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Goodbye-Espana-Dossier.Pdf
Pág. 1/12 C/Cueva de la Mora 7 Local 13 28670 Villaviciosa de Odón (Madrid) www.diagorasproducciones.com [email protected] Pág. 2/12 REPARTO: Rebecca Laura Castrillón Sam Andrés Navarro Pasionaria Candela Arroyo Jack Gabriel García Pilar Cristina De La Riva George Ramsés Vollbrecht Ernesto Daniel Acebes Piano y Guitarra Gabriel Martínez Marín Piano y Percusión Jorge Niño Laina Clarinete Alberto Villa Lozano Dirección Musical: Gabriel Martínez Marín Música y Letras: K S Lewkowicz Libreto: Judith Jhonson Traducción y Adaptación: Daniel Acebes Maya y Gabriel García Moreno Diseño de Iluminación: Juanjo Hernández Bellot y Sergio Barreiro Sánchez Diseño de Cartel: José Ponce de León Diseño Escenografía: Diagoras Producciones Vestuario: Dani Maya Jefe Técnico: Juanjo Hernández Bellot Ayudante de Dirección: Sergio Barreiro Sánchez Dirección: Daniel Acebes Maya Producción, Gestión y Distribución: Diagoras producciones C/Cueva de la Mora 7 Local 13 28670 Villaviciosa de Odón (Madrid) www.diagorasproducciones.com [email protected] Pág. 3/12 SOBRE LA OBRA Goodbye España cuenta la historia de Sam, un joven ingles que decide venirse a España como voluntario para combatir en la guerra civil. Rebecca, su madre, al no recibir noticias suyas, decide venirse a buscarlo uniéndose como enfermera voluntaria. Durante esa búsqueda de madre e hijo a lo largo de un país devastado por la guerra, Sam conoce a Pilar, una joven española a la que la guerra ha dejado huérfana. Rebecca, por su parte, conoce a Ernesto un español que resulta herido en la guerra. Goodbye España trata de lo que puede hacer la gente común y corriente cuando decide actuar. -
THE GALLANT CAUSE This Page Is Intentionally Left Blank the GALLANT CAUSE Canadians in the Spanish Civil War 1936–1939
THE GALLANT CAUSE This page is intentionally left blank THE GALLANT CAUSE Canadians in the Spanish Civil War 1936–1939 Mark Zuehlke John Wiley & Sons Canada, Ltd. Copyright © 1996, 2007 by Mark Zuehlke All rights reserved. No part of this work covered by the copyright herein may be reproduced or used in any form or by any means—graphic, electronic or mechanical without the prior written permission of the publisher. Any request for photocopying, recording, taping or information storage and retrieval systems of any part of this book shall be directed in writing to Th e Canadian Copyright Licensing Agency (Access Copyright). For an Access Copyright license, visit www.accesscopyright.ca or call toll free 1-800-893-5777. Care has been taken to trace ownership of copyright material contained in this book. Th e publisher will gladly receive any information that will enable them to rectify any reference or credit line in subsequent editions. Library and Archives Canada Cataloguing in Publication Data Zuehlke, Mark Th e gallant cause : Canadians in the Spanish Civil War, 1936-1939 / Mark Zuehlke. Includes bibliographical references and index. ISBN 978-0-470-83926-3 1. Spain—History—Civil War, 1936-1939—Participation, Canadian. I. Title. DP269.47.C2Z83 2007 946.081 C2007-903921-9 Production Credits Cover design: Ian Koo Interior text design: Michael Chan Wiley Bicentennial Logo: Richard J. Pacifi co Printer: Tri-Graphic Printing Ltd. John Wiley & Sons Canada, Ltd. 6045 Freemont Blvd. Mississauga, Ontario L5R 4J3 Printed in Canada 1 2 3 4 5 TRI 11 10 09 08 07 For Fiero, who showed the Way. -
DUNS Program5 FINAL Lowres
DUNSINANE DUNSINANE Contents —The Merry Wives of Windsor Chicago Shakespeare Theater 800 E. Grand on Navy Pier On the Boards 8 Chicago, Illinois 60611 A selection of notable CST events, plays and players 312.595.5600 www.chicagoshakes.com ©2015 Point of View 10 Chicago Shakespeare Theater Joyce McMillan examines the truth in All rights reserved. Shakespeare’s storytelling artistic director: Barbara Gaines executive director: Criss Henderson Cast 17 cover: Siobhan Redmond and Darrell D’Silva, photo by Simon Murphy. above: Siobhan Redmond in Dunsinane, photo by Richard Campbell. Playgoer’s Guide 18 Profiles 20 From Another Perspective 32 Journalist Jackie McGlone discusses Dunsinane playwright David Greig’s historical and contemporary inspirations www.chicagoshakes.com 3 CHICAGO SHAKESPEARE THEATER To be! Welcome DEAR FRIENDS, Welcome to Chicago’s home for Shakespeare. Today’s presentation marks the return of two of our seminal international partners: the Royal Shakespeare Company and the National Theatre of Scotland. Their collaboration on Dunsinane has created a tour-de-force, penned by modern-day Scottish playwright David Greig. By boldly imaging the complicated power struggle following the demise of King Macbeth, Greig provokes a timely dialog on the complexities of nation- building following an invasion of epic proportion. The original play is one of the greatest tragedies ever written. To have it followed 400 years later by an equally complicated, nuanced tale is theatrically thrilling. Through our World’s Stage Series, we are honored to serve as a cultural ambassador by importing leading international companies like the RSC and National Theatre of Scotland to Chicago. In the spirit of cultural exchange, we are also increasingly exporting our own work to the world. -
There's a Valley in Spain Called Jarama
There's a valley in Spain called Jarama The development of the commemoration of the British volunteers of the International Brigades and its influences D.G. Tuik Studentno. 1165704 Oudendijk 7 2641 MK Pijnacker Tel.: 015-3698897 / 06-53888115 Email: [email protected] MA Thesis Specialization: Political Culture and National Identities Leiden University ECTS: 30 Supervisor: Dhr Dr. B.S. v.d. Steen 27-06-2016 Image frontpage: photograph taken by South African photographer Vera Elkan, showing four British volunteers of the International Brigades in front of their 'camp', possibly near Albacete. Imperial War Museums, London, Collection Spanish Civil War 1936-1939. 1 Contents Introduction : 3 Chapter One – The Spanish Civil War : 11 1.1. Historical background – The International Brigades : 12 1.2. Historical background – The British volunteers : 14 1.3. Remembering during the Spanish Civil War : 20 1.3.1. Personal accounts : 20 1.3.2. Monuments and memorial services : 25 1.4. Conclusion : 26 Chapter Two – The Second World War, Cold War and Détente : 28 2.1. Historical background – The Second World War : 29 2.2. Historical background – From Cold War to détente : 32 2.3. Remembering between 1939 and 1975 : 36 2.3.1. Personal accounts : 36 2.3.2. Monuments and memorial services : 40 2.4. Conclusion : 41 Chapter Three – Commemoration after Franco : 43 3.1. Historical background – Spain and its path to democracy : 45 3.1.1. The position of the International Brigades in Spain : 46 3.2. Historical background – Developments in Britain : 48 3.2.1. Decline of the Communist Party of Great Britain : 49 3.2.2. -
La DGCEC Y Los Sectores Culturales En Cataluña
2014 La DGCEC y los sectores culturales en Cataluña Departamento de Cultura Dirección General de Creación y Empresas Culturales Instituto Catalán de las Empresas Culturales Departamento de Cultura - Dirección General de Creación y Empresas Culturales Imágenes de portada Els Feréstecs. © Ros Ribas L’esperança de vida d’una llebre. © Ferran Mateo Palau de la Música Catalana. © Antoni Bofill 10.000 km. © Óscar Sánchez Orengo / © Eladio Agudo Primavera Sound. © Dani Cantó Los contenidos de esta publicación están sujetos a una licencia de reconocimiento no comercial 3.0 de Creative Commons. Se permite su copia, distribución y comunicación pública sin uso comercial, siempre que se cite la fuente. La licencia completa se puede consultar en: http://creativecommons.org/licenses/by-nc/4.0/legalcode Instituto Catalán de las Empresas Culturales (ICEC) Passatge de la Banca, 1-3 08002 Barcelona Telèfon: 933 162 770 [email protected] www.gencat.cat/cultura/icec Julio del 2014 Depósito legal B.19548-2014 2 Índice • Presentación 4 • Área de Creación 9 • Área de Equipamientos y Redes de Difusión 13 Equipamientos nacionales escénico-musicales 14 Filmoteca de Catalunya 16 Redes de difusión 18 • Área de Empresas 23 Área de Desarrollo Empresarial 24 Audiovisual 26 Artes escénicas 30 Música 32 Libro 34 Digital 36 Artes visuales 38 Arquitectura 40 • Área de Mercados 43 • Área de Públicos 49 • + Info 57 • Datos macroeconómicos 58 • Piratería 60 • Fiscalidad en Europa 61 • Sedes y direcciones 63 3 Departamento de Cultura - Dirección General de Creación y Empresas Culturales Cataluña es uno de los clústeres punteros en Europa en el ámbito de las industrias culturales y creativas. -
Amerykanie W Wojnie Domowej W Hiszpanii (1936–1938)
ACTA UNIVERSITATIS LODZIENSIS FOLIA HISTORICA 97, 2016 http://dx.doi.org/10.18778/0208-6050.97.05 Hanna Marczewska-Zagdańska (Instytut Historii PAN Warszawa)* Amerykanie w wojnie domowej w Hiszpanii (1936–1938) Streszczenie. W artykule na podstawie jednostkowych przykładów zostały przedstawione losy Amerykanów biorących udział w wojnie domowej w Hiszpanii (2800 żołnierzy) po stronie republikanów. Wbrew amerykańskiej ustawie o neutralności i oficjalnym zakazom amerykańscy ochotnicy nielegalnie, różnymi kanałami przerzutowymi, przedostawali się, by zasilić szeregi Batalionu „Abraham Lincoln” i Batalionu „George Washington”, wchodzących w skład XV Brygady Międzynarodowej, zwanej potocznie Brygadą Abrahama Lincolna. Grupa ochotników amerykańskich była zróżnicowana zarówno pod względem statusu społecznego, wykształcenia, jak i pochodzenia narodowego, tzn. korzeni narodowych. Wśród nich byli zarówno zaangażowani, ideowo wyszkoleni w Moskwie dowódcy (R.H. Merriman) czy komunistyczni instruktorzy (S. Nelson), jak i młodzi ludzie, żądni przygód, podatni na propagandę. Byli nauczyciele, artyści, dziennikarze (J.Ph. Lardner), pisarze (Ph.L. Detro), aktorzy (A. Bessie), a także farmerzy, robotnicy (D.M. Reiss) i bezrobotni. Byli biali i Afroamerykanie (O. Law), mężczyźni i kobiety, Słowianie w pierwszym pokoleniu (M. Markovics) i obywatele USA pochodzenia żydowskiego (M. Wolff). Odrębną, specyficzną grupę stanowili piloci (A. Baumler, F. Tinker, J. Allison) oraz lekarze i pielęgniarki. W Hiszpanii, po krótkim, zupełnie niewystarczającym treningu, otrzymywali rozkaz do wyjścia na front, gdzie ginęli (800 zabitych), odnosili rany, dostawali się do niewoli, a nawet dezerterowali (Ph. Crane, B. Abramofsky). Ci, którym udało się przeżyć, w chwili zakończenia działań wojennych powracali do USA z minimalną pomocą administracji F.D. Roosevelta. Ich dalsze losy były nie mniej złożone i dramatyczne, uwarunkowane politycznie (okres maccartyzmu). -
La Perception Des Volontaires Britanniques De La Guerre D’Espagne
Université Paris Sorbonne – Paris IV UFR d’Histoire – UFR d’Anglais La perception des volontaires britanniques de la guerre d’Espagne, de la surveillance à la redécouverte Bertrand LARGEAUD Mémoire présenté en vue de la validation du Master 2 d’Histoire-Anglais Sous la direction de M. Fabrice BENSIMON Professeur de civilisation britannique à Paris Sorbonne – Paris IV M. Jean-Noël LUC Professeur d’histoire contemporaine à Paris Sorbonne – Paris IV Septembre 2013 La perception des volontaires britanniques de la Guerre d’Espagne, de la surveillance à la redécouverte Remerciements Je veux avant tout remercier Messieurs les professeurs Jean-Noël Luc et Fabrice Bensimon pour leurs conseils avisés et leur suivi, sans lesquels ce travail aurait été bien moins complet et pertinent. Je les remercie également, ainsi que l’Université Paris Sorbonne Paris-IV et le département d’Histoire, pour m’avoir donné la possibilité matérielle de me rendre aux Archives Nationales de Kew, étape indispensable pour mener à bien cette recherche. Le personnel de la Bibliothèque de Documentation Internationale Contemporaine de Nanterre, des Archives nationales de Kew et de l’Institut d’Histoire Sociale d’Amsterdam ont été admirables de patience et de gentillesse, et ont su me guider utilement dans les méandres des archives. Je les en remercie. Je tiens à remercier tout particulièrement Anne et Manon pour leur travail inlassable de relecture et d’aide à la mise en page, leur soutien indéfectible, leurs conseils ou critiques pertinents et leur pugnacité dans l’épreuve de la rédaction, et plus spécialement Manon pour sa présence à mes côtés tout au long de cette longue année. -
Note to Users
NOTE TO USERS The original manuscript received by UMI contains pages with light print. Pages were microfilmed as received. This reproduction is the best copy available UMI National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. nie Wellington OttawaON KIAOM OttawaON K1AON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, Ioan, distriiute or seU reproduire, prêter, distribuer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou su.format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fkom it Ni la thèse ni des exttaits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation, IDEOLOGY AND THE CANADIANS IN THE SPANISH CMLWAR, 1936-9. Abstract In the late 1930s, a civil war broke out in Spain between the left-wing government and the reactionary forces of the right. The government was supported by volunteers from several countries, including Canada. While the subject of the Canadian volunteers has been the focus of a few works in the past, the question of the level of their ideological cornmitment to the anti-fascist cause in Spain has been left largely unexplored. -
World War II in HD Colour. “The Spanish Civil War” (9:45 Min.): (Accessed August 10, 2016)
1 Subject: Social Science (History). Level: 2nd of Unit: A History of the Spanish Civil War (1936-1939) in 30 Batxillerat objects Institut Teacher: Ricard Expósito i Amagat La Garrotxa Name: Date: 1. Discuss a documentary in pairs: “The Gathering Storm Episode 1”. World War II In HD Colour. “The Spanish Civil War” (9:45 min.): https://www.youtube.com/watch?v=TDvz_53bjP4 (Accessed August 10, 2016) “The Spanish Civil War was fought from 17 July 1936 to 1 April 1939 between the Republicans, who were loyal to the democratically elected Spanish Republic, and the Nationalists, a rebel group led by General Francisco Franco. The Nationalists prevailed, and Franco ruled Spain for the next 36 years, from 1939 until his death in 1975.” WWII in Colour Spanish Civil War Part. Copyright Disclaimer under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use. For Educational Purposes Only. Tips: Relax, you (possibly) won’t understand every single word: When you watch this documentary there will definitely be words that you don’t understand. You don’t need to worry at all! It’s not necessary to understand every single word to understand what you’re hearing. Even if you don’t understand everything that you hear at first, it’s not going to be an obstacle in your learning process. -
International Brigade Memorialtrust
IBMT Magazine www.international-brigades.org.uk Issue 44 / 1-2017 INTERNATIONAL BRIGADE MEMORIALTRUST Allth eway to Jarama ClemBeckettplaywows audiencesandcritics LIBE RTY’S VOLUNTEERS THETIMELESSLEGACYOFTHESPANISHCIVILWAR Saturda y18March2017attheManchesterConferenceCentre,78SackvilleSt,ManchesterM13BB www.manchesterconferencecentre.co.uk/01619558000 10.30am Registration oftheBritonswhoFoughtinthe CivilWar:anechothroughthe 11am Welcomeandintroduction: SpanishCivilWar’andIBMTChair) decades–talkbyGilesTremlett, ProfessorPeterCrome 12pm Lunch/Exhibitions/Stalls journalistandauthorof‘Ghostsof Spain:TravelsthroughSpainand 11.15am Internationalvolunteers: 1.30pm TributetoDavidLeachby itsSilentPast’ whotheywereandwhythey ManusO’Riordan(IBMTIreland foughtfascisminSpain–talkbyDr Secretary)followedbyDavid’sfilm 3.30pm SongsfromtheSpanish RichardBaxell(authorof‘Unlikely ‘VoicesfromtheMountain’ CivilWarperformedbyMikeWild Warriors:TheExtraordinaryStory 2.30pm ThelegacyoftheSpanish 4pm Close G £15:buffetandentrance(payment Blackburn,LancsBB27AT01254 InternationalBrigade inadvanceby28February2017) 51302/[email protected] G £10:entranceonly(paymenton G Forfurtherinformation: MemorialTrust2017 theday) DoloresLong01612262013/ G PaymenttoIBMTbycheque/ [email protected] 2017LenCromeMemorialConference PayPal/banktransferto:Charles HilaryJones01625527540/ www.international-brigades.org.uk Jepson,Aysgaard,BeardwoodBrow, [email protected] l l e b p m a C - IBMT MAGAZINE n a y R Issueno.44 e r i h 1-2017 p p a S Coverpicture DavidHeywoodis -
Historical Memory
CUBIERTA MEMORIA HISTÓRICA INGLÉS.qxp_Cubierta Memoria histórica 16/6/21 19:35 Página 1 Since the fall of the Berlin Wall, Western progressi- vism has focused on cultural subversion and the anthropological revolution rather than the economic revolution. In this new era, the different versions of the historical interpretation constitute an added po- litical weapon. This is how “historical memory” has arisen, which seeks to reinterpret the past to domi- nate the present and reduce the complexity of his- tory to the dialectic of executioners versus victims. In Spain, the “historical memory” presents the 20th century and the early years of the 21st as a struggle between fascism and anti-fascism. The left not only wants to impose a mandatory interpreta- tion of history -with criminal and economic sanc- in Europe to Peace Threat a “Historical Memory”, tions for dissidents- but also to eradicate freedom of speech, and teaching. If such a strategy succeeds in Spain, the rest of the European left will copy it and the social confrontation already provoked between the Spanish people will spread to the rest of the continent. In this book, several historians analyze the main mythical slogans of the Spanish “memorialist” move- ment (the spontaneous nature of the violence against Catholics, the “slave” prisoners, the harshness of the post-war repression, the link between the “Historical Spanish regime and the III Reich, amnesty as a re- quirement of the Francoists, the pact of silence in the Transition, etc.) and dismantle them through Memory , data and facts. In addition, former minister of the ” first post-Franco democratic Government (1977- 1979), a writer imprisoned in the 1950s for his a Threat to Peace communist militancy, and another author descen- in Europe ded from an intellectual murdered in the genocide of Catholics perpretated by the left during the Civil War (1936-1939) share their testimonies in the pages of this book. -
Memorable Day in Glasgow Hold in Cardiff This Year
INTERNATIONAL BRIGADE MEMORIAL TRUST Patrons Ken Livingstone www.international-brigades.org.uk Prof. Paul Preston Charity no.1094928 Issue seven / February 2004 INTERNATIONAL BRIGADE MEMORIAL TRUST 37 Reginald Road, London E7 9HS Tel/Fax: 020-8555 6674 Email: [email protected] President: Jack Jones Secretary: Marlene Sidaway Treasurer: Peter Crome Committee Members: Sam Lesser, David Marshall, Richard Baxell, Tish Collins, Pauline Fraser, Katie Green Co-opted Members: Gerry Abrahams, Jim Jump, David Leach, Dolores Long, Manus O’Riordan It’s amazing to realise that this is our 7th Newsletter, and Pauline tells me our membership has grown to over 500 since we first decided to form the Trust in 2000. During that time, Jack has been a wonderful figurehead as our first President. His charm and Scottish veterans (from left) James Maley, Steve Fullarton and John Dunlop. “You can go diplomacy have won us many friends and supporters, proudly. You are history. You are legend. You are the heroic example of democracy’s solidarity and the committee felt that we should acknowledge and universality…” the great debt we owe him by awarding him the title of Honorary Life President. If this is agreed, we can ratify it at the Annual General Meeting, which we hope to Memorable day in Glasgow hold in Cardiff this year. I am writing to all our members in Wales in the hope that some of them will On a clear, crisp after- islands. The last three surviving Scotsmen, be willing to help in organising this, and Pauline has noon in October John Dunlop, Steve Fullarton and James volunteered to co-ordinate it – the provisional date is around 600 people Maley were joined by the last two Irishmen, 16 October.