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'The Left's Views on Israel: from the Establishment of the Jewish State To
‘The Left’s Views on Israel: From the establishment of the Jewish state to the intifada’ Thesis submitted by June Edmunds for PhD examination at the London School of Economics and Political Science 1 UMI Number: U615796 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U615796 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 F 7377 POLITI 58^S8i ABSTRACT The British left has confronted a dilemma in forming its attitude towards Israel in the postwar period. The establishment of the Jewish state seemed to force people on the left to choose between competing nationalisms - Israeli, Arab and later, Palestinian. Over time, a number of key developments sharpened the dilemma. My central focus is the evolution of thinking about Israel and the Middle East in the British Labour Party. I examine four critical periods: the creation of Israel in 1948; the Suez war in 1956; the Arab-Israeli war of 1967 and the 1980s, covering mainly the Israeli invasion of Lebanon but also the intifada. In each case, entrenched attitudes were called into question and longer-term shifts were triggered in the aftermath. -
The Vindication of Jack Jones Contents Page Introduction 2 Part One 4 Part Two 15 Part Three 22 Part Four 31 Part Five 40
THE VINDICATION OF BRIGADISTA AND UNION MAN JACK JAMES LARKIN JONES: IN REFUTATION OF THE BRITISH INTELLIGENCE CAMPAIGN OF CHARACTER ASSASSINATION Manus O’RiORDAN 2010 The Vindication Of Jack Jones CONTENTS Page Introduction 2 Part One 4 Part Two 15 Part Three 22 Part Four 31 Part Five 40 Jack Jones died on 21 April 2009, and straightaway the smear which is detailed and refuted in the series of articles reprinted here was cast. The very next morning the smear was headlined in the Daily which if it had been implemented Telegraph. would have given working class representatives control of the None of us who knew and worked boardrooms of private industry. with Jack Jones or, like myself, just followed his lead in the Workers’ Implementation of those measures Control agitation of the 1970s, was at all of Workers’ Control was sabotaged by surprised by any of it. the Communist Party of Great Britain and its allies and stooges in the Labour In the days when the political and Party and the Trade Unions. economic interests of the British working class were really represented The failure to implement those by an actual Labour and Trade Union measures and take legislative account Movement at the height of its power of working class power, to realise and confidence, Harold Wilson for that power in the daily routines of the the Labour Party and Jack Jones machinery of the British state, was for the Unions moved to establish followed by the erosion, the rolling back the organised working class as the and the eventual destruction of that determining force in British industry. -
Goodbye-Espana-Dossier.Pdf
Pág. 1/12 C/Cueva de la Mora 7 Local 13 28670 Villaviciosa de Odón (Madrid) www.diagorasproducciones.com [email protected] Pág. 2/12 REPARTO: Rebecca Laura Castrillón Sam Andrés Navarro Pasionaria Candela Arroyo Jack Gabriel García Pilar Cristina De La Riva George Ramsés Vollbrecht Ernesto Daniel Acebes Piano y Guitarra Gabriel Martínez Marín Piano y Percusión Jorge Niño Laina Clarinete Alberto Villa Lozano Dirección Musical: Gabriel Martínez Marín Música y Letras: K S Lewkowicz Libreto: Judith Jhonson Traducción y Adaptación: Daniel Acebes Maya y Gabriel García Moreno Diseño de Iluminación: Juanjo Hernández Bellot y Sergio Barreiro Sánchez Diseño de Cartel: José Ponce de León Diseño Escenografía: Diagoras Producciones Vestuario: Dani Maya Jefe Técnico: Juanjo Hernández Bellot Ayudante de Dirección: Sergio Barreiro Sánchez Dirección: Daniel Acebes Maya Producción, Gestión y Distribución: Diagoras producciones C/Cueva de la Mora 7 Local 13 28670 Villaviciosa de Odón (Madrid) www.diagorasproducciones.com [email protected] Pág. 3/12 SOBRE LA OBRA Goodbye España cuenta la historia de Sam, un joven ingles que decide venirse a España como voluntario para combatir en la guerra civil. Rebecca, su madre, al no recibir noticias suyas, decide venirse a buscarlo uniéndose como enfermera voluntaria. Durante esa búsqueda de madre e hijo a lo largo de un país devastado por la guerra, Sam conoce a Pilar, una joven española a la que la guerra ha dejado huérfana. Rebecca, por su parte, conoce a Ernesto un español que resulta herido en la guerra. Goodbye España trata de lo que puede hacer la gente común y corriente cuando decide actuar. -
Orwell's Crystal Chandelier
Orwell’s Crystal Chandelier – Steve Wadhams May – July 2010 Orwell’s Crystal Chandelier May – July 2010 Steve Wadhams I began the Preface to my book “Remembering Orwell” by noting “with some discomfort that I am an exact contemporary – thirty-nine years old in 1984 – of Winston Smith” and that “I am writing this book on April 4th, the very day on which Smith began his rebellion against Big Brother”. Winston Smith‟s job at the Ministry of Truth was to rewrite history. “Remembering Orwell” was an attempt to preserve it, by presenting more or less verbatim the thoughts and memories of 80 people who knew either George Orwell or Eric Blair – conversations I recorded for my five hour radio documentary; “George Orwell: A radio biography”, which aired across Canada and the USA, on January 1st 1984. Well, twenty five years later I‟m still alive and well and still a full time radio producer at the Canadian Broadcasting Corporation. However, most of the people who kindly agreed to be interviewed all those years ago have now passed on. But if I want to bring any one of them back to life and power and thought, restored to their 1983 selves all I have to do is pull out the box that‟s been sitting under my desk all this time, pick any one of the 60 or so cassette tapes which hold the original unedited conversations, put it into the machine and press „play‟. Of course I don't have a recording of Orwell himself because there aren't any, but I see his face every day. -
BBYO 1957 BBYO Group from Western Canada at the District BBYO Convention in Elkhart Lake, Wisconsin
Heritage – Yerusha Fall 2012 Elul 5772 VOLUME 15, NO. 1 HERITAGEHERITAGE www.jahsena.ca The Journal of THE JEWISH ARCHIVES & HISTORICAL SOCIETY OF EDMONTON & NORTHERN ALBERTA Inside: BBYO 1957 BBYO group from Western Canada at the District BBYO convention in Elkhart Lake, Wisconsin. Grabbing the Reins page 4 Bert Ramelson: Communist Party Leader page 10 The Singer Collection page 12 Hold the date: Thursday, Nov. 22nd AGM: Back row, left to right: Allen Bell (Edmonton), Elliott Gelfand (Calgary), Janice Smith (Calgary), The Lost David Singer (Saskatoon), Roz Gibbs (Medicine Hat), Mitchell Gropper (Saskatoon). Middle row: Corinne Nitikman (Saskatoon), Alvin Shapiro (Regina), Dolly Shragge (Regina), Jews of Shim Fialkow (Edmonton). Front row: Esther Segal (Edmonton), Noel Jampolsky (Regina), Donna Krolik (Saskatoon), Trudy Pine Lake Singer Pekarsky (Edmonton). 2 VISIT OUR WEBSITE: www.jahsena.ca HERITAGE • FALL 2012 special care in housing them in our new location. I have put them hwry From the Archivist’s Desk..., in a glass-doored cabinet, and our conservationist, Claudia, is by Debby ShoctoR HERITAGE repairing and protecting them. In HERITAGE addition, I found an autographed The Journal of the Jewish Fall 2012 program from an Edmonton Archives & Historical Society Flyers vs. Detroit Redwings game in Edmonton in 1958, signed of Edmonton and Northern hope everyone has been enjoy- donation even though I had to by every player on both teams, Alberta I ing their summer vacation. drop everything I was doing including Gordie Howe and Red While you have been busy lying and rush over there to help the Kelly! One of my co-workers President in the sun, canoeing, sailing, family sort through it, box it up, happened to walk into my office cottage-going and what have you, and put it in my car to take back at the time and offered me $1000 Jini Vogel I have been busy packing. -
THE GALLANT CAUSE This Page Is Intentionally Left Blank the GALLANT CAUSE Canadians in the Spanish Civil War 1936–1939
THE GALLANT CAUSE This page is intentionally left blank THE GALLANT CAUSE Canadians in the Spanish Civil War 1936–1939 Mark Zuehlke John Wiley & Sons Canada, Ltd. Copyright © 1996, 2007 by Mark Zuehlke All rights reserved. No part of this work covered by the copyright herein may be reproduced or used in any form or by any means—graphic, electronic or mechanical without the prior written permission of the publisher. Any request for photocopying, recording, taping or information storage and retrieval systems of any part of this book shall be directed in writing to Th e Canadian Copyright Licensing Agency (Access Copyright). For an Access Copyright license, visit www.accesscopyright.ca or call toll free 1-800-893-5777. Care has been taken to trace ownership of copyright material contained in this book. Th e publisher will gladly receive any information that will enable them to rectify any reference or credit line in subsequent editions. Library and Archives Canada Cataloguing in Publication Data Zuehlke, Mark Th e gallant cause : Canadians in the Spanish Civil War, 1936-1939 / Mark Zuehlke. Includes bibliographical references and index. ISBN 978-0-470-83926-3 1. Spain—History—Civil War, 1936-1939—Participation, Canadian. I. Title. DP269.47.C2Z83 2007 946.081 C2007-903921-9 Production Credits Cover design: Ian Koo Interior text design: Michael Chan Wiley Bicentennial Logo: Richard J. Pacifi co Printer: Tri-Graphic Printing Ltd. John Wiley & Sons Canada, Ltd. 6045 Freemont Blvd. Mississauga, Ontario L5R 4J3 Printed in Canada 1 2 3 4 5 TRI 11 10 09 08 07 For Fiero, who showed the Way. -
Lift the Criminal Embargo! Washington Using Occupation, Blockade, in Drive to Establish Protectorate in Iraq
Birmingham Six frame-up TH£ discredited Page 7 A SOCIALIST NEWSWEEKLY PUBLISHED IN THE INTERESTS OF WORKING PEOPLE VOL. 55/NO. 10 MARCH 15, 1991 $1.50 End the occupation of Iraq! Lift the criminal embargo! Washington using occupation, blockade, in drive to establish protectorate in Iraq BY GREG McCART AN ade, and bring as much political pressure to Washington has now entered the fifth stage bear as it can in order to set up a regime in of its war drive against the Iraqi people. The Baghdad that is as close to a protectorate as goal of U.S. imperialism remains what is has possible. been since early August: the establishment U.S. government demands include fulfill of a protectorate in Baghdad that can defend ment of United Nations Security Council imperialist interests in the region. resolutions establishing "peace and security The war drive is not over. It continues with in the region," and making Iraq pay enor bipartisan support in Washington. Despite mous - and as yet undetermined - war reparations. Bush announced these imperial rights and News Analysis demands following the slaughter of tens of thousands of Iraqi troops during the invasion. Rejecting Hussein's decision to withdraw his some tactical differences, senators and mem forces from Kuwait, the administration or bers of Congress in the Democratic and Re dered the bombing, rocketing, and shooting publican parties have accepted and promoted of the retreating troops. Unable to politically each step toward war since August. sustain such a one-sided bloodbath Bush The first stage of the war drive opened with the initial response by Washington to Continued on Page 8 Children in Baghdad collecting water at spot where their homes once stood intervene with troops in response to the Au gust 2 Iraqi invasion of Kuwait. -
DUNS Program5 FINAL Lowres
DUNSINANE DUNSINANE Contents —The Merry Wives of Windsor Chicago Shakespeare Theater 800 E. Grand on Navy Pier On the Boards 8 Chicago, Illinois 60611 A selection of notable CST events, plays and players 312.595.5600 www.chicagoshakes.com ©2015 Point of View 10 Chicago Shakespeare Theater Joyce McMillan examines the truth in All rights reserved. Shakespeare’s storytelling artistic director: Barbara Gaines executive director: Criss Henderson Cast 17 cover: Siobhan Redmond and Darrell D’Silva, photo by Simon Murphy. above: Siobhan Redmond in Dunsinane, photo by Richard Campbell. Playgoer’s Guide 18 Profiles 20 From Another Perspective 32 Journalist Jackie McGlone discusses Dunsinane playwright David Greig’s historical and contemporary inspirations www.chicagoshakes.com 3 CHICAGO SHAKESPEARE THEATER To be! Welcome DEAR FRIENDS, Welcome to Chicago’s home for Shakespeare. Today’s presentation marks the return of two of our seminal international partners: the Royal Shakespeare Company and the National Theatre of Scotland. Their collaboration on Dunsinane has created a tour-de-force, penned by modern-day Scottish playwright David Greig. By boldly imaging the complicated power struggle following the demise of King Macbeth, Greig provokes a timely dialog on the complexities of nation- building following an invasion of epic proportion. The original play is one of the greatest tragedies ever written. To have it followed 400 years later by an equally complicated, nuanced tale is theatrically thrilling. Through our World’s Stage Series, we are honored to serve as a cultural ambassador by importing leading international companies like the RSC and National Theatre of Scotland to Chicago. In the spirit of cultural exchange, we are also increasingly exporting our own work to the world. -
Caryl Churchill …………………………………
UNIVERSITÀ DEGLI STUDI DI VERONA DIPARTIMENTO DI CULTURE E CIVILTÀ SCUOLA DI DOTTORATO DI SCIENZE UMANISTICHE DOTTORATO DI RICERCA IN STUDI FILOLOGICI, LETTERARI E LINGUISTICI XXXI CICLO / 2015 TITOLO DELLA TESI DI DOTTORATO A Map of the World The 4-Way Street of British Political Theatre 1968-1985 S.S.D. L-ART/05 DISCIPLINE DELLO SPETTACOLO Coordinatore: Prof. Paolo Pellegrini Tutore: Prof. Nicola Pasqualicchio Dottorando: Dott. Carlo Vareschi Contents Abstract ……………………………………………………….. p. 3 Introduction .....……………………………………………….. p. 5 Chapter 1 CAST ……………………………………………… p. 17 1.1 In the Beginning there was CAST (p. 18); 1.2 Rebels with a Cause (p. 21); 1.3 Revolutionaries on a State Pay-Roll (p. 49); 1.4 The Rise and Fall (p. 82); 1.5 The End (p. 93) Chapter 2 David Edgar ……………………………………… p. 107 2.1 Public Theatre in a Private Age (p. 108); 2.2 A Belief in Collaborative Production (p. 109); 2.3. An Aspiration to a Wider Audience (p. 113); 2.4 An Open Attitude to Form (p. 115); 2.5 A Concern with the Public World (p. 120); 2.6 Unlike Arnold Wesker or Brendan Behan (p. 123); 2.7 Unlike Bond, Arden and Brecht (p. 124); 2.8 Unlike Shaw (p. 125); 2.9 Dick Deterred (p. 127); 2.10 Destiny (p. 144); 2.11 Our Own People (p. 155) Chapter 3 Caryl Churchill ………………………………….. p. 173 3.1 Far from the Madding Crowd (p. 178); 3.2 Churchill’s Newspeak (p. 188); 3.3 Sometimes it’s Hard to be a Woman (p. 192); Snakes and Ladders (p. 211) Chapter 4 Howard Barker …………………………………. -
There's a Valley in Spain Called Jarama
There's a valley in Spain called Jarama The development of the commemoration of the British volunteers of the International Brigades and its influences D.G. Tuik Studentno. 1165704 Oudendijk 7 2641 MK Pijnacker Tel.: 015-3698897 / 06-53888115 Email: [email protected] MA Thesis Specialization: Political Culture and National Identities Leiden University ECTS: 30 Supervisor: Dhr Dr. B.S. v.d. Steen 27-06-2016 Image frontpage: photograph taken by South African photographer Vera Elkan, showing four British volunteers of the International Brigades in front of their 'camp', possibly near Albacete. Imperial War Museums, London, Collection Spanish Civil War 1936-1939. 1 Contents Introduction : 3 Chapter One – The Spanish Civil War : 11 1.1. Historical background – The International Brigades : 12 1.2. Historical background – The British volunteers : 14 1.3. Remembering during the Spanish Civil War : 20 1.3.1. Personal accounts : 20 1.3.2. Monuments and memorial services : 25 1.4. Conclusion : 26 Chapter Two – The Second World War, Cold War and Détente : 28 2.1. Historical background – The Second World War : 29 2.2. Historical background – From Cold War to détente : 32 2.3. Remembering between 1939 and 1975 : 36 2.3.1. Personal accounts : 36 2.3.2. Monuments and memorial services : 40 2.4. Conclusion : 41 Chapter Three – Commemoration after Franco : 43 3.1. Historical background – Spain and its path to democracy : 45 3.1.1. The position of the International Brigades in Spain : 46 3.2. Historical background – Developments in Britain : 48 3.2.1. Decline of the Communist Party of Great Britain : 49 3.2.2. -
288379478.Pdf
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Loughborough University Institutional Repository This item was submitted to Loughborough’s Institutional Repository (https://dspace.lboro.ac.uk/) by the author and is made available under the following Creative Commons Licence conditions. For the full text of this licence, please go to: http://creativecommons.org/licenses/by-nc-nd/2.5/ Elective and Experiential Affinities: British and American Foreign Correspondents and the Spanish Civil War David Deacon Abstract This article examines the experiences, attitudes and perceptions of British and American correspondents who reported on the Spanish Civil War directly. The analysis shows that the international news net in the war was more extensive and effectively organised in Republican held territories; and that, taken overall, the political sympathies of the international news corps inclined more towards the Republicans. With some journalists, these reflected pre-existing political viewpoints, but in many cases these sympathies were forged through their experiences in Spain. The article concludes with a discussion of the impact these political positions had on journalists’ interpretations of their professional roles and responsibilities. Keywords: Foreign correspondents; international news; Spanish Civil War; propaganda. Introduction There are increasing concerns that standards of foreign correspondence in British and American news media are not what they were. Academic and journalistic sources have identified declining levels of foreign news coverage, decreasing editorial investment in foreign news desks, and, with the advent of new technologies and presentational formats, an emerging news culture that values immediacy over measured analysis (MacGregor, 1997; Fenton,2005; Parks, 2002). -
La DGCEC Y Los Sectores Culturales En Cataluña
2014 La DGCEC y los sectores culturales en Cataluña Departamento de Cultura Dirección General de Creación y Empresas Culturales Instituto Catalán de las Empresas Culturales Departamento de Cultura - Dirección General de Creación y Empresas Culturales Imágenes de portada Els Feréstecs. © Ros Ribas L’esperança de vida d’una llebre. © Ferran Mateo Palau de la Música Catalana. © Antoni Bofill 10.000 km. © Óscar Sánchez Orengo / © Eladio Agudo Primavera Sound. © Dani Cantó Los contenidos de esta publicación están sujetos a una licencia de reconocimiento no comercial 3.0 de Creative Commons. Se permite su copia, distribución y comunicación pública sin uso comercial, siempre que se cite la fuente. La licencia completa se puede consultar en: http://creativecommons.org/licenses/by-nc/4.0/legalcode Instituto Catalán de las Empresas Culturales (ICEC) Passatge de la Banca, 1-3 08002 Barcelona Telèfon: 933 162 770 [email protected] www.gencat.cat/cultura/icec Julio del 2014 Depósito legal B.19548-2014 2 Índice • Presentación 4 • Área de Creación 9 • Área de Equipamientos y Redes de Difusión 13 Equipamientos nacionales escénico-musicales 14 Filmoteca de Catalunya 16 Redes de difusión 18 • Área de Empresas 23 Área de Desarrollo Empresarial 24 Audiovisual 26 Artes escénicas 30 Música 32 Libro 34 Digital 36 Artes visuales 38 Arquitectura 40 • Área de Mercados 43 • Área de Públicos 49 • + Info 57 • Datos macroeconómicos 58 • Piratería 60 • Fiscalidad en Europa 61 • Sedes y direcciones 63 3 Departamento de Cultura - Dirección General de Creación y Empresas Culturales Cataluña es uno de los clústeres punteros en Europa en el ámbito de las industrias culturales y creativas.