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The Word Made Flesh
1 The Word Made Flesh et’s begin our study of the Gospel of John with what is called the LPrologue, one of the loftiest and most inspiring passages in the New Testament. It lays out the major premise of the Gospel, so it’s a good way to start our exploration. In spite of its weight and importance, the Prologue is actually quite short, consisting of just the first eighteen verses of John. However, because of their weight and importance, we could easily write an entire book just on these verses. Most scholars believe that portions of these first eighteen verses were an early Christian hymn influenced by Greek and Jewish philosophical ideas. John incorporated the hymn, reworking it a bit, because it captured profound ideas about who Jesus is and the meaning of his life. Before delving into the meat of this section, I want to point out what you no doubt have already noticed, that the Gospel begins 15 Copyright © 2015 by Abingdon Press. All rights reserved. 9781501805332_INT_Layout.indd 15 10/20/15 1:12 PM John: The Gospel of Light and Life with these three words: “In the beginning.” You’ll recall that another book of the Bible starts with these same words. Genesis 1:1 starts, “In the beginning. ” John’s use of these words is no accident. He is pointing back to the creation story. For now, I merely want you to notice the reference, and I’ll say more about it at various points throughout the book. The premise of the entire Gospel, so beautifully introduced in the Prologue, is that Jesus embodies God’s Word. -
La Pia, Leggenda Romantica Di Bartolomeo Sestini
Edizioni dell’Assemblea 118 Ricerche La Pia, leggenda romantica di Bartolomeo Sestini a cura di Serena Pagani La Pia, leggenda romantica di Bartolomeo Sestini / a cura di Serena Pagani. - Firenze : Consiglio regionale della Toscana, 2015 1. Sestini, Bartolommeo < 1792-1822> 2. Pagani, Serena 3. Toscana <Regione>. Consiglio regionale 851.7 Sestini, Bartolommeo <1792-1822> - Poemi CIP (Cataloguing in publishing) a cura della Biblioteca del Consiglio regionale Volume in distribuzione gratuita Consiglio regionale della Toscana Settore Comunicazione, editoria, URP e sito web. Assistenza al Corecom Progetto grafico e impaginazione: Patrizio Suppa Pubblicazione realizzata dalla tipografia del Consiglio regionale, ai sensi della l.r. 4/2009 Dicembre 2015 ISBN 978-88-89365-59-5 Alle donne della mia famiglia e al mio Alessandro Sommario Premessa 9 Nota introduttiva 11 Nota al testo 29 Ringraziamenti 33 La Pia, leggenda romantica di Bartolomeo Sestini 35 Canto primo 39 Canto secondo 81 Canto terzo 121 Bibliografia di riferimento 151 Premessa Il desiderio di pubblicare una nuova edizione critica e commen- tata del componimento in ottave del pistoiese Bartolomeo Sestini sulla Pia senese è nato dall’intento di rendere omaggio all’autore che diede vita alla fortuna romantica del personaggio dantesco, la quale fiorì nei più svariati ambiti dell’arte, dalla letteratura alla pittura, dalla musica al teatro. Tramandiamo il testo nella sua forma originaria, come voluta dall’autore nella prima edizione romana del 1822, ma aggiungendo un commento critico, al fine di valorizzare appieno la personalità poetica di questo scrittore e patriota toscano, altra voce dell’Otto- cento, offuscata da quelle dei grandi contemporanei. Una nota introduttiva con la biografia di Bartolomeo Sestini e una breve sintesi sulla sua produzione letteraria precedono il testo; segue la storia delle edizioni maggiori della leggenda in ver- si romantica, tutte postume alla di lui morte. -
Vettori, Italian
Rutgers, The State University of New Jersey Department of Italian 16:560:605 Dante Seminar Fall 2013 Alessandro Vettori Office Hours by appointment Department of Italian Tel 732-932-7536 84 College Avenue - Rm 101 Fax 732-932-1686 email: [email protected] The purpose of this course is the investigation of Dante’s opus in relation to other poets, philosophers, and theologians that had deep influences on his writing. Although only two of his major works will be read in their entirety, the Divine Comedy and the Vita nova, constant references will be made to other writings. Besides a stylistic and formal analysis, numerous thematic strains will be researched and followed throughout Dante’s production. Particular attention will be paid to such concepts as allegory, poetic auto-interpretation, autobiography, and the ever-changing concept of love. Learning goals: Students will be trained to do a close analysis of literary texts, to put poetic and prose texts in conversation with philosophical ideas, to discern the boundaries of literature, philosophy, and theology. They will be assessed by means of oral presentations (one long, one short), one short paper, one long (publishable) paper, and class participation. Syllabus Texts: Vita Nova (any annotated edition); Divina Commedia (any annotated edition); secondary materials will be made available on sakai. 09/09 Introduction. Exile, Poetry, Prayer. 09/16 Vita Nuova. Ronald Martinez, “Mourning Beatrice: The Rhetoric of Threnody in the Vita nuova,” Modern Language Notes 113 (1998): 1-29. 09/23 Vita Nuova. Teodolinda Barolini, “‘Cominciandomi dal principio infino a la fine’ (V.N. XXIII 15): Forging Anti-Narrative in the Vita Nuova,” La gloriosa donna de la mente. -
The Seven Deadly Sins Part Four - Sloth & Gluttony
The Seven Deadly Sins Part Four - Sloth & Gluttony James 1:13-15 God cannot be tempted by evil, nor does he tempt anyone; but each one is tempted when, by his own evil desire, he is dragged away and enticed. Then, after desire has conceived, it gives birth to sin; and sin, when it is full-grown, gives birth to death. 1 Peter 2:24 He himself bore our sins in his body on the tree, so that we might die to sins and live for righteousness… Sloth is a deadly sin that must die! 1 Timothy 5:13 …they get into the habit of being idle and going about from house to house. And not only do they become idlers, but also gossips and busybodies, saying things they ought not to. Ezekiel 16:49 Your sister Sodom's sins were pride, laziness, and too much food, while the poor and needy suffered outside her door. Sloth does not just mean being lazy on the job. Matthew 25:26 “His master replied, ‘You wicked, lazy servant!’” 1 Timothy 5:8 If anyone does not provide for his relatives, and especially for his immediate family, he has denied the faith and is worse than an unbeliever. Sloth puts us in partnership with the devil. Proverbs 18:9 One who is slack in his work is brother to one who destroys. Matthew 12:30 “He who is not with me is against me, and he who does not gather with me scatters.” God considers hard work a virtue. 1 Thessalonians 4:11-12 Make it your ambition to lead a quiet life, to mind your own business and to work with your hands, just as we told you, so that your daily life may win the respect of outsiders and so that you will not be dependent on anybody. -
Boska Komedia.Pdf
Dante Alighieri BOSKA KOMEDIA Przekład: Edward Porębowicz ver. 1.20 http://boskakomedia.korona-pl.com UWAGA !!! Tekst został przeze mnie zeskanowany i potraktowany programem OCR. Może zawierać błędy (literówki, itp.) Będę wdzięczny za wszelkie uwagi i komentarze. - 1 - SPIS TREŚCI PIEKŁO.............................................................................................................................................................................4 PIEŚŃ I ..........................................................................................................................................................................5 PIEŚŃ II.........................................................................................................................................................................8 PIEŚŃ III ..................................................................................................................................................................... 11 PIEŚŃ IV ..................................................................................................................................................................... 14 PIEŚŃ V....................................................................................................................................................................... 18 PIEŚŃ VI ..................................................................................................................................................................... 21 PIEŚŃ VII................................................................................................................................................................... -
Scanned Image
INSIDE Singleschart, 6-7;Album chart,17; New Singles, 18; NewAlbums, 13; Airplay guide, 14-15; lndpendent Labels, 8; Retailing 5. June 28, 1982 VOLUME FIVE Number 12 65p RCA sets price Industry puts brave rises on both face on plunging LPs & singles RCAis implementing itsfirst wide- ranging increase in prices since January Summer disc sales 1981. Then its new 77p dealer price for singles sparked trade controversy but ALL THE efforts of the record industryfor the £s that records appear to be old the rest of the industry followed in due to hold down prices and generate excite-hat. People who are renting a VCR are course. ment in recorded music are meeting amaking monthly payment equivalent to With the new prices coming into stubbornly flat market. purchasing one LP a week," he said. effect on July 1, RCA claims now to be Brave faces are being worn around the Among the major companies howev- merely coming into line with other major companies but itis becominger, there is steadfast resistance to gloom. companies. clear that the business is in the middle of Paul Russell, md of CBS, puts the New dealer price for singles will be an even worse early Summer depressionproblem down to weak releases and is 85p (ex VAT) with 12 -inch releases than that of 1981. happy to be having success with Joan costing £1.49, a rise of 16p. On tapes The volume of sales mentioned by theJett, The Clash, Neil Diamond andWHETHER IT likes it or not, Polydorand albums the 3000 series goes from RB chart department shows a decline ofAltered Images with the prospect of bigis now heavy metal outfit Samson's£2.76 to £2.95, the 6000 series from between 20 and 30 percent over the samereleases from Judas Priest and REOrecord company. -
GOD with US Part 4: the Life and Writings of Solomon Direction And
GOD WITH US GOD WITH US Part 4: The Life and Writings of Solomon Part 4: The Life and Writings of Solomon Direction and Drift – Proverbs Direction and Drift – Proverbs Message 7 – Wisdom and Folly: Words Message 7 – Wisdom and Folly: Words Proverbs 10-31 Proverbs 10-31 Introduction Introduction There is an old saying: Sticks and stones may break my bones, but There is an old saying: Sticks and stones may break my bones, but words will never hurt me. The book of Proverbs disagrees with that words will never hurt me. The book of Proverbs disagrees with that saying. Instead: “The tongue has the power of life and death . .” saying. Instead: “The tongue has the power of life and death . .” (18:21). The power of the tongue is a major topic in Proverbs, with (18:21). The power of the tongue is a major topic in Proverbs, with over 90 references. How important is the use of the tongue in over 90 references. How important is the use of the tongue in God’s eyes? Of the seven things the Lord hates, three have to do God’s eyes? Of the seven things the Lord hates, three have to do with the tongue: “There are six things which the Lord hates, yes, with the tongue: “There are six things which the Lord hates, yes, seven which are an abomination to Him: Haughty eyes, A LYING seven which are an abomination to Him: Haughty eyes, A LYING TONGUE, and hands that shed innocent blood, a heart that TONGUE, and hands that shed innocent blood, a heart that devises wicked plans, feet that run rapidly to evil, A FALSE devises wicked plans, feet that run rapidly to evil, A FALSE WITNESS WHO UTTERS LIES, and ONE WHO SPREADS WITNESS WHO UTTERS LIES, and ONE WHO SPREADS STRIFE AMONG BROTHERS” (6:16-19). -
Life with Augustine
Life with Augustine ...a course in his spirit and guidance for daily living By Edmond A. Maher ii Life with Augustine © 2002 Augustinian Press Australia Sydney, Australia. Acknowledgements: The author wishes to acknowledge and thank the following people: ► the Augustinian Province of Our Mother of Good Counsel, Australia, for support- ing this project, with special mention of Pat Fahey osa, Kevin Burman osa, Pat Codd osa and Peter Jones osa ► Laurence Mooney osa for assistance in editing ► Michael Morahan osa for formatting this 2nd Edition ► John Coles, Peter Gagan, Dr. Frank McGrath fms (Brisbane CEO), Benet Fonck ofm, Peter Keogh sfo for sharing their vast experience in adult education ► John Rotelle osa, for granting us permission to use his English translation of Tarcisius van Bavel’s work Augustine (full bibliography within) and for his scholarly advice Megan Atkins for her formatting suggestions in the 1st Edition, that have carried over into this the 2nd ► those generous people who have completed the 1st Edition and suggested valuable improvements, especially Kath Neehouse and friends at Villanova College, Brisbane Foreword 1 Dear Participant Saint Augustine of Hippo is a figure in our history who has appealed to the curiosity and imagination of many generations. He is well known for being both sinner and saint, for being a bishop yet also a fellow pilgrim on the journey to God. One of the most popular and attractive persons across many centuries, his influence on the church has continued to our current day. He is also renowned for his influ- ence in philosophy and psychology and even (in an indirect way) art, music and architecture. -
THE DIVINE COMEDY Dante Alighieri
THE DIVINE COMEDY dante alighieri A new translation by J.G. Nichols With twenty-four illustrations by Gustave Doré ALMA CLASSICS alma classics ltd London House 243-253 Lower Mortlake Road Richmond Surrey TW9 2LL United Kingdom www.almaclassics.com This translation of the entire Divine Comedy first published by Alma Classics Ltd in 2012 The translation of Inferno first published by Hesperus Press in 2005; published in a revised edition by Alma Classics Ltd (previously Oneworld Classics Ltd) in 2010 The translation of Purgatory first published by Alma Classics Ltd (previously Oneworld Classics Ltd) in 2011 Translation, notes and extra material © J.G. Nichols, 2012 Cover image: Gustave Doré Printed in Great Britain by CPI Group (UK) Ltd, Croydon, cr0 4yy Typesetting and eBook conversion by Tetragon isbn: 978-1-84749-246-3 All the pictures in this volume are reprinted with permission or pre sumed to be in the public domain. Every effort has been made to ascertain and acknowledge their copyright status, but should there have been any unwitting oversight on our part, we would be happy to rectify the error in subsequent printings. All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechani- cal, photocopying, recording or otherwise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. CONTENTS The Divine Comedy 1 Inferno 3 Purgatory 165 Paradise 329 Extra Material 493 Dante Alighieri’s Life 495 Dante Alighieri’s Works 498 Inferno 501 Purgatory 504 Paradise 509 Select Bibliography 516 Note on the Text and Acknowledgements 517 Index 519 CANTO I This canto, the prologue to Dante’s journey through the Inferno, acts also as an introduction to The Divine Comedy as a whole. -
Interpreting Dante
Nasti-00FM_Layout 1 11/11/13 1:28 PM Page i INTERPRETING DANTE © 2013 University of Notre Dame Nasti-00FM_Layout 1 11/11/13 1:28 PM Page ii Zygmunt G. Baranski, Theodore J. Cachey, Jr., and Christian Moevs, editors ´ —————— VOLUME 13 VOLUME 6 Interpreting Dante: Essays on the Understanding Dante Traditions of Dante Commentary • John A. Scott • edited by Paola Nasti and VOLUME 5 Claudia Rossignoli Dante and the Grammar of the Nursing Body VOLUME 12 Gary P. Cestaro Freedom Readers: The African • American Reception of Dante Alighieri VOLUME 4 and the Divine Comedy The Fiore and the Detto d’Amore: • Dennis Looney A Late 13th-Century Italian VOLUME 11 Translation of the Roman de la Rose, Dante’s Commedia: Theology as Poetry attributable to Dante • edited by Vittorio Montemaggi • Translated, with introduction and and Matthew Treherne notes, by Santa Casciani and Christopher Kleinhenz VOLUME 10 Petrarch and Dante: Anti-Dantism, VOLUME 3 Metaphysics, Tradition The Design in the Wax: The Structure edited by Zygmunt G. Baranski of the Divine Comedy and Its Meaning • ´ and Theodore J. Cachey, Jr. • Marc Cogan VOLUME 9 VOLUME 2 The Ancient Flame: Dante and the Poets The Fiore in Context: Dante, • Winthrop Wetherbee France, Tuscany edited by Zygmunt G. Baranski • ´ VOLUME 8 and Patrick Boyde Accounting for Dante: Urban Readers VOLUME 1 and Writers in Late Medieval Italy Dante Now: Current Trends • Justin Steinberg in Dante Studies VOLUME 7 • edited by Theodore J. Cachey, Jr. Experiencing the Afterlife: Soul and Body in Dante and Medieval -
The Apostles' Creed the Nicene Creed
4 The Faith We Profess The Apostles’ Creed The Nicene Creed I believe in God, We believe in one God, the Father almighty, the Father, the Almighty, creator of heaven and earth. maker of heaven and earth, of all that is, seen and unseen. I believe in Jesus Christ, his only We believe in one Lord, Jesus Son, our Lord. Christ, the only Son of God, eternally begotten of the Father, God from God, Light from Light, true God from true God, begotten, not made, one in Being with the Father. Through him all things were made. For us men and for our salvation he came down from heaven: He was conceived by the by the power of the Holy Spirit power of the Holy Spirit he was born of the Virgin Mary, and born of the Virgin Mary. and became man. He suffered under Pontius Pilate, For our sake he was crucified was crucified, died, and was buried. under Pontius Pilate; He descended into hell. he suffered, died, and was buried. On the third day he rose again. On the third day he rose again in fulfillment of the Scriptures; He ascended into heaven he ascended into heaven and is seated at the right and is seated at the right hand of the Father. hand of the Father. He will come again to judge the He will come again in glory to living and the dead. judge the living and the dead, and his kingdom will have no end An Introduction to the Apostles’ Creed 5 The Apostles’ Creed The Nicene Creed I believe in the Holy Spirit, We believe in the Holy Spirit, the holy catholic Church, the Lord, the giver of Life, the communion of saints, who proceeds from the the forgiveness of sins, Father and the Son. -
The Transformation of Arachne Into a Spider.Pdf
Name: Class: The Transformation of Arachne into a Spider By Ovid From Metamorphoses (Book Vi) 8 A.D. Ovid (43 B.C.-17 A.D.) was a Roman poet well-known for his elaborate prose and fantastical imagery. Ovid was similar to his literary contemporary, Virgil, in that both authors played a part in reinventing classical poetry and mythology for Roman culture. Metamorphoses, one of Ovid’s most-read works, consists of a series of short stories and epic poems whose mythological characters undergo transformation in some way or another. As you read, take notes on Ovid’s choice of figurative language and imagery. [1] Pallas,1 attending to the Muse's2 song, Approv'd the just resentment of their wrong; And thus reflects: While tamely3 I commend Those who their injur'd deities4 defend, [5] My own divinity affronted stands, And calls aloud for justice at my hands; Then takes the hint, asham'd to lag behind, And on Arachne' bends her vengeful mind; One at the loom5 so excellently skill'd, [10] That to the Goddess6 she refus'd to yield. Low was her birth, and small her native town, She from her art alone obtain'd renown. Idmon, her father, made it his employ, "Linen Weaving" is licensed under CC BY-ND 2.0. To give the spungy fleece7 a purple dye: [15] Of vulgar strain her mother, lately dead, With her own rank had been content to wed; Yet she their daughter, tho' her time was spent In a small hamlet,8 and of mean descent, Thro' the great towns of Lydia gain'd a name, [20] And fill'd the neighb'ring countries with her fame.