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Mad Radio 106,2
#WhoWeAre To become the largest Music Media and Services organization in the countries we operate, providing services and products which cover all communication & media platforms, satisfying directly and efficiently both our client’s and our audience’s needs, maintaining at the same time our brand's creative and subversive character. #MISSION #STRUCTURE NEW MEDIA TV EVENTS RADIO WEB INTERNATIONAL & SERVICES MAD 106,2 Mad TV www.mad.gr DIGITAL VIDEO MUSIC MadRADIO Mad TV CYPRUS GREECE MARKETING AWARDS Mad HITS/ CONTENT Mad TV MADWALK 104FM SOCIAL MEDIA OTE Conn-x SERVICES ALBANIA Mad GREEKζ/ MAD MUSIC ANTENNA EUROSONG NOVA @NOVA SATELLITE MAD PRODUCTION NORTH STAGE Dpt FESTIVAL YouTube #TV #MAD TV GREECE • Hit the airwaves on June 6th, 1996 • One of the most popular music brands in Greece*(Focus & Hellaspress) • Mad TV has the biggest digital database of music content in Greece: –More than 20.000 video clips –250.000 songs –More than 1.300 hours of concerts and music documentaries –Music content database with tens of thousands music news, biographical information –and photographic material of artists, wallpapers, ring tones etc. • Mad TV has deployed one of the most advanced technical infrastructures and specialized IT/Technical/ Production teams in Greece. • Mad TV Greece is available on free digital terrestrial, cable, IPTV, satellite and YouTube all over Greece. #PROGRAM • 24/7 youth program • 50% International + 50% Greek Music • All of the latest releases from a wide range of music genres • 30 different shows/ week (21 hours of live -
Olympic's Last Flight to NY
O C V ΓΡΑΦΕΙ ΤΗΝ ΙΣΤΟΡΙΑ Bringing the news ΤΟΥ ΕΛΛΗΝΙΣΜΟΥ to generations of ΑΠΟ ΤΟ 1915 The National Herald Greek Americans c v A WEEKLY GREEK AMERICAN PUBLICATION www.thenationalherald.com VOL. 12, ISSUE 625 October 3, 2009 $1.25 Farewell To Hellenism’s Home in the Air: Olympic’s Last Flight to N.Y. Tears, Anger And Disappointment Mark Final Flights to and From JFK; Future is Unclear By Stavros Marmarinos er, “It is too bad for Olympic to fin- and Theodore Kalmoukos ish this way. I hope that whichever Special to The National Herald airlines take its place, will operate at the same level as Olympic. We NEW YORK – The passengers on cared a lot about the company all the Airbus A3400-300 cried when these years; we are the first compa- the head stewardess announced on ny in the world with a perfect Monday, September 28 that the fi- record of safety. All the passengers nal Olympic flight from Athens to have been asking us for the past JFK Airport in New York had just few months about the end of landed. The sadness in her voice Olympic.” Captain Papadakos does- marked the end of an era. Olympic n’t want to work for the successor Airlines, the national air carrier of airline. He said, “It is a small com- Greece which has transported hun- pany for now, which doesn’t fulfill dreds of thousands of Greek Ameri- me, and I do not want to work cans safely for more than half a there.” On the historic final flight century back and forth from the Captain Papadakos would be ac- land of their fathers and forefa- companied by his wife Maria. -
Dead Heroes and Living Saints: Orthodoxy
Dead Heroes and Living Saints: Orthodoxy, Nationalism, and Militarism in Contemporary Russia and Cyprus By Victoria Fomina Submitted to Central European University Department of Sociology and Social Anthropology In partial fulfillment of the requirements for the degree of Doctor of Philosophy Supervisors: Professor Vlad Naumescu Professor Dorit Geva CEU eTD Collection Budapest, Hungary 2019 Budapest, Hungary Statement I hereby declare that this dissertation contains no materials accepted for any other degrees in any other institutions and no materials previously written and / or published by any other person, except where appropriate acknowledgement is made in the form of bibliographical reference. Victoria Fomina Budapest, August 16, 2019 CEU eTD Collection i Abstract This dissertation explores commemorative practices in contemporary Russia and Cyprus focusing on the role heroic and martyrical images play in the recent surge of nationalist movements in Orthodox countries. It follows two cases of collective mobilization around martyr figures – the cult of the Russian soldier Evgenii Rodionov beheaded in Chechen captivity in 1996, and two Greek Cypriot protesters, Anastasios Isaak and Solomos Solomou, killed as a result of clashes between Greek and Turkish Cypriot protesters during a 1996 anti- occupation rally. Two decades after the tragic incidents, memorial events organized for Rodionov and Isaak and Solomou continue to attract thousands of people and only seem to grow in scale, turning their cults into a platform for the production and dissemination of competing visions of morality and social order. This dissertation shows how martyr figures are mobilized in Russia and Cyprus to articulate a conservative moral project built around nationalism, militarized patriotism, and Orthodox spirituality. -
Music, Image, and Identity: Rebetiko and Greek National Identity
Universiteit van Amsterdam Graduate School for Humanities Music, Image, and Identity: Rebetiko and Greek National Identity Alexia Kallergi Panopoulou Student number: 11655631 MA Thesis in European Studies, Identity and Integration track Name of supervisor: Dr. Krisztina Lajosi-Moore Name of second reader: Prof. dr. Joep Leerssen September 2018 2 Table of Contents Introduction ......................................................................................................................... 4 Chapter 1 .............................................................................................................................. 6 1.1 Theory and Methodology ........................................................................................................ 6 Chapter 2. ........................................................................................................................... 11 2.1 The history of Rebetiko ......................................................................................................... 11 2.1.1 Kleftiko songs: Klephts and Armatoloi ............................................................................... 11 2.1.2 The Period of the Klephts Song .......................................................................................... 15 2.2 Rebetiko Songs...................................................................................................................... 18 2.3 Rebetiko periods .................................................................................................................. -
Athens-FDI-Premoot-Report TELIKO.Pdf
1 The Athens Public International Law Center (Athens PIL) was founded in July 2015. It is an academic institution that forms part of the Faculty of Law of the National and Kapodistrian University of Athens. The mission of Athens PIL is to be a leading research center committed to the study and promotion of International Law. The Centre’s objective is; to contribute to the promotion of International Law through teaching, research and other scientific events; to unite students, academics and practitioners with a keen interest in International Law; to play a pivotal role in the development of International Law through the formation of partnerships with important academic institutions. The Centre’s key activities include expert seminars and meetings on carefully selected topics of International Law and the organization of conferences on topical issues of international character. 1 Welcome to the 1st Virtual Athens FDI PreMoot 2020… Dear all, The recent pandemic has brought the world before a critical change in their lives and requires rapid and thorough adjustment to the new conditions and the applied measures. In the light of the Covid-19 developments, and as our number one priority remains that everyone stays healthy and safe, FDI Moot 2020 goes virtual. We are confident that this new development will not inhibit the interaction between the legal and moot community. On the contrary, it will be seen as a good chance to eliminate distance barriers and foster meaningful dialogue on the hottest topics of investment arbitration. The Athens Public International Law Center (Athens PIL), willing to contribute to the preparation of the teams participating at the FDI Moot 2020, is delighted to host its 1st Virtual Athens FDI PreMoot, which is going to be held from 23 to 25 October 2020. -
L'italia E L'eurovision Song Contest Un Rinnovato
La musica unisce l'Europa… e non solo C'è chi la definisce "La Champions League" della musica e in fondo non sbaglia. L'Eurovision è una grande festa, ma soprattutto è un concorso in cui i Paesi d'Europa si sfidano a colpi di note. Tecnicamente, è un concorso fra televisioni, visto che ad organizzarlo è l'EBU (European Broadcasting Union), l'ente che riunisce le tv pubbliche d'Europa e del bacino del Mediterraneo. Noi italiani l'abbiamo a lungo chiamato Eurofestival, i francesi sciovinisti lo chiamano Concours Eurovision de la Chanson, l'abbreviazione per tutti è Eurovision. Oggi più che mai una rassegna globale, che vede protagonisti nel 2016 43 paesi: 42 aderenti all'ente organizzatore più l'Australia, che dell'EBU è solo membro associato, essendo fuori dall'area (l’anno scorso fu invitata dall’EBU per festeggiare i 60 anni del concorso per via dei grandi ascolti che la rassegna fa in quel paese e che quest’anno è stata nuovamente invitata dall’organizzazione). L'ideatore della rassegna fu un italiano: Sergio Pugliese, nel 1956 direttore della RAI, che ispirandosi a Sanremo volle creare una rassegna musicale europea. La propose a Marcel Bezençon, il franco-svizzero allora direttore generale del neonato consorzio eurovisione, che mise il sigillo sull'idea: ecco così nascere un concorso di musica con lo scopo nobile di promuovere la collaborazione e l'amicizia tra i popoli europei, la ricostituzione di un continente dilaniato dalla guerra attraverso lo spettacolo e la tv. E oltre a questo, molto più prosaicamente, anche sperimentare una diretta in simultanea in più Paesi e promuovere il mezzo televisivo nel vecchio continente. -
New York City
Greased Networks, Inc. www.mpGreek.com / www.mpGreek.gr New York City -- Tuesday, June 21st , 2005 mpGreek and SonyBMG sign deal to offer Greek music downloads NEW YORK, June 21st, 2005 / / mpGreek®, the global leader in Greek digital music services, today announced that it has signed a deal with SonyBMG Greece to sell SonyBMG’s digital downloads in Greece. mpGreek is the first Greek digital music service to sign with a multinational Record Label. Under this new agreement, a selection of SonyBMG repertoire will be included in mpGreek’s ‘a la carte’ digital download service. All SonyBMG repertoire will be served centrally by mpGreek directly to its users and will be protected with digital rights management software and will allow mpGreek users to burn a limited number of CD copies and export tracks to portable devices. The music of Anna Vissi, Antonis Remos, Kaiti Garbi, Mario Frangoulis, Helena Paparizou, Eleni Tsaliopoulou, Manolis Lidakis, Natassa Theodoridou and many more will now become available for the first time for digital downloads in Greece. Alexis Kombogiannis, Managing Director and Co-Founder of mpGreek said: “SonyBMG is the first of the major labels to partner with mpGreek and we’re proud to offer legal, competitively priced downloads to mpGreek customers. The addition of the SonyBMG catalogue to the 25,000 tracks we already have available is great news for Greek music fans who value quality music and quality recordings.” Mr. Dimitris Yarmenitis, Managing Director, SonyBMG Greece commented: “SonyBMG Greece always tries to find new and exciting ways in order to make the music of its artists available to consumers. -
Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia
Museum Policies in Europe 1990 – 2010: Negotiating Professional and Political Utopia Lill Eilertsen & Arne Bugge Amundsen (eds) EuNaMus Report No 3 Museum Policies in Europe 1990–2010: Negotiating Professional and Political Utopia (EuNaMus Report No. 3) Lill Eilertsen & Arne Bugge Amundsen (eds) Copyright The publishers will keep this document online on the Internet – or its possible replacement – from the date of publication barring exceptional circumstances. The online availability of the document implies permanent permission for anyone to read, to download, or to print out single copies for his/her own use and to use it unchanged for noncommercial research and educational purposes. Subsequent transfers of copyright cannot revoke this permission. All other uses of the document are conditional upon the consent of the copyright owner. The publisher has taken technical and administrative measures to assure authenticity, security and accessibility. According to intellectual property law, the author has the right to be mentioned when his/her work is accessed as described above and to be protected against infringement. For additional information about Linköping University Electronic Press and its procedures for publication and for assurance of document integrity, please refer to its www home page: http://www.ep.liu.se/. Linköping University Interdisciplinary Studies, No. 15 ISSN: 1650-9625 Linköping University Electronic Press Linköping, Sweden, 2012 URL: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-81315 Copyright © The Authors, 2012 This report has been published thanks to the support of the European Union’s Seventh Framework Programme for Research - Socio-economic Sciences and Humanities theme (contract nr 244305 – Project European National Museums: Identity Politics, the Uses of the Past and the European Citizen). -
Kalliopi Stiga Rhythm and Greekness in the Cities of Mikis Theodorakis
PRINCIPLES OF MUSIC COMPOSING: The Phenomenon of Rhythm | XIII | muzikos komponavimo pRincipai: ritmo fenomenas Kalliopi Stiga Rhythm and Greekness in the Cities of Mikis Theodorakis Four notes and a rhythm, the syrtaki rhythm, were identified with Mikis Theodorakis and Greek music. Figure 1. Zorba's dance It is the melodic-rhythmic theme of Zorba’s dance, which was immortalized in the homonym film “Zorba the Greek” (1964) by the prominent Cypriot filmmaker Michael Cacoyannis. This dance is rooted in traditional Greek music. Namely, the syrtaki dance – a modern and cheerful dance inspired by Theodorakis – emerges from the combination of two Greek folk dances, the hasapiko dance1 and the hasaposerviko dance2. The use of traditional and popular Greek music rhythms is frequent in Theodorakis’ work. The composer was initiated into Greek traditional music during his childhood while he was acquainted with Greek popular music later on, in 1947 during his exile in Ikaria Island, where he heard for the first time the most famous rebetiko song “Captain Andreas Zepos” (Καπετάν Ανδρέα Ζέπο) by Yannis Papaioannou written in syrtos3 rhythm (2/4). Theodorakis was particularly sensitized early on to the concept of the rhythm. During his adolescence, in the early 1940s, he studied thoroughly and he is deeply influenced by the texts of an important Modern Greek poet Costis Palamas4 (1859–1943). He agreed with the poet’s belief that “the rhythm in poetry – the rhythmic walking – symbolizes the rhythm that governs the Universe” (Theodorakis, 1986, vol. 1: 140–141) and moreover, Theodorakis adds the concept of Harmony. “That is, the rhythmic Harmony, which one realizes through the motion of the stars when gazing into the celestial vault.” (Theodorakis, 1986, vol. -
Kiosk Wars/CD Review
December 1, 2010 Hi John- Here are the CD reviews for the Januaary 2011 issue. I'll be by your office later today to give you the CD covers for scanning. Sending file as back up. Talk soon, Perri Kiosk Wars: The Big Guns Battle for Minimarket Shelf Space Perri Pagonis [email protected] The music industry has gone through such dramatic changes in the past twenty years, that it’s hard to keep track of what’s happening with the record companies at any given moment. Vinyl records, although widely accepted by audiophiles as the most satisfying way to hear recorded music, is for collectors and DJs only. CDs are still the storage medium being most widely manufactured and distributed, however, they are becoming more technologically passé on a daily basis. Downloading digital music off of the Internet in MP3 and other forms is the current youth rage, but kids seem to download scads of stuff on a whim, often times an artist’s entire oeuvre in one fell swoop, and then forget to listen to it. The MySpace phenomenon on the web has made any band’s music, I mean any band’s music, from Micronesian punk rock goofball stuff to selected arias from monumental Italian opera stars, available to download into your computer’s hard disk in seconds. As the age of global stadium stars has dwindled down to a mere handful of selected acts: Rolling Stones, Madonna, U2, AC/DC, Metallica etc, so too has the Greek music scene splintered into a few revered giants and hordes of mewling newbies. -
Låtlista Från DJ Uthyrning 1
DJ Uthyrning Tel nr. 0761 - 122 123 E-post [email protected] Låtlista från DJ uthyrning 1. Engelbert Humperdinck - My World 2. Dean martin - that`s amore 3. Beatles - I Saw Her Standing There 4. Unforgettable - Nat king cole 5. Toto - Rosanna 6. Maxi Priest - Wild world 7. Engelbert Humperdinck - How To Win Your Love 8. Elton John - Nikita 9. Christina Aguilera - Candyman 10. Engelbert humperdinck - Release me 11. E.Humperdink - Quando Quando Quando 12. Nine de angel - Guardian angel 13. Lutricia McNeal - Stranded 14. Tom Jones - Help Yourself 15. The art company - Susanna 16. T.Jones - It's not unusual 17. Simply Red - It's only love 18. Toto - Africa 19. Frank Sinatra - Stranger in the nigth 20. Cher - Dov'e Lamore 21. M.Gaye - Sexual Healing Ultimix 22. Hanne Boel - I Wanna Make Love To You 23. tom jones - Delilah 24. Toto - Hold the line 25. Michel Teló Feat Magnate y Valentino - Ai Se Eu Te Pego (Remix) 26. Tina Turner - What's Love Got To Do With It (Special Extended Mix) 27. Tina Turner - We Don't Need Another Hero 28. DJ.bobo - Everybody 29. Enrique Iglesias - Bailamos 30. Mendez - Carnaval 31. MR President - Coco jamboo 32. Madonna - La isla bonita 33. Culture club - Do you really want to hurt me 34. Carl douglas - Kung fu fighting 35. Tina Turner & Jimmy Barnes - The Best (Extended Version) [Capitol Records] 36. ENGELBERT HUMPERDINK - SPANISH EYES 37. The four seasons - December 1963 38. Tom Jones - Love Me Tonight 39. L.Armostrong - What a wonderful world 40. Elton John - Sad song 41. -
Fire, Poison, and Black Tears : Metaphors of Emotion in Rebétiko
Fire, Poison, and Black Tears : Metaphors of Emotion in Rebétiko Smaragdi, Marianna 2012 Link to publication Citation for published version (APA): Smaragdi, M. (2012). Fire, Poison, and Black Tears : Metaphors of Emotion in Rebétiko. Centre for Languages and Literature, Lund University. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Studia Graeca et Latina Lundensia 18 Fire, poison, and black tears Metaphors of Emotion in Rebétiko Marianna Smaragdi Centre for Languages and Literature 2012 © 2012 Marianna Smaragdi Distributed by: Centre for Languages and Literature Lund University P.O. Box 201 SE-211 00 Lund ISBN 978-91-7473-363-1 ISSN 1100-7931 Photography: Fredrik Schoug Printed in Sweden by Media-Tryck in Lund 2012 To my parents Ulla Johnsson-Smaragdi, med stor beundran och oändlig saknad Φώτη Σµαραγδή , µε απέραντη αγάπη κι ευγνωµοσύνη Acknowledgements There is a great number of people to whom I would like to express my gratitude for support of various kinds, and without whom this dissertation would not have been possible.