DOCSLIB.ORG

Derrick Funeral Home

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Derrick Funeral Home Welcome to the faith community of ST. FRANCIS DE SALES LAKE GENEVA, WISCONSIN We, the community of St. Francis de Sales Parish, seek to LIVE JESUS through the empowerment of the Holy Spirit by ministering to the needs of our brothers and sisters through Word, Worship, Education and Service. PRAYER & WORSHIP PARISH OFFICE Mass Schedule By Phone: Monday-Thursday 7:30 a.m. - 3:30 p.m. Mass of Anticipation: Saturday, 5:15 p.m. and Friday 7:30 a.m. - 12:30 p.m. Sunday Mass: 7:30 a.m., 9:00 a.m., 10:30 a.m. and 5:00 Walk-in: Tuesday-Thursday 7:30 a.m. - 3:30 p.m. and p.m. (Spanish Mass) Friday 7:30 a.m. - 12:30 p.m. Daily Mass: Tuesday & Thursday 8:45 a.m.; Wednesday & Address: 148 W. Main Street, Lake Geneva, WI Friday, 7:30 a.m. 53147 Adoration of the Blessed Sacrament: Tuesday, 10 a.m. - Phone: (262) 248-8524 Fax: (262) 248-5302 6:00 p.m. Parish Web Site: www.sfdslg.org Reconciliation: Following Weekday Masses and 4:00 p.m. PARISH SCHOOL on Saturdays. Spanish Speaking Confessions will be the Address: 130 W. Main Street, Lake Geneva, WI Second and Fourth Sundays at 4:30 p.m. 53147 Phone: (262) 248-2778 Fax: (262) 248-7860 PLEASE PRAY FOR… IN LOVING MEMORY Benjamin Evan Tom Lasorda Born to eternal rest Schramm Lynda Paese Lorraine Wroblski Mary Cherney Pat Paese Robert Riley James Paese ETERNAL REST GRANT UNTO HER, O LORD, Juliana H.Carpenter Mark Voltz AND MAY PERPETUAL LIGHT SHINE UPON HER Maryann Doornbos Kellana Gladsby Margie Detloff Clarence Read Arthur Waldoch Vincent McClain ALTAR CARE SCHEDULE Sandy and Tim Haggerty Tom Leedle 11/2-11/7—Geri Braun Chris Bettis Dorcas Breuninger 11/9-11/14—Donna Smith Debbie Mickelski Bobby Zagrodnik & Kevin Rowickie Family Marie Rowickie AnneMarie Janikowski BULLETIN SUBMISSION Mary Huml Conway Edward Czerwinski All articles for the bulletin must be emailed to Aiden Conway Hannah Palmer [email protected] or submitted in writing to the parish Karen Buhmann Nino Cruz office. The deadline is at noon on Monday. Thank you! Donovan Johnson Gervaise (Bunny) Lauf Cheryl and George Kaylee FACE MASKS ARE REQUIRED AT ALL Samantha Rowley Deneen Calvello Jim and Nancy Allen Patsy Dunlop Scialabba MASSES Joan and Gerry Nobiling Anita Segal Directive Changes Stuart Jossart John For our Sunday Liturgies there are no changes Keira Taylor other than please keep distancing properly. Our Weekday School Mass has some changes: Because of the up tick in Corona Cases those adults who attend the 8:45 a.m. Mass are still welcome at the Mass but must sit in chapel or SOLES WALK parish center. No non-school adults and children should Dear Parishioners, School Parents and Students, sit in main body of the Church. Thank you for all of your Thank you for the following these changes for the support for the Soles Walk and health and security of our school children. helping our Home & School committee. We were so successful that the Archdiocese is asking what MASS INTENTIONS our secret was. Actually there was no SATURDAY, October 31, 2020 secret other than we as a Community came together to do 5:15 p.m. Richard Schiltz the work of the Lord. Thank you for all your time and SUNDAY, November 1, 2020 7:30 a.m. Bob Haneman, Bruce Nelson effort. Blessings to All. Go SFDS School! 9:00 a.m. Carol Carney, Isabel Turner 10:30 a.m. Lauren (Rey) Pepple, J.R. Rahn WEDDING BANNS 5:00 p.m. All Parishioners (Spanish Mass) MONDAY, November 2, 2020 I. Ryan Clark and Melanie Battaglia 5:30 p.m. All Souls TUESDAY, November 3, 2020 8:45 a.m. Helen & Ken Jacobson, Rob Lenon READINGS FOR THE WEEK WEDNESDAY, November 4, 2020 Monday: Wis 3:1-9; Ps 23:1-6; Rom 5:5-11 or 6:3-9; 7:30 a.m. All Parishioners Jn 6:37-40, or any readings from no. 668 or THURSDAY, November 5, 2020 from Masses for the Dead, nos. 1011-1016 8:45 a.m. All Students Tuesday: Phil 2:5-11; Ps 22:26b-32; Lk 14:15-24 FIRST FRIDAY, November 6, 2020 Wednesday: Phil 2:12-18; Ps 27:1, 4, 13-14; 7:30 a.m. All Parishioners Lk 14:25-33 FIRST SATURDAY, November 7, 2020 Thursday: Phil 3:3-8a; Ps 105:2-7; Lk 15:1-10 5:15 p.m. Intentions of Lewis Pulio Friday: Phil 3:17 — 4:1; Ps 122:1-5; Lk 16:1-8 SUNDAY, November 8, 2020 Saturday: Phil 4:10-19; Ps 112:1b-2, 5-6, 8a, 9; 7:30 a.m. Del & Debbie Krohn Lk 16:9-15 9:00 a.m. Ron Pankau, Jackie Huml Sunday: Wis 6:12-16; Ps 63:2-8; 1 Thes 4:13-18 10:30 a.m. All Parishioners [13-14]; Mt 25:1-13 5:00 p.m. All Parishioners (Spanish Mass) ALL SOUL’S REMEMBRANCE Stewardship Treasure Thank you to all of you who have helped us to celebrate our Giving Method Actual Goal Over/ Loved one who have gone before us (Under) marked with the sign of faith as the Weekend of October 25 Eucharistic Prayers so beautifully states during our Sunday Liturgies. Envelope & Checks 5,347 6,391 (1,044) Please take a moment to look at all Offertory Cash 1,598 2,305 (708) the names listed in the front Sanctuary area of our Electronic 4,447 3,268 1,179 Church. These are the Souls who have been our guides Total 11,392 11,964 (573) and support helping us to become the presence of God in Lake Geneva. Holy Mary Mother of God, Pray for us Year to Date (07/01/19 to 10/25/20) sinners now and at the hour of our death. Amen Envelope & Checks 98,159 111,269 (13,110) Offertory Cash 31,423 43,555 (12,132) Electronic 59,082 53,982 5,100 ALL SOULS’ MASS Total 188,664 208,806 (20,142) Because All Saints’ day is on a Other Weekend Giving Sunday this year it is not a Holy Day of Obligation in the usual way Capital 50 because Sunday is a Holy Day of Angel Fund 123 Obligation. But All Soul’s Day is also Human Concerns 5 a very special day even though it is Special Collections not a Holy Day of Obligation. Consequently because of its importance ritually, we will Please consider OnLine have an evening Mass on Monday, November 2 at 5:30 Electronic giving by navigating p.m. Please come and join us as we remember all our to www.sfdslg.org, clicking on beloved brothers and sisters who have walked in Faith and now sleep in Christ Jesus. the DONATE icon and signing up today! ADVENT BOOK STUDY Yes, believe it or not Advent is just a month away. Our book study will again be from Ascension Press from the Rejoice! Series. This year the book is “Advent Meditations with the Holy Family”. We have a limited number of books for $8.50 each. If they sell out we may be able to get more but they may be more expensive. Because of Covid the publishers weren’t able to get as many books. The classes will again be Monday nights and Thursday mornings. Monday night classes will start Monday, Nov. 30 through Monday, Dec. 21 running from 7-8:30 p.m..; Thursday classes will start Thursday, Dec. 3 through Thursday, Dec. 17 running from 10:30 a.m.- noon. Providing no COVID changes occur before then we will have classes in the Parish Center with proper distancing and wearing of masks. We again will offer a Zoom option and you can ask for that for all the classes when you register or on an as-needed basis. To register and get a book or with any questions, please contact: Maureen Redmer 262-249-0424 [email protected] or Geri Braun 262-249-9590 [email protected] ASAP. LETTER FROM OUR ARCHBISHOP ON THE ELECTIONS Dear Brothers and Sisters in Christ, As we approach our national election and ponder the privilege we have as citizens to vote, I encourage all of you to read the directions given by the USCCB as a voter’s guide. I urge you to be informed about the issues that the Catholic Church and its social teachings place before us. I wish to emphasize the following issues and why they are extremely important to me as a Catholic and a patriotic citizen. The first issue is religious freedom. As a religious leader, I am more and more convinced that there is a concerted effort being waged to limit the impact of organized religion. This has been true for the last decade with the push toward secularism. Religion, especially the Catholic Church, stands at the forefront in opposition to the social reconstruction that is marketed as a progressive doctrine and deems religion and its teachings as offensive and backward. Will homilies be scrutinized for politically correct positions? Will churches be the subject of interference in their social outreach, being evaluated by whether they carry the banner of political ideologies? We have a higher responsibility which makes us better citizens and more responsible human beings. I am unabashedly pro-life. The second concern is respect for life from womb to tomb. I am convinced that we will not return to a positive attitude in our country until we protect life, especially the lives of the unborn.
Load more

Recommended publications
  • In Canto XXV of the Purgatorio, Statius' Exposition on The
    1-Ureni:0Syrimis 1/19/11 3:20 PM Page 9 HUMAN GENERATION , M EMORY AND POETIC CREATION : FROM THE PURGATORIO TO THE PARADISO PAOLA URENI Summary : Statius’ scientific digression on the generation of the fetus and the formation of the fictive body in the afterlife occupies a large part of canto XXV of Dante’s Purgatorio . This article will examine the metaphorical relevance of that technical exposition to Dante’s poetics. The analogy between procreation and poetic creation appears to be con - sistent once the scientific lesson on embryology of canto XXV is under - stood as mirroring the definition of the Dolce Stil Novo offered by Dante in the previous canto ( Purg. XXIV). The second part of this article stress - es the importance of cantos XXIV and XXV as an authorization to inves - tigate the presence, in Dante’s Comedy , of a particular notion of purely rational memory derived from Augustine’s speculation. The allusion to an Augustinian conception of memory in Purgatorio XXV opens the pos - sibility of considering its presence in the precisely intellectual dimension of Paradiso . In canto XXV of the Purgatorio , Statius’ exposition on the generation of the fetus and the formation of the fictive body in the afterlife is evidence not only of Dante’s awareness of the medical debates of his time, but also of his willingness to enter into such discussion. Less obvious, but perhaps more important is this technical exposition’s metaphorical relevance to Dante’s poetics. The analysis of the relation between human generation and poetic inspiration is the focus of the first part of this article.
    [Show full text]
  • Lending Library Catalog (Last Updated 3-26-09)
    Saint Francis of Assisi Parish - Lending Library Catalog (Last Updated 3-26-09) Title Author ShelfCat 1 Corinthians Mruphy-O'Connor, Jerome bst 101 Most-Asked Questions about Liturgy, The Wagner, Nick ltu 12 Steps -- a Way Out, The Friends in Recovery rec/q 12 Steps for Adult Children*, The Friends in Recovery rec 201 Inspirational Stories of the Eucharist Proctor, Patricia pas 365 Children's Prayers Watson, Carol prb/c 3rd Serving of Chicken Soup for the Soul, A Canfield, Jack pas A Do-It-Yourself Retreat Hogan, Joseph pas Abandonment to Divine Providence de Caussade, Jean-Pierre pas Abbey of Gethsemane, The Aprile, Dianne voc/q Abide in Christ Murray, Andrew pas Abolition of Man, The Lewis, C. S. soc About Love Pieper, Josef phi Vaughn, Frances and Walsh, Roger Accept This Gift (Editors) poe Active Imagination Hannah, Barbara psy Acts of the Apostles, The Barclay, William bst Saint Francis of Assisi Parish - Lending Library Catalog (Last Updated 3-26-09) Title Author ShelfCat Acts of the Apostles, The Haenchen, Ernst bst Acts of the Apostles, The Johannes Munck (Translator) bst/r Addiction & Grace [Leader's guide & textbook] May, Gerald G. rec Addiction and Grace May, Gerald G. rec Addictive Personality, The Nakken, Craig rec Adult Children of Alcoholics Woititz, Janet Geringer rec Advent and Christmas with Thomas Merton Bauer, Judith and Cleary, John (Editors) adv Advent Thirst…Christmas Hope Constance, Anita M. adv Adventure Inward Kelsey, Morton T. psy After Nine Hundred Years Congar OP, Yves chs Against the Gods Bernstein, Peter L soc Aging Nouwen, Henri & Gaffney, Walter J.
    [Show full text]
  • Dante's Shades: Embryology in Purgatorio XXV from Plurality To
    Dante’s Shades: Embryology in Purgatorio XXV from Plurality to (Near) Unicity of Forms MANUELE GRAGNOLATI Abstract: This paper explores the concept of shades (“ombre”) inhabiting the otherworld depicted in the Divine Comedy. Dante takes it from the Classical world, and indeed “umbrae” already inhabited the underworld visited by Aeneas in book six of Virgil’s Aeneid, but in Purgatorio XXV he gives it an Aristotelian interpretation so that it could fit the new Christian setting of his poem. In particular, Dante imagines that when a soul separates from its body at physical death and gets to the afterlife, it can unfold a body of air that gives it both an appearance and all the senses, and that a shade is precisely formed by the separated soul and its aerial body. By contextualizing Dante’s explanation in Purgatorio XXV within contemporary eschatological assumptions and embryological discussions, this paper argues that Dante’s doctrine negotiates between two different principles of Scholastic philosophy (unicity and plurality of forms), giving the soul such power that it can indeed unfold a body of air (and therefore have full experience) in the afterlife while at the same time making clear that aerial shades should not be confused with real, fleshly persons. The concept of shade appears as paradoxical, both powerful and limited, and indicates, in different ways, the significance of corporeality for Dante’s anthropology. Keywords: Dante, medieval eschatology, Purgatory, embryology, soul, body, corporeality. In the thirteenth century, Christian eschatology with respect to body and soul undergoes a significant change of emphasis: the traditional focus on the Last Judgment and the resurrection of the body shifts towards a sense of “last things” that, if it does not erase the significance of bodily return at the end of time, concentrates nonetheless on the individual destiny of the separated soul and stresses its full Université de Paris 4 – Sorbonne.
    [Show full text]
  • Singing for Dante in 'Purgatorio'
    Bibliotheca Dantesca: Journal of Dante Studies Volume 1 Dante and Music Article 7 2018 SINGING FOR DANTE IN ‘PURGATORIO’ 30–31 Helena Phillips-Robins Follow this and additional works at: https://repository.upenn.edu/bibdant Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Italian Language and Literature Commons, Medieval History Commons, and the Music Commons Recommended Citation Phillips-Robins, Helena (2018) "SINGING FOR DANTE IN ‘PURGATORIO’ 30–31," Bibliotheca Dantesca: Journal of Dante Studies: Vol. 1 , Article 7. Available at: https://repository.upenn.edu/bibdant/vol1/iss1/7 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/bibdant/vol1/iss1/7 For more information, please contact [email protected]. Phillips-Robins: SINGING FOR DANTE Bibliotheca Dantesca, 1 (2018): 127-145 SINGING FOR DANTE IN ‘PURGATORIO’ 30–31 HELENA PHILLIPS-ROBINS, University of Cambridge This essay investigates types of sociality enacted through song, as depicted in Dante’s Earthly Paradise. The first section of the essay argues that the singing of Psalm 30 (In te, Domine, speravi) in Purgatorio 30 is a way of enacting a particular mode of compassion. In the second section of the essay I argue that Dante’s depiction of Psalm 30—together with his depiction of the antiphon sung in Purgatorio 31, the Asperges me—invites a devotional response from the reader. The sociality of prayer can involve not only the characters, but also the readers of the Commedia. I investigate the liturgical context in which Dante and medieval readers would have known and lived the Asperges me. I argue that here, at the end of the narrative of his penitential journey, Dante, with this antiphon, invites the reader to her own performance of penance.
    [Show full text]
  • Dante Alighieri's Divine Comedy – Inferno
    DIVINE COMEDY -INFERNO DANTE ALIGHIERI HENRY WADSWORTH LONGFELLOW ENGLISH TRANSLATION AND NOTES PAUL GUSTAVE DORE´ ILLUSTRATIONS JOSEF NYGRIN PDF PREPARATION AND TYPESETTING ENGLISH TRANSLATION AND NOTES Henry Wadsworth Longfellow ILLUSTRATIONS Paul Gustave Dor´e Released under Creative Commons Attribution-Noncommercial Licence. http://creativecommons.org/licenses/by-nc/3.0/us/ You are free: to share – to copy, distribute, display, and perform the work; to remix – to make derivative works. Under the following conditions: attribution – you must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work); noncommercial – you may not use this work for commercial purposes. Any of the above conditions can be waived if you get permission from the copyright holder. English translation and notes by H. W. Longfellow obtained from http://dante.ilt.columbia.edu/new/comedy/. Scans of illustrations by P. G. Dor´e obtained from http://www.danshort.com/dc/, scanned by Dan Short, used with permission. MIKTEXLATEX typesetting by Josef Nygrin, in Jan & Feb 2008. http://www.paskvil.com/ Some rights reserved c 2008 Josef Nygrin Contents Canto 1 1 Canto 2 9 Canto 3 16 Canto 4 23 Canto 5 30 Canto 6 38 Canto 7 44 Canto 8 51 Canto 9 58 Canto 10 65 Canto 11 71 Canto 12 77 Canto 13 85 Canto 14 93 Canto 15 99 Canto 16 104 Canto 17 110 Canto 18 116 Canto 19 124 Canto 20 131 Canto 21 136 Canto 22 143 Canto 23 150 Canto 24 158 Canto 25 164 Canto 26 171 Canto 27 177 Canto 28 183 Canto 29 192 Canto 30 200 Canto 31 207 Canto 32 215 Canto 33 222 Canto 34 231 Dante Alighieri 239 Henry Wadsworth Longfellow 245 Paul Gustave Dor´e 251 Some rights reserved c 2008 Josef Nygrin http://www.paskvil.com/ Inferno Figure 1: Midway upon the journey of our life I found myself within a forest dark..
    [Show full text]
  • St. Francis De Sales ROMAN CATHOLIC CHURCH
    St. Francis de Sales ROMAN CATHOLIC CHURCH 4268 Lime Street, Riverside, CA 92501 • Phone: (951) 686.4004 • Fax: (951) 686.3948 Español: (951) 683.6204 • www.stfrancisdesales-riverside.com Our Parish is Served by the Consolata Missionaries (IMC) Pastor: Fr. Louis Abdoo, Vicar: Fr. Joseph Kim Deacon: Joseph Marino The Sacraments Matrimony: By appointment only, at least SIX MONTHS in advance. Must consult a Priest prior to setting a date. Confirmation: This is a multi-year program. Please contact the Directors of Religious Education of English or Spanish (see page 7 for list of phone numbers). Sacrament of Reconciliation: Saturday: 3:45 - 4:45 PM Baptism: Baptisms are celebrated every last Saturday each month at 10:00 AM. You must call the Parish Office first regarding requirements and for preparation classes. Religious Education of Children: This is a multi-year program of Religious Education. Please call the Directors of Religious Education of English or Spanish. (see page 7 for list of phone numbers) Rite of Christian Initiation of Adults (RCIA): Adults inquiring about Baptism, First Eucharist or Confirmation, please call Rolando Gaza. Liturgical Celebrations SUNDAY EUCHARIST - MASS Saturday Vigil 5:00 PM Sunday 7:00*, 9:00, 11:30 AM (English) and 5:00* PM (Español) WEEKDAY EUCHARIST - MASS Monday-Saturday 7:00* AM * = Livestreamed via Facebook EXPOSITION OF THE BLESSED SACRAMENT Thursday 7:30am- 8:00pm BULLETIN DEADLINE: Monday 12:00 PM Now follow us on Facebook at/Síganos en Facebook: www.facebook.com/stfrancisdesalesriverside From the Pastor's desk… page 2 March 1, 2021 Our Mission We, the Church of St.
    [Show full text]
  • II Dante, Purgatorio, II, 7 the Above Quotation Opens Run to The
    II Jack Kelly, GIVlNG UP EVERYTHING Run to the mountain; Shed those scales on your eyes That hinder you from seeing God. Dante, Purgatorio, II, 7 The above quotation opens Run to the Mountain: The Story ofa Vocation, Volume One of the Journals of Thomas Merton. And it tells in just a few words the story that emerges as we wander through the pages of this new and revealing book of Merton's thoughts and musings during his pre-monastery years. We 're with him when he lives on Perry Street in New York; we travel with him during his Cuban adventure; and we join him on the Erie Lackawanna Railroad to Olean where he taught at St. Bonaventure University. 1 read The Seven Storey Mountain when l was a teenager. l remember telling someone that I had not committed a sin since. My jocular comment gave me a spirited sense of self-aggrandizement. Then I forgot about Merton. As the years went by, l dipped into his latest works, but found them too "spiritual" or too "holy." I did not share his zeal for God. Catholicism was a club I'd resigned from in my twenties. I respected j his choice but by being raised Catholic I felt and saw .I the narrow and provincial attitudes it provoked in me and my contemporaries. "If Jesus were to return today, JACK KELLY (CENTER) he wouldn't be welcome in the Catholic Church," one with Robert Lax & Marcia Kelly 12 elderly Episcopal priest pointed out to me. "There's nothing wrong with Christianity," he continued, "It's just that it's never been tried!" I didn't disagree.
    [Show full text]
  • Music and Spirituality
    Music and Spirituality Edited by Edward Foley Printed Edition of the Special Issue Published in Religions www.mdpi.com/journal/religions Edward Foley (Ed.) Music and Spirituality This book is a reprint of the special issue that appeared in the online open access journal Religions (ISSN 2077-1444) in 2014 (available at: http://www.mdpi.com/journal/religions/special_issues/music_spirituality). Guest Editor Edward Foley Catholic Theological Union 5416 S. Cornell Ave. Chicago, IL 60615, USA Editorial Office MDPI AG Klybeckstrasse 64 Basel, Switzerland Publisher Shu-Kun Lin Production Editor Jeremiah R. Zhang 1. Edition 2015 MDPI • Basel • Beijing • Wuhan ISBN 978-3-03842-099-6 © 2015 by the authors; licensee MDPI, Basel, Switzerland. All articles in this volume are Open Access distributed under the Creative Commons Attribution 3.0 license (http://creativecommons.org/licenses/by/3.0/), which allows users to download, copy and build upon published articles even for commercial purposes, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. However, the dissemination and distribution of copies of this book as a whole is restricted to MDPI, Basel, Switzerland. III Table of Contents List of Contributors ............................................................................................................... V Edward Foley Music and Spirituality—Introduction Reprinted from: Religions 2015, 6(2), 638-641 http://www.mdpi.com/2077-1444/6/2/638 ............................................................................IX
    [Show full text]
  • “Climbing the Stairway to Heaven”: an Analysis of Pride Within Literature
    “Climbing the Stairway to Heaven”: An Analysis of Pride within Literature and Catholic Sermons from the Middle Ages Russell L. Weber $ word in hand, the angel of the Lord “sketched seven ‘Ps” upon the forehead of Dante Alighieri.’ The seven marks that Dante receives in Canto IX of Purgatorio symbolize the seven deadly sins of Catholicism and represent the permanent scars that non-repented sin can leave upon the purity of one’s soul.2 After carving the Ps, the angel of the Lord informs Dante that prior to entering Heaven he must be sure to “wash these scars” off of his face, since no soul can be in the presence of God without proper purgation of his mortal and sinful ways. Furthermore, the angel warns Dante that once he has crossed the threshold and entered Purgatory he must focus upon moving forward since “those who look behind return outside.”3 Again, the words of the angel are symbolic, revealing that in order to enter Heaven one must be solely dedicated to salvation, no longer yearning to return to a sinful lifestyle. With these words of warning in mind, Dante, with the aid of his guide, the legendary poet Virgil, leaves ante-Purgatory and begins his climb of divine purification that, if successful, will allow him entrance into Paradiso.4 By the fourteenth and fifteenth centuries the seven deadly sins—pride, envy, wrath, sloth, avarice, gluttony, and lust—were an established aspect of medieval popular belief. The seven deadly sins were a topos for medieval European literature, appearing as the foundational structure for the second book in Dante’s Divine Comedy, Purgatorio and also as focuses in Geoffrey Chaucer’s The Canterbury Tales and John Gower’s Confessio Amantis.5 Additionally, the seven deadly sins became one of the most important mechanisms for medieval preaching.
    [Show full text]
  • St. Francis De Sales Lake Geneva, Wisconsin
    Welcome to the faith community of ST. FRANCIS DE SALES AKE ENEVA ISCONSIN L G , W May 7, 2017 We, the community of St. Francis de Sales Parish, seek to LIVE JESUS 4th Sunday of Easter through the empowerment of the Holy Spirit by ministering to the needs of our brothers and sisters through Word, Worship, Education and Service. PRAYER & WORSHIP PARISH OFFICE Mass of Anticipation: Saturday, 5:15 p.m. Hours: Mondays, 10:00 a.m.—3:30 p.m.; Sunday Mass: 7:30, 9:00 and 10:30 a.m. (English); 5:00 p.m. (Spanish) Tuesdays—Thursdays, 7:30 a.m.—3:30 p.m.; Daily Mass: Monday, Tuesday, Wednesday and Friday, 7:00 a.m. Fridays, 7:30 a.m.—12:30 p.m.; School Mass: Wednesday, 9:00 a.m. (During School Year) Sundays, 8:30 a.m.—12:00 p.m. Address: 148 W. Main Street, Lake Geneva, WI 53147 Communion Service: Thursday, 7:00 a.m.; Saturday, 8:00 a.m. Phone: (262) 248-8524 Fax: (262) 248-5302 Adoration of the Blessed Sacrament: Tuesday, 7:30 a.m.-7 p.m. Parish Web Site: www.sfdslg.org Reconciliation: Saturday, 4:00 p.m.; Sunday, 4:30 p.m. (Bilingual); ARISH CHOOL or by appointment P S Address: 130 W. Main Street, Lake Geneva, WI 53147 Phone: (262) 248-2778 Fax: (262) 248-7860 PLEASE PRAY FOR… PARISH FALL FESTIVAL Mark your calendar, & SAVE the date! Nathan Rittenbacher Anthony Ferrini St. Francis de Sales Parish Fall Festival Lily Karen Hess Sunday, Sept. 17, 2017 Thomas Potjeau Thaddeus Pawlicki Fun, Food, and Music - Join us! Donna Anderson Michele Mohar Nancy Rittenbacher Jeff Roberts AnneMarie Janikowski Michelle Roberts Nathan Mora & Family Jim Mansky Nancy Hrdlicka Craig Collins Ed Muisenga Matt Brill Tom Lasorda Mary Ann Doornbos Anne Chant Margie Detloff Matt Scheffler Nancy Cherney COUNTING CONTRIBUTIONS Anita Kaczor Connie Campbell 5/8—TEAM 5 Jacqueline Sollars Bronti Aitken 5/15—TEAM 6 Casandra Uksas Nancy Walsh Ruka Connelly Ellen Holian-Mykrantz Lee Redmer Robyn Nanna Jeff Yanke Germaine Clifford Andrea Brien Isabelle Boldt Janice Berka David Crusey MASS INTENTIONS Matt Merkt Phil Renwick FIRST SATURDAY, May 6, 2017 8:00 a.m.
    [Show full text]
  • Dante Alighieri, Purgatorio Xxvi.139-148
    OCCITAN POETRY DANTE ALIGHIERI, PURGATORIO XXVI.139-148 Simone Marchesi El cominciò liberamente a dire: “Tan m’abellis vostre cortes deman, qu’ ieu no me puesc ni voill a vos cobrire. 141 Ieu sui Arnaut, que plor e vau cantan; consiros vei la passada folor, e vei jausen lo joi qu’ esper, denan. 144 Ara vos prec, per aquella valor que vos guida al som de l’escalina, sovenha vos a temps de ma dolor!”. 147 Poi s’ascose nel foco che li affina. El: The action unfolding in these lines takes place on the seventh and last “cornice” (ledge) of Purgatory, where the souls purge their disposition to hetero- or homosexual love by staying immersed in flames (see BURGWINKLE 2004, 573-579). The character about to speak is Arnaut Daniel, who has just been pointed out to the protagonist by Guido Guinizzelli, a fellow practitioner of vernacular poetry, as “miglior fabbro del parlar materno” (a better craftsman in the native tongue, v. 117), a producer of literature superior to anything written in either oc or oïl (vv. 118-119, for which see TOYNBEE 1902), and ultimately a better poet than the currently more famed Giraut de Bornelh (vv. 119-120). Before the Comedy, Dante has already spoken highly of Arnaut in his Latin treatise On vernacular eloquence: at II.ii.8-9 (ranking him the highest for love poetry, in the paragon of Provençal and Italian poets who had dealt with the three great themes of salus, venus, virtus), at II.vi.6 (where he cites the incipit of one of his canzoni), and again at II.x.2 and II.xiii.2 (as the inventor of the un-rhymed stanza, i.e.
    [Show full text]
  • Download Article
    Advances in Social Science, Education and Humanities Research, volume 142 4th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2017) Influence of Dante on the Iconographic Concept of the Last Judgement Simeon Tomachinsky Kursk Theological Seminary Moscow Theological Academy Moscow, Russia Abstract—The article is investigating the history of The ideas pertaining to the ‘purgatorial fire’ (Origen appearance of purgatory in the iconographic model of the Last and others) – the pre-Christian times and the first Judgment. Until the 18th century, representations of the after- eleven centuries of Christianity; life exclusively included hell and heaven, and there was no purgatory. Starting from the second half of the 14th century, Invention of the word purgatorium, limbo, – the late once the Divine Comedy of Dante was published, certain 12th century; elements of purgatory started to appear, in particular, on frescoes of Nardo di Cione in the Florence Basilica of Santa The Union of Lyon between the Latin and Greek Maria Novella. Some Last Judgement representations, dated Churches; there was no such word as purgatory, but back to the middle of the 15th century, began to suggest a an idea of purgation – the Second Council of Lyon, certain structural accentuation of purgatory. The article 1274; analyses the influence of Dante’s Divine Comedy on the after- An extended poetic religious concept of purgatory – life iconography and offers conclusions about its special contribution into the development of iconographic concept of The Divine Comedy of Dante, 1321; the Last Judgement. The Doctrine of Purgatory becomes the official teaching of the Roman Catholic Church – The Keywords—iconography; Last Judgement; purgatory; Divine Council of Ferrara-Florence, 1438-1439.
    [Show full text]