DOCSLIB.ORG

CHRISTOFIAS: the Key for the Tional Funds), and Looks Forward to Regional Solution Is in the Hands of Turkey a Pro-Turkishpeace, Prosperity Motion and Stability

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CHRISTOFIAS: the Key for the Tional Funds), and Looks Forward to Regional Solution Is in the Hands of Turkey a Pro-Turkishpeace, Prosperity Motion and Stability SOLICITORS Temple Bar House, 23-28 Fleet Street ∞¡∂•∞ƒ∆∏∆∏ ∂µ¢√ª∞¢π∞π∞ ∂§§∏¡π∫∏ ∂º∏ª∂ƒπ¢∞ ∆√À §√¡¢π¡√À London, EC4Y 1AA ∆∏§: 020 8343 7522 º∞•: 020 8343 7524 email: [email protected] Tel: 0845 051 8855 Tel: 020 7822 7430 ñ Fax: 020 7353 7454 Email: [email protected] ∞ƒ. ºÀ§§√À 530 ¶∂ª¶∆∏ 6 ∞À°√À™∆√À 2009 ∆πª∏: í0.50 ∞¶√æ∏ O ANDREW DISMORE √ª√§√°∂π ¢È·ÎÔ¤˜ Î·È «∂» ºπ§√∆√Àƒ∫π∫∏ ™∫√¶πª√∆∏∆∞ ¶ÏËÚÔÊÔÚԇ̠ÙÔ˘˜ ·Ó·ÁÓÒÛÙ˜ Ì·˜ ÕÓÙÚÈÔ˘ ¡Ù›ÛÌÔÚ √ ‚Ô˘ÏÂ˘Ù‹˜ Andrew Dismore ·Ú·‰¤¯ÂÙ·È Ì fiÙÈ Ë «∂» ‰ÂÓ ı· ΢ÎÏÔÊÔÚ‹ÛÂÈ ÂÈÛÙÔÏ‹ ÙÔ˘ ÛÙËÓ «∂», fiÙÈ ÂÈÛËÁ‹ıËΠÙÔ „‹ÊÈÛÌ· ÛÙȘ 13, 20 Î·È 27 ∞˘ÁÔ‡ÛÙÔ˘ ÏfiÁˆ Î·È ∫˘ÚÈ·Îfi 1897 ÛÙË µÔ˘Ï‹ ÙˆÓ ∫ÔÈÓÔًوÓ, ÒÛÙ ӷ Â›Ó·È ÙˆÓ ıÂÚÈÓÒÓ ‰È·ÎÔÒÓ. ·ÚÂÛÙfi ÛÙÔ˘˜ ÊÈÏfiÙÔ˘ÚÎÔ˘˜ Û˘Ó·‰¤ÏÊÔ˘˜ ÙÔ˘ ∂·ÓÂÚ¯fiÌ·ÛÙ ηÓÔÓÈο ƒ√™¶∞£∂π∞ √§ø¡ ÙˆÓ ÔÚÁ·ÓÒÛÂˆÓ ÛÙËÓ √ÌÔÁ¤ÓÂÈ· Ù˘ (Î·È ÛÙÔ˘˜ ∆Ô‡ÚÎÔ˘˜, ·ÛÊ·ÏÒ˜). ÙËÓ ¶¤ÌÙË 3 ™ÂÙÂÌ‚Ú›Ô˘ 2009 µÚÂÙ·Ó›·˜ Â›Ó·È Ó· ÚÔÛÂÏ·ÛÔ˘Ì ˘ÔÛÙËÚÈÎÙ¤˜ ÙˆÓ ı¤- ● √§∏ ∏ ∂¶π™∆√§∏ ∫∞π ∏ ∞¶∞¡∆∏™∏ ∆∏™ «∂», ÛÂˆÓ Ù‹˜ ∂/Î ÏÂ˘Ú¿˜ ÛÙÔ ∫˘ÚÈ·Îfi, ÔÈ Ôԛ˜ ı¤ÛÂȘ Â͢- ∫∞§∏ •∂∫√Àƒ∞™∏! ¶ ™∂§π¢∞ 11 ËÚÂÙÔ‡Ó ÙÔ Î·ÏÒ˜ ÓÔÔ‡ÌÂÓÔ Û˘ÌʤÚÔÓ fiÏˆÓ ÙˆÓ ÓÔÌ›ÌˆÓ Ô- ÏÈÙÒÓ Ù˘ ∫‡ÚÔ˘, ·ÓÂÍ·Úًو˜ Á¤ÓÔ˘˜, ıÚËÛΛ·˜ Î·È ÂÔÈ- ı‹ÛˆÓ. º˘ÛÈο, ÁÈ· Ì·˜ Ë ‰È·Ù‹ÚËÛË ÙÔ˘ ∂ÏÏËÓÈÛÌÔ‡ ÛÙÔ ÓËÛ›, ÂÎÙfi˜ ·fi ÈÛÙÔÚÈο ‰ÈηȈ̤ÓË Î·È ‰È·¯ÚÔÓÈο ·Ô‰Â‰ÂÈÁ̤ÓË, ª∂∆∞ ∆∏¡ ∞¶∞•πø∆π∫∏ ™Àª¶∂ƒπº√ƒ∞ ∆√À ¶ƒ√∂¢ƒ√À Ãπ™∆√ºπ∞ °π∞ ∆√À™ Â›Ó·È ÛÙfi¯Ô˜ Û˘ÌÊ˘‹˜ Ì ÙËÓ ‡·ÚÍË Î·È ÙËÓ ˘fiÛÙ·Û‹ Ì·˜. ∂›- Ó·È ·˘ÙÔÓfiËÙÔ fiÙÈ fiˆ˜ ıˆÚԇ̠ÂȂ‚ÏË̤ÓË ÙËÓ ·ÚÔ˘Û›· ∏ªπ∫ƒ∞∆π∫√À™ ∫∞π ∆∏ ¢π√§π™£∏™∏ ∆√À ∫À¶ƒπ∞∫√À ¶ƒ√™ §À™∏ «¢À√ ∫ƒ∞∆ø¡» ÙˆÓ ∂ÏÏ‹ÓˆÓ ÛÙÔ ÓËÛ›, ÙÔ ›‰ÈÔ ·Ô‰Â¯fiÌ·ÛÙÂ Î·È ÙÔ ‰Èη›ˆÌ· ÙˆÓ ∆Ô˘ÚÎÔ΢ڛˆÓ, ÙˆÓ ª·ÚˆÓÈÙÒÓ, ÙˆÓ ∞ÚÌÂÓ›ˆÓ Î·È ÙˆÓ §·- Ù›ÓˆÓ Ó· ˙‹ÛÔ˘Ó Î·È Ó· ‰ËÌÈÔ˘ÚÁ‹ÛÔ˘Ó ÛÙÔÓ ›‰ÈÔ ÙfiÔ, ̤۷ ÛÂ Û˘Óı‹Î˜ ÂÏ¢ıÂÚ›·˜ Î·È ‰ËÌÔÎÚ·Ù›·˜, Ì ·ÏÏËÏÔÛ‚·ÛÌfi, ¯ˆ- Ú›˜ Ú·ÙÛÈÛÙÈÎÔ‡˜ ‰È·¯ˆÚÈÛÌÔ‡˜, fiÏÔÈ ÓfiÌÈÌÔÈ Ôϛ٘ ÙÔ˘ ÂÓfi˜ Î·È ÌÔÓ·‰ÈÎÔ‡ ÎÚ¿ÙÔ˘˜ Ù˘ ∫‡ÚÔ˘. ƒ√µ§∏ª∞ ÁÈ’ ·˘Ù‹ ÙË Û˘Ì‚›ˆÛË Î·È Û˘Ó‰ËÌÈÔ˘ÚÁ›· Â›Ó·È Ô Î·ÙÔ¯ÈÎfi˜ ÙÔ˘ÚÎÈÎfi˜ ÛÙÚ·Ùfi˜ Î·È Ë ÚÔÛ¿ıÂÈ· Ù˘ ¶ÕÁ΢ڷ˜ Ó· ·ÏÏÔÈÒÛÂÈ ÙË ‰ËÌÔÁÚ·ÊÈ΋ Û‡ÓıÂÛË ÙÔ˘ ÏË- ∆Ô ¢∏∫√ Û ÔÚ›· ÂÍfi‰Ô˘ ı˘ÛÌÔ‡ Î·È Ó· ı¤ÛÂÈ ˘fi ÙËÓ ÂÈ΢ÚÈ·Ú¯›· Ù˘ ÔÏfiÎÏËÚË ÙËÓ ∫‡- ÚÔ Î·È ÙÔ Ó¤Ô ÎÚ¿ÙÔ˜, ÙÔ ÔÔ›Ô ı· È‰Ú˘ı› – Î·È ı· Ú¤ÂÈ Ó· ✘✘ Â›Ó·È Û˘Ó¤¯ÂÈ· ÙÔ˘ ˘¿Ú¯ÔÓÙÔ˜. ∆√ «∞∫∂§- ¶ƒ√∂¢ƒ√™ ∆∏™ ∫À¶ƒ√À Î·È Ë ÔÏÈÙÈ΋ ËÁÂÛ›· ‰ÈÂÍ¿- ∞ƒπ™∆∂ƒ∞-¡∂∂™ ÁÔ˘Ó ·fi ÙÔ 1974 Î·È ÂÓÙ‡ıÂÓ ‰È·Ú·ÁÌ·Ù‡ÛÂȘ Ì η- √Ï‹ ›ÛÙË Î·È ·Ô‰Â‰ÂÈÁ̤ÓË ÔÏÈÙÈ΋ ‚Ô‡ÏËÛË ÁÈ· Â›Ï˘- ¢À¡∞ª∂π™» ÛË ÙÔ˘ ÚÔ‚Ï‹Ì·ÙÔ˜. ∏ ÂÏÏËÓÔ΢Úȷ΋ ÏÂ˘Ú¿, ÛÙË ‰È·Î·‹ ÂÈ- ∞§ø™∂ ∆√¡ ı˘Ì›· Ù˘ Ó· ÂÍ¢ÚÂı› χÛË, ÚÔ¤‚Ë ‰È·¯ÚÔÓÈο Û ¤Ó· ÛˆÚfi ÂÒ‰˘Ó˜ ˘Ô¯ˆÚ‹ÛÂȘ, Ì ·ÔÎÔڇʈ̷ ÙˆÓ ·Ú·¯ˆÚ‹ÛÂÒÓ ·fi ÙËÓ Î˘‚¤ÚÓËÛË ∫ƒ∞∆π∫√ ∆√ª∂∞ Ù˘ ÙË Ï‡ÛË ÔÌÔÛÔÓ‰›·˜ Ô˘ Ô‡Ù ‰›Î·ÈË Â›Ó·È Ô‡ÙÂ Ë ·ÚÌfi˙Ô˘Û· ● ™À¡∂Ã∂π∞ ™∆∏ ™∂§π¢∞ 5 ✘✘ ¢∏™À: «¢∂¡ ¶ƒ√∫§∏∆π∫∏ ∂¡∂ƒ°∂π∞ ∆ø¡ ∆√Àƒ∫ø¡ ™∂ ™À¡∂Ã∂π∞ ∆√À «§πª¡π∆∏» ∂π¡∞π ∆™πº§π∫π ∂΂·ı‡ÓÔ˘Ó ÙÔ ÏÈÌ¿ÓÈ ÛÙ· ∫fiÎÎÈÓ· ∆√À ∞∫∂§» ÂÙ¿ ÙËÓ ··ÍȈÙÈ΋, ·¯¿- ÁÈ· ÌÂÁ¿Ï· ÔÏÂÌÈο ÏÔ›· ÚÈÛÙË Î·È ·˘Ù·Ú¯È΋ Û˘-  Ӥ˜ ÚÔÎÏ‹ÛÂȘ ÚÔ‚·›ÓÂÈ Ô ÙÔ˘ÚÎÈÎfi˜ ı· ÍÂηı·Ú›ÛÂÈ ÙÔ ÙÔ›Ô ÛÙ· Â˘ÚˆÙÔ˘ÚÎÈο Î·È ÙÔ ªÌÂÚÈÊÔÚ¿ ÙÔ˘ ¶ÚÔ¤‰ÚÔ˘ ™Î·ÙÔ¯ÈÎfi˜ ÛÙÚ·Ùfi˜. ∆· ÙÂÏÂ˘Ù·›· 24ˆÚ· ¤¯ÂÈ ∫˘ÚÈ·Îfi. ¢ËÌ‹ÙÚË ÃÚÈÛÙfiÊÈ· ¤Ó·ÓÙÈ ÙÔ˘ ·Ú¯›ÛÂÈ Â΂¿ı˘ÓÛË ÙÔ˘ ÌÈÎÚÔ‡ ÏÈÌ·ÓÈÔ‡ ÛÙÔÓ ∆· ÎfiÌÌ·Ù· ¢∏™À, ∞∫∂§, ¢∏∫√ Î·È ∂¢∂∫ ηٷ- ¢∏∫√ ÛÙÔ ı¤Ì· ÙÔ˘ ‰ÈÔÚÈÛÌÔ‡ ÙÔ˘ÚÎÈÎfi ı‡Ï·Î· ÙˆÓ ∫ÔÎΛӈÓ, ÚÔÊ·ÓÒ˜ ÂÓfi„ÂÈ ‰›Î·Û·Ó ¤ÓÙÔÓ· ÙȘ ÙÔ˘ÚÎÈΤ˜ ÛÙÚ·ÙȈÙÈΤ˜ ÂÓ¤ÚÁÂȘ ÙˆÓ Ó¤ˆÓ ÌÂÏÒÓ ÙˆÓ ËÌÈÎÚ·ÙÈÎÒÓ ÙˆÓ ÂΉËÏÒÛÂˆÓ ÛÙȘ 8 ∞˘ÁÔ‡ÛÙÔ˘ ÁÈ· ÙÔÓ ‚ÔÌ‚·Ú- ÛÙ· ∫fiÎÎÈÓ·, ÙȘ Ôԛ˜ ¯·Ú·ÎÙ‹ÚÈÛ·Ó ··Ú¿‰ÂÎÙ˜, ÔÚÁ·ÓÈÛÌÒÓ Î·È ‰ÈÔÚÈÛÌfi Û’ ·˘- ‰ÈÛÌfi ÙÔ 1964 Ù˘ ÂÚÈÔ¯‹˜ ∆ËÏÏ˘Ú›·˜. ∞ÏÏ¿ Î·È ÚÔÎÏËÙÈΤ˜ Î·È ‰fiÏȘ. ÙÔ‡˜ ηْ ·fiÏ˘ÙË ÏÂÈÔ„ËÊ›· T&Cs: T&Cs: Ask bill payer’s permission. Calls billed per minute & include VAT. Charges apply from the moment of connection. Minimum call charge 8p by BT. Cost of calls from non BT operators & mobiles may vary. Check with your operator. Rates are subject to change without prior ÁÈ· Ó· ÌÔÚÔ‡Ó ÂÊÂÍ‹˜ Ó· ÚÔÛÂÁÁ›˙Ô˘Ó ÙÔ ı‡- ª¿ÏÈÛÙ·, Ô °È·ÓÓ¿Î˘ √Ì‹ÚÔ˘, › fiÙÈ Â›Ó·È ·ÙfiÌˆÓ Ô˘ ÚÔ¤Ú¯ÔÓÙ·È ·fi ÙÔ notice. This service is provided by Auracall Ltd. Agents required, please call 084 4545 3788. www.auracall.com Ϸη ÌÂÁ¿Ï· ÔÏÂÌÈο ÏÔ›·. ·‰È·ÓfiËÙÔ Ë ∂/Î ÏÂ˘Ú¿ Ó· ÚÔ¯ˆÚ‹ÛÂÈ Û ·Ú·- ∞∫∂§-∞ƒπ™∆∂ƒ∞-¡∂∂™ ¢À¡∞- ∂ȉÈÎfi˜ ÂÎÛηʤ·˜ ·Ó·Û‡ÚÂÈ ¿ÌÌÔ ·fi ÙÔ ‚˘ıfi ¯ÒÚËÛË ËÏÂÎÙÚÈÎÔ‡ Ú‡̷ÙÔ˜ ÛÙÔÓ Î·ÙÔ¯ÈÎfi ÛÙÚ·Ùfi ª∂π™, ÛÂ Û˘Ó‰˘·ÛÌfi Î·È Ì ÙËÓ PROPERTY CENTRE ÙÔ˘ ÏÈÌ·ÓÈÔ‡, Ô˘ ÌÂٷʤÚÂÙ·È ÛÙ· ·ÓÔÈÎÙ¿ Ù˘ ı¿- ÚÔÙÔ‡ ·ÓÔ›ÍÂÈ ÙÔ Ô‰fiÊÚ·ÁÌ· §ÈÌÓ›ÙË. ÔÚ›· ÛÙÔ ∫˘ÚÈ·Îfi, Ô˘ Ê·›ÓÂ- PROPERTY CENTRE (LONDON) LTD Ï·ÛÛ·˜ Ì ÂȉÈÎfi ÊÔÚÙËÁfi ÏÔ›Ô ÙÔ˘ ÙÔ˘ÚÎÈÎÔ‡ Ù·È Ó· Ô‰ËÁÂ›Ù·È Û χÛË «‰‡Ô ÛÙÚ·ÙÔ‡. ∏ ΛÓËÛË ·˘Ù‹ Á›ÓÂÙ·È ÂÓÒ ‚Ú›ÛÎÂÙ·È Û °È·Ù› Ô ™Ô˘Ë‰fi˜ À¶∂• Â›Ó·È ÎÚ·ÙÒÓ», ÙÔ ¢∏∫√ ‚Ú›ÛÎÂÙ·È Û ñ LETTINGS ñ SALES ñ PROPERTY MANAGEMENT ÂÎÎÚÂÌfiÙËÙ· ÂÊ·ÚÌÔÁ‹ Ù˘ Û˘Ìʈӛ·˜ ÁÈ· ÙË ‰È¿- ÔÚ›· ÂÍfi‰Ô˘ ·fi ÙËÓ Î˘‚¤ÚÓË- ÓÔÈÍË ÙÔ˘ Ô‰ÔÊÚ¿ÁÌ·ÙÔ˜ ÙÔ˘ §ÈÌÓ›ÙË. ™ÙË Û˘Ìʈ- ÙfiÛÔ ÊÈÏfiÙÔ˘ÚÎÔ˜; ÛË.∆Ô fiÙ ı· Û˘Ì‚Â› ·˘Ùfi Â›Ó·È we offer: Ó›· ·˘Ù‹ ¤¯ÂÈ ÂÚÈÏËÊı› Î·È ÚfiÓÔÈ· ÁÈ· ‰È·Î›ÓËÛË Ï¤ÔÓ ı¤Ì· ¯ÚfiÓÔ˘ Î·È Î·Ù¿ ·- ñhigh rents ÚÔ˜ ÙÔ ı‡Ï·Î· ÚÔÛÒˆÓ Î·È ·Á·ıÒÓ (̤¯ÚÈ Û‹- ñfull management ¢ÈfiÙÈ ÚÔ¤‚Ë Û ÚÈÔ ÏfiÁÔ ÂÍ·ÚÙ¿Ù·È ·fi ÙËÓ Âͤ- ñguaranteed rents ÌÂÚ· Ë ÌÂÙ·ÊÔÚ¿ ÁÈÓfiÙ·Ó ·fi Ù· ηÙÔ¯Èο ÛÙÚ·- ÏÈÍË ÙˆÓ ·’¢ı›·˜ ‰È·Ú·ÁÌ·- ñproperty investments Ù‡̷ٷ ‰È¿ ı·Ï¿ÛÛ˘) ÂÓÒ Ë ∫˘Úȷ΋ ∫˘‚¤ÚÓË- Ù‡ÛÂˆÓ ÁÈ· ÙÔ ÂıÓÈÎfi ı¤Ì·, › ñfull maintenance services ÂÂÓ‰‡ÛÂȘ ÂηÙÔÌÌ˘Ú›ˆÓ ÛË ‰ÂÛ̇ıËΠӷ ·Ú¤¯ÂÈ ËÏÂÎÙÚÈÎfi Ú‡̷ ÛÙ· ñrenovations at very competitive prices ÙˆÓ ÔÔ›ˆÓ ÙÔ ¢∏∫√ ¤¯ÂÈ ÂÎÊÚ¿- ÙÔ˘ÚÎÈο Ê˘Ï¿ÎÈ·. ™ËÌÂÈÒÓÂÙ·È Û˘Ó·ÊÒ˜ fiÙÈ Ë ÙÔ˘Ú- ¢ÚÒ Û ÂÙ·ÈÚ›˜ ÙÔ˘ ÛÂÈ ÁÚ·ÙÒ˜ ÙȘ ¤ÓÙÔÓ˜ ‰È·Êˆ- 5 ASHFIELD PARADE, SOUTHGATE, LONDON N14 5EH ÎÈ΋ ÏÂ˘Ú¿ ÁÈ· ÙË ‰È¿ÓÔÈÍË ÙÔ˘ Ô‰ÔÊÚ¿ÁÌ·ÙÔ˜ Î·È Ó›Â˜ ÙÔ˘ ÁÈ· ÙȘ ı¤ÛÂȘ Ô˘ ÂÎÊÚ¿- (next to Southgate Tube Station) ÙÔ˘ÚÎÈÎÔ‡ ÛÙÚ·ÙÔ‡... ÙËÓ ÂȉÈfiÚıˆÛË ‰ÚfiÌÔ˘ 6 ¯ÈÏÈÔ̤ÙÚˆÓ ¤¯ÂÈ ·Ô- ˙ÂÈ Ô ¶Úfi‰ÚÔ˜ ÃÚÈÛÙfiÊÈ·˜. ñ Tel: 020 8920 2040 ñ Fax: 020 8920 6567 ● ∞¡∞§À™∏ °π∞¡¡√À Ã∞ƒ∞§∞ª¶π¢∏, ™∂§. 2 Ê·Óı› ˆ˜ ¯ÚÂÈ¿˙ÂÙ·È 8-10 Ì‹Ó˜. ŸÙ·Ó ‰ËÏ·‰‹ ● ™YNEXEIA ™∂§. 3 VENUS WINE & SPIRIT MERCHANTS PLC Probably the biggest Cash & Carry of Wines - Beers & Spirits in England EXCLUSIVE DISTRIBUTORS OF TSANTALISWINES Venus House, Brantwood Road, London N17 0YD Tel: 020 8801 0011(8 lines) ñ Fax: 020 8801 6455 / 9898 2ñ∂§∂À£∂ƒπ∞ ¶¤ÌÙË 6 ∞˘ÁÔ‡ÛÙÔ˘ 2009 ∂ȉ‹ÛÂȘ √ ∫·ÚÏ ªÈÏÓÙ, ÔÈ ˘ÔÛÙËÚÈÎÙ¤˜ √È Ì·ÙˆÌ¤Ó˜ ÌÂÙÔ¯¤˜ ÙÔ˘ ∫·ÚÏ ªÈÏÓÙ ÙÔ˘ Î·È Ô §ÈÌÓ›Ù˘ ™Ô˘Ë‰fi˜ ÀÔ˘ÚÁfi˜ ÙˆÓ ∂͈ÙÂÚÈÎÒÓ ∂¶∂¡¢À™∂π™ ∫·ÚÏ ªÈÏÓÙ ‚Ú›ÛÎÂÙ·È ÛÙÔ Â›ÎÂÓÙÚÔ ∫¿ÚÏ ªÈÏÓÙ Ì·˜ ηÙËÁfiÚËÛ fiˆ˜ Û˘ÓËı›˙ÂÈ Ù· ÙÂÏÂ˘Ù·›· ∂∫∞∆√ªªÀƒπø¡ ¯ÚfiÓÈ·, ÂÎÊÚ¿˙ÔÓÙ·˜ ÙË ÊÈÏÔÙÔ˘ÚÎÈ΋ ÔÏÈÙÈ΋ Ù˘ ¯ÒÚ·˜ √Ù˘ ‰ËÌÔÛÈfiÙËÙ·˜. ∫·È ‰ÂÓ Â›Ó·È Ë √ÙÔ˘ Î·È ÙÔ˘ ȉ›Ô˘ ÚÔÛˆÈο. ∂›Ó·È ÂÓÙ˘ˆÛÈ·Îfi ÙÔ ÁÂÁÔÓfi˜ ÚÒÙË ÊÔÚ¿. Ÿˆ˜, Ì¿ÏÈÛÙ·, Ê·›ÓÂÙ·È, ‰ÂÓ ∆√À ™√À∏¢√À À¶∂• fiÙÈ ÔÏÏÔ› ‚¿ÏıËÎ·Ó Ó· ÙÔÓ ‰ÈηÈÔÏÔÁ‹ÛÔ˘Ó. ŸÙ·Ó Ô ∆¿ÛÛÔ˜ ı· Â›Ó·È Ë ÙÂÏÂ˘Ù·›·. ™∂ ∂∆∞πƒ∂π∂™ ∆√À ¶··‰fiÔ˘ÏÔ˜ ¤ÎÚÈÓ ÙÔÓ ªÈÏÓÙ ÁÈ· ÙË ÛÙ¿ÛË ÙÔ˘, ÔÈ Â‰Ò ∆Ô˘ °È¿ÓÓÔ˘ ÷ڷϷ̛‰Ë ÂÎÚfiÛˆÔÈ Ù˘ ¡¤·˜ ∆¿Í˘ ¶Ú·ÁÌ¿ÙˆÓ ¤ÏÂÁ·Ó fiÙÈ ·˘Ùfi˜ ¤ÊÙ·ÈÁÂ. ∆√Àƒ∫π∫√À ™∆ƒ∞∆√À ·fi ÙË «™ËÌÂÚÈÓ‹» √ ∆¿ÛÛÔ˜ ¤Ê˘ÁÂ, ·ÏÏ¿ Ë ÊÈÏÔÙÔ˘ÚÎÈ΋ ÔÏÈÙÈ΋ οÔÈˆÓ ¯ˆÚÒÓ ¤ÌÂÈÓÂ, ·Ú¿ ÙÔ ÁÂÁÔÓfi˜ fiÙÈ ÙÒÚ· ¤¯Ô˘Ì ¤Ó·Ó Úfi‰ÚÔ ·ÚÂÛÙfi ∞fi ·˘Ù¤˜ ÙȘ ÛًϘ, ÚÔ Î·ÈÚÔ‡, ›¯·Ì ÛË ·¤Ó·ÓÙ› ÙÔ˘. ÕÏψÛÙÂ, fiˆ˜ ÁÚ¿ÊÂÈ Ô ÛÔ˘Ë- ÛÙÔ˘˜ ͤÓÔ˘˜. √ ·ÍÈÔÚ‹˜ ∆¿ÛÛÔ˜ ·ÓÙȉÚÔ‡Û (fiÛÔ ÌÔÚÔ‡ÛÂ) ÛÎÈ·ÁÚ·Ê‹ÛÂÈ ÙÔ ÔÚÙÚ¤ÙÔ ÙÔ˘ Î.
Load more

Recommended publications
  • Kiosk Wars/CD Review
    December 1, 2010 Hi John- Here are the CD reviews for the Januaary 2011 issue. I'll be by your office later today to give you the CD covers for scanning. Sending file as back up. Talk soon, Perri Kiosk Wars: The Big Guns Battle for Minimarket Shelf Space Perri Pagonis [email protected] The music industry has gone through such dramatic changes in the past twenty years, that it’s hard to keep track of what’s happening with the record companies at any given moment. Vinyl records, although widely accepted by audiophiles as the most satisfying way to hear recorded music, is for collectors and DJs only. CDs are still the storage medium being most widely manufactured and distributed, however, they are becoming more technologically passé on a daily basis. Downloading digital music off of the Internet in MP3 and other forms is the current youth rage, but kids seem to download scads of stuff on a whim, often times an artist’s entire oeuvre in one fell swoop, and then forget to listen to it. The MySpace phenomenon on the web has made any band’s music, I mean any band’s music, from Micronesian punk rock goofball stuff to selected arias from monumental Italian opera stars, available to download into your computer’s hard disk in seconds. As the age of global stadium stars has dwindled down to a mere handful of selected acts: Rolling Stones, Madonna, U2, AC/DC, Metallica etc, so too has the Greek music scene splintered into a few revered giants and hordes of mewling newbies.
    [Show full text]
  • Greek Cypriot Media Consumption and Ethnic Identity Formations in North London
    Myria Georgiou Media and Communication Programme Department of Sociology London School of Economics and Political Science University of London Negotiated Uses, Contested Meanings, Changing Identities: Greek Cypriot Media Consumption and Ethnic Identity Formations in North London (Thesis submitted for the award of PhD in Media and Communication) 1 UMI Number: U615197 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U615197 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 O F ^ POLITICAL AMD 7Ufk>2GL{ Abstract A large number of Greek Cypriots live in North London, where the sense of belonging in an ethnic community is daily and actively renewed through multiple mechanisms of participation and multileveled communication. A variety of ethnic media, which people consume in everyday life, have their role . in the processes of (re)invention and (re)construction of British Greek Cypriot ethnic identities that depend, at the same time, on immediate and mediated experiences in and of the country of origin, the locality and the diaspora. These three spaces - the country of origin, the locality and the diaspora - come together in a meeting point of the virtual and the real, through electronic media.
    [Show full text]
  • Popular Music and Narratives of Identity in Croatia Since 1991
    Popular music and narratives of identity in Croatia since 1991 Catherine Baker UCL I, Catherine Baker, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated / the thesis. UMI Number: U592565 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U592565 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 2 Abstract This thesis employs historical, literary and anthropological methods to show how narratives of identity have been expressed in Croatia since 1991 (when Croatia declared independence from Yugoslavia) through popular music and through talking about popular music. Since the beginning of the war in Croatia (1991-95) when the state media stimulated the production of popular music conveying appropriate narratives of national identity, Croatian popular music has been a site for the articulation of explicit national narratives of identity. The practice has continued into the present day, reflecting political and social change in Croatia (e.g. the growth of the war veterans lobby and protests against the Hague Tribunal).
    [Show full text]
  • Popular Music Making in Canada and Greece Global Music, Local Culture: Popular Music Making In
    POPULAR MUSIC MAKING IN CANADA AND GREECE GLOBAL MUSIC, LOCAL CULTURE: POPULAR MUSIC MAKING IN CANADA AND GREECE By ATHENA ELAFROS, B.A., M.A. A Thesis Submitted to the School ofGraduate Studies In Partial Fulfilment ofthe Requirements For the Degree Doctor ofPhilosophy McMaster University (c) Copyright by Athena Elafros, January 20 II DOCTOR OF PIDLOSOPHY (20 11) McMaster University (Sociology) Hamilton, Ontario TITLE: Global Music, Local Culture: Popular Music Making in Canada and Greece AUTHOR: Athena Elafros, B.A. (University ofToronto), M.A. (Queen's University) SUPERVISOR: Graham Knight COMMITTEE MEMBERS: Tina Fetner Christina Baade NUMBER OF PAGES: vii~ 242 11 Abstract The purpose ofthis dissertation is to better theorize the relationship between cultural production, popular music and cultural identity. While broadly examining popular music, the primary focus ofthis study is on black popular music making and hip hop cultures in Canada and Greece. My dissertation focuses upon three distinct case studies in Toronto, Canada; Athens, Greece; and Vancouver, Canada. Each ofthe three case studies in my dissertation contributes, and offers revisions, to Bourdieusian studies ofcultural production. Whether it is DJs in Toronto trying to assert authorship and legitimate their roles as musicians, an MC in Vancouver trying to conceptualize a new mode ofdiasporic belonging for Greeks ofthe diaspora, or male hip hop practitioners in Athens utilizing their historical knowledge ofthe Greek field of popular music to authenticate their pursuits in rap music, each case study provides a different lens through which to understand how popular music makers use music in their quests for cultural legitimacy, diasporic belonging and/or authentication.
    [Show full text]
  • Voyager Golden Record Interstellar Overdrive the Bluesprint Roots of Rhythm Beth Aq Young Elder of Jazz Record Digging Radio Festival Daily Prizes 2017
    PBS 106.7 FM • Member Magazine MAY 2017 VOYAGER GOLDEN RECORD INTERSTELLAR OVERDRIVE THE BLUESPRINT ROOTS OF RHYTHM BETH AQ YOUNG ELDER OF JAZZ RECORD DIGGING RADIO FESTIVAL DAILY PRIZES 2017 Performer Prize Mon 15th May Fri 19th May Tues 23rd May Sat 27th May Remote Control 10 CD pack. Cooking Vinyl 10 CD pack. ACMI Wallace & Gromit family membership. Rightwire qualified electrician for 8 hours. Three weekday rehearsals at Bakehouse Strawberry Fields 2017 double pass. Inertia 10 CD pack. Mini Pass for Melbourne International Film Festival 2017. ACMI Wallace & Gromit family membership. Studios, EP mastering by Adam Dempsey Thread Den Sewing Basics for Beginners course. EMI 5 CD pack. Remote Control 10 CD pack. Warner 10 CD pack. Puffing Billy family pass. Peninsula Hot Springs Bath House double pass. Inertia 10 CD pack. Pilkington Jewellers gift voucher. at Deluxe Mastering, photography package Gravity Espresso Golden Ticket voucher. Strawberry Fields 2017 double pass. Secret Service 8 CD pack. The Moor's Head dinner for 4 voucher. from Lucy Spartalis, music video package Chapter Music 10 CD pack. The Moor's Head dinner for 4 voucher. Peninsula Hot Springs Bath House double pass. Thread Den Vintage Hair and Beauty workshop. Cobra Snake Necktie Records and Love & Theft Recording Co pack. Chapter Music 10 CD pack. Corner Hotel dinner & show voucher for 2. Annual double pass to PBS' Soul-A-Go-Go. from Samurai AV, a Clingan Guitar Tone Madman 5 DVD pack. Polyester Records voucher. Thornbury Records voucher. Thornbury Records voucher. voucher, plus a Silvertone 1303 U2 Heartland Records voucher. A Bialetti Stove Top Coffee Maker, Single Origin Honduras Ginger Hair voucher.
    [Show full text]
  • Greek Popular Music and Ethno-Class Politics in Israel, 1952-1982
    UNIVERSITY OF CALIFORNIA Los Angeles Becoming Mediterranean: Greek Popular Music and Ethno-Class Politics in Israel, 1952-1982 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Oded Erez 2016 ProQuest Number: 10137569 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. ProQuest 10137569 Published by ProQuest LLC (2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 ABSTRACT OF THE DISSERTATION Becoming Mediterranean: Greek Popular Music and Ethno-Class Politics in Israel, 1952-1982 by Oded Erez Doctor of Philosophy in Musicology Universoty of California, Los Angeles, 2016 Professor Tamara Judith-Marie Levitz, Chair This dissertation provides a history of the practice of Greek popular music in Israel from the early 1950s to the 1980s, demonstrating how it played a significant role in processes of ethnization. I argue that it was the ambiguous play between Greek music’s discursive value (its “image”) and the semiotic potential of its sound and music-adjacent practices, that allowed for its double-reception by Euro-Israeli elites and Working-class immigrants from Arab and Muslim countries (Mizrahim).
    [Show full text]
  • President Jean-Claude Juncker Wednesday, 29 June 2016 European Commission Rue De La Loi 200 1049 Brussels Belgium
    President Jean-Claude Juncker Wednesday, 29 June 2016 European Commission Rue de la Loi 200 1049 Brussels Belgium Re. Securing a sustainable future for the European music sector Dear President Juncker, As recording artists and songwriters from across Europe and artists who regularly perform in Europe, we believe passionately in the value of music. Music is fundamental to Europe’s culture. It enriches people’s lives and contributes significantly to our economies. This is a pivotal moment for music. Consumption is exploding. Fans are listening to more music than ever before. Consumers have unprecedented opportunities to access the music they love, whenever and wherever they want to do so. But the future is jeopardised by a substantial “value gap” caused by user upload services such as Google’s YouTube that are unfairly siphoning value away from the music community and its artists and songwriters. This situation is not just harming today’s recording artists and songwriters. It threatens the survival of the next generation of creators too, and the viability and the diversity of their work. The value gap undermines the rights and revenues of those who create, invest in and own music, and distorts the market place. This is because, while music consumption is at record highs, user upload services are misusing “safe harbour” exemptions. These protections were put in place two decades ago to help develop nascent digital start-ups, but today are being misapplied to corporations that distribute and monetise our works. Right now there is a unique opportunity for Europe’s leaders to address the value gap.
    [Show full text]
  • Cecilia Eleonora Melella Universidad De Buenos Aires (Argentina) [email protected]
    LA DANZA COMO PIEZA CONSTRUCTORA DE LA IDENTIDAD GRIEGA EN BUENOS AIRES Cecilia Eleonora Melella Universidad de Buenos Aires (Argentina) [email protected] Resumen Esta investigación se plantea interrogantes sobre la construcción identitaria de la colectividad griega del barrio de Palermo, en Buenos Aires, a partir del análisis de discursos, prácticas actuales que se vinculan directamente con la experiencia vivida por ese grupo, como las danzas, la gastronomía, etcétera. Se parte de considerar a la construcción identitaria como una representación, un discurso particular e histórico, relacional, por lo cual es plausible reconstruir la identidad de un grupo a partir del análisis de los discursos que constituyen dicho texto identitario. Por otro lado, se considera que en el imaginario social instituido, Grecia es semejante al “origen de la civilización occidental”, cuna de filósofos, poetas, matemáticos, etcétera, y por consiguiente es sinónimo de la “alta cultura”. Estas condiciones ameritan interrogarse ¿Qué rasgos tiene en común esa construcción de identidad con el imaginario social instituido de la cultura griega? Palabras clave: identidad, experiencia, discurso, imaginario. Este trabajo se propone trazar hipótesis acerca de la construcción identitaria de la colectividad griega del barrio de Palermo. Este ser griego en Buenos Aires se entrecruza con otros discursos que tienen que ver con Grecia como país, y con Grecia –antigua– como civilización y/o cultura. Dentro de este imaginario, que podemos denominar instituido por la sociedad moderna (se denomina imaginario instituido por la sociedad moderna a fin de simplificar los términos. Si bien se puede pensar la importancia de Grecia para Occidente, es decir para la sociedad moderna occidental, en esta investigación sólo se tomó como margen de referencia la sociedad porteña actual).
    [Show full text]
  • Murano Glass Diamond-Shaped Pendant - Blue Pendant - Green Code: KC80MURANO BLUE Code: KC80MURANO GREEN $19.95 $19.95
    Murano Glass Diamond-Shaped Murano Glass Diamond-Shaped Pendant - Blue Pendant - Green Code: KC80MURANO_BLUE Code: KC80MURANO_GREEN $19.95 $19.95 Murano Glass Cross-Shaped Pendant - Murano Glass Cross-Shaped Pendant - Blue Brown Code: KC90MURANO_BLUE Code: KC90MURANO_BROWN $19.95 $19.95 Murano Glass Cross-Shaped Pendant - Murano Glass Cross-Shaped Pendant - Green Rainbow Code: KC90MURANO_GREEN Code: KC90MURANO_RAINBOW $19.95 $19.95 Murano Glass Cross-Shaped Pendant - Murano Glass Teardrop Pendant - Yellow Amber & Silver Code: KC90MURANO_YELLOW Code: KC95MURANO_AMBER $19.95 $24.95 Murano Glass Teardrop Pendant - Black Murano Glass Teardrop Pendant - Blue & White & Red Code: KC95MURANO_BLACKWHITE Code: KC95MURANO_BLUERED $24.95 $24.95 Murano Glass Teardrop Pendant - Blue Murano Glass Teardrop Pendant - & White Rainbow Code: KC95MURANO_BLUEWHITE Code: KC95MURANO_RAINBOW $24.95 $24.95 Murano Glass Teardrop Pendant - Evil Eye Goodluck Keychain - Koukla for Tri-Color "Doll" in Greek Code: KC95MURANO_TRICOLOR Code: MK2000KOUKLA $24.95 $9.95 Evil Eye Goodluck Keychain - Maggas Evil Eye Goodluck Keychain - Nona for for "Dude" in Greek Godmother in Greek Code: MK2000MAGGAS Code: MK2000NONA $9.95 $9.95 Evil Eye Goodluck Keychain - Nouno for Evil Eye Goodluck Keychain - Pappou Godfather in Greek for Grandfather in Greek Code: MK2000NOUNO Code: MK2000PAPPOU $9.95 $9.95 Evil Eye Goodluck Keychain - Theia for Evil Eye Goodluck Keychain - Theios for Aunt in Greek Uncle in Greek Code: MK2000THEIA Code: MK2000THEIOS $9.95 $9.95 Disclaimer: The list price
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Becoming Mediterranean
    UNIVERSITY OF CALIFORNIA Los Angeles Becoming Mediterranean: Greek Popular Music and Ethno-Class Politics in Israel, 1952-1982 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Oded Erez 2016 ABSTRACT OF THE DISSERTATION Becoming Mediterranean: Greek Popular Music and Ethno-Class Politics in Israel, 1952-1982 by Oded Erez Doctor of Philosophy in Musicology Universoty of California, Los Angeles, 2016 Professor Tamara Judith-Marie Levitz, Chair This dissertation provides a history of the practice of Greek popular music in Israel from the early 1950s to the 1980s, demonstrating how it played a significant role in processes of ethnization. I argue that it was the ambiguous play between Greek music’s discursive value (its “image”) and the semiotic potential of its sound and music-adjacent practices, that allowed for its double-reception by Euro-Israeli elites and Working-class immigrants from Arab and Muslim countries (Mizrahim). This ambiguity positioned Greek music as a site for bypassing, negotiating, and subverting the dichotomy between Jew and Arab. As embodied in the 1960s by the biggest local star of Greek music––Aris San (1940- 1992) ––and by Greek international films such as Zorba the Greek, Greece and “Greekness” were often perceived as an unthreatening (i.e. neither Arab nor Muslim) Mediterranean culture. ii At the same time, much of the popular music practiced under the Greek sign betrayed the lingering influence of earlier Ottoman café music, which it shared with other forms of popular and traditional music from across the Middle East. As such, it successfully furnished sonic spaces catering to immigrants from Arab and Muslim countries and even to Palestinian-Arab audiences, and provided a model for the hybridization and modernization of Oriental musical practices and tastes.
    [Show full text]
  • MUZIEK EN NATIONALE IDENTITEIT in BULGARIJE Scriptie Voor De Ma
    Universiteit Gent Master Oost-Europese talen en culturen Major Russisch en Kroatisch/Servisch Academiejaar 2008-2009 HET ČALGACOMPLEX: MUZIEK EN NATIONALE IDENTITEIT IN BULGARIJE Scriptie voor de masterproef Augustus 2009 Promotor: Prof. Dr. Raymond Detrez Joke Wils Voorwoord Hartelijk dank aan mijn promotor professor Raymond Detrez voor het boeiende onderwerp dat hij mij voorstelde en zijn goede raad en suggesties. Ook hartelijk dank aan Ivana, Silviya, Maya, Vlado en Rada voor de boeiende gesprekken en interessante tips. Ten slotte wil ik ook mijn naaste omgeving (al dan niet čalgafans) voor hun steun en hulp bedanken. III Inhoudsopgave Inleiding .....................................................................................................................................1 1 De voorlopers van čalga.......................................................................................................3 1.1 Svatbarska muzika.........................................................................................................3 1.1.1 Muziek en politiek onder het communistisch bewind............................................3 1.1.2 De band tussen svatbarska muzika en čalga...........................................................6 1.2 Novokomponovana .......................................................................................................8 2 De naam čalga ......................................................................................................................9 2.1 Oorsprong en betekenis.................................................................................................9
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Becoming Mediterranean: Greek Popular Music and Ethno-Class Politics in Israel, 1952-1982 Permalink https://escholarship.org/uc/item/3mq0x9w4 Author Erez, Oded Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Becoming Mediterranean: Greek Popular Music and Ethno-Class Politics in Israel, 1952-1982 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Oded Erez 2016 ABSTRACT OF THE DISSERTATION Becoming Mediterranean: Greek Popular Music and Ethno-Class Politics in Israel, 1952-1982 by Oded Erez Doctor of Philosophy in Musicology Universoty of California, Los Angeles, 2016 Professor Tamara Judith-Marie Levitz, Chair This dissertation provides a history of the practice of Greek popular music in Israel from the early 1950s to the 1980s, demonstrating how it played a significant role in processes of ethnization. I argue that it was the ambiguous play between Greek music’s discursive value (its “image”) and the semiotic potential of its sound and music-adjacent practices, that allowed for its double-reception by Euro-Israeli elites and Working-class immigrants from Arab and Muslim countries (Mizrahim). This ambiguity positioned Greek music as a site for bypassing, negotiating, and subverting the dichotomy between Jew and Arab. As embodied in the 1960s by the biggest local star of Greek music––Aris San (1940- 1992) ––and by Greek international films such as Zorba the Greek, Greece and “Greekness” were often perceived as an unthreatening (i.e.
    [Show full text]