlK KALL. 154 WKST 57TII appealing. express tions. and the was av, at -... ,r ¦ftTRKKT, NEW iOKR I'lTV. TEL. t IR- Until the coming of the war foreign to do Ihis would about his music that he likes or dis- direction of school music will be given pure simple recital nota- Wfe require melodies satu- ble in many Tho two ini C. i: ir»r. CLF 1473. composers received the same considera¬ rated with likes." And yet when it has been said in a series of courses covering the ways. Pagai VW&J instincts, emotions, pas- that Master N. Y. of school demonstra- capricci in the last group of pi :ei »' :¦¦ » 3614-5. tion as native and so we had first Ornstein's music is piflhng Opera Company Plans teaching music, per¬ aions; large melodies, melodies of an- what is there left tions in the teaching of school music in the program were played with the formances of to express? Of finish of a works by Coleridge Taylor, tique heroic mold, parallels of those in what use to enlargc upon the terms Elaborate Paris Season and the use of the talking machine. first-class virtuoso. Again Permanent Exhibition Institute of Max Bruch, Jean Slbelius, the cacophonous, meretricious, insincere? Further information and sight singing and melodi'c dictation. the in the last movement of Mendelssohn's fl&usjcal Percy Euripidean lines. Mr. Hill doesnot particulars of concerto, Mr. Heifetz must have sure- and Sir Master Ornstein's fate as a in conducting school music and school High Class Antique and of tbe ot Grainger Charles Villiers Stan- give us these. He builds on brief mo- pianist rcference to the New York Opera broken the record of for cer¬ Btt Ct_ ttewftett worries Mr. Rosenfeld almost as much orchestra ? rr'angement. ly speed ford. Before the of Mr. Cole- which will a tain These Fran'». Damrosch, I)lret« DfreeUon Mary Stuart, Terma Ueanonable. "King Grim"; 1911 scheme, he begins the de¬ Founds New Tartini our 8END FOR PHOSPECTL'S Mr. Rosenfeld finds Master Ornstein sponsibility of the operatic orgaiiisa- Papalardo sonata, for instance, is not a and instruffors to t:ike iiihiuitucf of "Collegiate Overture" built on some of velopment of his material, is frequent¬ in tions which difncult thing to as difficulties COUIfie on Ihe ('"iNtrui-iiiiM nf milur.il fnfB", speaking acccnts that resemble will present performances Municipal Opera Enterprise play go KKt.rsTKATlON AT ANY TIMK the students' songs of Yale University; ly glaring, even harsh. Like Shake- nothing quite so much as with in A nowadays. It summarizes in a won- the savage distinguished artists the French now musical organization, the derful the MiCHAEL POSNER in 1918, "The Dream of a sort speare's Cassandra, he "shrills" forth and woeful language of the Old Testa- capital in the coming fall. degree best tendencies of' Tearher o( tbe Vlolln Mary," ment. The Papalardo Municipal Opera Society, its time. But it to ARTIST of cantata for his dolors. He makes us But how much truer is this of principal feature of the season with offices at 315 West belongs entirely ¦PECIAL COURSE8 FOR TEACHBRS mystical solos, chorus think raare Ernest Bloch, for ho will be the lirst Ninety-eighth that time. Form, idiom, scope, its; GOING TO EUROPE and orchestra. In 1911 his oratorio of Verdun than of divine indeed has hewn presentation in Paris Street. has just been organized by limitations COMFO.SITION "Hora Troy. But out of his own experience a musical of an American which Maestro Arturo who has very tell of an age that Wishc* to Diapoge of MTDIO: 755 WEST END his music grand opera, Papalardo, is not, ours. It is not M'l IMO PKOPEKTY AVB. Novlssima" had a performance, the ex- bites into the imagination and speech that rings with a will be sung in English. The work dirocted of enough to play never sincerity performances grand opera it as and with cellence of which deeply impressed. Even souls of his hearers.for it is eloquently approached bv Master Ornstein'- will be "N'atoma," which was originally both here and abroad. The object of accurately the fine, LOUIS XV dinful excursions produced in this at thinnish tone that is fashionable, aa when he was not represented on the proclamant of stark desolation and into composition city the Metropoli¬ the aociety, as explained by its found- Mr. Heifetz did LOUiS XVI ^""WOODRUFF Witness the supcrb "Trois Pocmes tan Opera House, with Garden in er, is "the assoeiation of yesterday. It was AR.M MlAi.l. XVI. VOICE PLACINC, program he was in attend- woe, and though his ' Mary professional, known once as 'The OI.UKS. AI.TAK. Preoaratlon for BREATHING. frequently thought may be Juives and "Schelemo." the title role and John McOormack as financial and other to Lament of Dido/ CENTTRY T.ll'l.,sTHV, IJJK\>S Cholr. Concert and Oratarl* social, interests Should wear Kl . TUOIO. 810 CARNECIEHALL NEW ancc at the festivals, a guest, like all melodically tenuous, it is fiuent and It would seem that Mr. is Paul Merrill. The work is Victor nnd the establishment Dido an aigrette in her <.-, rHINA, lll YORK Rosenfeld by promotc achie.ve hair and a Bond Street the composers, who become nobly sustained. Wc could a suffering from race consciousness. Herbert and of San of in frock, because STUDIO 53 W. 39TH ST. honorary wish for His Joseph Redding, municipal grand opera every she on a members better Francisco. It will be in Paris of the Union, to enable our appears modern stage? Sure- of the union by virtue of their acquaintance with it, even with given large city ly not. contributions. To the wish pel burned some of her vocal Mary Garden in her old part and people to en.ioy for at least. three AM branrhea Uiifht. Vlolln. Plano. Saiophoa* pay tribute to his though compcls us to pardon pyro- Cohn O'More, the tenor of the "Las- months and "The same criticism applies in the EXHIBITION «(c. PaCaJ tcchnics, to the of annually adequate operatic main to .mgtn». Large Orian lor »ract|,:». memory Governor Holcomb attended the some Stravinskyish idioms for which we delight the multi- sie" company, as Merrill. orchestral Mr. Heifetz's playing of tude, at the final Last week performances, supported Bach's Chaconne. The Mendelssohn service on Wednesday, being greeted on find it impossible to cherish affection. concert, which, having Titta Ruffo, who is to be partially by municipal aid when that Poillon with a member of the New concerto showed how difficult it in for Pottery his entrance into the hall (the "Music The piece was opened Mr. Hill's prelude, was York Opera Com¬ becomes possible." the PRTmpiN finely played under raised to pany, and Paul Longone, who is Mr. The board of tho in- technici'an to resist the tempta- WILLOW BROOK COMPANY ..-ac Shed," as it is called), which is the capable direction of a lofty artistic dignity by the advisory society tion of the P_ tn-Mumente tautbt. TUeorr ef Uualt. idyllical- young con- Ruffo's personal manager, went to hear cludes Alicia du Rosa exceeding speed limit. The 9 41* W. 8«th 8T. 'Phone Aere 6",3 ly situated in the ductor. Mr. performance by Sergei Rachmaninoff "Lassie." Pont, Raisa, moment tho performer reached the West 47th Street l.on« park surrounding the Chalmers Clifton, who has They were so much pleased Mrs. I'. J. Bonwit, Alessandro Bonci, TERRA MOi Stoeckel of his second pianoforte with the first group of triplets he began to COTTA M IM'l li;<>. I.n* homestcad, by a thrilling per studied with obviously admirable re- concerto. Of young American that he was Alvin L. Schmoeger and Joseph Evans MADE AM) I IK1N<; TO OKDEB PO« TEACHER it and an force the pace, and the phenomenon SCl l.l'Tillis. formance of "The sukft in ir_ "The Isle of the Dead," also immediately offered engagement to Rogers. The indorsers are Alfred I. OF Star-Spangled Ban- Harvard, Hoston with Mr. sing with the was ropeated whenever the lure of an ELLIOTT.,. the of organization in Paris. du Arthur Rosa 8INGING. ner." His visit was Loeffler product his Pont, Bodanzky, Raisa, «"' rectlt* a Umlt*d r.imb' _,_ Rugs.Furniture. Aud. t443 fortunately the injuries were not the many years and is a humous opera of I.eoncavallo, "Edipo opportunity to are to be do- others, especially the friends of appear, ha» discovered a 30 W. N. Y. C. serious. the significant factor in the sum of Nor- Re," which will enlist the services of from this fund. Performances Italy new violinist 58th St., choristers who form the audiences folk's musical Titta Ruffo. Other artists who will bo willriyedbe at in a young Bohemian named Yasa Other American composers who have at all the activities. Another mu- members of popular prices. Prihoda, from EXHIBITION OF "^B STILLMAH jliL"««» affairs (there being no paid sician who has the organization are Rosa Prague. He is nineteen LOI KHE I.N THEORY brought compositions out at won the admiration of who will years old, was born Mi W. 72d WL 'Phone I16« the festi- for admissions) there was much Raisa, sing in "Norma"; August 21, 1«)00, Columbua. \a)s are George W. else, the festival audiences is Mr. Henry Chalapino, the Russian bass, Mnsie Notes at Vodnany, in Bohemia. nnd studied PAINTINGS Chadwick, Henry however, that was and in- reported with Maestro Marak at the .."!v^ I ¦? If I" ¦*!¦{____ t^ropoeer Kadley, Edgar Stillman entertaining Hadley, who in tho early part of the dead, but who is now living in his na- Conscrva- FAANK UL INHTRl'ITlO.V Kelley, Henry structive. On the first Gou- tive country; tory of Prague. The miseries of recon- ".*"¦¦»f> tonal F. Frederick evening evening directod performances of the Eleonora de Cisneros, The farewell concert by Eugeno r.rrKrrtn Gilbert, Stock, Charles nod's waa American contralto; Anna of the and Mischa struction after the war drove Prihoda AMERICAN ARTISTS T»«li»l